A different story:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hillsdale, NY
Pendragon Press
2008
|
| Schriftenreihe: | Aesthetics in music
8 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes index. - Aus dem Schwed. übers. |
| Beschreibung: | 309 S. |
| ISBN: | 9781576471234 |
Internformat
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| 240 | 1 | 0 | |a Annan berättelse om den västerländska misikhistorien, och det estetiska projektet engl. |
| 245 | 1 | 0 | |a A different story |c aesthetics and the history of Western music |
| 264 | 1 | |a Hillsdale, NY |b Pendragon Press |c 2008 | |
| 300 | |a 309 S. | ||
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Datensatz im Suchindex
| _version_ | 1804137666508226560 |
|---|---|
| adam_text | TABLE
ОБ
CONTENTS
Introduction
A
Declaration of Intent
11
A Controversial Term
11
How Common is the Term in Music Today?
15
A Presentation of the Problem
18
Material, Method and Purpose
19
The Organ ¡zation of This Text
21
Chapter
1
Homo Aestheticus
Other Voices
23
Ellen Dissanayke s Anthropology
24
Speech as a Precondition For, and Analogy to Music
27
Steven
Pinkers
Perspective
29
Music is an Enigma
32
Chapter
2
The Greeks
In Black and White
35
Three Thousand Years Ago
38
An Unusually Revolutionary Time
41
A Summary Discussion
43
The Loadbearing Capacity of a Thought
47
Chapter
3
The Age of Enlightenment
The Birth of Aesthetics
51
On Musics Breadth and Function
52
Socio-cultural Conditions
54
What Counts as Arc?
58
Aesthetics as Ideology
0
Visits in Time
64
A Contemporary Journey
5
A Few Other Journeys °
In Germany
-*
Swedish Observations ^
Musics Structures
—
Music s Functions
74
Listening to Music in Concert
82
The Formation of a Code of Values
84
Sing Burghers, Farmers and Workers 89
Instrumental Music Between the Inner and Outer World
94
In the Work Itself 101
7
TABLE
OF
CONTENTS
Other Social Models:
Habermas
and Luhmann
106
From Theory to Social Empire
110
Beethoven s Public
117
New Structures
120
Aesthetic II: A Summary Discussion
122
Chapter
4
A Time of Consolidation
introduction
129
The Difference Becomes Set in Stone
132
Four Thousand Wandering Virtuosi
134
A Swedish Example from
Göteborg
137
Swedish Music Journalists
140
Music in the Salons
—
Intimate Scenes of Home
142
Use and Status
144
The
Schumanns
and Salon Music
146
From
1850
Towards the Twentieth Century
152
Different Ways of Listening
155
A Common Bourgeois Form
163
More on Song s Underrated Importance
167
Autonomous Discussion
170
Chapter
5
A Period of Expansion
Introduction
177
Changes in Art Music
180
Some Knew
184
Many Disembark
187
Music Spreads Out
189
Mass Media
—
New Ways to Use Music
191
Listening to Music on the Radio
195
Ethereal Music and Aesthetics
198
Education
—
and
—
or
—
Enjoyment
201
Is it possible to define art or the aesthetic experience?
209
Consumption and Aesthetics
218
Personal Use
221
Chapter
6
The Present: The Use of Music
—
the Transformation of Aesthetics
Introduction
227
Youth Music and Aesthetics
232
The Aesthetics of Rock
235
Wicke—
East Germany
237
Postmodern Times
240
Simon Frith s approach to music and society
245
TABLE
OF
CONTENTS
Everyday Aesthetics in Youth Culture
250
A Sociological View of Aesthetics
253
Social Change Leads to New Aesthetic Ground Rules
254
Late Modern Changes
258
The Thoroughly Aestherified Society
260
From
íeI
to
еє?
262
Society of Experience
263
One
—
or the Other
267
Both—And
270
Conclusion: Tying Up Loose Ends
275
Bibliography
287
Index
303
|
| adam_txt |
TABLE
ОБ
CONTENTS
Introduction
A
Declaration of Intent
11
A Controversial Term
11
How Common is the Term in Music Today?
15
A Presentation of the Problem
18
Material, Method and Purpose
19
The Organ ¡zation of This Text
21
Chapter
1
Homo Aestheticus
Other Voices
23
Ellen Dissanayke's Anthropology
24
Speech as a Precondition For, and Analogy to Music
27
Steven
Pinkers
Perspective
29
"Music is an Enigma"
32
Chapter
2
The Greeks
In Black and White
35
Three Thousand Years Ago
38
An Unusually Revolutionary Time
41
A Summary Discussion
43
The Loadbearing Capacity of a Thought
47
Chapter
3
The Age of Enlightenment
The Birth of Aesthetics
51
On Musics Breadth and Function
52
Socio-cultural Conditions
54
What Counts as Arc?
58
Aesthetics as Ideology
"0
Visits in Time
64
A Contemporary Journey
"5
A Few Other Journeys °'
In Germany
"-*
Swedish Observations '^
Musics Structures
—
Music's Functions
74
Listening to Music in Concert
82
The Formation of a Code of Values
84
Sing Burghers, Farmers and Workers 89
Instrumental Music Between the Inner and Outer World
94
In the Work "Itself" 101
7
TABLE
OF
CONTENTS
Other Social Models:
Habermas
and Luhmann
106
From Theory to Social Empire
110
Beethoven's Public
117
New Structures
120
Aesthetic II: A Summary Discussion
122
Chapter
4
A Time of Consolidation
introduction
129
The Difference Becomes Set in Stone
132
Four Thousand Wandering Virtuosi
134
A Swedish Example from
Göteborg
137
Swedish Music Journalists
140
Music in the Salons
—
Intimate Scenes of Home
142
Use and Status
144
The
Schumanns
and Salon Music
146
From
1850
Towards the Twentieth Century
152
Different Ways of Listening
155
A Common Bourgeois Form
163
More on Song's Underrated Importance
167
Autonomous Discussion
170
Chapter
5
A Period of Expansion
Introduction
177
Changes in Art Music
180
Some Knew
184
Many Disembark
187
Music Spreads Out
189
Mass Media
—
New Ways to Use Music
191
Listening to Music on the Radio
195
Ethereal Music and Aesthetics
198
Education
—
and
—
or
—
Enjoyment
201
Is it possible to define art or the aesthetic experience?
209
Consumption and Aesthetics
218
Personal Use
221
Chapter
6
The Present: The Use of Music
—
the Transformation of Aesthetics
Introduction
227
Youth Music and Aesthetics
232
"The Aesthetics of Rock"
235
Wicke—
East Germany
237
Postmodern Times
240
Simon Frith's "approach to music and society"
245
TABLE
OF
CONTENTS
Everyday Aesthetics in Youth Culture
250
A Sociological View of Aesthetics
253
Social Change Leads to New Aesthetic Ground Rules
254
Late Modern Changes
258
The Thoroughly Aestherified Society
260
From
íeI
to
еє?
262
Society of Experience
263
One
—
or the Other
267
Both—And
270
Conclusion: Tying Up Loose Ends
275
Bibliography
287
Index
303 |
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| index_date | 2024-07-02T20:55:27Z |
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| spelling | Edström, Olle 1945- Verfasser (DE-588)140176195 aut Annan berättelse om den västerländska misikhistorien, och det estetiska projektet engl. A different story aesthetics and the history of Western music Hillsdale, NY Pendragon Press 2008 309 S. txt rdacontent n rdamedia nc rdacarrier Aesthetics in music 8 Includes index. - Aus dem Schwed. übers. Geschichte gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikästhetik (DE-588)4040808-5 s Geschichte z DE-604 Musik (DE-588)4040802-4 s Aesthetics in music 8 (DE-604)BV000016386 8 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016509620&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Edström, Olle 1945- A different story Aesthetics in music Musikästhetik (DE-588)4040808-5 gnd Musik (DE-588)4040802-4 gnd |
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| title | A different story |
| title_alt | Annan berättelse om den västerländska misikhistorien, och det estetiska projektet engl. |
| title_auth | A different story |
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| title_short | A different story |
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