Subject to display: reframing race in contemporary installation art
Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez offers the first sustained analysis of their contribu...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Massachusetts ; London, England
MIT Press
[2008]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes Gonzalez, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All of the five American installation artists Gonzalez considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space or power of display in settings that mimic the very spaces that they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, they have also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as "artifacts" and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display. |
| Beschreibung: | Includes bibliographical references (p. [251]-277) and index |
| Beschreibung: | xiii, 297 Seiten Illustrationen |
| ISBN: | 9780262072861 |
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| 520 | 3 | |a Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes Gonzalez, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All of the five American installation artists Gonzalez considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space or power of display in settings that mimic the very spaces that they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, they have also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as "artifacts" and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display. | |
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| adam_text | Titel: Subject to display
Autor: González, Jennifer
Jahr: 2008
ILLUSTRATIONS
ACKNOWLEDGMENTS
vni
xiv
INTRODUCTION: Subject to Display
FRED WILSON: Material Museology
AMALIA MESA-BAINS: Divine Allegories
RENEE GREEN: Genealogies of Contact
NOTES
INDEX
250
278
|
| adam_txt |
Titel: Subject to display
Autor: González, Jennifer
Jahr: 2008
ILLUSTRATIONS
ACKNOWLEDGMENTS
vni
xiv
INTRODUCTION: Subject to Display
FRED WILSON: Material Museology
AMALIA MESA-BAINS: Divine Allegories
RENEE GREEN: Genealogies of Contact
NOTES
INDEX
250
278 |
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| classification_rvk | LO 94036 |
| contents | Introduction : subject to display -- James Luna : artifacts and fictions -- Fred Wilson : material museology -- Amalia Mesa-Bains : divine allegories -- Pepón Osorio : no limits -- Renée Green : genealogies of contact |
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| era_facet | Geschichte 1900-2000 Geschichte 1989-2006 |
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| spelling | González, Jennifer A. Verfasser (DE-588)188354255 aut Subject to display reframing race in contemporary installation art Jennifer A. González Cambridge, Massachusetts ; London, England MIT Press [2008] xiii, 297 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [251]-277) and index Introduction : subject to display -- James Luna : artifacts and fictions -- Fred Wilson : material museology -- Amalia Mesa-Bains : divine allegories -- Pepón Osorio : no limits -- Renée Green : genealogies of contact Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes Gonzalez, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All of the five American installation artists Gonzalez considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space or power of display in settings that mimic the very spaces that they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, they have also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as "artifacts" and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display. Geschichte 1900-2000 Geschichte 1989-2006 gnd rswk-swf Installations (Art) / United States Art, American / 20th century Art, American / 21st century Minority artists / United States Race in art Art américain - 20e siècle Art américain - 21e siècle Artistes issus des minorités - États-Unis Installations (Art) - États-Unis Race dans l'art Art, American 20th century Art, American 21st century Installations (Art) United States Minority artists United States Rasse Motiv (DE-588)4254018-5 gnd rswk-swf Installation Kunst (DE-588)4131808-0 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Installation Kunst (DE-588)4131808-0 s Geschichte 1989-2006 z DE-604 Rasse Motiv (DE-588)4254018-5 s HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016537595&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | González, Jennifer A. Subject to display reframing race in contemporary installation art Introduction : subject to display -- James Luna : artifacts and fictions -- Fred Wilson : material museology -- Amalia Mesa-Bains : divine allegories -- Pepón Osorio : no limits -- Renée Green : genealogies of contact Installations (Art) / United States Art, American / 20th century Art, American / 21st century Minority artists / United States Race in art Art américain - 20e siècle Art américain - 21e siècle Artistes issus des minorités - États-Unis Installations (Art) - États-Unis Race dans l'art Art, American 20th century Art, American 21st century Installations (Art) United States Minority artists United States Rasse Motiv (DE-588)4254018-5 gnd Installation Kunst (DE-588)4131808-0 gnd |
| subject_GND | (DE-588)4254018-5 (DE-588)4131808-0 (DE-588)4078704-7 |
| title | Subject to display reframing race in contemporary installation art |
| title_auth | Subject to display reframing race in contemporary installation art |
| title_exact_search | Subject to display reframing race in contemporary installation art |
| title_exact_search_txtP | Subject to display reframing race in contemporary installation art |
| title_full | Subject to display reframing race in contemporary installation art Jennifer A. González |
| title_fullStr | Subject to display reframing race in contemporary installation art Jennifer A. González |
| title_full_unstemmed | Subject to display reframing race in contemporary installation art Jennifer A. González |
| title_short | Subject to display |
| title_sort | subject to display reframing race in contemporary installation art |
| title_sub | reframing race in contemporary installation art |
| topic | Installations (Art) / United States Art, American / 20th century Art, American / 21st century Minority artists / United States Race in art Art américain - 20e siècle Art américain - 21e siècle Artistes issus des minorités - États-Unis Installations (Art) - États-Unis Race dans l'art Art, American 20th century Art, American 21st century Installations (Art) United States Minority artists United States Rasse Motiv (DE-588)4254018-5 gnd Installation Kunst (DE-588)4131808-0 gnd |
| topic_facet | Installations (Art) / United States Art, American / 20th century Art, American / 21st century Minority artists / United States Race in art Art américain - 20e siècle Art américain - 21e siècle Artistes issus des minorités - États-Unis Installations (Art) - États-Unis Race dans l'art Art, American 20th century Art, American 21st century Installations (Art) United States Minority artists United States Rasse Motiv Installation Kunst USA |
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