Mediating American autobiography: photography in Emerson, Thoreau, Douglass, and Whitman
"Examines works by Ralph Waldo Emerson, Henry David Thoreau, Frederick Douglass, and Walt Whitman to explore how the emergence of photography in the mid-nineteenth century transformed their ideas, how photography mediated their conceptions of self-representation, and how their appropriation of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Columbia [u.a.]
Univ of Missouri Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Examines works by Ralph Waldo Emerson, Henry David Thoreau, Frederick Douglass, and Walt Whitman to explore how the emergence of photography in the mid-nineteenth century transformed their ideas, how photography mediated their conceptions of self-representation, and how their appropriation of photographic thinking created a new kind of autobiography"--Provided by publisher |
| Beschreibung: | Includes bibliographical references (p. 227-238) and index |
| Beschreibung: | XI, 250 S. Ill. 24 cm |
| ISBN: | 9780826217929 0826217923 |
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Datensatz im Suchindex
| _version_ | 1804137660075212800 |
|---|---|
| adam_text | Contents
Acknowledgments
....................................................ix
Abbreviations
.........................................................xi
Prologue:
The Reproduction of the Author
............................................
ι
ι.
Strange Developments:
Photography s Autobiography
..........................................23
2.
Like Iodine to Light:
Emerson s Photographic Thinking
......................................62
3.
Pencil of Nature:
Thoreau s Photographic Register
___...................................96
4.
Pictures in Progress:
The Claims of Frederick Douglass, Photographically Considered
..........130
5.
Specimen Daze:
Whitmans Phatobiography
............................................181
Epilogue:
Future Readers
........................................................217
Bibliography
...............................................,.........227
Index
................................................................239
vii
Mediating American
Autobiography
Photography in
Emerson, Thoreau,
Douglass, and Whitman
Sean Ross
Methan
* he emergence of photography in the mid-
X nineteenth century transformed ideas about
how the self and nature could be pictured. Al¬
though the autobiographical potential of photog¬
raphy seems self-evident today, Sean Meehan
takes us back to the birth of the medium when
some of America s preeminent authors began to
think about photography s implications for the
representation of identity and the nature of autobi¬
ographical writing.
Both photography and autobiography involve a
tension between disclosing and concealing their
means of production: a chemical process for one,
the writing process for the other. Meehan exam¬
ines how four major authors
—
Ralph Waldo Emer¬
son, Henry David Thoreau, Frederick Douglass,
and Walt Whitman
—
were well aware of this ten¬
sion and explored it in their work. By examining
the implications of early photography in their
writings, he shows how each engaged the new
visual medium, how photography mediated their
conceptions of self-representation, and how their
appropriation of photographic thinking created a
new kind of autobiography.
Examining the metonymk nature of photography,
Meehan explores how the new medium influenced
conceptions of visual and verbal representation.
He intertwines these four writers reflections on
photography
—
in Emerson s Representative Men,
Thoreau s journals, Douglass s narratives of slav¬
ery, and Whitman s Specimen Days
—
with theories
of photography as expounded by its inventors and
observers, from Louis Daguerre and William
Talbot
in Europe to Oliver Wendell
Hohnes
and Marcus
Root in America.
As the first book to focus on the emergence of this
new visual medium during the American Renais¬
sance, Mediating American Autobiography shows
us what photography means for American litera¬
ture in general and for the genre most closely linked
to it in particular. Because the engagement of these
writers with photography has been neglected in
previous scholarship, Meehan s work provocatively
bridges the study of two media and illuminates an
important aspect of American thought and culture
at the dawn of the technological era.
About the Author
Sean Ross Meehan is Assistant Professor
of English at Morningside College in
Sioux City, Iowa.
|
| adam_txt |
Contents
Acknowledgments
.ix
Abbreviations
.xi
Prologue:
The Reproduction of the Author
.
ι
ι.
Strange Developments:
Photography's Autobiography
.23
2.
Like Iodine to Light:
Emerson's Photographic Thinking
.62
3.
Pencil of Nature:
Thoreau's Photographic Register
_.96
4.
Pictures in Progress:
The Claims of Frederick Douglass, Photographically Considered
.130
5.
Specimen Daze:
Whitmans Phatobiography
.181
Epilogue:
Future Readers
.217
Bibliography
.,.227
Index
.239
vii
Mediating American
Autobiography
Photography in
Emerson, Thoreau,
Douglass, and Whitman
Sean Ross
Methan
* he emergence of photography in the mid-
X nineteenth century transformed ideas about
how the self and nature could be pictured. Al¬
though the autobiographical potential of photog¬
raphy seems self-evident today, Sean Meehan
takes us back to the birth of the medium when
some of America's preeminent authors began to
think about photography's implications for the
representation of identity and the nature of autobi¬
ographical writing.
Both photography and autobiography involve a
tension between disclosing and concealing their
means of production: a chemical process for one,
the writing process for the other. Meehan exam¬
ines how four major authors
—
Ralph Waldo Emer¬
son, Henry David Thoreau, Frederick Douglass,
and Walt Whitman
—
were well aware of this ten¬
sion and explored it in their work. By examining
the implications of early photography in their
writings, he shows how each engaged the new
visual medium, how photography mediated their
conceptions of self-representation, and how their
appropriation of photographic thinking created a
new kind of autobiography.
Examining the metonymk nature of photography,
Meehan explores how the new medium influenced
conceptions of visual and verbal representation.
He intertwines these four writers' reflections on
photography
—
in Emerson's Representative Men,
Thoreau's journals, Douglass's narratives of slav¬
ery, and Whitman's Specimen Days
—
with theories
of photography as expounded by its inventors and
observers, from Louis Daguerre and William
Talbot
in Europe to Oliver Wendell
Hohnes
and Marcus
Root in America.
As the first book to focus on the emergence of this
new visual medium during the American Renais¬
sance, Mediating American Autobiography shows
us what photography means for American litera¬
ture in general and for the genre most closely linked
to it in particular. Because the engagement of these
writers with photography has been neglected in
previous scholarship, Meehan's work provocatively
bridges the study of two media and illuminates an
important aspect of American thought and culture
at the dawn of the technological era.
About the Author
Sean Ross Meehan is Assistant Professor
of English at Morningside College in
Sioux City, Iowa. |
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| owner_facet | DE-12 DE-703 DE-355 DE-BY-UBR DE-188 DE-473 DE-BY-UBG |
| physical | XI, 250 S. Ill. 24 cm |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Univ of Missouri Press |
| record_format | marc |
| spelling | Meehan, Sean Ross 1969- Verfasser (DE-588)135992184 aut Mediating American autobiography photography in Emerson, Thoreau, Douglass, and Whitman Sean Ross Meehan Columbia [u.a.] Univ of Missouri Press 2008 XI, 250 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 227-238) and index "Examines works by Ralph Waldo Emerson, Henry David Thoreau, Frederick Douglass, and Walt Whitman to explore how the emergence of photography in the mid-nineteenth century transformed their ideas, how photography mediated their conceptions of self-representation, and how their appropriation of photographic thinking created a new kind of autobiography"--Provided by publisher Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf American prose literature / 19th century / History and criticism Literature and photography / United States / History / 19th century Authors, American / Biography / History and criticism Photography / United States / History / 19th century Visual perception in literature Photography in literature Autobiography Self-realization in literature Geschichte American prose literature 19th century History and criticism Authors, American Biography History and criticism Literature and photography United States History 19th century Photography United States History 19th century Schriftsteller (DE-588)4053309-8 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Selbstbild (DE-588)4077349-8 gnd rswk-swf Selbstdarstellung (DE-588)4122349-4 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Fotografie (DE-588)4045895-7 s Selbstdarstellung (DE-588)4122349-4 s Geschichte 1800-1900 z DE-604 Schriftsteller (DE-588)4053309-8 s Selbstbild (DE-588)4077349-8 s Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016505303&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016505303&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Meehan, Sean Ross 1969- Mediating American autobiography photography in Emerson, Thoreau, Douglass, and Whitman American prose literature / 19th century / History and criticism Literature and photography / United States / History / 19th century Authors, American / Biography / History and criticism Photography / United States / History / 19th century Visual perception in literature Photography in literature Autobiography Self-realization in literature Geschichte American prose literature 19th century History and criticism Authors, American Biography History and criticism Literature and photography United States History 19th century Photography United States History 19th century Schriftsteller (DE-588)4053309-8 gnd Literatur (DE-588)4035964-5 gnd Selbstbild (DE-588)4077349-8 gnd Selbstdarstellung (DE-588)4122349-4 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4053309-8 (DE-588)4035964-5 (DE-588)4077349-8 (DE-588)4122349-4 (DE-588)4045895-7 (DE-588)4078704-7 (DE-588)4006804-3 |
| title | Mediating American autobiography photography in Emerson, Thoreau, Douglass, and Whitman |
| title_auth | Mediating American autobiography photography in Emerson, Thoreau, Douglass, and Whitman |
| title_exact_search | Mediating American autobiography photography in Emerson, Thoreau, Douglass, and Whitman |
| title_exact_search_txtP | Mediating American autobiography photography in Emerson, Thoreau, Douglass, and Whitman |
| title_full | Mediating American autobiography photography in Emerson, Thoreau, Douglass, and Whitman Sean Ross Meehan |
| title_fullStr | Mediating American autobiography photography in Emerson, Thoreau, Douglass, and Whitman Sean Ross Meehan |
| title_full_unstemmed | Mediating American autobiography photography in Emerson, Thoreau, Douglass, and Whitman Sean Ross Meehan |
| title_short | Mediating American autobiography |
| title_sort | mediating american autobiography photography in emerson thoreau douglass and whitman |
| title_sub | photography in Emerson, Thoreau, Douglass, and Whitman |
| topic | American prose literature / 19th century / History and criticism Literature and photography / United States / History / 19th century Authors, American / Biography / History and criticism Photography / United States / History / 19th century Visual perception in literature Photography in literature Autobiography Self-realization in literature Geschichte American prose literature 19th century History and criticism Authors, American Biography History and criticism Literature and photography United States History 19th century Photography United States History 19th century Schriftsteller (DE-588)4053309-8 gnd Literatur (DE-588)4035964-5 gnd Selbstbild (DE-588)4077349-8 gnd Selbstdarstellung (DE-588)4122349-4 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | American prose literature / 19th century / History and criticism Literature and photography / United States / History / 19th century Authors, American / Biography / History and criticism Photography / United States / History / 19th century Visual perception in literature Photography in literature Autobiography Self-realization in literature Geschichte American prose literature 19th century History and criticism Authors, American Biography History and criticism Literature and photography United States History 19th century Photography United States History 19th century Schriftsteller Literatur Selbstbild Selbstdarstellung Fotografie USA Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016505303&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016505303&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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