The poetics of science fiction:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Harlow ; Munich [u.a.]
Longman
2006
|
| Ausgabe: | 1. publ., transferred to digital print on demand |
| Schriftenreihe: | Textual explorations
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XI, 250 S. |
| ISBN: | 0582369932 0582369940 |
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Datensatz im Suchindex
| _version_ | 1804137711870672896 |
|---|---|
| adam_text | CONTENTS
Acknowledgements
CHAPTER
1:
DEPARTURES: ORIENTATION AND MAPS
1
1.1
Preview
1
1.2
Poetics and science fiction
2
1.3
How to read this book
4
1.4
Prototypes of science fiction
6
1.5
A very brief history of science fiction
9
1.6
Review and preview
10
CHAPTER
2:
MACROLOGICAL: OLD FUTURES
12
2.1
Preview
12
2.2
Future worlds and the framed universe
13
2.2.1
Asimov s robot world
15
2.3
Versions of the future
17
2.4
Exploring the universe
23
2.4.1
An overview of deixis
23
2.4.2
Frames and deictic projection
25
2.4.3
Perceptual deixis
27
2.4.4
Spatial deixis
31
2.4.5
Temporal deixis
34
2.4.6
Relational, textual and compositional deixis
39
2.5
Review
42
CONTENTS
CHAPTER
3: MICROLOGICAL: FUTUREPLAY 47
3.1 Preview 47
3.2
Linguistics on another
planet 48
3.3
Linguistic science in science fiction
50
3.4
Linguistic special effects
56
3.4.1
Collage and documentary fragmentation
57
3.4.2
The vernacular of the future
60
3.4.3
Affective thematising of language
62
3.5
Science fiction and non-science
fiction
67
3.5.1
Modern science fiction as post-modern
literature
68
3.5.2
A poetics from science fiction:
Samuel Delany
70
3.6
Review
73
CHAPTER
4:
MACROLOGICAL: OUTER SPACE
76
4.1
Preview
76
4.2
Pulpstyle
77
4.2.1
The conditions of pulp production
79
4.2.2
Pulp titles
80
4.2.3
Pulp names
81
4.2.4
Neologism in pulp science fiction
82
4.2.5
Narrative
focalisation
in putpstyle
83
4.2.6
The register of pulpstyle
85
4.2.7
Lexical variation in pulpstyle
88
4.2.8
Lexical co-reference and repetition in
pulpstyle
89
4.2.9
Thematic repetition in pulpstyle
90
4.3
The pulp reader in history
91
4.3.1
An empirical approach to pulp value
91
4.3.2
The historical importance of a
parametric principle
97
4.4
The pulpstyle legacy
100
CONTENTS
4.4.1
Golden age science fiction
100
4.4.2
Modern traditional-style science
fiction
101
4.4.3
The narrative kinesis of cyberpulp
103
4.5
Review
104
CHAPTERS: CENTREPOIIMT: RETROSPECTIVE/
PROSPECTIVE
107
5.1
Retrospect: history so far
107
5.2
Mapping science
fiction
107
5.3
The teaching of science fiction
110
5.4
Prospect: mapping reading science fiction
113
CHAPTER
6:
MICROLOGICAL: NEW WORDS
115
6.1
Preview
115
6.2
New words in science fiction
115
6.2.1
The scope of neologisms in science fiction
117
6.3
Neologisms and neosemes
119
6.3.1
Broadening
119
6.3.2
Narrowing
120
6.3.3
Metaphor and metonymy
120
6.3.4
Synecdoche, hyperbole, litotes and
quality shifts
121
6.3.5
Recontextualisation
121
6.4
Types of neologism
123
6.4.1
Creation
123
6.4.2
Borrowing
125
6.4.3
Derivation
127
6.4.4
Compounding
128
6.4.5
Shortening
129
6.4.6
Inflectional extensions
130
6.5
Neologism and plausibility
133
6.6
Review
134
CONTENTS
CHAPTER
7: MACROLOGICAL: NEW
WORLDS
139
7.1 Preview 139
7.2 New
worlds and possible worlds
139
7.3
Re-cognising new worlds
146
7.3.1
A cognitive model of reference
146
7.3.2
A short story opening
151
7.4
Negotiating new worlds
154
7.4.1
Frames, alternate worlds and points
of differentiation
154
7.4.2
Enactors and frame projection
157
7.4.3
Frame overlay and repair
159
7.4.4
Frame replacement
163
7.5
Review
165
CHAPTER
8:
MICROLOGICAL: POETIC PLANES
169
8.1
Preview
169
8.2
The visibility of metaphor
170
8.2.1
Simile and analogy
172
8.2.2
Copula-construction
177
8.2.3
Apposition and parallelism
179
8.2.4
Genitive forms
182
8.2.5
Premodifications, compounds and blends
183
8.2.6
Topic specification across parts of speech
184
8.3
Invisible forms of metaphor
185
8.4
Dimensions of metaphoric reading
190
8.5
Review
195
CHAPTER
9:
ARRIVALS: THE ENDS OF THE EARTH
199
9.1
Preview
199
9.2
Cognitive poetics
199
9.2.1
Metaphor as structure-mapping
200
9.2.2
Explanatory, expressive and constitutive
isomorphism
202
CONTENTS
9.3
Utopian
architexts 204
9.3.1
Typologies of
utopia
205
9.3.2
Critical
utopias
as heterotopias
208
9.4
Dystopian architexts
211
9.4.1
Dystopian metonymies in Bradbury s
Fahrenheit
451 212
9.5
Apocalyptic architexts
215
9.5.1
Greg Bear: Architect of Architexts
217
9.6
Ergodic architexts
219
9.7
Review
222
References
226
Index
245
|
| adam_txt |
CONTENTS
Acknowledgements
CHAPTER
1:
DEPARTURES: ORIENTATION AND MAPS
1
1.1
Preview
1
1.2
Poetics and science fiction
2
1.3
How to read this book
4
1.4
Prototypes of science fiction
6
1.5
A very brief history of science fiction
9
1.6
Review and preview
10
CHAPTER
2:
MACROLOGICAL: OLD FUTURES
12
2.1
Preview
12
2.2
Future worlds and the framed universe
13
2.2.1
Asimov's robot world
15
2.3
Versions of the future
17
2.4
Exploring the universe
23
2.4.1
An overview of deixis
23
2.4.2
Frames and deictic projection
25
2.4.3
Perceptual deixis
27
2.4.4
Spatial deixis
31
2.4.5
Temporal deixis
34
2.4.6
Relational, textual and compositional deixis
39
2.5
Review
42
CONTENTS
CHAPTER
3: MICROLOGICAL: FUTUREPLAY 47
3.1 Preview 47
3.2
Linguistics on another
planet 48
3.3
Linguistic science in science fiction
50
3.4
Linguistic special effects
56
3.4.1
Collage and documentary fragmentation
57
3.4.2
The vernacular of the future
60
3.4.3
Affective thematising of language
62
3.5
Science fiction and non-science
fiction
67
3.5.1
Modern science fiction as post-modern
literature
68
3.5.2
A poetics from science fiction:
Samuel Delany
70
3.6
Review
73
CHAPTER
4:
MACROLOGICAL: OUTER SPACE
76
4.1
Preview
76
4.2
Pulpstyle
77
4.2.1
The conditions of pulp production
79
4.2.2
Pulp titles
80
4.2.3
Pulp names
81
4.2.4
Neologism in pulp science fiction
82
4.2.5
Narrative
focalisation
in putpstyle
83
4.2.6
The register of pulpstyle
85
4.2.7
Lexical variation in pulpstyle
88
4.2.8
Lexical co-reference and repetition in
pulpstyle
89
4.2.9
Thematic repetition in pulpstyle
90
4.3
The pulp reader in history
91
4.3.1
An empirical approach to pulp value
91
4.3.2
The historical importance of a
parametric principle
97
4.4
The pulpstyle legacy
100
CONTENTS
4.4.1
'Golden age' science fiction
100
4.4.2
Modern traditional-style science
fiction
101
4.4.3
The narrative kinesis of 'cyberpulp'
103
4.5
Review
104
CHAPTERS: CENTREPOIIMT: RETROSPECTIVE/
PROSPECTIVE
107
5.1
Retrospect: history so far
107
5.2
Mapping science
fiction
107
5.3
The teaching of science fiction
110
5.4
Prospect: mapping reading science fiction
113
CHAPTER
6:
MICROLOGICAL: NEW WORDS
115
6.1
Preview
115
6.2
New words in science fiction
115
6.2.1
The scope of neologisms in science fiction
117
6.3
Neologisms and neosemes
119
6.3.1
Broadening
119
6.3.2
Narrowing
120
6.3.3
Metaphor and metonymy
120
6.3.4
Synecdoche, hyperbole, litotes and
quality shifts
121
6.3.5
Recontextualisation
121
6.4
Types of neologism
123
6.4.1
Creation
123
6.4.2
Borrowing
125
6.4.3
Derivation
127
6.4.4
Compounding
128
6.4.5
Shortening
129
6.4.6
Inflectional extensions
130
6.5
Neologism and plausibility
133
6.6
Review
134
CONTENTS
CHAPTER
7: MACROLOGICAL: NEW
WORLDS
139
7.1 Preview 139
7.2 New
worlds and possible worlds
139
7.3
Re-cognising new worlds
146
7.3.1
A cognitive model of reference
146
7.3.2
A short story opening
151
7.4
Negotiating new worlds
154
7.4.1
Frames, alternate worlds and points
of differentiation
154
7.4.2
Enactors and frame projection
157
7.4.3
Frame overlay and repair
159
7.4.4
Frame replacement
163
7.5
Review
165
CHAPTER
8:
MICROLOGICAL: POETIC PLANES
169
8.1
Preview
169
8.2
The visibility of metaphor
170
8.2.1
Simile and analogy
172
8.2.2
Copula-construction
177
8.2.3
Apposition and parallelism
179
8.2.4
Genitive forms
182
8.2.5
Premodifications, compounds and blends
183
8.2.6
Topic specification across parts of speech
184
8.3
Invisible forms of metaphor
185
8.4
Dimensions of metaphoric reading
190
8.5
Review
195
CHAPTER
9:
ARRIVALS: THE ENDS OF THE EARTH
199
9.1
Preview
199
9.2
Cognitive poetics
199
9.2.1
Metaphor as structure-mapping
200
9.2.2
Explanatory, expressive and constitutive
isomorphism
202
CONTENTS
9.3
Utopian
architexts 204
9.3.1
Typologies of
utopia
205
9.3.2
Critical
utopias
as heterotopias
208
9.4
Dystopian architexts
211
9.4.1
Dystopian metonymies in Bradbury's
Fahrenheit
451 212
9.5
Apocalyptic architexts
215
9.5.1
Greg Bear: Architect of Architexts
217
9.6
Ergodic architexts
219
9.7
Review
222
References
226
Index
245 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-02T21:05:56Z |
| indexdate | 2024-07-09T21:16:39Z |
| institution | BVB |
| isbn | 0582369932 0582369940 |
| language | English |
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| subject_GND | (DE-588)4014777-0 (DE-588)4046449-0 (DE-588)4054021-2 |
| title | The poetics of science fiction |
| title_auth | The poetics of science fiction |
| title_exact_search | The poetics of science fiction |
| title_exact_search_txtP | The poetics of science fiction |
| title_full | The poetics of science fiction Peter Stockwell |
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