AS media studies: the essential introduction for AQA
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge
2008
|
| Ausgabe: | 3rd ed. |
| Schriftenreihe: | The Essentials Series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XI, 346 S. |
| ISBN: | 9780415448239 0415448239 |
Internformat
MARC
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| 245 | 1 | 0 | |a AS media studies |b the essential introduction for AQA |c Philip Rayner and Peter Wall |
| 250 | |a 3rd ed. | ||
| 264 | 1 | |a New York |b Routledge |c 2008 | |
| 300 | |a XI, 346 S. | ||
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| 490 | 0 | |a The Essentials Series | |
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Massenmedien | |
| 650 | 4 | |a Mass media | |
| 650 | 0 | 7 | |a Medienwissenschaft |0 (DE-588)4169194-5 |2 gnd |9 rswk-swf |
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| 700 | 1 | |a Wall, Peter |e Sonstige |4 oth | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-016519366 | ||
Datensatz im Suchindex
| _version_ | 1804137685711847424 |
|---|---|
| adam_text | List of figures
How to use this book
ix
1
introduction
Faster! Faster! More! More!
What do we mean by the media ?
Why are the media important?
Postmodernism
Conclusion
5
9
17
21
26
What is a media text ?
Semiotics
Signs
Codes
Denotation and connotation
The process model of communication
Criticisms of semiotics
Worksheet for analysing advertisements
2
Marratiwe
Narrative construction
Mode of address
Relationship between narrative and genre
The function of genre
Iconography
Genre and audiences
31
31
33
34
39
40
43
44
45
48
48
56
60
«3
64
64
66
41
Genre and producers
69
Genre
as a critical tool
72
Limitations of genre
73
Media representation of the world at large
76
How accurate?
78
Stereotyping
81
CMfeđfa
amfiePÍtexűtyraÖDírsf ®4
Mimicry
95
Parody, pastiche and homage
95
Marketing of media texts
97
Reviews
98
Media performers in different media forms
99
Belief systems
101
Big Brother
105
Ideology and gender
107
7
Kfedtëga
ѕишЗоФга©©®
il H
fl
Different types of audience
111
Why are audiences important?
112
How have audiences changed?
113
Martini media
117
How is audience consumption patterned and determined?
118
Who is the audience?
121
Television doesn t make programmes, it creates audiences
(Jean-Luc Godard)
123
Gendered consumption
134
The effects debate and moral panics
135
The effects of advertising
139
Audience participation
145
And finally
... 149
Ш
iffledlSa
ÍDD®ÄoauD®iro§
USI]
Ownership: commercial media institutions
153
Types of ownership: horizontal and vertical integration; convergence
157
Public Service Broadcasting (PSB)
163
Alternative media
166
Manufacturing consent: Noam Chomsky
168
Regulation of the media
171
CONTENTS
Self-regulation and the press: the Press Complaints
Commission (PCC)
172
The cinema: the British Board of Film Classification (BBFC)
173
Regulation and advertising
175
Media imperialism
180
Globalisation
183
The internet
184
Conclusion
188
ЅзјЖ^^
Ό
ШЗЗ
Codes and conventions
195
Representation
196
Institution
199
Audience
202
And finally
... 205
ì@
EysxMMcBffiiüffltrf
arad! oűs
Ии^їЬрїУ
§©ршѕ
а®®
Different
types of realism
207
Continuity editing
208
Documentary film-making
210
The docu-soap and beyond
219
Reality television
220
Lifestyle magazines
227
The most fun a girl can have with her clothes on! : teenage
magazines
229
She s a woman with responsibility
. . .
and a hangover : women s
lifestyle magazines
235
Nuts: grab yours every week
239
Vol-au-vents like Fanny s : lifestyle television
247
Conclusion
250
Ì2
M®«8
pF®dlllO(giifl®!ÎB
ШШШ
Newsroom roles
261
Construction of a news story
269
Television news presentation
271
Case study: the
Daiíy Maii
277
Press regulation
280
Ownership
280
CONTENTS
ľ
Ss
ШШШШМ
i
Why practical production?
288
Getting an inside view of the production process
289
Creating media
-
MEST2
290
Getting started
291
A closer look at the AQA specification
295
Evaluation commentary
297
Case study: film and broadcast fiction
298
How to look at media products
310
How to plan and get the best from your own media consumption
310
Using textbooks
315
The bibliography
317
Using the world wide web
318
Other sources of information
320
And finally
. . . 320
Glossary
322
Bibliography
328
Figure acknowledgements
332
Index
336
CGNTtWTS
|
| adam_txt |
List of figures
How to use this book
ix
1
introduction
Faster! Faster! More! More!
What do we mean by 'the media'?
Why are the media important?
Postmodernism
Conclusion
5
9
17
21
26
What is a media 'text'?
Semiotics
Signs
Codes
Denotation and connotation
The process model of communication
Criticisms of semiotics
Worksheet for analysing advertisements
2
Marratiwe
Narrative construction
Mode of address
Relationship between narrative and genre
The function of genre
Iconography
Genre and audiences
31
31
33
34
39
40
43
44
45
48
48
56
60
«3
64
64
66
41
Genre and producers
69
Genre
as a critical tool
72
Limitations of genre
73
Media representation of the world at large
76
How accurate?
78
Stereotyping
81
CMfeđfa
amfiePÍtexűtyraÖDírsf ®4
Mimicry
95
Parody, pastiche and homage
95
Marketing of media texts
97
Reviews
98
Media performers in different media forms
99
Belief systems
101
Big Brother
105
Ideology and gender
107
7
Kfedtëga
ѕишЗоФга©©®
'il H
fl
Different types of audience
111
Why are audiences important?
112
How have audiences changed?
113
'Martini media'
117
How is audience consumption patterned and determined?
118
Who is the audience?
121
'Television doesn't make programmes, it creates audiences'
(Jean-Luc Godard)
123
Gendered consumption
134
The 'effects' debate and moral panics
135
The effects of advertising
139
Audience participation
145
And finally
. 149
Ш
iffledlSa
ÍDD®ÄoauD®iro§
USI]
Ownership: commercial media institutions
153
Types of ownership: horizontal and vertical integration; convergence
157
Public Service Broadcasting (PSB)
163
Alternative media
166
Manufacturing consent: Noam Chomsky
168
Regulation of the media
171
CONTENTS
Self-regulation and the press: the Press Complaints
Commission (PCC)
172
The cinema: the British Board of Film Classification (BBFC)
173
Regulation and advertising
175
Media imperialism
180
Globalisation
183
The internet
184
Conclusion
188
ЅзјЖ^^
Ό
ШЗЗ
Codes and conventions
195
Representation
196
Institution
199
Audience
202
And finally
. 205
ì@
EysxMMcBffiiüffltrf
arad! oűs
Ии^їЬрїУ
§©ршѕ
а®®
Different
types of realism
207
Continuity editing
208
Documentary film-making
210
The docu-soap and beyond
219
Reality television
220
'Lifestyle' magazines
227
'The most fun a girl can have with her clothes on!': teenage
magazines
229
'She's a woman with responsibility
. . .
and a hangover': women's
lifestyle magazines
235
Nuts: grab yours every week
239
'Vol-au-vents like Fanny's': lifestyle television
247
Conclusion
250
Ì2
M®«8
pF®dlllO(giifl®!ÎB
ШШШ
Newsroom roles
261
Construction of a news story
269
Television news presentation
271
Case study: the
Daiíy Maii
277
Press regulation
280
Ownership
280
CONTENTS
ľ
Ss
ШШШШМ
i
Why practical production?
288
Getting an inside view of the production process
289
Creating media
-
MEST2
290
Getting started
291
A closer look at the AQA specification
295
Evaluation commentary
297
Case study: film and broadcast fiction
298
How to look at media products
310
How to plan and get the best from your own media consumption
310
Using textbooks
315
The bibliography
317
Using the world wide web
318
Other sources of information
320
And finally
. . . 320
Glossary
322
Bibliography
328
Figure acknowledgements
332
Index
336
CGNTtWTS |
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| index_date | 2024-07-02T20:59:28Z |
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| spelling | Rayner, Philip Verfasser aut AS media studies the essential introduction for AQA Philip Rayner and Peter Wall 3rd ed. New York Routledge 2008 XI, 346 S. txt rdacontent n rdamedia nc rdacarrier The Essentials Series Includes bibliographical references and index Massenmedien Mass media Medienwissenschaft (DE-588)4169194-5 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Medienwissenschaft (DE-588)4169194-5 s DE-604 Wall, Peter Sonstige oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016519366&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | AS media studies the essential introduction for AQA |
| title_auth | AS media studies the essential introduction for AQA |
| title_exact_search | AS media studies the essential introduction for AQA |
| title_exact_search_txtP | AS media studies the essential introduction for AQA |
| title_full | AS media studies the essential introduction for AQA Philip Rayner and Peter Wall |
| title_fullStr | AS media studies the essential introduction for AQA Philip Rayner and Peter Wall |
| title_full_unstemmed | AS media studies the essential introduction for AQA Philip Rayner and Peter Wall |
| title_short | AS media studies |
| title_sort | as media studies the essential introduction for aqa |
| title_sub | the essential introduction for AQA |
| topic | Massenmedien Mass media Medienwissenschaft (DE-588)4169194-5 gnd |
| topic_facet | Massenmedien Mass media Medienwissenschaft Einführung |
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