Shakespeare - Henry V:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Basingstoke [u.a.]
Palgrave Macmillan
2008
|
| Edition: | 1. publ. |
| Series: | Readers' guides to essential criticism
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XI, 176 S. |
| ISBN: | 9780230500792 023050079X 0230500803 9780230500808 |
Staff View
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| adam_text | CONTENTS
Acknowledgements x
Notes on the Texts
xi
INTRODUCTION
1
Situates Henry V within the context of Medieval and Tudor historiography
and outlines the rest of the Guide.
CHAPTER ONE
10
Making the Text: Date, Sources, Textual History
Examines criticism relating to the date, sources and textual history of
Henry V. Begins with references to the Earl of Essex s
1599
expedition to
Ireland before discussing how Annabel Patterson, Andrew
Gurr, Gary
Taylor
and T. W. Craik have analysed the political and aesthetic implications of
Shakespeare s choice of sources. Charts the debate of Taylor and
Gurr
concerning the status of the
1600
Quarto version of the play and its rela¬
tionship to the longer version in the
1623
First Folio.
CHAPTER TWO
24
The Seventeenth and Eighteenth Centuries:
Neoclassicism and Early Editions
Begins by discussing how John Dryden uses Henry V in his essay
Oř
Dramatic Poesy and poem Astraea Redux and then considers the debate
among early critics and editors, including Nicholas Rowe, Charles Gildon,
Alexander Pope, Lewis Theobald and Thomas Hanmer, concerning the
degree to which the play can or should be judged according to neoclassical
principles and criteria. Examines the treatment of the Chorus and Henry s
rejection of Falstaff in Samuel Johnson s edition of Shakespeare s com¬
plete works and then explores the relationship between eighteenth-century
critical improvements of the text and neoclassical adaptations by Roger
Boyle and Aaron Hill.
vii
viii CONTENTS
CHAPTER THREE
38
The Nineteenth Century: Romantic and Victorian Interpretations
Discusses A. W. Schlegel s treatment of Henry Vs unity; William Hazlitt s
devasting attack on Henry s character and the beginnings of more exten¬
sive character-centred criticism; Hermann Ulrici and G. G. Gervinus s
observations on history and nationhood in the play; Richard Simpson s
pioneering historicist analysis of Henry V; the glowing character-based
accounts of Henry by Edward Dowden and R. G. Moulton; and the negative
critique of William Watkiss Lloyd.
CHAPTER FOUR
58
The Early Twentieth Century: What Makes a Good King?
Considers the different ways that critics explored the relationship between
effective kingship and personal moral integrity and begins by discussing
patriotic interpretations of Henry V by Sir Sidney Lee, Felix
E. Schelling
and
J. A. R. Marriott in the context of the Boer Wars and World War I. Examines
A. C. Bradiey s critique of the less attractive aspects of Henry s character;
Gerald Gould s influential essay about Shakespeare s ironic depiction of
war in Henry V; and the king versus man debate that informs the work of
John Palmer and Una Ellis-Fermor.
CHAPTER FIVE
76
The Mid-Twentieth Century: History, War and Epic
Investigates how Henry V was adapted and applied for patriotic purposes
during World War
li
by Laurence Olivier and G. Wilson Knight; E. M. W.
THlyarďs
attempt to establish a historical world picture within which to
locate and discuss Shakespeare s histories; Lily B. Campbell s detailed
old historicist analysis of Henry V; John Dover Wilson s defence of Henry s
heroic character; and J. H. Walter s similarly defensive treatment of the
play s epic qualities and the presentation of its hero as an exemplary
Christian ruler.
CHAPTER SIX
94
The Mid- to Late Twentieth Century: Ambivalence and Play
Examines criticism of the
19503-705
that reacts against historicist meth¬
ods and concentrates on the play s aesthetic and interpretative nuances
and ambiguities. Explores how ambiguity, scepticism and doubleness are
part of Shakespeare s conscious design in Henry V and not simply something
CONTENTS ix
to be observed or reconstructed by critics. Focuses on A. P. Rossiter s
account of ambivalence in Shakespeare s histories; Harold
С
Goddard s
incisive identification of ambivalence and irony in Henry
V; S. C
Sen Gupta
and Robert Ornstein s theories on the importance of drawing attention
back to the play s aesthetic qualities; and Norman Rabkin s essay on how
Henry V forces its audience to choose between diametrically opposed,
irreconcilable interpretations.
CHAPTER SEVEN
108
The Later Twentieth Century and Beyond: Power, Subversion and Masculinity
Discusses Stephen Greenblatt s influential New Historicist essay Invisible
Bullets and the presentation of subversion in the play; Jonathan
Dollimore
and Alan Sinfield s Cultural Materialist essay on how Henry V implicitly
reveals the workings of Elizabethan ruling ideology; Lance Wilcox, Jean E.
Howard and Phyllis Rackin s feminist accounts of how power in the play
manifests as violence exerted over female bodies; Graham Bradshaw s
critique of materialist approaches to the play; and Tom McAlindon s revi¬
sionist attempt to preserve a positive interpretation of Henry through
attention to Shakespeare s constructive use of paradox and oxymoron.
CHAPTER EIGHT
133
A Play for the New Millennium: Nationhood, Memory and Just War
Explores a number of ongoing debates in Henry V criticism and considers
how Claire McEachem, Alison Thome and Philip Schwyzer locate the play in
relation to early modern ideas about an English or British national imagined
community; discusses how critics such as David J. Baker, Michael Neill,
Andrew Murphy and Christopher Highley trace Shakespeare s response to
the Elizabethan colonization of Ireland; and. through drawing on scholarship
by
Theodor
Meron, Steven Marx, R. A. Foakes and John S. Mebane, exam¬
ines how Henry V continues to invite speculation and discussion about the
justification of war.
Conclusion
148
Continues to look ahead to future criticism on Henry V and some of the
challenges and caveats to consider.
NOTES
151
SELECT BIBLIOGRAPHY
167
INDEX
171
|
| adam_txt |
CONTENTS
Acknowledgements x
Notes on the Texts
xi
INTRODUCTION
1
Situates Henry V within the context of Medieval and Tudor historiography
and outlines the rest of the Guide.
CHAPTER ONE
10
Making the Text: Date, Sources, Textual History
Examines criticism relating to the date, sources and textual history of
Henry V. Begins with references to the Earl of Essex's
1599
expedition to
Ireland before discussing how Annabel Patterson, Andrew
Gurr, Gary
Taylor
and T. W. Craik have analysed the political and aesthetic implications of
Shakespeare's choice of sources. Charts the debate of Taylor and
Gurr
concerning the status of the
1600
Quarto version of the play and its rela¬
tionship to the longer version in the
1623
First Folio.
CHAPTER TWO
24
The Seventeenth and Eighteenth Centuries:
Neoclassicism and Early Editions
Begins by discussing how John Dryden uses Henry V in his essay
Oř
Dramatic Poesy and poem Astraea Redux and then considers the debate
among early critics and editors, including Nicholas Rowe, Charles Gildon,
Alexander Pope, Lewis Theobald and Thomas Hanmer, concerning the
degree to which the play can or should be judged according to neoclassical
principles and criteria. Examines the treatment of the Chorus and Henry's
rejection of Falstaff in Samuel Johnson's edition of Shakespeare's com¬
plete works and then explores the relationship between eighteenth-century
critical 'improvements' of the text and neoclassical adaptations by Roger
Boyle and Aaron Hill.
vii
viii CONTENTS
CHAPTER THREE
38
The Nineteenth Century: Romantic and Victorian Interpretations
Discusses A. W. Schlegel's treatment of Henry Vs unity; William Hazlitt's
devasting attack on Henry's character and the beginnings of more exten¬
sive character-centred criticism; Hermann Ulrici and G. G. Gervinus's
observations on history and nationhood in the play; Richard Simpson's
pioneering historicist analysis of Henry V; the glowing character-based
accounts of Henry by Edward Dowden and R. G. Moulton; and the negative
critique of William Watkiss Lloyd.
CHAPTER FOUR
58
The Early Twentieth Century: What Makes a Good King?
Considers the different ways that critics explored the relationship between
effective kingship and personal moral integrity and begins by discussing
patriotic interpretations of Henry V by Sir Sidney Lee, Felix
E. Schelling
and
J. A. R. Marriott in the context of the Boer Wars and World War I. Examines
A. C. Bradiey's critique of the less attractive aspects of Henry's character;
Gerald Gould's influential essay about Shakespeare's ironic depiction of
war in Henry V; and the 'king versus man' debate that informs the work of
John Palmer and Una Ellis-Fermor.
CHAPTER FIVE
76
The Mid-Twentieth Century: History, War and Epic
Investigates how Henry V was adapted and applied for patriotic purposes
during World War
li
by Laurence Olivier and G. Wilson Knight; E. M. W.
THlyarďs
attempt to establish a historical 'world picture' within which to
locate and discuss Shakespeare's histories; Lily B. Campbell's detailed
'old' historicist analysis of Henry V; John Dover Wilson's defence of Henry's
heroic character; and J. H. Walter's similarly defensive treatment of the
play"s epic qualities and the presentation of its hero as an exemplary
Christian ruler.
CHAPTER SIX
94
The Mid- to Late Twentieth Century: Ambivalence and Play
Examines criticism of the
19503-705
that reacts against historicist meth¬
ods and concentrates on the play's aesthetic and interpretative nuances
and ambiguities. Explores how ambiguity, scepticism and doubleness are
part of Shakespeare's conscious design in Henry V and not simply something
CONTENTS ix
to be observed or reconstructed by critics. Focuses on A. P. Rossiter's
account of ambivalence in Shakespeare's histories; Harold
С
Goddard's
incisive identification of ambivalence and irony in Henry
V; S. C
Sen Gupta
and Robert Ornstein's theories on the importance of drawing attention
back to the play's aesthetic qualities; and Norman Rabkin's essay on how
Henry V forces its audience to choose between diametrically opposed,
irreconcilable interpretations.
CHAPTER SEVEN
108
The Later Twentieth Century and Beyond: Power, Subversion and Masculinity
Discusses Stephen Greenblatt's influential New Historicist essay 'Invisible
Bullets' and the presentation of subversion in the play; Jonathan
Dollimore
and Alan Sinfield's Cultural Materialist essay on how Henry V implicitly
reveals the workings of Elizabethan ruling ideology; Lance Wilcox, Jean E.
Howard and Phyllis Rackin's feminist accounts of how power in the play
manifests as violence exerted over female bodies; Graham Bradshaw's
critique of materialist approaches to the play; and Tom McAlindon's revi¬
sionist attempt to preserve a positive interpretation of Henry through
attention to Shakespeare's constructive use of paradox and oxymoron.
CHAPTER EIGHT
133
A Play for the New Millennium: Nationhood, Memory and Just War
Explores a number of ongoing debates in Henry V criticism and considers
how Claire McEachem, Alison Thome and Philip Schwyzer locate the play in
relation to early modern ideas about an English or British national imagined
community; discusses how critics such as David J. Baker, Michael Neill,
Andrew Murphy and Christopher Highley trace Shakespeare's response to
the Elizabethan colonization of Ireland; and. through drawing on scholarship
by
Theodor
Meron, Steven Marx, R. A. Foakes and John S. Mebane, exam¬
ines how Henry V continues to invite speculation and discussion about the
justification of war.
Conclusion
148
Continues to look ahead to future criticism on Henry V and some of the
challenges and caveats to consider.
NOTES
151
SELECT BIBLIOGRAPHY
167
INDEX
171 |
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| spelling | Woodcock, Matthew 1973- Verfasser (DE-588)173689388 aut Shakespeare - Henry V Matthew Woodcock 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2008 XI, 176 S. txt rdacontent n rdamedia nc rdacarrier Readers' guides to essential criticism Shakespeare, William / 1564-1616 / Henry V. Shakespeare, William <1564-1616> Henry V Henry <V, King of England, 1387-1422> In literature Shakespeare, William 1564-1616 King Henry V (DE-588)4099354-1 gnd rswk-swf Geschichte gnd rswk-swf Kings and rulers in literature Rezeption (DE-588)4049716-1 gnd rswk-swf Shakespeare, William 1564-1616 King Henry V (DE-588)4099354-1 u Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe Woodcock, Matthew Shakespeare - Henry V Basingstoke : Palgrave Macmillan,c2008 978-1-137-04529-4 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016495602&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Woodcock, Matthew 1973- Shakespeare - Henry V Shakespeare, William / 1564-1616 / Henry V. Shakespeare, William <1564-1616> Henry V Henry <V, King of England, 1387-1422> In literature Shakespeare, William 1564-1616 King Henry V (DE-588)4099354-1 gnd Kings and rulers in literature Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4099354-1 (DE-588)4049716-1 |
| title | Shakespeare - Henry V |
| title_auth | Shakespeare - Henry V |
| title_exact_search | Shakespeare - Henry V |
| title_exact_search_txtP | Shakespeare - Henry V |
| title_full | Shakespeare - Henry V Matthew Woodcock |
| title_fullStr | Shakespeare - Henry V Matthew Woodcock |
| title_full_unstemmed | Shakespeare - Henry V Matthew Woodcock |
| title_short | Shakespeare - Henry V |
| title_sort | shakespeare henry v |
| topic | Shakespeare, William / 1564-1616 / Henry V. Shakespeare, William <1564-1616> Henry V Henry <V, King of England, 1387-1422> In literature Shakespeare, William 1564-1616 King Henry V (DE-588)4099354-1 gnd Kings and rulers in literature Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Henry V. Shakespeare, William <1564-1616> Henry V Henry <V, King of England, 1387-1422> In literature Shakespeare, William 1564-1616 King Henry V Kings and rulers in literature Rezeption |
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