Tom Stoppard's biographical drama:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | Undetermined |
| Veröffentlicht: |
Trier
WVT, Wiss. Verl. Trier
2008
|
| Schriftenreihe: | CDE studies
17 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 367 S. |
| ISBN: | 9783868210439 |
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Datensatz im Suchindex
| _version_ | 1812256501223391232 |
|---|---|
| adam_text |
CONTENTS
I. Introduction
1
II. Biography
1
і
1.
The problems of a definition
12
2.
The development of English biography
15
a. Moralistic functions of antique biography
15
b. English biography in the eighteenth century:
Johnson and BosweJl
17
с
Romantic and Victorian biography
20
d. New Biography: Freud, Strachey and
Woolf
23
e.
From modern to postmodern biography
32
3.
Biography today: An assessing overview
45
a. Functions of biography
45
b. Forms of biography
48
4.
Points of contention in biography
54
III. Biography in Drama
63
1.
Historical drama: Definition and types
63
2.
Biographical drama: Definition and types
68
3.
New Biography and biographical drama
74
4.
The literary biography play
76
5.
Some common literary concepts in
biographical drama
79
a. 'Pre-judices' and stereotypes
79
b. Intertextuality and intermediality
82
с
Parody
83
IV.
Rosencrantz and
G
uildenstern
are Dead
:
The Blurred Boundary between Myth
and Biography
85
1.
The biographical mode of the play
86
a. The Hamlet myth as a reference matrix
for the deconstraction of stereotypes
86
b. Debunking the anti-heroes
90
c. Biographical reconstruction of Ros's and Guil's
dark areas with Hamlet as a 'primary source'
94
2.
The relationship between dramatic fact
and biographical fiction
96
3.
Reasoning from novel to play: The topic of
biography in Lord Malquist and Mr Moon
107
4.
Recapitulation: Truth is only that
which is taken to be true
113
V. Travesties: Biography as 'Memoir Play 1
15
1.
Travesties as a historical and biographical drama
116
a. The fictionalisation of fact
121
b. Memory going Wilde: Travesties as a
metahistorical and metabiographical drama
122
2.
Can* debunking the heroes: Joyce, Lenin
and
Tzara
through the biographer's eyes
125
3.
Representations and contradictions of history,
art and politics in the four main characters
132
4.
Recapitulation: My memoirs, is it, then?
140
VI. Arcadia: Accenting the Epistemological
Process of Biography
143
1.
Ideological landscapes
144
a. Landscape gardening: The change from Classicism
to Romanticism
144
b. Apposing universes: 'Classical' Newtonian physics
and 'Romantic' chaos theory
148
2.
The twofold structure: Semantic doublings
and varying characteristic repetitions
155
3.
'Byrongraphical' constructions
159
4.
Chaotic structure and design
167
5.
Recapitulation: It's wanting to know
that makes us matter
170
VII.
Indian Ink: The Relationship between
Biographical Facts and Art
173
1.
The post/colonial debate
175
a. Flora Crewe and Nirad Das
176
b. Mrs Eleanor Swan and Anish Das
180
c. Eldon
Pike and Dilip
182
2.
The construction of biographical identity
186
3.
Researching biographical truth
188
4.
The relation of art to life
194
5.
Recapitulation: The truth will never he known
199
VIII.
The Invention of Love: The Subordination of
Biographical Facts to Artistic Truth
201
1.
The dichotomous structure: Metadramatic
and metabiographical disclosure
203
2.
Oxford lecturers and London journalists:
Vice vs. virtue
208
3.
AEH
and Housman: Identity formation
in a divided self
214
4.
AEH and Wilde: The Apollonian and Dionysian
221
5.
The difference between biographical facts
and artistic truth
227
6.
Recapitulation: Biography is the mesh through
which our real life escapes
231
IX. The Coast of Utopia:
The 'Causal-Realistic' Presentation
of Biography
235
1.
The macroscopic level: The Coast of Utopia
as a conventional and realistic biography play
236
a. The Aristotelian plot of the trilogy
237
b. Language as a means of realism
242
с
Intermedialny
and intertextuality as
non-disturbing elements
243
2.
The microscopic level: Voyage, Shipwreck and Salvage
as innovative biography plays
246
a. Voyage: The reversal of the Aristotelian
cause-and-effect chain
246
b. Idealism vs. realism:
Schelling, Kant,
Fichte
and Hegel
250
с
Illusion vs. truth: Deconstructing
Chekhov through Chekhov
267
d. Shipwreck: Reprise and continuation
-
The swirl of history
273
e. Salvage: Reflecting on the macrostructure
-
The Aristotelian plot
277
f. The Coast of Utopia: The apposition of characters
-
Bakunin,
Herzen, Belinsky
andTurgenev
280
g. Voyage,
Shipwreck and Salvage: Mediating the
ambiguity of language through language, and
identity formation through language
299
h. Salvage and Shipwreck: Intertextuality and intermediality
as metafictional and metabiographical means
-
Fathers and Sons and
Le Déjeuner sur l'herbe
308
3.
The dialectics of The Coast of Utopia
313
4.
Recapitulation: History itself is the main character
of the
árama
and also its author
317
X. Conclusion
329
Works Cited
339
Tom Stoppard
once told a reporter he wanted his own biography
to be as inaccurate as possible, a statement he corroborated
by denying his biographer's request to correct any factual
errors in the latter's typescript. On receiving a copy of the
first ever complete biographical account of himself, he reacted
with surprise, exclaiming: "How is it so big?" At the same
time,
Stoppard
usually begins his preparations for a new play
by devouring life-writings of its historical subjects, incorporating
passages of them, often verbatim, into his plays.
Stoppard,
it seems, has an ambivalent attitude towards the genre of
biography, on the one hand questioning its verisimilitude and
its relation to an actuaL life, while on the other hand relying
on the factual information it yields for his work.
Historical personalities such as James Joyce, Lenin and Tristan
Tzara,
Lord Byron, A.E. Housman and Oscar Wilde, Alexander
Herzen
and Michael Bakunin, to name only a few, have been
the main characters of some of Stoppard's plays. Add to this
a metahistorical and metabiographical constituent and the
continuous discussion of different historical concepts. Never¬
theless, studies regarding the playwright as a historical
dramatist are few and far between. The present study will go
even further by claiming that with his focus on the individual
in history, and by broaching the question of the
(im)
possibility
of its reconstruction,
Stoppard
is in many respects not only
a historical, but chiefly a biographical dramatist.
The textual corpus of this study consists of Stoppard's biography
plays
Rosencrantz
and Guildenstern are Dead
(1966/67),
Travesties
(1974),
Arcadia
(1993),
Indian Ink
(1995),
The
Invention of Love
(1997)
and Voyage, Shipwreck, Salvage: The
Coast of Utopia part I-III
(2002).
In order to arrive at an
understanding of biography in Stoppard's drama, the study
considers the genre of life-writing in itself and, as a second
theoretical framework, the genre of biographical drama. Hence,
the book is directed at two kinds of readers: readers looking
for a survey of biography, biography in drama and Stoppard's
individual biography plays, and, most importantly, readers
interested in the artistic and thematic development of Stoppard's
biographical drama from the classic
Rosencrantz
and Guildenstern
are Dead to the monumental The Coast of Utopia. |
| adam_txt |
CONTENTS
I. Introduction
1
II. Biography
1
і
1.
The problems of a definition
12
2.
The development of English biography
15
a. Moralistic functions of antique biography
15
b. English biography in the eighteenth century:
Johnson and BosweJl
17
с
Romantic and Victorian biography
20
d. New Biography: Freud, Strachey and
Woolf
23
e.
From modern to postmodern biography
32
3.
Biography today: An assessing overview
45
a. Functions of biography
45
b. Forms of biography
48
4.
Points of contention in biography
54
III. Biography in Drama
63
1.
Historical drama: Definition and types
63
2.
Biographical drama: Definition and types
68
3.
New Biography and biographical drama
74
4.
The literary biography play
76
5.
Some common literary concepts in
biographical drama
79
a. 'Pre-judices' and stereotypes
79
b. Intertextuality and intermediality
82
с
Parody
83
IV.
Rosencrantz and
G
uildenstern
are Dead
:
The Blurred Boundary between Myth
and Biography
85
1.
The biographical mode of the play
86
a. The Hamlet myth as a reference matrix
for the deconstraction of stereotypes
86
b. Debunking the anti-heroes
90
c. Biographical reconstruction of Ros's and Guil's
dark areas with Hamlet as a 'primary source'
94
2.
The relationship between dramatic fact
and biographical fiction
96
3.
Reasoning from novel to play: The topic of
biography in Lord Malquist and Mr Moon
107
4.
Recapitulation: Truth is only that
which is taken to be true
113
V. Travesties: Biography as 'Memoir Play 1
15
1.
Travesties as a historical and biographical drama
116
a. The fictionalisation of fact
121
b. Memory going Wilde: Travesties as a
metahistorical and metabiographical drama
122
2.
Can* debunking the heroes: Joyce, Lenin
and
Tzara
through the biographer's eyes
125
3.
Representations and contradictions of history,
art and politics in the four main characters
132
4.
Recapitulation: My memoirs, is it, then?
140
VI. Arcadia: Accenting the Epistemological
Process of Biography
143
1.
Ideological landscapes
144
a. Landscape gardening: The change from Classicism
to Romanticism
144
b. Apposing universes: 'Classical' Newtonian physics
and 'Romantic' chaos theory
148
2.
The twofold structure: Semantic doublings
and varying characteristic repetitions
155
3.
'Byrongraphical' constructions
159
4.
Chaotic structure and design
167
5.
Recapitulation: It's wanting to know
that makes us matter
170
VII.
Indian Ink: The Relationship between
Biographical Facts and Art
173
1.
The post/colonial debate
175
a. Flora Crewe and Nirad Das
176
b. Mrs Eleanor Swan and Anish Das
180
c. Eldon
Pike and Dilip
182
2.
The construction of biographical identity
186
3.
Researching biographical truth
188
4.
The relation of art to life
194
5.
Recapitulation: The truth will never he known
199
VIII.
The Invention of Love: The Subordination of
Biographical Facts to Artistic Truth
201
1.
The dichotomous structure: Metadramatic
and metabiographical disclosure
203
2.
Oxford lecturers and London journalists:
Vice vs. virtue
208
3.
AEH
and Housman: Identity formation
in a divided self
214
4.
AEH and Wilde: The Apollonian and Dionysian
221
5.
The difference between biographical facts
and artistic truth
227
6.
Recapitulation: Biography is the mesh through
which our real life escapes
231
IX. The Coast of Utopia:
The 'Causal-Realistic' Presentation
of Biography
235
1.
The macroscopic level: The Coast of Utopia
as a conventional and realistic biography play
236
a. The Aristotelian plot of the trilogy
237
b. Language as a means of realism
242
с
Intermedialny
and intertextuality as
non-disturbing elements
243
2.
The microscopic level: Voyage, Shipwreck and Salvage
as innovative biography plays
246
a. Voyage: The reversal of the Aristotelian
cause-and-effect chain
246
b. Idealism vs. realism:
Schelling, Kant,
Fichte
and Hegel
250
с
Illusion vs. truth: Deconstructing
Chekhov through Chekhov
267
d. Shipwreck: Reprise and continuation
-
The swirl of history
273
e. Salvage: Reflecting on the macrostructure
-
The Aristotelian plot
277
f. The Coast of Utopia: The apposition of characters
-
Bakunin,
Herzen, Belinsky
andTurgenev
280
g. Voyage,
Shipwreck and Salvage: Mediating the
ambiguity of language through language, and
identity formation through language
299
h. Salvage and Shipwreck: Intertextuality and intermediality
as metafictional and metabiographical means
-
Fathers and Sons and
Le Déjeuner sur l'herbe
308
3.
The dialectics of The Coast of Utopia
313
4.
Recapitulation: History itself is the main character
of the
árama
and also its author
317
X. Conclusion
329
Works Cited
339
Tom Stoppard
once told a reporter he wanted his own biography
to be as inaccurate as possible, a statement he corroborated
by denying his biographer's request to correct any factual
errors in the latter's typescript. On receiving a copy of the
first ever complete biographical account of himself, he reacted
with surprise, exclaiming: "How is it so big?" At the same
time,
Stoppard
usually begins his preparations for a new play
by devouring life-writings of its historical subjects, incorporating
passages of them, often verbatim, into his plays.
Stoppard,
it seems, has an ambivalent attitude towards the genre of
biography, on the one hand questioning its verisimilitude and
its relation to an actuaL life, while on the other hand relying
on the factual information it yields for his work.
Historical personalities such as James Joyce, Lenin and Tristan
Tzara,
Lord Byron, A.E. Housman and Oscar Wilde, Alexander
Herzen
and Michael Bakunin, to name only a few, have been
the main characters of some of Stoppard's plays. Add to this
a metahistorical and metabiographical constituent and the
continuous discussion of different historical concepts. Never¬
theless, studies regarding the playwright as a historical
dramatist are few and far between. The present study will go
even further by claiming that with his focus on the individual
in history, and by broaching the question of the
(im)
possibility
of its reconstruction,
Stoppard
is in many respects not only
a historical, but chiefly a biographical dramatist.
The textual corpus of this study consists of Stoppard's biography
plays
Rosencrantz
and Guildenstern are Dead
(1966/67),
Travesties
(1974),
Arcadia
(1993),
Indian Ink
(1995),
The
Invention of Love
(1997)
and Voyage, Shipwreck, Salvage: The
Coast of Utopia part I-III
(2002).
In order to arrive at an
understanding of biography in Stoppard's drama, the study
considers the genre of life-writing in itself and, as a second
theoretical framework, the genre of biographical drama. Hence,
the book is directed at two kinds of readers: readers looking
for a survey of biography, biography in drama and Stoppard's
individual biography plays, and, most importantly, readers
interested in the artistic and thematic development of Stoppard's
biographical drama from the classic
Rosencrantz
and Guildenstern
are Dead to the monumental The Coast of Utopia. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Südkamp, Holger |
| author_GND | (DE-588)135664667 |
| author_facet | Südkamp, Holger |
| author_role | aut |
| author_sort | Südkamp, Holger |
| author_variant | h s hs |
| building | Verbundindex |
| bvnumber | BV023375704 |
| classification_rvk | HG 570 HN 8225 |
| ctrlnum | (OCoLC)644358983 (DE-599)BVBBV023375704 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV023375704 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T21:14:26Z |
| indexdate | 2024-10-07T12:01:19Z |
| institution | BVB |
| isbn | 9783868210439 |
| language | Undetermined |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016558889 |
| oclc_num | 644358983 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-12 DE-20 DE-473 DE-BY-UBG DE-703 DE-29 DE-384 |
| owner_facet | DE-355 DE-BY-UBR DE-12 DE-20 DE-473 DE-BY-UBG DE-703 DE-29 DE-384 |
| physical | 367 S. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | WVT, Wiss. Verl. Trier |
| record_format | marc |
| series | CDE studies |
| series2 | CDE studies |
| spelling | Südkamp, Holger Verfasser (DE-588)135664667 aut Tom Stoppard's biographical drama Holger Südkamp Trier WVT, Wiss. Verl. Trier 2008 367 S. txt rdacontent n rdamedia nc rdacarrier CDE studies 17 Zugl.: Düsseldorf, Univ., Diss., 2007 Stoppard, Tom 1937- (DE-588)118618695 gnd rswk-swf Historisches Drama (DE-588)4025133-0 gnd rswk-swf Fiktion (DE-588)4192723-0 gnd rswk-swf Held (DE-588)4125655-4 gnd rswk-swf Wahrheit (DE-588)4064314-1 gnd rswk-swf Biografie (DE-588)4006804-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Stoppard, Tom 1937- (DE-588)118618695 p Historisches Drama (DE-588)4025133-0 s Held (DE-588)4125655-4 s Biografie (DE-588)4006804-3 s Wahrheit (DE-588)4064314-1 s Fiktion (DE-588)4192723-0 s DE-604 CDE studies 17 (DE-604)BV011141773 17 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016558889&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016558889&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Südkamp, Holger Tom Stoppard's biographical drama CDE studies Stoppard, Tom 1937- (DE-588)118618695 gnd Historisches Drama (DE-588)4025133-0 gnd Fiktion (DE-588)4192723-0 gnd Held (DE-588)4125655-4 gnd Wahrheit (DE-588)4064314-1 gnd Biografie (DE-588)4006804-3 gnd |
| subject_GND | (DE-588)118618695 (DE-588)4025133-0 (DE-588)4192723-0 (DE-588)4125655-4 (DE-588)4064314-1 (DE-588)4006804-3 (DE-588)4113937-9 |
| title | Tom Stoppard's biographical drama |
| title_auth | Tom Stoppard's biographical drama |
| title_exact_search | Tom Stoppard's biographical drama |
| title_exact_search_txtP | Tom Stoppard's biographical drama |
| title_full | Tom Stoppard's biographical drama Holger Südkamp |
| title_fullStr | Tom Stoppard's biographical drama Holger Südkamp |
| title_full_unstemmed | Tom Stoppard's biographical drama Holger Südkamp |
| title_short | Tom Stoppard's biographical drama |
| title_sort | tom stoppard s biographical drama |
| topic | Stoppard, Tom 1937- (DE-588)118618695 gnd Historisches Drama (DE-588)4025133-0 gnd Fiktion (DE-588)4192723-0 gnd Held (DE-588)4125655-4 gnd Wahrheit (DE-588)4064314-1 gnd Biografie (DE-588)4006804-3 gnd |
| topic_facet | Stoppard, Tom 1937- Historisches Drama Fiktion Held Wahrheit Biografie Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016558889&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016558889&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011141773 |
| work_keys_str_mv | AT sudkampholger tomstoppardsbiographicaldrama |