Music listening today:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Belmont, CA
Thomson/Schirmer
2009 [erschienen 2008]
|
Ausgabe: | 3. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes indexes. |
Beschreibung: | XIX, 348 S., [2] Bl. Ill., Kt., Notenbeisp. 28 cm. 2 CDs (12 cm) |
ISBN: | 9780495565765 0495565768 |
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Datensatz im Suchindex
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adam_text | Contents
Preface
xvi
PART I The Nature of Music
1
1 ·
Music Listening and You
2
Different Types of Music
2
Classical Music: Music for Listening
2
Ordinary Music and Extraordinary Music
3
I Know What I Like
3
Learning to Listen
4
Listening and Studying
6
Getting Started: The Theme from Star Wars
6
LISTENING GUIDE Williams: Mam Title
from Star Wars
7
CD
φ
Tracks D-O
Connecting the Dots
7
John Williams
8
The Goals of Music Appreciation
8
Coda
8
2 ·
Rhythm
9
Beat: The Music s Pulse
9
Meter: The Patterns of Beats
9
The Notation of Rhythm
10
Syncopation
11
Tempo: The Speed of Beats
11
Rhythm in Bizet s
Farandole
12
Georges Bizet
12
LISTENING GUIDE Bizet:
Farandole
from
L Arlésienne,
Suite No.
2 13
CD
φ
Tracks
В-Ш
Polyrhythm
13
LISTENING GUIDE African Music: Mitamba
Yalagala Kumchazi
14
CD ©Track
Я
Coda
14
3 ·
Melody and Harmony
15
Pitch: The High and Low of Sounds
15
Melody: Pitches in a Cohesive Series
15
Pitches in Music Notation
16
Features of Melodies
16
LISTENING GUIDE Copland: Simple Gifts
17
CD
φ
Tracks
О-Ш
Aaron Copland
18
What Affects the Impression of a Melody?
18
Counterpoint: Melodies Sounded Together
19
Harmony: Pitches Sounded Together
19
Texture and the Ways Pitches Are Used
21
LISTENING GUIDE Bizet:
Farandole
from
L Arlésienne,
Suite No.
2 22
CD
©
Tracks
Η-Θ
Coda
22
•
Dynamics, Timbre, and
Organization
23
Dynamics: The Loud and Soft of Music
23
Timbre: Color in Music
23
Organization: Organized Sounds
=
Music
24
Form: Planning in Music
25
GenreandMovements
25
Rodrigo s Concierto
de
Aranjuez
26
Joaquín Rodrigo
26
LISTENING GUIDE
Rodrigo:
Concierto
de
Aranjuez, Second Movement
27
CD
Φ
Tracks
Ш-ЕВ
Coda
28
•
Orchestral Instruments
29
String Instruments
30
Sound Production
30
Modifying Basic Timbre
30
Regulating Pitch
30
Starting and Stopping Sounds
31
Woodwind Instruments
31
Sound Production
31
Modify ing Basic Timbre
32
Re¡>uhtinf>
Pitch
32
Startinj
and Stupplng Sounds
32
CONTENTS
Brass
Instruments 32
Sound
Production
33
Moăfying
Sound 33
Regulating Pitch
33
Starting and Stopping Sounds
33
Percussion Instruments
33
Sound Production
34
Modifying Sound
34
Regukting Pitch
34
Starting and Stopping Sounds
34
Listening for Instruments
34
Coda
35
6 ·
Other Musical Instruments
36
The Voice
36
Sound Production
36
Modifying Basic Timbre
36
Regulating Pitch
36
Starting and Stopping Sounds
36
Types of Voices
37
Rutter s Open Thou Mine Eyes
37
John
Rutter
37
LISTENING GUIDE
Rutter:
Open Thou
Mine Eyes
38
CD
©
Tracks
Ш-ПЗ
Wind Band Instruments
38
Traditional Keyboard Instruments
39
Harpsichord
39
Piano
39
Pipe Organ
39
Sound Production
40
Modifying Basic Timbre
40
Reguhting Pitch
40
Starting and Stopping Sounds
40
Changing Dynamic ^el
40
Folk Instruments
41
Aerophones
41
Ideophones
41
Membranophones
41
Chordophones
41
Popular Instruments
41
Guitar
41
Accordion
42
Electronic Instruments
42
Coda
43
PART
Π
Early, Medieval,
and Renaissance Music
44
7 ·
Early Western Music
46
Ancient Greek and Roman Times
46
The Middle Ages
47
The Mass and Its Musk
47
Music in the Middle Ages
48
Gregorian Chant
48
LISTENING GUIDE Anonymous: Dies irae
48
CD
φ
Track
ЕЕ
LISTENING GUIDE
Hildegard
of Bingen:
Ordo virtutum,
excerpt from Scene
4 49
CD
©
Tracks H-H
Hildegard
of Bingen
50
Hildegards
Ordo
virtutum
50
Coda
50
8 ·
Medieval Music
51
Medieval Times
51
Polyphony
51
Pérotin s
Alleluia,
Diffusa
est
gratia
52
LISTENING GUIDE PEROTIN: Alleluia, Difiusa
est
gratia
52
CD ® Tracks
Q
-И
Léonin
and Perotin
53
The Medieval Motet
54
Music in the Rest of Europe
54
LISTENING GUIDE Anonymous: Estampie
54
CD
©
Track
В
Secular Music
55
Features of Medieval Music
55
Coda
56
9 ·
Renaissance Music
57
The Renaissance Outlook
57
Features and Types of Renaissance Music
57
The Renaissance Mass
58
Josquin
Des Pres
58
LISTENING GUIDE Josquin:
Kyrie
from
Pange lingua Mass
59
CD
©
Tracks
Ш-ПЗ
LISTENING GUIDE Palestrina: Sicut cervus,
Part I
60
CD
φ
Tracks
¡Е-Ш
The Renaissance Motet
60
Pakstrma s
Skut
cervi«
60
CONTENTS
Giovanni Pierluigi da Palestrina 61
The Madrigal 62
Weelkes s
As Vesta Was from
Latmos Hill
Descending
62
LISTENING
GUIDE Weelkes:
As Vesta Was from
Latmos Hill
Descending
63
CD ©Tracks
ЕЕ-
BD
Renaissance Instrumental
Music
63
Thomas Weelkes 64
Coda 64
Features
of Renaissance Music
64
PART III Baroque Music
66
10·
The Baroque Period
68
Styles in Music
68
Characteristics of Baroque Style
68
Grandiose Dimensions
68
Love of Drama
69
Religious Intensity
69
Baroque Intellectual Activity
69
Early Baroque Music
69
Music in the Baroque
70
Performance of Baroque Music
71
Characteristics of Baroque Music
71
Homophony
71
Recitative
71
Metrical Rhythm
72
Major/Minor Keys
72
Tonal Center
72
Modulation
72
Doctrine of Affections
72
Handel s The Voice of Him That Crierh in the
Wilderness from Messiah
73
LISTENING GUIDE Handel: The Voice of Him
That Crieth in the Wilderness
73
CD
©
Track
Щ
Features of Baroque Instrumental Music
74
Timing
7Ą
Terraced Dynamics
74
Continuo
74
Coda
75
11·
Oratorio and Cantata
76
Oratorio
76
Handel s Messiah
76
Aria
76
En ry Va&ey Shall Be Exalted from Messiah
77
LISTENING GUIDE Handel: Ev ry Valley Shall
Be Exalted from Messiah
78
CD
©
Tracks ES-EE
Chorus
78
George
Frideric
Handel
79
Hallelujah Chorus from Messiah
80
LISTENING GUIDE Handel: Hallelujah Chorus
from Messiah
80
CD
©
Tracks
ЕЕ-ВЭ
Chorale
81
Cantata
82
Bach s Cantata No.
140 82
LISTENING GUIDE Bach: Chorale (Section
7)
from Cantata No.
140 83
CD® Track
Ш
Other Types of Baroque Vocal Music
83
LISTENING GUIDE Bach: Zion Hears the
Watchmen (Section
4)
from Cantata No.
140 84
CD
φ
Tracks
SJ-SD
Coda
84
12·
Opera in the Baroque
85
The Elements of Opera
85
Voices and Roles
85
Ensembles
86
The Orchestra
86
The Libretto
86
Staging
86
Operatic Conventions
87
Enjoying Opera
87
Monteverdi s Coronation ofPoppea
88
Claudio
Monteverdi
88
PurceU s Dido and Aeneas
89
LISTENING GUIDE Monteverdi: Recitative from
The Coronation ofPoppea, Act I, Scene
1 89
CD ® Track
Ш
LISTENING GUIDE Purcell: Dido s Lament
from Dido and Aeneas
90
CD
©
Tracks
Е-Ш
Henry
Purceii
90
Coda
91
13·
Baroque Instrumental Music:
Suite and Sonata
92
Baroque Instruments
92
CONTENTS
ix
LISTENING
GUIDE Pachelbel: Canon in
D
93
CD ® Tracks
Ш-Ш
Pachelbeľs
Canon in
D
93
The Suite 93
Johann Pachelbel 94
Handel s Hornpipe from Water Music Suite
9Ą
LISTENING GUIDE Handel: Hornpipe from
Water Music
94
CD ® Tracks
Ш-ИШ
The Sonata
95
Corelli s Trio Sonata
95
LISTENING GUIDE Coreixi: Trio Sonata in F,
Op.
3,
No.
1,
Second Movement
95
CD ® Track
Ш
Arcangelo Gorelli
96
Other Baroque Composers
96
LISTENING GUIDE Corelli: Trio Sonata in F,
Op.
3,
No.
1,
Third Movement
96
CD ® Track
Ш
Coda
97
14·
Baroque Instrumental Music:
Concerto and Fugue
98
The Concerto
Grosso
98
Bach s Brandenburg Concerto No.
5 98
Vivaldi s Concerto Spring from The Four Seasons
99
LISTENING GUIDE BACH: Brandenburg Concerto
No.
5,
Third Movement
99
CD
©
Tracks
ЕЭ-ЕЯ
Antonio
Vivaldi 100
The Fugue
100
LISTENING GUIDE
Vivaldi:
Spring from
The Four Seasons, First Movement
101
CD
©
Trad«
Щ-Щ
Bach s Toccata and Fugue in
Ό
Minor
102
Other Keyboard Forms
102
LISTENING GUIDE Bach: Toccata and Fugue
in
D
Minor, BWV
565 103
CD
©
Tracks S3-E2
Johann
Sebastian Bach
104
Features of Baroque Music
105
Coda
105
PART IV Classical Music
106
15·
Classicism and Classical Music
108
Cultural Setting
108
Ftmr Leaders
108
Architecture
109
Philosophy
109
Toward Classicism: The Rococo Style
109
Characteristics of Classical Music
109
Features to Listen for in Classical Music
110
Melody
110
Homophony 1
10
Harmony
110
Rhythm
110
Dynamic Levels
110
Performance 1
1
1
Forms
111
Coda 111
16·
Sonata Form
112
Development in Musical Works
112
Mozart s Symphony No.
40,
K.
550 112
Wolfgang
Amadeus
Mozart
113
The Plan of Sonata Form
113
Exposition
114
Development
115
LISTENING GUIDE Mozart: Symphony No.
40,
First Movement
116
CD
©
Tracks
SO-ES
Récapitulation
117
Other Aspects of Sonata Form
118
Coda
118
17·
The Concerto
119
The Solo Concerto
119
Mozart s Violin Concerto No.
5,
K.
219 119
LISTENING GUIDE Mozart: Violin Concerto
No.
5,
First Movement
120
CD ® Tracks
Ξ3-ΕΞ
The Second Movement of Concertos
121
Rondo Form
121
Haydn s Trumpet Concerto
122
LISTENING GUIDE HAYDN: Concerto for
Trumpet in
Е
-flat, Tliird Movement
122
CD
©
Tracks
Ш-Ш
Frätts
Joseph
Hayan
123
Coda
124
18·
Classical Opera
125
The Development of Opera
125
Mozart s Operas
125
Mozart s Don
Giovanili
125
CONTENTS
LISTENING
GUIDE
Smetana:
The Moldau
from
Má vlast
209
CD
©
Tracks
Щ-ЕЕ
Finland
209
Bedřich Smetana
210
England
210
Italy
210
Spain
210
France
211
United States
211
Coda
211
29 ·
Impressionism and Post-
Romanticism
212
Characteristics of Impressionism
212
Debussy s
Clair de
lune
213
Raveľs Oaphnis and
Chhé,
Suite No.
2 213
LISTENING GUIDE
Debussy: Clair de
lune
214
CD
©
Tracks
ES-
S3
Post-Romanticism
214
Rachmaninoff s Rhapsody on a Theme of
Paganini
214
LISTENING GUIDE Ravel: Daphnis and
Chloé,
Suite No.
2,
Lever
du jour
( Daybreak )
215
CD
©
Tracks
ЕЕ-
31
Debussy, Ravel,
&
Rachmaninoff
216
LISTENING GUIDE Rachmaninoff: Rhapsody
on a Theme of
Paganini
217
CD
©
Tracks
ES-ES
Features of Romantic Music
218
Coda
219
PART VI Twentieth-Century
Music
220
30·
Music in the Twentieth
Century
222
The Tremendous and Tumultuous Century
222
Twentieth-Century Art
223
Describing Twentieth-Century Music
223
What to Listen for in Twentieth-Century Music
223
Rhythm
223
Mebdy
224
Harmony and Counterpoint
224
Dissonance
224
Timbre
225
Form
225
Sources
225
Coda
225
31
»The Mainstream
226
Bartók s
Concerto for Orchestra
226
First, Second, and Third Movements
226
Fourt/t Movement
227
LISTENING GUIDE
Bartók: Concerto
for
Orchestra, Fourth Movement
227
CD
©
Tracks
Щ-Щ
Béla Bartók
228
Fifth Movement
228
Heitor
Villa-Lobos:
Bachianas
Brasileiras
228
LISTENING GUIDE
Villa-Lobos: Aria
from
Bachianas
Brasileiras
No.
5 229
CD
©
Tracks
ЅЈ-Ш
Heitor
Villa-Lobos
230
Britten s War Requiem
230
LISTENING GUIDE Britten: Dies irae from
War Requiem, excerpt from beginning
231
CD
©
Tracks
gö
-ΕΞ
Benjamin Britten
232
Other Mainstream Composers
232
Russia
232
Enghnd
232
France
232
Latin America
233
Lili
and
Nadia Boulanger
233
Coda
234
32·
Expressionism and
Primitivism
235
Expressionism
235
Berg s Woxzeck
236
LISTENING GUIDE Berg: Wozzeck, Act III,
Scene
2 237
CD
©
Tracks
EB-
ED
Alban
Berg
238
Primitivism
239
Stravinsky s The Rite of Spring
239
LISTENING GUIDE Stravinsky: The Rite of
Spring, excerpts from Act I
240
CD
©
Tracks
ЕЯ-ЕЕ
Igor Stravinsky
241
What Is Beautiful? Wltat Is Fascinating?
242
Coda
242
33 ·
Neoclassicism
and Tone
Row Music
243
Neoclassicism in Music
243
Prokofiev s Classical Symphony
243
First Movement
244
Second Movement
244
ThirdMovement
244
Fourth Movement
244
Sergei Prokofiev
244
LISTENING GUIDE Prokofiev: Classical
Symphony, Op.
25,
First Movement
245
CD
©
Tracks
И-И
Hindemith s
Kleine Kammermusik 245
Other Neoclassical Works
246
Tone Row Music
246
Paul Hindemith
246
LISTENING GUIDE Hindemith:
Kleine
Kammermusik für Fünf Bläser,
Op.
24,
No.
2,
Fifth Movement
247
CD
©
Tracks H-0
Schoenberg s Variations for Orchestra
248
Arnold
Schoenberg
249
Serialism: Beyond Tone Rows
249
LISTENING GUIDE
Schoenberg:
Variations
for Orchestra excerpt
250
CD
©
Tracks Q-Q
Coda
251
34·
New Sounds and New
Techniques
252
Extensions of Serialism
252
Chance Music
252
Electronic Music
253
Varèse s Poème, électronique
254
LISTENING GUIDE
Várese:
Poème électronique,
beginning
254
CD
©
Track
ΕΞ
Edgard
Várese
255
Eclecticism
255
Crumb s Night of the Four Moons
255
George Crumb
256
LISTENING GUIDE Crumb: The moon is dead,
dead
. . .
from Night of the Four Moous
256
CD
©
Tracks
И-ЅВ
Coda: The Twenty-First Century
257
Features of Twentieth-Century Music
257
CONTENTS
PART
VII
Music in the
United States
260
35·
American Music before
1920 262
Art in America
262
The Eighteenth Century
263
The Nineteenth Century
263
America s Patriotic Songs
264
The Early Twentieth Century
265
Sousa
and Wind Band Music
265
LISTENING GUIDE
SOUSA:
The Stars and Stripes
Forever
266
CD
©
Tracks
Ш
-tB
John Philip
Sousa
266
Charles Ives
267
Ives s Symphony No.
2 267
LISTENING GUIDE Ives: Symphony No.
2,
Fifth Movement
268
CD
©
Tracks
Ш-Ш
Coda
269
36·
Concert Music since
1920 270
Nationalism
270
Copland s Fanfare for the Common Man
271
Copland s Appalachian Spring
271
LISTENING GUIDE Copland: Fanfare for the
Common Man
271
CD
©
Tracks
ΠΟ-ΕΞ
LISTENING GUIDE Copland: Appalachian Spring,
Section
7 272
CD
©
Tracks ES-ES
Neoclassicism
273
Zwilich s Concerto
Grosso
1985 273
Ellen Taaffe Zwilich
273
Minimalism
274
LISTENING GUIDE Zwilich: Concerto Givsso
1985,
First Movement
274
CD
©
Tracks SD-ES
Adams s Short Ride in a Fast Mac/u ne
275
LISTENING GUIDE Adams: Short Ride in a Fast
Machine
275
CD
©
Tracks
ES-ES
John Adams
276
Coda
276
37·
Popular Music and Jazz to
1950 277
Popular Music before
1850 277
CONTENTS
LISTENING
GUIDE
Foster:
Beautiful Dreamer
278
CD
©
Track
Ш
Stephen Foster
279
Foster s Beautiful Dreamer
279
Toward Tin Pan Alley and Ragtime
280
Tin Pan Alley
280
Scott Joplin
280
Ragtime
281
LISTENING GUIDE Joplin: Maple Leaf Rag
281
CD
©
Tracks El-Si
Blues
282
LISTENING GUIDE Smith: Lost Your Head
Blues
282
CD ©Track
S3
Bessie Smith
283
Smith s Lost Your Head Blues
283
Jazz
283
Elements of Jazz
283
Types of Jazz
284
LISTENING GUIDE Armstrong: Come Back,
Sweet Papa
285
CD
©
Track
Щ
Louis Armstrong
&
Duke Ellington
286
LISTENING GUIDE Ellington: Take the A
Train
288
CD
©
Tracks HD-HJ
Coda
288
38·
Popular Music since
1950 289
The Popular Music Industry
289
Blues and Soul
290
Rhythm and Blues
290
Soul
291
Rap
291
Country Music
291
Characteristics of Country Music
291
Development of Country Music
292
LISTENING GUIDE Williams: Your Cheatin
Heart
292
CD
©
Tracks
ШЗ-НИ
Types of Country Music
293
Rock
293
Characteristics of Rock
294
Devehprnents in Rock since
1965 294
Music Videos
295
Other Types of Popular Music
295
Latin American
295
Modem Jazz
296
Brubeck s Blue Rondo a la Turk
296
LISTENING GUIDE Brubeck: Blue Rondo a la
Turk
297
CD
©
Tracks
ES-ES
Coda
297
39·
Music for Stage and Film
298
Early Concerts
298
Minstrel Shows
298
Vaudeville
298
Musical Comedy and Broadway Musicals
299
Bernstein s West Side Story
299
LISTENING GUIDE Bernstein: Tonight
(Quintet) from West Side Story
300
CD
©
Tracks
ЕЅ-ЕШ
Leonard Bernstein
302
Operatic Musicals
302
American Opera
303
Gershwin s Porgy and Bess
303
George Gershwin
304
Music for Films
304
Rok
304
LISTENING GUIDE Gershwin: Summertime
from Porgy and Bess
305
CD
©
Track
ES
Development 305
Williams s Main Title from Star Wars
306
Music and Visual Images
306
Coda
306
PART
Vili
Music around the
World
308
40·
Folk and Ethnic Music
310
What Is Folk and Ethnic Music?
310
Knowing Folk and Ethnic Music
310
Influence of Folk and Ethnic Music
310
Reflecting Culture
311
TheGlobalVillage
311
How Are Folk and Ethnic Music Different?
311
Lack of Uniformity
311
Creation
312
Individual Changes
312
Importance of the Performers
312
Improvisation
312
Audience
312
Subtleties, Shadings, and Sophistication
313
Oral Tradition
313
Preservation
313
Music and Culture
313
Listening to Folk and Ethnic Music
314
Coda
314
41·
Folk Music of Europe and the
Americas
315
European Folk Music
315
Melody
315
Harmony
315
Timbre
315
Accompaniment
315
Form
316
Subject Matter
316
Rhythm
316
LISTENING GUIDE English Ballad:
Barbara Allen
316
CD
©
Track
Ш
American Folk Music
317
Work Songs
317
Occupational Songs
317
Dance
Music
318
Self-Expression
318
Arrangements
318
Native American Music
319
African American Music
319
Calls and Hollers
319
Spirituah
320
Foto
Blues
320
Work Songs
320
instruments
321
Latin American Music
321
LISTENING GUIDE Mexican Folk Song:
Sones
de Hausteca
321
CD
©
Track
Ш
Coda
322
42 ·
Music of Africa and the
Middle East
323
African Music
323
Relations/lip with Language
323
CONTENTS
Association with Dance
323
Rhythm
324
Improvisation
324
Functional Music
324
Lack of Uniformity
325
Form
325
Melodic Characteristics
325
Beliefs about Music and Instruments
325
Instruments
325
Middle Eastern Music
326
LISTENING GUIDE Iran: Segah
327
CD
©
Track
ES
Jewish Music
327
Coda
328
43·
Music of Asia
329
Indian Music
329
Rogos
329
Talas
330
Musical Instruments
330
Performances
330
Texture
331
Form
331
Cultural Outlook
331
LISTENING GUIDE India:
Raga:
Hansa-Dhwani
331
CD
©
Track BE
Chinese Music
332
Japanese Music
332
LISTENING GUIDE Japan: Hakusen no
333
CD
©
Track
Щ
Balinese
Music
333
LISTENING GUIDE BaU (Indonesia): Gender
Wajang
334
CD
©
Track SB
Coda
334
Glossary
335
Listening Guides Indexed by Composer
340
Index of Composer Biographies
341
Index
342
Performers Lbt
347
|
adam_txt |
Contents
Preface
xvi
PART I The Nature of Music
1
1 ·
Music Listening and You
2
Different Types of Music
2
"Classical" Music: Music for Listening
2
Ordinary Music and Extraordinary Music
3
"I Know What I Like"
3
Learning to Listen
4
Listening and Studying
6
Getting Started: The Theme from Star Wars
6
LISTENING GUIDE Williams: Mam Title
from Star Wars
7
CD
φ
Tracks D-O
"Connecting the Dots"
7
John Williams
8
The Goals of Music Appreciation
8
Coda
8
2 ·
Rhythm
9
Beat: The Music's Pulse
9
Meter: The Patterns of Beats
9
The Notation of Rhythm
10
Syncopation
11
Tempo: The Speed of Beats
11
Rhythm in Bizet's
Farandole
12
Georges Bizet
12
LISTENING GUIDE Bizet:
Farandole
from
L'Arlésienne,
Suite No.
2 13
CD
φ
Tracks
В-Ш
Polyrhythm
13
LISTENING GUIDE African Music: "Mitamba
Yalagala Kumchazi"
14
CD ©Track
Я
Coda
14
3 ·
Melody and Harmony
15
Pitch: The High and Low of Sounds
15
Melody: Pitches in a Cohesive Series
15
Pitches in Music Notation
16
Features of Melodies
16
LISTENING GUIDE Copland: "Simple Gifts"
17
CD
φ
Tracks
О-Ш
Aaron Copland
18
What Affects the Impression of a Melody?
18
Counterpoint: Melodies Sounded Together
19
Harmony: Pitches Sounded Together
19
Texture and the Ways Pitches Are Used
21
LISTENING GUIDE Bizet:
Farandole
from
L'Arlésienne,
Suite No.
2 22
CD
©
Tracks
Η-Θ
Coda
22
•
Dynamics, Timbre, and
Organization
23
Dynamics: The Loud and Soft of Music
23
Timbre: Color in Music
23
Organization: Organized Sounds
=
Music
24
Form: Planning in Music
25
GenreandMovements
25
Rodrigo's Concierto
de
Aranjuez
26
Joaquín Rodrigo
26
LISTENING GUIDE
Rodrigo:
Concierto
de
Aranjuez, Second Movement
27
CD
Φ
Tracks
Ш-ЕВ
Coda
28
•
Orchestral Instruments
29
String Instruments
30
Sound Production
30
Modifying Basic Timbre
30
Regulating Pitch
30
Starting and Stopping Sounds
31
Woodwind Instruments
31
Sound Production
31
Modify ing Basic Timbre
32
Re¡>uhtinf>
Pitch
32
Startinj'
and Stupplng Sounds
32
CONTENTS
Brass
Instruments 32
Sound
Production
33
Moăfying
Sound 33
Regulating Pitch
33
Starting and Stopping Sounds
33
Percussion Instruments
33
Sound Production
34
Modifying Sound
34
Regukting Pitch
34
Starting and Stopping Sounds
34
Listening for Instruments
34
Coda
35
6 ·
Other Musical Instruments
36
The Voice
36
Sound Production
36
Modifying Basic Timbre
36
Regulating Pitch
36
Starting and Stopping Sounds
36
Types of Voices
37
Rutter's "Open Thou Mine Eyes"
37
John
Rutter
37
LISTENING GUIDE
Rutter:
"Open Thou
Mine Eyes"
38
CD
©
Tracks
Ш-ПЗ
Wind Band Instruments
38
Traditional Keyboard Instruments
39
Harpsichord
39
Piano
39
Pipe Organ
39
Sound Production
40
Modifying Basic Timbre
40
Reguhting Pitch
40
Starting and Stopping Sounds
40
Changing Dynamic ^el
40
Folk Instruments
41
Aerophones
41
Ideophones
41
Membranophones
41
Chordophones
41
Popular Instruments
41
Guitar
41
Accordion
42
Electronic Instruments
42
Coda
43
PART
Π
Early, Medieval,
and Renaissance Music
44
7 ·
Early Western Music
46
Ancient Greek and Roman Times
46
The Middle Ages
47
The Mass and Its Musk
47
Music in the Middle Ages
48
Gregorian Chant
48
LISTENING GUIDE Anonymous: "Dies irae"
48
CD
φ
Track
ЕЕ
LISTENING GUIDE
Hildegard
of Bingen:
Ordo virtutum,
excerpt from Scene
4 49
CD
©
Tracks H-H
Hildegard
of Bingen
50
Hildegards
Ordo
virtutum
50
Coda
50
8 ·
Medieval Music
51
Medieval Times
51
Polyphony
51
Pérotin's
"Alleluia,
Diffusa
est
gratia"
52
LISTENING GUIDE PEROTIN: "Alleluia, Difiusa
est
gratia"
52
CD ® Tracks
Q
-И
Léonin
and Perotin
53
The Medieval Motet
54
Music in the Rest of Europe
54
LISTENING GUIDE Anonymous: Estampie
54
CD
©
Track
В
Secular Music
55
Features of Medieval Music
55
Coda
56
9 ·
Renaissance Music
57
The Renaissance Outlook
57
Features and Types of Renaissance Music
57
The Renaissance Mass
58
Josquin
Des Pres
58
LISTENING GUIDE Josquin:
Kyrie
from
Pange lingua Mass
59
CD
©
Tracks
Ш-ПЗ
LISTENING GUIDE Palestrina: "Sicut cervus,"
Part I
60
CD
φ
Tracks
¡Е-Ш
The Renaissance Motet
60
Pakstrma's
"Skut
cervi«"
60
CONTENTS
Giovanni Pierluigi da Palestrina 61
The Madrigal 62
Weelkes's
"As Vesta Was from
Latmos Hill
Descending"
62
LISTENING
GUIDE Weelkes:
"As Vesta Was from
Latmos Hill
Descending"
63
CD ©Tracks
ЕЕ-
BD
Renaissance Instrumental
Music
63
Thomas Weelkes 64
Coda 64
Features
of Renaissance Music
64
PART III Baroque Music
66
10·
The Baroque Period
68
Styles in Music
68
Characteristics of Baroque Style
68
Grandiose Dimensions
68
Love of Drama
69
Religious Intensity
69
Baroque Intellectual Activity
69
Early Baroque Music
69
Music in the Baroque
70
Performance of Baroque Music
71
Characteristics of Baroque Music
71
Homophony
71
Recitative
71
Metrical Rhythm
72
Major/Minor Keys
72
Tonal Center
72
Modulation
72
Doctrine of Affections
72
Handel's "The Voice of Him That Crierh in the
Wilderness" from Messiah
73
LISTENING GUIDE Handel: "The Voice of Him
That Crieth in the Wilderness"
73
CD
©
Track
Щ
Features of Baroque Instrumental Music
74
Timing
7Ą
Terraced Dynamics
74
Continuo
74
Coda
75
11·
Oratorio and Cantata
76
Oratorio
76
Handel's Messiah
76
Aria
76
"En'ry Va&ey Shall Be Exalted" from Messiah
77
LISTENING GUIDE Handel: "Ev'ry Valley Shall
Be Exalted" from Messiah
78
CD
©
Tracks ES-EE
Chorus
78
George
Frideric
Handel
79
"Hallelujah Chorus" from Messiah
80
LISTENING GUIDE Handel: "Hallelujah Chorus"
from Messiah
80
CD
©
Tracks
ЕЕ-ВЭ
Chorale
81
Cantata
82
Bach's Cantata No.
140 82
LISTENING GUIDE Bach: Chorale (Section
7)
from Cantata No.
140 83
CD® Track
Ш
Other Types of Baroque Vocal Music
83
LISTENING GUIDE Bach: "Zion Hears the
Watchmen" (Section
4)
from Cantata No.
140 84
CD
φ
Tracks
SJ-SD
Coda
84
12·
Opera in the Baroque
85
The Elements of Opera
85
Voices and Roles
85
Ensembles
86
The Orchestra
86
The Libretto
86
Staging
86
Operatic Conventions
87
Enjoying Opera
87
Monteverdi's Coronation ofPoppea
88
Claudio
Monteverdi
88
PurceU's Dido and Aeneas
89
LISTENING GUIDE Monteverdi: Recitative from
The Coronation ofPoppea, Act I, Scene
1 89
CD ® Track
Ш
LISTENING GUIDE Purcell: "Dido's Lament"
from Dido and Aeneas
90
CD
©
Tracks
Е-Ш
Henry
Purceii
90
Coda
91
13·
Baroque Instrumental Music:
Suite and Sonata
92
Baroque Instruments
92
CONTENTS
ix
LISTENING
GUIDE Pachelbel: Canon in
D
93
CD ® Tracks
Ш-Ш
Pachelbeľs
Canon in
D
93
The Suite 93
Johann Pachelbel 94
Handel's "Hornpipe" from Water Music Suite
9Ą
LISTENING GUIDE Handel: "Hornpipe" from
Water Music
94
CD ® Tracks
Ш-ИШ
The Sonata
95
Corelli's Trio Sonata
95
LISTENING GUIDE Coreixi: Trio Sonata in F,
Op.
3,
No.
1,
Second Movement
95
CD ® Track
Ш
Arcangelo Gorelli
96
Other Baroque Composers
96
LISTENING GUIDE Corelli: Trio Sonata in F,
Op.
3,
No.
1,
Third Movement
96
CD ® Track
Ш
Coda
97
14·
Baroque Instrumental Music:
Concerto and Fugue
98
The Concerto
Grosso
98
Bach's Brandenburg Concerto No.
5 98
Vivaldi's Concerto "Spring" from The Four Seasons
99
LISTENING GUIDE BACH: Brandenburg Concerto
No.
5,
Third Movement
99
CD
©
Tracks
ЕЭ-ЕЯ
Antonio
Vivaldi 100
The Fugue
100
LISTENING GUIDE
Vivaldi:
"Spring" from
The Four Seasons, First Movement
101
CD
©
Trad«
Щ-Щ
Bach's Toccata and Fugue in
Ό
Minor
102
Other Keyboard Forms
102
LISTENING GUIDE Bach: Toccata and Fugue
in
D
Minor, BWV
565 103
CD
©
Tracks S3-E2
Johann
Sebastian Bach
104
Features of Baroque Music
105
Coda
105
PART IV Classical Music
106
15·
Classicism and Classical Music
108
Cultural Setting
108
Ftmr Leaders
108
Architecture
109
Philosophy
109
Toward Classicism: The Rococo Style
109
Characteristics of Classical Music
109
Features to Listen for in Classical Music
110
Melody
110
Homophony 1
10
Harmony
110
Rhythm
110
Dynamic Levels
110
Performance 1
1
1
Forms
111
Coda 111
16·
Sonata Form
112
Development in Musical Works
112
Mozart's Symphony No.
40,
K.
550 112
Wolfgang
Amadeus
Mozart
113
The Plan of Sonata Form
113
Exposition
114
Development
115
LISTENING GUIDE Mozart: Symphony No.
40,
First Movement
116
CD
©
Tracks
SO-ES
Récapitulation
117
Other Aspects of Sonata Form
118
Coda
118
17·
The Concerto
119
The Solo Concerto
119
Mozart's Violin Concerto No.
5,
K.
219 119
LISTENING GUIDE Mozart: Violin Concerto
No.
5,
First Movement
120
CD ® Tracks
Ξ3-ΕΞ
The Second Movement of Concertos
121
Rondo Form
121
Haydn's Trumpet Concerto
122
LISTENING GUIDE HAYDN: Concerto for
Trumpet in
Е
-flat, Tliird Movement
122
CD
©
Tracks
Ш-Ш
Frätts
Joseph
Hayan
123
Coda
124
18·
Classical Opera
125
The Development of Opera
125
Mozart's Operas
125
Mozart's Don
Giovanili
125
CONTENTS
LISTENING
GUIDE
Smetana:
The Moldau
from
Má vlast
209
CD
©
Tracks
Щ-ЕЕ
Finland
209
Bedřich Smetana
210
England
210
Italy
210
Spain
210
France
211
United States
211
Coda
211
29 ·
Impressionism and Post-
Romanticism
212
Characteristics of Impressionism
212
Debussy's
"Clair de
lune"
213
Raveľs Oaphnis and
Chhé,
Suite No.
2 213
LISTENING GUIDE
Debussy: "Clair de
lune"
214
CD
©
Tracks
ES-
S3
Post-Romanticism
214
Rachmaninoff's Rhapsody on a Theme of
Paganini
214
LISTENING GUIDE Ravel: Daphnis and
Chloé,
Suite No.
2,
"Lever
du jour"
("Daybreak")
215
CD
©
Tracks
ЕЕ-
31
Debussy, Ravel,
&
Rachmaninoff
216
LISTENING GUIDE Rachmaninoff: Rhapsody
on a Theme of
Paganini
217
CD
©
Tracks
ES-ES
Features of Romantic Music
218
Coda
219
PART VI Twentieth-Century
Music
220
30·
Music in the Twentieth
Century
222
The Tremendous and Tumultuous Century
222
Twentieth-Century Art
223
Describing Twentieth-Century Music
223
What to Listen for in Twentieth-Century Music
223
Rhythm
223
Mebdy
224
Harmony and Counterpoint
224
Dissonance
224
Timbre
225
Form
225
Sources
225
Coda
225
31
»The Mainstream
226
Bartók's
Concerto for Orchestra
226
First, Second, and Third Movements
226
Fourt/t Movement
227
LISTENING GUIDE
Bartók: Concerto
for
Orchestra, Fourth Movement
227
CD
©
Tracks
Щ-Щ
Béla Bartók
228
Fifth Movement
228
Heitor
Villa-Lobos:
Bachianas
Brasileiras
228
LISTENING GUIDE
Villa-Lobos: Aria
from
Bachianas
Brasileiras
No.
5 229
CD
©
Tracks
ЅЈ-Ш
Heitor
Villa-Lobos
230
Britten's War Requiem
230
LISTENING GUIDE Britten: Dies irae from
War Requiem, excerpt from beginning
231
CD
©
Tracks
gö
-ΕΞ
Benjamin Britten
232
Other Mainstream Composers
232
Russia
232
Enghnd
232
France
232
Latin America
233
Lili
and
Nadia Boulanger
233
Coda
234
32·
Expressionism and
Primitivism
235
Expressionism
235
Berg's Woxzeck
236
LISTENING GUIDE Berg: Wozzeck, Act III,
Scene
2 237
CD
©
Tracks
EB-
ED
Alban
Berg
238
Primitivism
239
Stravinsky's The Rite of Spring
239
LISTENING GUIDE Stravinsky: The Rite of
Spring, excerpts from Act I
240
CD
©
Tracks
ЕЯ-ЕЕ
Igor Stravinsky
241
What Is Beautiful? Wltat Is Fascinating?
242
Coda
242
33 ·
Neoclassicism
and Tone
Row Music
243
Neoclassicism in Music
243
Prokofiev's Classical Symphony
243
First Movement
244
Second Movement
244
ThirdMovement
244
Fourth Movement
244
Sergei Prokofiev
244
LISTENING GUIDE Prokofiev: Classical
Symphony, Op.
25,
First Movement
245
CD
©
Tracks
И-И
Hindemith's
Kleine Kammermusik 245
Other Neoclassical Works
246
Tone Row Music
246
Paul Hindemith
246
LISTENING GUIDE Hindemith:
Kleine
Kammermusik für Fünf Bläser,
Op.
24,
No.
2,
Fifth Movement
247
CD
©
Tracks H-0
Schoenberg's Variations for Orchestra
248
Arnold
Schoenberg
249
Serialism: Beyond Tone Rows
249
LISTENING GUIDE
Schoenberg:
Variations
for Orchestra excerpt
250
CD
©
Tracks Q-Q
Coda
251
34·
New Sounds and New
Techniques
252
Extensions of Serialism
252
Chance Music
252
Electronic Music
253
Varèse's Poème, électronique
254
LISTENING GUIDE
Várese:
Poème électronique,
beginning
254
CD
©
Track
ΕΞ
Edgard
Várese
255
Eclecticism
255
Crumb's Night of the Four Moons
255
George Crumb
256
LISTENING GUIDE Crumb: "The moon is dead,
dead
. . ."
from Night of the Four Moous
256
CD
©
Tracks
И-ЅВ
Coda: The Twenty-First Century
257
Features of Twentieth-Century Music
257
CONTENTS
PART
VII
Music in the
United States
260
35·
American Music before
1920 262
Art in America
262
The Eighteenth Century
263
The Nineteenth Century
263
America's Patriotic Songs
264
The Early Twentieth Century
265
Sousa
and Wind Band Music
265
LISTENING GUIDE
SOUSA:
"The Stars and Stripes
Forever"
266
CD
©
Tracks
Ш
-tB
John Philip
Sousa
266
Charles Ives
267
Ives's Symphony No.
2 267
LISTENING GUIDE Ives: Symphony No.
2,
Fifth Movement
268
CD
©
Tracks
Ш-Ш
Coda
269
36·
Concert Music since
1920 270
Nationalism
270
Copland's Fanfare for the Common Man
271
Copland's Appalachian Spring
271
LISTENING GUIDE Copland: Fanfare for the
Common Man
271
CD
©
Tracks
ΠΟ-ΕΞ
LISTENING GUIDE Copland: Appalachian Spring,
Section
7 272
CD
©
Tracks ES-ES
Neoclassicism
273
Zwilich's Concerto
Grosso
1985 273
Ellen Taaffe Zwilich
273
Minimalism
274
LISTENING GUIDE Zwilich: Concerto Givsso
1985,
First Movement
274
CD
©
Tracks SD-ES
Adams's Short Ride in a Fast Mac/u'ne
275
LISTENING GUIDE Adams: Short Ride in a Fast
Machine
275
CD
©
Tracks
ES-ES
John Adams
276
Coda
276
37·
Popular Music and Jazz to
1950 277
Popular Music before
1850 277
CONTENTS
LISTENING
GUIDE
Foster:
"Beautiful Dreamer"
278
CD
©
Track
Ш
Stephen Foster
279
Foster's "Beautiful Dreamer"
279
Toward Tin Pan Alley and Ragtime
280
Tin Pan Alley
280
Scott Joplin
280
Ragtime
281
LISTENING GUIDE Joplin: "Maple Leaf Rag"
281
CD
©
Tracks El-Si
Blues
282
LISTENING GUIDE Smith: "Lost Your Head
Blues"
282
CD ©Track
S3
Bessie Smith
283
Smith's "Lost Your Head Blues"
283
Jazz
283
Elements of Jazz
283
Types of Jazz
284
LISTENING GUIDE Armstrong: "Come Back,
Sweet Papa"
285
CD
©
Track
Щ
Louis Armstrong
&
Duke Ellington
286
LISTENING GUIDE Ellington: "Take the 'A'
Train"
288
CD
©
Tracks HD-HJ
Coda
288
38·
Popular Music since
1950 289
The Popular Music Industry
289
Blues and Soul
290
Rhythm and Blues
290
Soul
291
Rap
291
Country Music
291
Characteristics of Country Music
291
Development of Country Music
292
LISTENING GUIDE Williams: "Your Cheatin'
Heart"
292
CD
©
Tracks
ШЗ-НИ
Types of Country Music
293
Rock
293
Characteristics of Rock
294
Devehprnents in Rock since
1965 294
Music Videos
295
Other Types of Popular Music
295
Latin American
295
Modem Jazz
296
Brubeck's "Blue Rondo a la Turk"
296
LISTENING GUIDE Brubeck: "Blue Rondo a la
Turk"
297
CD
©
Tracks
ES-ES
Coda
297
39·
Music for Stage and Film
298
Early Concerts
298
Minstrel Shows
298
Vaudeville
298
Musical Comedy and Broadway Musicals
299
Bernstein's West Side Story
299
LISTENING GUIDE Bernstein: "Tonight"
(Quintet) from West Side Story
300
CD
©
Tracks
ЕЅ-ЕШ
Leonard Bernstein
302
Operatic Musicals
302
American Opera
303
Gershwin's Porgy and Bess
303
George Gershwin
304
Music for Films
304
Rok
304
LISTENING GUIDE Gershwin: "Summertime"
from Porgy and Bess
305
CD
©
Track
ES
Development 305
Williams's Main Title from Star Wars
306
Music and Visual Images
306
Coda
306
PART
Vili
Music around the
World
308
40·
Folk and Ethnic Music
310
What Is Folk and Ethnic Music?
310
Knowing Folk and Ethnic Music
310
Influence of Folk and Ethnic Music
310
Reflecting Culture
311
TheGlobalVillage
311
How Are Folk and Ethnic Music Different?
311
Lack of Uniformity
311
Creation
312
Individual Changes
312
Importance of the Performers
312
Improvisation
312
Audience
312
Subtleties, Shadings, and Sophistication
313
Oral Tradition
313
Preservation
313
Music and Culture
313
Listening to Folk and Ethnic Music
314
Coda
314
41·
Folk Music of Europe and the
Americas
315
European Folk Music
315
Melody
315
Harmony
315
Timbre
315
Accompaniment
315
Form
316
Subject Matter
316
Rhythm
316
LISTENING GUIDE English Ballad:
"Barbara Allen"
316
CD
©
Track
Ш
American Folk Music
317
Work Songs
317
Occupational Songs
317
Dance
Music
318
Self-Expression
318
Arrangements
318
Native American Music
319
African American Music
319
Calls and Hollers
319
Spirituah
320
Foto
Blues
320
Work Songs
320
instruments
321
Latin American Music
321
LISTENING GUIDE Mexican Folk Song:
"Sones
de Hausteca"
321
CD
©
Track
Ш
Coda
322
42 ·
Music of Africa and the
Middle East
323
African Music
323
Relations/lip with Language
323
CONTENTS
Association with Dance
323
Rhythm
324
Improvisation
324
Functional Music
324
Lack of Uniformity
325
Form
325
Melodic Characteristics
325
Beliefs about Music and Instruments
325
Instruments
325
Middle Eastern Music
326
LISTENING GUIDE Iran: "Segah"
327
CD
©
Track
ES
Jewish Music
327
Coda
328
43·
Music of Asia
329
Indian Music
329
Rogos
329
Talas
330
Musical Instruments
330
Performances
330
Texture
331
Form
331
Cultural Outlook
331
LISTENING GUIDE India:
"Raga:
Hansa-Dhwani"
331
CD
©
Track BE
Chinese Music
332
Japanese Music
332
LISTENING GUIDE Japan: "Hakusen no"
333
CD
©
Track
Щ
Balinese
Music
333
LISTENING GUIDE BaU (Indonesia): "Gender
Wajang"
334
CD
©
Track SB
Coda
334
Glossary
335
Listening Guides Indexed by Composer
340
Index of Composer Biographies
341
Index
342
Performers Lbt
347 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Hoffer, Charles R. 1929- |
author_GND | (DE-588)122093909 |
author_facet | Hoffer, Charles R. 1929- |
author_role | aut |
author_sort | Hoffer, Charles R. 1929- |
author_variant | c r h cr crh |
building | Verbundindex |
bvnumber | BV023311298 |
callnumber-first | M - Music |
callnumber-label | MT6 |
callnumber-raw | MT6.H565 SDB 71987 |
callnumber-search | MT6.H565 SDB 71987 |
callnumber-sort | MT 16 H565 |
callnumber-subject | MT - Instruction and Study |
ctrlnum | (OCoLC)213331361 (DE-599)BVBBV023311298 |
edition | 3. ed. |
format | Book |
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genre_facet | Beispielsammlung Einführung |
id | DE-604.BV023311298 |
illustrated | Illustrated |
index_date | 2024-07-02T20:50:19Z |
indexdate | 2024-07-09T21:15:35Z |
institution | BVB |
isbn | 9780495565765 0495565768 |
language | English |
lccn | 2007939263 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016495562 |
oclc_num | 213331361 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | XIX, 348 S., [2] Bl. Ill., Kt., Notenbeisp. 28 cm. 2 CDs (12 cm) |
publishDate | 2009 |
publishDateSearch | 2009 |
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publisher | Thomson/Schirmer |
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spelling | Hoffer, Charles R. 1929- Verfasser (DE-588)122093909 aut Music listening today Charles Hoffer 3. ed. Belmont, CA Thomson/Schirmer 2009 [erschienen 2008] XIX, 348 S., [2] Bl. Ill., Kt., Notenbeisp. 28 cm. 2 CDs (12 cm) txt rdacontent n rdamedia nc rdacarrier Includes indexes. Music appreciation Geschichte (DE-588)4020517-4 gnd rswk-swf Musikhören (DE-588)4075127-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf (DE-588)4144384-6 Beispielsammlung gnd-content (DE-588)4151278-9 Einführung gnd-content Klassische Musik (DE-588)4164043-3 s Musikhören (DE-588)4075127-2 s 1\p DE-604 Musik (DE-588)4040802-4 s Geschichte (DE-588)4020517-4 s 2\p DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016495562&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Hoffer, Charles R. 1929- Music listening today Music appreciation Geschichte (DE-588)4020517-4 gnd Musikhören (DE-588)4075127-2 gnd Musik (DE-588)4040802-4 gnd Klassische Musik (DE-588)4164043-3 gnd |
subject_GND | (DE-588)4020517-4 (DE-588)4075127-2 (DE-588)4040802-4 (DE-588)4164043-3 (DE-588)4144384-6 (DE-588)4151278-9 |
title | Music listening today |
title_auth | Music listening today |
title_exact_search | Music listening today |
title_exact_search_txtP | Music listening today |
title_full | Music listening today Charles Hoffer |
title_fullStr | Music listening today Charles Hoffer |
title_full_unstemmed | Music listening today Charles Hoffer |
title_short | Music listening today |
title_sort | music listening today |
topic | Music appreciation Geschichte (DE-588)4020517-4 gnd Musikhören (DE-588)4075127-2 gnd Musik (DE-588)4040802-4 gnd Klassische Musik (DE-588)4164043-3 gnd |
topic_facet | Music appreciation Geschichte Musikhören Musik Klassische Musik Beispielsammlung Einführung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016495562&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT hoffercharlesr musiclisteningtoday |