Copyright law and the public interest in the nineteenth century:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Hart
2010
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Teilw. zugl.: Cambridge, Univ., Diss. |
| Beschreibung: | XXIV, 320 S. |
| ISBN: | 1841137863 9781841137865 |
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Datensatz im Suchindex
| _version_ | 1804137638720962560 |
|---|---|
| adam_text | Contents
Acknowledgemmte
v
Abbreviations
vìi
Table of Cases
xi
Table
offógislation
xix
1
Introduction: Copyright, History, the Public
1
I. The Public Interest: Balances and Incentives
1
II. The Stories So Far
... 4
III. Scope and Structure
11
2
Copyright before the Nineteenth Century
17
I. Pre-history of the Statute of Anne
17
II. The Statute Takes Shape
21
III. Charting the Boundaries of the Statute of Anne
28
IV. Unfinished Edges
38
3
Copyright, the Book Trade and the Reading Public
41
I. Co-operation and Corporatism in the Book Trade
41
II. The Battle over Legal Deposit
47
III. Books Contrary to the Public Interest
63
IV.
Conclusion
79
4
Extension and Expansion
81
I. Copyright in the Spoken Word
81
II. The Copyright Act of
1842 92
III. Foreign Authors and the Case of Jefferys
υ
Boosey
100
5
Examination and
Internationalisation
113
I. The Royal Copyright Commission of
1878 113
II. The Rise of Interest Groups and the Interplay of Domestic and
International Copyright
147
III. Conclusion
153
χ
Contents
6
Infringement at Common Law: Drawing Copyright s
Boundaries
155
I. Infringement in the Eighteenth Century
159
II. The Nineteenth Century
182
III. Infringement at the Century s End
231
7
The Making of the
1911
Imperial Copyright Act
234
I. The fin-de-siicle Years: Laying the Foundations
234
II. A Musical Interlude
253
III. The Imperial Copyright Act of
1911 266
8
Conclusion
291
Bibliography
301
Index
315
Copyright
law is commonly described
as carrying out a balancing act between the
interests of authors or owners and those of
the public While much academic work,
both historical and contemporary, has been
done on the authorship side of the equation,
this book examines the notion of public
interest, and the way that concepts of
public interest and the rhetoric surrounding
it have been involved in shaping the law
of copyright. While many histories of
copyright focus on the eighteenth century,
this book s main concern is with the period
alter
1774.
The nineteenth century was
the period during which the boundaries
ol copyright, as we know it today, were
drawn and ideas of public interest were
integral to this process, but in different,
and complex, ways. The book engages
with this complexity by moving beyond
debates about the appropriate duration of
copyright, and considers the development
of other important features of copyright
law, such as the requirement of legal
deposit, the principle that some works will
not be subject to copyright protection on
the grounds of public interest, and the law
of infringement. While the focus of the
book is on literary copyright, it also traces
the expansion of copyright to cover new
subject matters, such as music, dramatic
works and lectures. The book concludes by
examining the making of the
1911
Imperial
Copyright Act
-
the statute upon which
the law of copyright in Britain, and in all
former British colonies, is based. The histo¬
ry traced in this book has considerable rel¬
evance to debates over the scope of copy¬
right law in the present day,- it emphasises
right law s development and current shape,
as well as encouraging a critical approach
to the justifications for copyright law.
|
| adam_txt |
Contents
Acknowledgemmte
v
Abbreviations
vìi
Table of Cases
xi
Table
offógislation
xix
1
Introduction: Copyright, History, the Public
1
I. The Public Interest: Balances and Incentives
1
II. The Stories So Far
. 4
III. Scope and Structure
11
2
Copyright before the Nineteenth Century
17
I. Pre-history of the Statute of Anne
17
II. The Statute Takes Shape
21
III. Charting the Boundaries of the Statute of Anne
28
IV. Unfinished Edges
38
3
Copyright, the Book Trade and the Reading Public
41
I. Co-operation and Corporatism in the Book Trade
41
II. The Battle over Legal Deposit
47
III. Books Contrary to the Public Interest
63
IV.
Conclusion
79
4
Extension and Expansion
81
I. Copyright in the Spoken Word
81
II. The Copyright Act of
1842 92
III. Foreign Authors and the Case of Jefferys
υ
Boosey
100
5
Examination and
Internationalisation
113
I. The Royal Copyright Commission of
1878 113
II. The Rise of Interest Groups and the Interplay of Domestic and
International Copyright
147
III. Conclusion
153
χ
Contents
6
Infringement at Common Law: Drawing Copyright's
Boundaries
155
I. Infringement in the Eighteenth Century
159
II. The Nineteenth Century
182
III. Infringement at the Century's End
231
7
The Making of the
1911
Imperial Copyright Act
234
I. The fin-de-siicle Years: Laying the Foundations
234
II. A Musical Interlude
253
III. The Imperial Copyright Act of
1911 266
8
Conclusion
291
Bibliography
301
Index
315
Copyright
law is commonly described
as carrying out a balancing act between the
interests of authors or owners and those of
the public While much academic work,
both historical and contemporary, has been
done on the authorship side of the equation,
this book examines the notion of public
interest, and the way that concepts of
public interest and the rhetoric surrounding
it have been involved in shaping the law
of copyright. While many histories of
copyright focus on the eighteenth century,
this book's main concern is with the period
alter
1774.
The nineteenth century was
the period during which the boundaries
ol copyright, as we know it today, were
drawn and ideas of 'public interest' were
integral to this process, but in different,
and complex, ways. The book engages
with this complexity by moving beyond
debates about the appropriate duration of
copyright, and considers the development
of other important features of copyright
law, such as the requirement of legal
deposit, the principle that some works will
not be subject to copyright protection on
the grounds of public interest, and the law
of infringement. While the focus of the
book is on literary copyright, it also traces
the expansion of copyright to cover new
subject matters, such as music, dramatic
works and lectures. The book concludes by
examining the making of the
1911
Imperial
Copyright Act
-
the statute upon which
the law of copyright in Britain, and in all
former British colonies, is based. The histo¬
ry traced in this book has considerable rel¬
evance to debates over the scope of copy¬
right law in the present day,- it emphasises
right law's development and current shape,
as well as encouraging a critical approach
to the justifications for copyright law. |
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| spelling | Alexander, Isabella Verfasser aut Copyright law and the public interest in the nineteenth century Isabella Alexander Oxford [u.a.] Hart 2010 XXIV, 320 S. txt rdacontent n rdamedia nc rdacarrier Teilw. zugl.: Cambridge, Univ., Diss. Geschichte 1800-1900 Geschichte 1774-1911 gnd rswk-swf Geschichte Copyright Great Britain History 19th century Public interest Great Britain History 19th century Urheberrecht (DE-588)4062127-3 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Großbritannien (DE-588)4022153-2 g Urheberrecht (DE-588)4062127-3 s Geschichte 1774-1911 z DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016491277&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016491277&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Alexander, Isabella Copyright law and the public interest in the nineteenth century Geschichte Copyright Great Britain History 19th century Public interest Great Britain History 19th century Urheberrecht (DE-588)4062127-3 gnd |
| subject_GND | (DE-588)4062127-3 (DE-588)4022153-2 (DE-588)4113937-9 |
| title | Copyright law and the public interest in the nineteenth century |
| title_auth | Copyright law and the public interest in the nineteenth century |
| title_exact_search | Copyright law and the public interest in the nineteenth century |
| title_exact_search_txtP | Copyright law and the public interest in the nineteenth century |
| title_full | Copyright law and the public interest in the nineteenth century Isabella Alexander |
| title_fullStr | Copyright law and the public interest in the nineteenth century Isabella Alexander |
| title_full_unstemmed | Copyright law and the public interest in the nineteenth century Isabella Alexander |
| title_short | Copyright law and the public interest in the nineteenth century |
| title_sort | copyright law and the public interest in the nineteenth century |
| topic | Geschichte Copyright Great Britain History 19th century Public interest Great Britain History 19th century Urheberrecht (DE-588)4062127-3 gnd |
| topic_facet | Geschichte Copyright Great Britain History 19th century Public interest Great Britain History 19th century Urheberrecht Großbritannien Hochschulschrift |
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