Suzan-Lori Parks:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
<<The>> Univ. of Michigan Press
2008
|
| Schriftenreihe: | Michigan modern dramatists
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VI, 176 S. Ill. |
| ISBN: | 9780472099467 0472099469 9780472069460 0472069462 |
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Datensatz im Suchindex
| _version_ | 1804137702535200768 |
|---|---|
| adam_text | Contents
ι
Introduction: Under the Piano and All That Jazz
(Biography, Influences, Themes, Style)
23
Elements of Style: Early Plays
(Betting on the Dust Commander, Pickling,
Devotees in the Garden of Love)
44
Choral Explorations of Race and Politics
(Imperceptible Mutabilities in the Third Kingdom
and The Death of the Last Black Man in the Whole
Entire World)
75
Anatomizing Venus
97
Resurrecting Lincoln
(The America Play and Topdog/Underdog)
126
The Red Letter Plays
(In the Blood and Fucking A)
141
36s Plays, New Black Math, and Other Media
167
List of Premieres
169
Works Cited
Michigan modern
dramatists * Enoch
Brater,
Series
Editor
Michigan Modern
Dramatists offers the theatergoer concise, accessible, and
indispensable guides to the works of individual playwrights, as interpreted by
today s leading drama critics.
Suzan-Lori Parks is one of the most important dramatists America has
produced. tony kushner
[Parks s] stark but poetic language and fiercely idiosyncratic images transform
her work into something haunting and marvelous. Time
Suzan-Lori Parks is one of America s most distinctive playwrights. In
2007
her
creation
365
Plays/365 Days was produced in more than seven hundred theaters
around the world. She has been named one of Time magazine s
100
Innovators
for the Next New Wave and is a recipient of the MacArthur Award. A former
student of James Baldwin, Parks is a prolific author with novels, screenplays, and
even a musical to her credit, but she is best known for her plays. Works such as
Topdog/Underdog, In the Biood, Venus, The Death of the Last Black Man in the Whole
Entire World, Imperceptible Mutabilities in the Third Kingdom, and The America Play
have been widely produced and have won the highest honors (including the
Pulitzer Prize and two Obies), but to date, books on Parks have been scarce.
The latest addition to the Michigan Modem Dramatists series offers an
indispensable guide to Parks s dramatic works, taking a close look at her major
plays and placing them in context. Deborah R.
Geis
traces the evolution of
Parks s art from her earliest experimental pieces to the hugely popular Topdog/
Underdog to her wide-ranging forays into fiction, music, and film.
Deborah R.
Geis
is Associate Professor of English at DePauw University. Her
books include Postmodern
Theatric(k)s:
Monologue in Contemporary American Drama;
Approaching the Millennium: Essays on Angels in America (coedited with Steven F.
Kruger); and Considering
Maus:
Approaches to Art Spiegelman s Suruiuor s Tale of the
Holocaust.
|
| adam_txt |
Contents
ι
Introduction: Under the Piano and All That Jazz
(Biography, Influences, Themes, Style)
23
Elements of Style: Early Plays
(Betting on the Dust Commander, Pickling,
Devotees in the Garden of Love)
44
Choral Explorations of Race and Politics
(Imperceptible Mutabilities in the Third Kingdom
and The Death of the Last Black Man in the Whole
Entire World)
75
Anatomizing Venus
97
Resurrecting Lincoln
(The America Play and Topdog/Underdog)
126
The "Red Letter" Plays
(In the Blood and Fucking A)
141
36s Plays, "New Black Math," and Other Media
167
List of Premieres
169
Works Cited
Michigan modern
dramatists * Enoch
Brater,
Series
Editor
Michigan Modern
Dramatists offers the theatergoer concise, accessible, and
indispensable guides to the works of individual playwrights, as interpreted by
today's leading drama critics.
"Suzan-Lori Parks is one of the most important dramatists America has
produced." tony kushner
"[Parks's] stark but poetic language and fiercely idiosyncratic images transform
her work into something haunting and marvelous." Time
Suzan-Lori Parks is one of America's most distinctive playwrights. In
2007
her
creation
365
Plays/365 Days was produced in more than seven hundred theaters
around the world. She has been named one of Time magazine's
"100
Innovators
for the Next New Wave" and is a recipient of the MacArthur Award. A former
student of James Baldwin, Parks is a prolific author with novels, screenplays, and
even a musical to her credit, but she is best known for her plays. Works such as
Topdog/Underdog, In the Biood, Venus, The Death of the Last Black Man in the Whole
Entire World, Imperceptible Mutabilities in the Third Kingdom, and The America Play
have been widely produced and have won the highest honors (including the
Pulitzer Prize and two Obies), but to date, books on Parks have been scarce.
The latest addition to the Michigan Modem Dramatists series offers an
indispensable guide to Parks's dramatic works, taking a close look at her major
plays and placing them in context. Deborah R.
Geis
traces the evolution of
Parks's art from her earliest experimental pieces to the hugely popular Topdog/
Underdog to her wide-ranging forays into fiction, music, and film.
Deborah R.
Geis
is Associate Professor of English at DePauw University. Her
books include Postmodern
Theatric(k)s:
Monologue in Contemporary American Drama;
Approaching the Millennium: Essays on Angels in America (coedited with Steven F.
Kruger); and Considering
Maus:
Approaches to Art Spiegelman's "Suruiuor's Tale" of the
Holocaust. |
| any_adam_object | 1 |
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| author | Geis, Deborah R. 1960- |
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| building | Verbundindex |
| bvnumber | BV023346856 |
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| classification_rvk | HU 9800 |
| ctrlnum | (OCoLC)213385031 (DE-599)BVBBV023346856 |
| dewey-full | 812/.54 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 812 - American drama in English |
| dewey-raw | 812/.54 |
| dewey-search | 812/.54 |
| dewey-sort | 3812 254 |
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Book |
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| id | DE-604.BV023346856 |
| illustrated | Illustrated |
| index_date | 2024-07-02T21:03:45Z |
| indexdate | 2024-07-09T21:16:30Z |
| institution | BVB |
| isbn | 9780472099467 0472099469 9780472069460 0472069462 |
| language | English |
| lccn | 2008011492 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016530526 |
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| physical | VI, 176 S. Ill. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | <<The>> Univ. of Michigan Press |
| record_format | marc |
| series2 | Michigan modern dramatists |
| spelling | Geis, Deborah R. 1960- Verfasser (DE-588)132117118 aut Suzan-Lori Parks Deborah R. Geis Ann Arbor <<The>> Univ. of Michigan Press 2008 VI, 176 S. Ill. txt rdacontent n rdamedia nc rdacarrier Michigan modern dramatists Parks, Suzan-Lori Criticism and interpretation Parks, Suzan-Lori 1964- (DE-588)130220868 gnd rswk-swf Parks, Suzan-Lori 1964- (DE-588)130220868 p DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016530526&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016530526&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| subject_GND | (DE-588)130220868 |
| title | Suzan-Lori Parks |
| title_auth | Suzan-Lori Parks |
| title_exact_search | Suzan-Lori Parks |
| title_exact_search_txtP | Suzan-Lori Parks |
| title_full | Suzan-Lori Parks Deborah R. Geis |
| title_fullStr | Suzan-Lori Parks Deborah R. Geis |
| title_full_unstemmed | Suzan-Lori Parks Deborah R. Geis |
| title_short | Suzan-Lori Parks |
| title_sort | suzan lori parks |
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| topic_facet | Parks, Suzan-Lori Criticism and interpretation Parks, Suzan-Lori 1964- |
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