Animation and America:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2008
|
| Ausgabe: | Transferred to digital print |
| Schriftenreihe: | BAAS paperbacks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VI, 185 S. |
| ISBN: | 9781853312038 1853312037 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804137645028147200 |
|---|---|
| adam_text | Contents
Acknowledgements
vi
Introduction: Abdicating All Mental Law
ι
ι
Animation and Modernism
19
2
The Disney Effect
38
3
Synaesthetics, Subversion, Television
60
4
New Disney, Old Stories?
102
5
New Animation
Auteurs
126
6
United States of the Art
151
Filmography
172
Bibliography
178
Index
182
The cartoon is synonymous with the United States
-
the all-conquering Disney
studio, the anarchic antics of Bugs Bunny and Daffy Duck, the satiric vision of
The Simpsons
-
but rarely is this taken seriously as an important aspect of
artistic and cultural achievement, nor as an impression of America itself.
In Animation and America, Professor Paul Wells looks at animation in the
United States afresh. He discusses the distincttveness of the cartoon form and
the myriad other types of animation production, insisting upon the
modernity of the form and its crucial importance as a barometer of the social
conditions in which it was made, and which it reflects
The book does not work as an orthodox history of animation in America, but
rather uses animation as a way of discussing personal, social and political
change, concentrating on the ways in which the form continues to grow,
experiment and remain subversive while gaining increasing popular acclaim
and recognition. Animation is now in the vanguard of visual culture per
se:
it
occupies an
important
position in representing both the outcomes and
impacts of new technologies
-
as it has always done
-
but it has also laid the
foundations for a new understanding of social and artistic practice.
Paul Wdls
ís
Head of the Media Academic Section at the University of Teesside.
|
| adam_txt |
Contents
Acknowledgements
vi
Introduction: Abdicating All Mental Law
ι
ι
Animation and Modernism
19
2
The Disney Effect
38
3
Synaesthetics, Subversion, Television
60
4
New Disney, Old Stories?
102
5
New Animation
Auteurs
126
6
United States of the Art
151
Filmography
172
Bibliography
178
Index
182
The 'cartoon' is synonymous with the United States
-
the all-conquering Disney
studio, the anarchic antics of Bugs Bunny and Daffy Duck, the satiric vision of
The Simpsons
-
but rarely is this taken seriously as an important aspect of
artistic and cultural achievement, nor as an impression of America itself.
In Animation and America, Professor Paul Wells looks at animation in the
United States afresh. He discusses the distincttveness of the cartoon form and
the myriad other types of animation production, insisting upon the
'modernity' of the form and its crucial importance as a barometer of the social
conditions in which it was made, and which it reflects
The book does not work as an orthodox history of animation in America, but
rather uses animation as a way of discussing personal, social and political
change, concentrating on the ways in which the form continues to grow,
experiment and remain subversive while gaining increasing popular acclaim
and recognition. Animation is now in the vanguard of visual culture per
se:
it
occupies an
important
position in representing both the outcomes and
impacts of new technologies
-
as it has always done
-
but it has also laid the
foundations for a new understanding of social and artistic practice.
Paul Wdls
ís
Head of the Media Academic Section at the University of Teesside. |
| any_adam_object | 1 |
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| edition | Transferred to digital print |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| subject_GND | (DE-588)4142484-0 (DE-588)4071453-6 (DE-588)4190578-7 (DE-588)4078704-7 |
| title | Animation and America |
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| title_short | Animation and America |
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| topic_facet | Animationsfilm Freizeitgestaltung Zeichentrickfilm USA |
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