Critical readings in Impressionism and Post-Impressionism: an anthology
"The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetra...
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Weitere Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Berkeley ; Los Angeles ; London
University of California Press
[2007]
|
Schriftenreihe: | Ahmanson Murphy fine arts imprint
|
Schlagworte: | |
Online-Zugang: | Table of contents only Publisher description Contributor biographical information Inhaltsverzeichnis |
Zusammenfassung: | "The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France--including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field." http://www.loc.gov/catdir/enhancements/fy0729/2006034879-d.html. |
Beschreibung: | Includes bibliographical references (p. 323-330) and index |
Beschreibung: | X, 347 Seiten Illustrationen 25 cm |
ISBN: | 9780520240100 9780520250222 0520240103 0520250222 |
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Datensatz im Suchindex
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---|---|
adam_text | PREFACE VII INTRODUCTION: THE CRITICAL HISTORY OF IMPRESSIONISM: AN
OVERVIEW MARY TOMPKINS LEWIS I PART ONE BACKGROUND STUDIES: ECONOMIC
LANDSCAPES AND EXHIBITION STRATEGIES 1 IMPRESSIONISM, ORIGINALITY, AND
LAISSEZ-FAIRE ROBERT L. HERBERT 23 2 DEALING IN TEMPERAMENTS: ECONOMIC
TRANSFORMATION OF THE ARTISTIC FIELD IN FRANCE DURING THE SECOND HALF OF
THE NINETEENTH CENTURY NICHOLAS GREEN 31 3 IMPRESSIONIST INSTALLATIONS
AND PRIVATE EXHIBITIONS MARTHA WARD 49 PART TWO LANDSCAPES OF MODERNITY
4 FRAMING THE LANDSCAPE JOHN HOUSE 77 5 THE ENVIRONS OF PARIS T. J.
CLARK 101 PART THREE THE CRITICAL CLIMATE 6 THE INTRANSIGENT ARTIST OR
FLOW THE IMPRESSIONISTS GOT THEIR NAME STEPHEN F. EISENMAN 149 7 DURANTY
ON DEGAS: A THEORY OF MODERN PAINTING CAROL ARMSTRONG 163 8 BERTHE
MORISOT AND THE FEMINIZING OF IMPRESSIONISM TAMAR GARB 191 PART FOUR
IMPRESSIONISM, POLITICS, AND NATIONALISM 9 CAMILLE PISSARRO IN 1880: AN
ANARCHISTIC ARTIST IN BOURGEOIS SOCIETY MICHEL MELOT 205 10 MONET AND
THE CHALLENGES TO IMPRESSIONISM IN THE 1880S PAUL TUCKER 227 PART FIVE
RECENT STUDIES IN POST-IMPRESSIONIST PAINTING 11 SEURAT S GRANDE JATTE:
AN ANTI-UTOPIAN ALLEGORY LINDA NOCHLIN 12 AT THE THRESHOLD OF SYMBOLISM:
VAN GOGH S SOWER AND GAUGUIN S VISION AFTER THE SERMON DEBORA SILVERMAN
13 MARK, MOTIF, MATERIALITY: THE CEZANNE EFFECT IN THE TWENTIETH CENTURY
RICHARD SHIFF SELECT BIBLIOGRAPHY CONTRIBUTORS LIST OF ILLUSTRATIONS
INDEX 253 271 287 323 331 333 337 PPN: 26411681X TITEL: CRITICAL
READINGS IN IMPRESSIONISM AND POST-IMPRESSIONISM : AN ANTHOLOGY / EDITED
BY MARY TOMPKINS LEWIS. - BERKELEY, CALIF. : UNIVERSITY OF CALIFORNIA
PRESS, C2007 ISBN: 978-0-520-25022-2; 978-0-520-24010-0;
0-520-24010-3(CASED)41.95 : 18.95; 0-520- 25022-2(PBK)18.95 CASED :
41.95 BIBLIOGRAPHISCHER DATENSATZ IM SWB-VERBUND
|
adam_txt |
PREFACE VII INTRODUCTION: THE CRITICAL HISTORY OF IMPRESSIONISM: AN
OVERVIEW MARY TOMPKINS LEWIS I PART ONE BACKGROUND STUDIES: ECONOMIC
LANDSCAPES AND EXHIBITION STRATEGIES 1 IMPRESSIONISM, ORIGINALITY, AND
LAISSEZ-FAIRE ROBERT L. HERBERT 23 2 DEALING IN TEMPERAMENTS: ECONOMIC
TRANSFORMATION OF THE ARTISTIC FIELD IN FRANCE DURING THE SECOND HALF OF
THE NINETEENTH CENTURY NICHOLAS GREEN 31 3 IMPRESSIONIST INSTALLATIONS
AND PRIVATE EXHIBITIONS MARTHA WARD 49 PART TWO LANDSCAPES OF MODERNITY
4 FRAMING THE LANDSCAPE JOHN HOUSE 77 5 THE ENVIRONS OF PARIS T. J.
CLARK 101 PART THREE THE CRITICAL CLIMATE 6 THE INTRANSIGENT ARTIST OR
FLOW THE IMPRESSIONISTS GOT THEIR NAME STEPHEN F. EISENMAN 149 7 DURANTY
ON DEGAS: A THEORY OF MODERN PAINTING CAROL ARMSTRONG 163 8 BERTHE
MORISOT AND THE FEMINIZING OF IMPRESSIONISM TAMAR GARB 191 PART FOUR
IMPRESSIONISM, POLITICS, AND NATIONALISM 9 CAMILLE PISSARRO IN 1880: AN
ANARCHISTIC ARTIST IN BOURGEOIS SOCIETY MICHEL MELOT 205 10 MONET AND
THE CHALLENGES TO IMPRESSIONISM IN THE 1880S PAUL TUCKER 227 PART FIVE
RECENT STUDIES IN POST-IMPRESSIONIST PAINTING 11 SEURAT'S GRANDE JATTE:
AN ANTI-UTOPIAN ALLEGORY LINDA NOCHLIN 12 AT THE THRESHOLD OF SYMBOLISM:
VAN GOGH'S SOWER AND GAUGUIN'S VISION AFTER THE SERMON DEBORA SILVERMAN
13 MARK, MOTIF, MATERIALITY: THE CEZANNE EFFECT IN THE TWENTIETH CENTURY
RICHARD SHIFF SELECT BIBLIOGRAPHY CONTRIBUTORS LIST OF ILLUSTRATIONS
INDEX 253 271 287 323 331 333 337 PPN: 26411681X TITEL: CRITICAL
READINGS IN IMPRESSIONISM AND POST-IMPRESSIONISM : AN ANTHOLOGY / EDITED
BY MARY TOMPKINS LEWIS. - BERKELEY, CALIF. : UNIVERSITY OF CALIFORNIA
PRESS, C2007 ISBN: 978-0-520-25022-2; 978-0-520-24010-0;
0-520-24010-3(CASED)41.95 : 18.95; 0-520- 25022-2(PBK)18.95 CASED :
41.95 BIBLIOGRAPHISCHER DATENSATZ IM SWB-VERBUND |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author2 | Lewis, Mary Tompkins 19XX- |
author2_role | edt |
author2_variant | m t l mt mtl |
author_GND | (DE-588)188357343 |
author_facet | Lewis, Mary Tompkins 19XX- |
building | Verbundindex |
bvnumber | BV023304566 |
callnumber-first | N - Fine Arts |
callnumber-label | ND547 |
callnumber-raw | ND547.5.I4 |
callnumber-search | ND547.5.I4 |
callnumber-sort | ND 3547.5 I4 |
callnumber-subject | ND - Painting |
classification_rvk | LM 83394 |
ctrlnum | (OCoLC)74029351 (DE-599)BVBBV023304566 |
dewey-full | 759.05/4 |
dewey-hundreds | 700 - The arts |
dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.05/4 |
dewey-search | 759.05/4 |
dewey-sort | 3759.05 14 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 1860-1900 swd Geschichte 1900-2000 Geschichte 1800-1900 |
era_facet | Geschichte 1860-1900 Geschichte 1900-2000 Geschichte 1800-1900 |
format | Book |
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illustrated | Illustrated |
index_date | 2024-07-02T20:47:57Z |
indexdate | 2024-07-09T21:15:25Z |
institution | BVB |
isbn | 9780520240100 9780520250222 0520240103 0520250222 |
language | English |
lccn | 2006034879 |
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owner | DE-824 DE-11 DE-384 DE-70 |
owner_facet | DE-824 DE-11 DE-384 DE-70 |
physical | X, 347 Seiten Illustrationen 25 cm |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | University of California Press |
record_format | marc |
series2 | Ahmanson Murphy fine arts imprint |
spelling | Critical readings in Impressionism and Post-Impressionism an anthology edited by Mary Tompkins Lewis Critical readings in Impressionism & Post-Impressionism Impressionism and Post-Impressionism Berkeley ; Los Angeles ; London University of California Press [2007] © 2007 X, 347 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Ahmanson Murphy fine arts imprint Includes bibliographical references (p. 323-330) and index "The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France--including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field." http://www.loc.gov/catdir/enhancements/fy0729/2006034879-d.html. Geschichte 1860-1900 swd Geschichte 1900-2000 Geschichte 1800-1900 Impressionismus - Frankreich - Geschichte - Handbuch idszbz Impressionismus swd Malerei swd Nachimpressionismus swd Neoimpressionismus - Frankreich - Geschichte - Handbuch idszbz Impressionism (Art) France Post-impressionism (Art) France Painting, French 19th century Painting, French 20th century Nachimpressionismus (DE-588)4220630-3 gnd rswk-swf Impressionismus (DE-588)4026679-5 gnd rswk-swf Frankreich - Impressionismus - Geschichte - Handbuch idszbz Frankreich - Neoimpressionismus - Geschichte - Handbuch idszbz Frankreich swd Frankreich Impressionismus (DE-588)4026679-5 s DE-604 Nachimpressionismus (DE-588)4220630-3 s Lewis, Mary Tompkins 19XX- (DE-588)188357343 edt http://www.loc.gov/catdir/toc/ecip073/2006034879.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0729/2006034879-d.html Publisher description http://www.loc.gov/catdir/enhancements/fy0735/2006034879-b.html Contributor biographical information SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016488965&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Critical readings in Impressionism and Post-Impressionism an anthology Impressionismus - Frankreich - Geschichte - Handbuch idszbz Impressionismus swd Malerei swd Nachimpressionismus swd Neoimpressionismus - Frankreich - Geschichte - Handbuch idszbz Impressionism (Art) France Post-impressionism (Art) France Painting, French 19th century Painting, French 20th century Nachimpressionismus (DE-588)4220630-3 gnd Impressionismus (DE-588)4026679-5 gnd |
subject_GND | (DE-588)4220630-3 (DE-588)4026679-5 |
title | Critical readings in Impressionism and Post-Impressionism an anthology |
title_alt | Critical readings in Impressionism & Post-Impressionism Impressionism and Post-Impressionism |
title_auth | Critical readings in Impressionism and Post-Impressionism an anthology |
title_exact_search | Critical readings in Impressionism and Post-Impressionism an anthology |
title_exact_search_txtP | Critical readings in Impressionism and Post-Impressionism an anthology |
title_full | Critical readings in Impressionism and Post-Impressionism an anthology edited by Mary Tompkins Lewis |
title_fullStr | Critical readings in Impressionism and Post-Impressionism an anthology edited by Mary Tompkins Lewis |
title_full_unstemmed | Critical readings in Impressionism and Post-Impressionism an anthology edited by Mary Tompkins Lewis |
title_short | Critical readings in Impressionism and Post-Impressionism |
title_sort | critical readings in impressionism and post impressionism an anthology |
title_sub | an anthology |
topic | Impressionismus - Frankreich - Geschichte - Handbuch idszbz Impressionismus swd Malerei swd Nachimpressionismus swd Neoimpressionismus - Frankreich - Geschichte - Handbuch idszbz Impressionism (Art) France Post-impressionism (Art) France Painting, French 19th century Painting, French 20th century Nachimpressionismus (DE-588)4220630-3 gnd Impressionismus (DE-588)4026679-5 gnd |
topic_facet | Impressionismus - Frankreich - Geschichte - Handbuch Impressionismus Malerei Nachimpressionismus Neoimpressionismus - Frankreich - Geschichte - Handbuch Impressionism (Art) France Post-impressionism (Art) France Painting, French 19th century Painting, French 20th century Frankreich - Impressionismus - Geschichte - Handbuch Frankreich - Neoimpressionismus - Geschichte - Handbuch Frankreich |
url | http://www.loc.gov/catdir/toc/ecip073/2006034879.html http://www.loc.gov/catdir/enhancements/fy0729/2006034879-d.html http://www.loc.gov/catdir/enhancements/fy0735/2006034879-b.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016488965&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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