Shakespeare's literary authorship:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | XXV, 296 S. Ill. |
| ISBN: | 9780521881661 |
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Datensatz im Suchindex
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| adam_text | Re-situating Shakespeare historically as an
early modern professional, Patrick Cheney
views him not simply as a man of the theatre,
but also as an author with a literary career.
Cheney argues that Shakespeare s genius for
disappearing into character within the
collaborative work of the theatre counters
Elizabethan England s dominant model of
authorship. Rather than present himself as a
national or laureate poet, as Edmund Spenser
does, Shakespeare conceals his authorship
through dramaturgy, rendering his artistic
techniques and literary ambitions opaque.
Accordingly, recent scholars have attended
more to his innovative theatricality or his
indifference to textuality than to his
contribution to modern English authorship.
By tracking Shakespeare s counter-laureate
authorship , Cheney builds upon his previous
study on Shakespeare and literary authorship,
and demonstrates the presence throughout
the plays of sustained
intertextual
fictions
about the twin media of printed poetry and
theatrical performance. In challenging Spenser
as England s National Poet, Shakespeare
reinvents English authorship as a key part of
his legacy.
SHAKESPEARE S LITERARY AUTHORSHIP PATRICK CHENEY PENNSYLVANIA STATE
UNIVERSITY CAMBRIDGE UNIVERSITY PRESS CONTENTS LIST OF FIGURES PAGE IX
PREFACE XI NOTE ON TEXTS AND REFERENCE XXI LIST OF ABBREVIATIONS XXIII
INTRODUCTION: PRINTLESS FOOT : FINDING SHAKESPEARE I PART I RETHINKING
SHAKESPEAREAN AUTHORSHIP 29 1 THE EPIC SPEAR OF ACHILLES:
SELF-CONCEALING AUTHORSHIP IN THE RAPE OFLUCRECE, TROILUS AND CRESSIDA,
AND HAMLET 31 2 THE FORMS OF COUNTER-LAUREATE AUTHORSHIP : TITUS
ANDRONICUS, A MIDSUMMER NIGHTS DREAM, 1 HENRY IV, THE TEMPEST 63 3 LYRIC
POETRY IN SHAKESPEAREAN THEATRE: AS YOU LIKE IT, 1 HENRY TV, HENRY V,
THE TEMPEST 90 4 BOOKS AND THEATRE IN SHAKESPEARE S PLAYS: RICHARD III,
LOVE S LABOUR S LOST, ROMEO ANDJULIET, OTHELLO 119 PART II FICTIONS OF
AUTHORSHIP 147 5 SHOW OF LOVE ... BOOKISH RULE : BOOKS, THEATRE, AND
LITERARY HISTORY IN 2 HENRY VI 149 6 HALTING SONNETS: THE COMEDY OF
PETRARCHAN DESIRE IN MUCH ADO ABOUT NOTHING 179 VLL VIII CONTENTS 7 THE
PROFESSION OF CONSCIOUSNESS: HAMLET, TRAGEDY, ~ AND THE LITERARY ETERNAL
203 8 VENTING RHYME FOR A MOCKERY: CYMBELINE AND NATIONAL ROMANCE 234
WORKS CITED 265 INDEX 289
|
| adam_txt |
Re-situating Shakespeare historically as an
early modern professional, Patrick Cheney
views him not simply as a man of the theatre,
but also as an author with a literary career.
Cheney argues that Shakespeare's genius for
disappearing into 'character' within the
collaborative work of the theatre counters
Elizabethan England's dominant model of
authorship. Rather than present himself as a
national or laureate poet, as Edmund Spenser
does, Shakespeare conceals his authorship
through dramaturgy, rendering his artistic
techniques and literary ambitions opaque.
Accordingly, recent scholars have attended
more to his innovative theatricality or his
indifference to textuality than to his
contribution to modern English authorship.
By tracking Shakespeare's 'counter-laureate
authorship', Cheney builds upon his previous
study on Shakespeare and literary authorship,
and demonstrates the presence throughout
the plays of sustained
intertextual
fictions
about the twin media of printed poetry and
theatrical performance. In challenging Spenser
as England's National Poet, Shakespeare
reinvents English authorship as a key part of
his legacy.
SHAKESPEARE'S LITERARY AUTHORSHIP PATRICK CHENEY PENNSYLVANIA STATE
UNIVERSITY CAMBRIDGE UNIVERSITY PRESS CONTENTS LIST OF FIGURES PAGE IX
PREFACE XI NOTE ON TEXTS AND REFERENCE XXI LIST OF ABBREVIATIONS XXIII
INTRODUCTION: 'PRINTLESS FOOT': FINDING SHAKESPEARE I PART I RETHINKING
SHAKESPEAREAN AUTHORSHIP 29 1 THE EPIC SPEAR OF ACHILLES:
SELF-CONCEALING AUTHORSHIP IN THE RAPE OFLUCRECE, TROILUS AND CRESSIDA,
AND HAMLET 31 2 THE FORMS OF 'COUNTER-LAUREATE AUTHORSHIP': TITUS
ANDRONICUS, A MIDSUMMER NIGHTS DREAM, 1 HENRY IV, THE TEMPEST 63 3 LYRIC
POETRY IN SHAKESPEAREAN THEATRE: AS YOU LIKE IT, 1 HENRY TV, HENRY V,
THE TEMPEST 90 4 BOOKS AND THEATRE IN SHAKESPEARE'S PLAYS: RICHARD III,
LOVE'S LABOUR'S LOST, ROMEO ANDJULIET, OTHELLO 119 PART II FICTIONS OF
AUTHORSHIP 147 5 'SHOW OF LOVE . BOOKISH RULE': BOOKS, THEATRE, AND
LITERARY HISTORY IN 2 HENRY VI 149 6 HALTING SONNETS: THE COMEDY OF
PETRARCHAN DESIRE IN MUCH ADO ABOUT NOTHING 179 VLL VIII CONTENTS 7 THE
PROFESSION OF CONSCIOUSNESS: HAMLET, TRAGEDY, ~ AND THE LITERARY ETERNAL
' 203 8 VENTING RHYME FOR A MOCKERY: CYMBELINE AND NATIONAL ROMANCE 234
WORKS CITED 265 INDEX 289 |
| any_adam_object | 1 |
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| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
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| dewey-search | 822.33 |
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| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | 1. publ. |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-02T21:14:05Z |
| indexdate | 2024-07-09T21:17:10Z |
| institution | BVB |
| isbn | 9780521881661 |
| language | English |
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| physical | XXV, 296 S. Ill. |
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| publisher | Cambridge Univ. Press |
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| spelling | Cheney, Patrick Gerard 1949- Verfasser (DE-588)128787902 aut Shakespeare's literary authorship Patrick Cheney 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2008 XXV, 296 S. Ill. txt rdacontent n rdamedia nc rdacarrier Shakespeare, William <1564-1616> Authorship Shakespeare, William <1564-1616> Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Autorschaft (DE-588)4130545-0 s DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016558193&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016558193&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cheney, Patrick Gerard 1949- Shakespeare's literary authorship Shakespeare, William <1564-1616> Authorship Shakespeare, William <1564-1616> Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Autorschaft (DE-588)4130545-0 gnd |
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| title | Shakespeare's literary authorship |
| title_auth | Shakespeare's literary authorship |
| title_exact_search | Shakespeare's literary authorship |
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| title_full | Shakespeare's literary authorship Patrick Cheney |
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| title_full_unstemmed | Shakespeare's literary authorship Patrick Cheney |
| title_short | Shakespeare's literary authorship |
| title_sort | shakespeare s literary authorship |
| topic | Shakespeare, William <1564-1616> Authorship Shakespeare, William <1564-1616> Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Autorschaft (DE-588)4130545-0 gnd |
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