Understanding society through popular music:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Routledge
2009
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVI, 172 S. |
| ISBN: | 9780415954082 9780415954099 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Preface
ix
Introduction: The Sociology of Popfular) Music
1
Constructionist Theoretical Perspectives in the
Sociology of Pop Music
2
Music and Culture
6
A Very Brief History of the Study of Pop Music in
Sociology
9
Conclusion: Cultivating a Musical and Sociological
Imagination
13
Chapter
1
The Family
15
Music as a Social Problem?
16
Pop Music as a Feature of Children s Culture
19
Adolescents as Children
22
Children as Children
25
Adults as Children
26
Adults as Parents
27
Mother and Daughter Bonding
27
Father and Son Bonding
28
Family Leisure Activities
29
Religious Socialization
29
Moral Socialization
30
Historical Socialization
31
Conclusion
31
Chapter
2
Deviance
33
Understanding Labeling and Cultures of Deviance:
The Relationship of Popular Music and Illegal
Drug Use
35
vi
· Contents
Music and Drug Discourse
39
Studying Drugmusictalk
41
Traditional Drugmusictalk Themes
43
Sharing Aesthetic Drug-Music Experiences
43
Discussing the Fit between Particular Drugs
and Styles of Music
44
Sharing Affective Aspects (e.g., Sexual) of
Drug-music Experiences
48
Discussing Economic and/or Ideological
Aspects of Drug-Music Experiences
49
Discussing Personal Tastes in Music
50
The Internet Allows People to Create and
Perform Situational Identities
52
Conclusion
53
Chapter
3
The Economy
55
Oligopoly and its Consequences
56
Love and Commodification: The Case of Teen
Pop
58
Conspicuous Consumption
63
Hot Topic and the Retailing of Musical
Material Culture
65
Music as a Commercial Technology
68
Music and the Sound of the Cash Register
69
Conclusion
72
Chapter
4
The Community and the Polity
73
Ideology
74
Politics, Technology, and Indie Music
77
Institution
81
American Idol: Rock the Vote (but not too
loud)!
83
Community
88
Dora and the Constitution of Community
89
Conclusion
92
Chapter
5
Race, Class, and Gender
93
Doing Gender
95
Becoming
a Prima
Donna
97
Doing Race: Performing the Wigger
102
Doing Class: Is
Avril Lavigne
Punk?
108
Conclusion
112
Chapter
6
The Self and the Life Course
113
Self, Identity, and the Life Course
114
Contents
•
vii
The Becoming of Self
116
TheE-Self
117
The Self as Lover
118
The Self as Parent and Grandparent
121
The Self as Believer
122
The Self as Political Actor
122
Conclusion
123
Chapter
7
Globalization
125
Music, Culture, and Globalization
129
World Music Flows
131
Popular Music and the Emergence of the Teenager
in Poland
137
A Brief History of Popular Music and Youth
in Poland before
1989
138
Popular Music in Poland Since
1989
140
Working-Class Teenagers: Life Beyond Heavy
Metal
141
Middle-Class Teens: Freedom to Taste the
Market
143
Discussion
145
Rock en Español
146
The Scene
147
A History of the
Rock en Español
Movement
in Houston
149
Rock en Español
as a Feature of
Postmodernization
151
Discussion
156
Conclusion
156
Bibliography-
159
Permissions
167
Index
169
|
| adam_txt |
CONTENTS
Preface
ix
Introduction: The Sociology of Popfular) Music
1
Constructionist Theoretical Perspectives in the
Sociology of Pop Music
2
Music and Culture
6
A Very Brief History of the Study of Pop Music in
Sociology
9
Conclusion: Cultivating a Musical and Sociological
Imagination
13
Chapter
1
The Family
15
Music as a Social Problem?
16
Pop Music as a Feature of Children's Culture
19
Adolescents as Children
22
Children as Children
25
Adults as Children
26
Adults as Parents
27
Mother and Daughter Bonding
27
Father and Son Bonding
28
Family Leisure Activities
29
Religious Socialization
29
Moral Socialization
30
Historical Socialization
31
Conclusion
31
Chapter
2
Deviance
33
Understanding Labeling and Cultures of Deviance:
The Relationship of Popular Music and Illegal
Drug Use
35
vi
· Contents
Music and Drug Discourse
39
Studying Drugmusictalk
41
Traditional Drugmusictalk Themes
43
Sharing Aesthetic Drug-Music Experiences
43
Discussing the Fit between Particular Drugs
and Styles of Music
44
Sharing Affective Aspects (e.g., Sexual) of
Drug-music Experiences
48
Discussing Economic and/or Ideological
Aspects of Drug-Music Experiences
49
Discussing Personal Tastes in Music
50
The Internet Allows People to Create and
Perform Situational Identities
52
Conclusion
53
Chapter
3
The Economy
55
Oligopoly and its Consequences
56
Love and Commodification: The Case of Teen
Pop
58
Conspicuous Consumption
63
Hot Topic and the Retailing of Musical
Material Culture
65
Music as a Commercial Technology
68
Music and the Sound of the Cash Register
69
Conclusion
72
Chapter
4
The Community and the Polity
73
Ideology
74
Politics, Technology, and Indie Music
77
Institution
81
American Idol: Rock the Vote (but not too
loud)!
83
Community
88
Dora and the Constitution of Community
89
Conclusion
92
Chapter
5
Race, Class, and Gender
93
Doing Gender
95
Becoming
a Prima
Donna
97
Doing Race: Performing the Wigger
102
Doing Class: Is
Avril Lavigne
Punk?
108
Conclusion
112
Chapter
6
The Self and the Life Course
113
Self, Identity, and the Life Course
114
Contents
•
vii
The Becoming of Self
116
TheE-Self
117
The Self as Lover
118
The Self as Parent and Grandparent
121
The Self as Believer
122
The Self as Political Actor
122
Conclusion
123
Chapter
7
Globalization
125
Music, Culture, and Globalization
129
World Music Flows
131
Popular Music and the Emergence of the "Teenager"
in Poland
137
A Brief History of Popular Music and Youth
in Poland before
1989
138
Popular Music in Poland Since
1989
140
Working-Class Teenagers: Life Beyond Heavy
Metal
141
Middle-Class Teens: Freedom to Taste the
Market
143
Discussion
145
Rock en Español
146
The Scene
147
A History of the
Rock en Español
Movement
in Houston
149
Rock en Español
as a Feature of
Postmodernization
151
Discussion
156
Conclusion
156
Bibliography-
159
Permissions
167
Index
169 |
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| spelling | Kotarba, Joseph A. Verfasser aut Understanding society through popular music Joseph Kortaba ; Phillip Vannini 1. publ. New York, NY [u.a.] Routledge 2009 XVI, 172 S. txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Popular music / Social aspects / United States Gesellschaft Popular music Social aspects United States Popmusik (DE-588)4046781-8 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Klassenstruktur (DE-588)4164027-5 gnd rswk-swf USA Popmusik (DE-588)4046781-8 s Gesellschaft (DE-588)4020588-5 s Geschichte z DE-604 Klassenstruktur (DE-588)4164027-5 s Vannini, Phillip Verfasser (DE-588)138329516 aut Erscheint auch als Online-Ausgabe 978-0-203-89460-6 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016459380&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kotarba, Joseph A. Vannini, Phillip Understanding society through popular music Popular music / Social aspects / United States Gesellschaft Popular music Social aspects United States Popmusik (DE-588)4046781-8 gnd Gesellschaft (DE-588)4020588-5 gnd Klassenstruktur (DE-588)4164027-5 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)4020588-5 (DE-588)4164027-5 |
| title | Understanding society through popular music |
| title_auth | Understanding society through popular music |
| title_exact_search | Understanding society through popular music |
| title_exact_search_txtP | Understanding society through popular music |
| title_full | Understanding society through popular music Joseph Kortaba ; Phillip Vannini |
| title_fullStr | Understanding society through popular music Joseph Kortaba ; Phillip Vannini |
| title_full_unstemmed | Understanding society through popular music Joseph Kortaba ; Phillip Vannini |
| title_short | Understanding society through popular music |
| title_sort | understanding society through popular music |
| topic | Popular music / Social aspects / United States Gesellschaft Popular music Social aspects United States Popmusik (DE-588)4046781-8 gnd Gesellschaft (DE-588)4020588-5 gnd Klassenstruktur (DE-588)4164027-5 gnd |
| topic_facet | Popular music / Social aspects / United States Gesellschaft Popular music Social aspects United States Popmusik Klassenstruktur USA |
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