Verfügbarkeit: Aesthetics & ethics

Aesthetics & ethics: otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn"

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Bibliographische Detailangaben
1. Verfasser:	Claviez, Thomas 1965- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Heidelberg Winter 2008
Schriftenreihe:	American studies 163
Schlagworte:	Melville, Herman <1819-1891> > Billy Budd Momaday, N. Scott <1934-> > House made of dawn Stowe, Harriet Beecher <1811-1896> > Uncle Tom's cabin Wright, Richard <1908-1960> > Native son Aristotle > Criticism and interpretation Melville, Herman > 1819-1891 > Billy Budd Momaday, Navarre Scott > 1934- > House made of dawn Wright, Richard > 1908-1960 > Native son Stowe, Harriet Beecher > 1811-1896 > Uncle Tom's cabin Geschichte 1750-1995 Geschichte 1850- Ethics Other (Philosophy) Other (Philosophy) in literature Erzähltechnik Fremdheit Fremdheit > Motiv Literatur Ethik Philosophie Ethik > Motiv USA
Online-Zugang:	Inhaltstext Klappentext Inhaltsverzeichnis
Beschreibung:	XXVIII, 466 S.
ISBN:	9783825354534 3825354539

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Datensatz im Suchindex

_version_	1805090352150872064
adam_text	η a first, theoretical part, this study analyzes what role "otherness" plays in the most influential moral-philosophical approaches to date - from Aris¬ totle and the Neo-Aristotelians (Alasdair Maclntyre, Martha Nussbaum) via Kantianism and its decon- structors (Jean-François Lyotard, J. Hillis Miller) to the works of Paul Ricoeur and Emmanuel Levinas - and sheds light on its highly problematic status in Western notions of justice and aesthetics. Starting from a revised notion of the sublime, the second part uses the different theoretical approaches to interpret four American novels (Harriet Beecher Sto we's Uncle Tom's Cabin, Herman Melville's Billy Budd, Sailor, Richard Wright's Native Son, and N. Scott Momaday's House Made of Dawn), and examines how far the respective moral-philosophical systems carry in elucidating these texts, as well as what role literary-historical and generic strategies play in dramatizing the encounter with "otherness." CONTENTS ACKNOWLEDGMENTS VII LIST OF ABBREVIATIONS FOR REFERENCE WORKS IX INTRODUCTION XV AMERICAN STUDIES TODAY XV ENTER (AND LEAVE): THE AESTHETIC XVII DIFFICULT NEIGHBORS: ETHICS AND AESTHETICS XXII THE NOVELS XXV I. TIM KANTIAN LEOACYOFDECONSTRUCTION 1 1. KANT - FOR EXAMPLE 1 2. THE ETHICS OF READING AND THE END OF HISTORY 9 2.1. CE DANGEREUX EXEMPLE . LL 2.2. DE MAN'S DEMANDS 14 2.3 . CLOSE THE GAP! 17 2.4. GIVING THE LI(F)E TO MILLER'S LIE 22 3. TOWARDS A POLITICS OF THE SUBLIME: JEAN-FRAN~OIS LYOTARD 31 3.1. THE IDEA OF THE ,,IDEA" 32 3.2. LYOTARD JUST GAMING? 35 3.3. THE SACRIFICIAL SUBLIME 41 11.LHERMURNOFARLMME: AU\SDAIRMACLNRYREANDMARLHANUSSBAUM _ 53 4. GOING BACK HOME: ALASDAIR MACINTYRE AND THE GREEK POLIS 5.3 4.1. THE PRICE OFHISTORICIZATION .55 4.2. THE POLIS REBUILT 59 4.3. VIRTUAL ETHICS AND VIRTUOUS READING 66 4.4. ETHICS, PRACTICE, AND THE NARRATIVE UNITY OF A HUMAN LIFE 71 5. A MIND TOO REFINED TO BE TOUCHED BY AN IDEA: MARTHA NUSSBAUM'S ARISTOTELIAN LIBERALISM 79 5.1. ARISTOTLE AND THE VIRTUES 8.0 5.2. THE TRAGIC MUSE AS EDUCATION SENTIMENTALE 9.1 5.3. THE END OF TRAGEDY AND THE LIMITS OF IDENTIFICATION 103 M. APPROACHING THE0RHER: EMMANUEL LEVINAS ANDPAULRICOEUR _ 113 6. ONESELF FOR THE OTHER: EMMANUEL LEVINAS 1L3 VI CONTENTS 6.1. FACING THE OTHER 116 6.2. ETHICS, POLITICS, AND LITERATURE 138 6.3. THE OTHER SUBLIME 155 7. ONESELF AS ANOTHER: PAUL RICOEUR .173 7.1. TOWARD A NARRATIVE ETHICS .175 7.2. NARRATION AND ALTERITY 185 7.3. A TRAGIC ENCOUNTER - NARRATING THE OTHER 218 IV. TOWARDANENNCS OFLITERATURE 231 8. HARRIET BEECHER STOWE: UNCLE TOM'S CABIN .239 8.1. HOW TO TURN A THING INTO A MAN, OR: CATEGORICAL IMPERATIVE VS. GOLDEN RULE 246 8.2. SENTIMENTALISM AS AESTHETIC AND ETHICAL STRATEGY .255 8.3. THE ECONOMY OF RELIGION AND POLITICS .263 8.4. FACE/OFF .273 9. HERMAN MELVILLE: BILLY BUDD, SAILOR .285 9.1. PHRONIMOS GOES TO WAR, OE: HOW TO IDENTIFY WITH A DOG 292 9.2. LITERATURE, RESPONSIBILITY, AND POLITICAL PHILOSOPHY: HANNAH ARENDT AND PAUL RICOEUR 305 9.3. (EF-)FACING THE OTHER - MELVILLE'S SILENCES, ETHICS, AND WAR 320 9.4. SINGULAR MADNESSES, MADDENING SINGULARITIES: VERE, BILLY, AND THE ,,HEBREW PROPHETS" 329 10. RICHARD WRIGHT: NATIVE SON .339 10.1. POLIS INTO METROPOLIS, OR: HOW TO IDENTIFY WITH A RAT 344 10.2. WHOSE NARRATIVE IS IT, ANYWAY? 353 10.3. THE RACIAL SUBLIME .371 10. 4. RE(W)RI(GH)TING NATIVE SON, OE: WHO'S AFRAID OFBIGGER THOMAS? _383 11. N. SCOTT MOMADAY: HOUSE MADE OF DAWN 393 11.1. POLIS INTO PUEBLO, OR: HOW TO IDENTIFY WITH A BEAR 400 11.2. ,,EVIL WAS": BALANCE, CONTROL, AND THE ETHICS OF MYTH 406 11.3. TO KILL OR NOT TO KILL ~---------_414 11.4. EXCUISUS: IS THERE AN OTHER OTHER? TOWARD AN ENVIRONMENTAL ETHICS_426 CONCLUSION 447 REFERENCES 453 INDEX OFNAMES 463
adam_txt	η a first, theoretical part, this study analyzes what role "otherness" plays in the most influential moral-philosophical approaches to date - from Aris¬ totle and the Neo-Aristotelians (Alasdair Maclntyre, Martha Nussbaum) via Kantianism and its decon- structors (Jean-François Lyotard, J. Hillis Miller) to the works of Paul Ricoeur and Emmanuel Levinas - and sheds light on its highly problematic status in Western notions of justice and aesthetics. Starting from a revised notion of the sublime, the second part uses the different theoretical approaches to interpret four American novels (Harriet Beecher Sto we's Uncle Tom's Cabin, Herman Melville's Billy Budd, Sailor, Richard Wright's Native Son, and N. Scott Momaday's House Made of Dawn), and examines how far the respective moral-philosophical systems carry in elucidating these texts, as well as what role literary-historical and generic strategies play in dramatizing the encounter with "otherness." CONTENTS ACKNOWLEDGMENTS VII LIST OF ABBREVIATIONS FOR REFERENCE WORKS IX INTRODUCTION XV AMERICAN STUDIES TODAY XV ENTER (AND LEAVE): THE AESTHETIC XVII DIFFICULT NEIGHBORS: ETHICS AND AESTHETICS XXII THE NOVELS XXV I. TIM KANTIAN LEOACYOFDECONSTRUCTION 1 1. KANT - FOR EXAMPLE 1 2. THE ETHICS OF READING AND THE END OF HISTORY 9 2.1. CE DANGEREUX EXEMPLE . LL 2.2. DE MAN'S DEMANDS 14 2.3 . CLOSE THE GAP! 17 2.4. GIVING THE LI(F)E TO MILLER'S LIE 22 3. TOWARDS A POLITICS OF THE SUBLIME: JEAN-FRAN~OIS LYOTARD 31 3.1. THE IDEA OF THE ,,IDEA" 32 3.2. LYOTARD JUST GAMING? 35 3.3. THE SACRIFICIAL SUBLIME 41 11.LHERMURNOFARLMME: AU\SDAIRMACLNRYREANDMARLHANUSSBAUM _ 53 4. GOING BACK HOME: ALASDAIR MACINTYRE AND THE GREEK POLIS 5.3 4.1. THE PRICE OFHISTORICIZATION .55 4.2. THE POLIS REBUILT 59 4.3. VIRTUAL ETHICS AND VIRTUOUS READING 66 4.4. ETHICS, PRACTICE, AND THE NARRATIVE UNITY OF A HUMAN LIFE 71 5. A MIND TOO REFINED TO BE TOUCHED BY AN IDEA: MARTHA NUSSBAUM'S ARISTOTELIAN LIBERALISM 79 5.1. ARISTOTLE AND THE VIRTUES 8.0 5.2. THE TRAGIC MUSE AS EDUCATION SENTIMENTALE 9.1 5.3. THE END OF TRAGEDY AND THE LIMITS OF IDENTIFICATION 103 M. APPROACHING THE0RHER: EMMANUEL LEVINAS ANDPAULRICOEUR _ 113 6. ONESELF FOR THE OTHER: EMMANUEL LEVINAS 1L3 VI CONTENTS 6.1. FACING THE OTHER 116 6.2. ETHICS, POLITICS, AND LITERATURE 138 6.3. THE OTHER SUBLIME 155 7. ONESELF AS ANOTHER: PAUL RICOEUR .173 7.1. TOWARD A NARRATIVE ETHICS .175 7.2. NARRATION AND ALTERITY 185 7.3. A TRAGIC ENCOUNTER - NARRATING THE OTHER 218 IV. TOWARDANENNCS OFLITERATURE 231 8. HARRIET BEECHER STOWE: UNCLE TOM'S CABIN .239 8.1. HOW TO TURN A THING INTO A MAN, OR: CATEGORICAL IMPERATIVE VS. GOLDEN RULE 246 8.2. SENTIMENTALISM AS AESTHETIC AND ETHICAL STRATEGY .255 8.3. THE ECONOMY OF RELIGION AND POLITICS .263 8.4. FACE/OFF .273 9. HERMAN MELVILLE: BILLY BUDD, SAILOR .285 9.1. PHRONIMOS GOES TO WAR, OE: HOW TO IDENTIFY WITH A DOG 292 9.2. LITERATURE, RESPONSIBILITY, AND POLITICAL PHILOSOPHY: HANNAH ARENDT AND PAUL RICOEUR 305 9.3. (EF-)FACING THE OTHER - MELVILLE'S SILENCES, ETHICS, AND WAR 320 9.4. SINGULAR MADNESSES, MADDENING SINGULARITIES: VERE, BILLY, AND THE ,,HEBREW PROPHETS" 329 10. RICHARD WRIGHT: NATIVE SON .339 10.1. POLIS INTO METROPOLIS, OR: HOW TO IDENTIFY WITH A RAT 344 10.2. WHOSE NARRATIVE IS IT, ANYWAY? 353 10.3. THE RACIAL SUBLIME .371 10. 4. RE(W)RI(GH)TING NATIVE SON, OE: WHO'S AFRAID OFBIGGER THOMAS? _383 11. N. SCOTT MOMADAY: HOUSE MADE OF DAWN 393 11.1. POLIS INTO PUEBLO, OR: HOW TO IDENTIFY WITH A BEAR 400 11.2. ,,EVIL WAS": BALANCE, CONTROL, AND THE ETHICS OF MYTH 406 11.3. TO KILL OR NOT TO KILL ~---------_414 11.4. EXCUISUS: IS THERE AN OTHER OTHER? TOWARD AN ENVIRONMENTAL ETHICS_426 CONCLUSION 447 REFERENCES 453 INDEX OFNAMES 463
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index_date	2024-07-02T20:37:04Z
indexdate	2024-07-20T09:38:26Z
institution	BVB
isbn	9783825354534 3825354539
language	English
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spelling	Claviez, Thomas 1965- Verfasser (DE-588)173280234 aut Aesthetics & ethics otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn" Thomas Claviez Aesthetics and ethics Heidelberg Winter 2008 XXVIII, 466 S. txt rdacontent n rdamedia nc rdacarrier American studies 163 Melville, Herman <1819-1891> Billy Budd Momaday, N. Scott <1934-> House made of dawn Stowe, Harriet Beecher <1811-1896> Uncle Tom's cabin Wright, Richard <1908-1960> Native son Aristotle Criticism and interpretation Melville, Herman 1819-1891 Billy Budd (DE-588)4230147-6 gnd rswk-swf Momaday, Navarre Scott 1934- House made of dawn (DE-588)4123788-2 gnd rswk-swf Wright, Richard 1908-1960 Native son (DE-588)4316137-6 gnd rswk-swf Stowe, Harriet Beecher 1811-1896 Uncle Tom's cabin (DE-588)4305373-7 gnd rswk-swf Geschichte 1750-1995 gnd rswk-swf Geschichte 1850- gnd rswk-swf Ethics Other (Philosophy) Other (Philosophy) in literature Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Fremdheit (DE-588)4018421-3 gnd rswk-swf Fremdheit Motiv (DE-588)4212059-7 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Ethik (DE-588)4015602-3 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Ethik Motiv (DE-588)4487901-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Stowe, Harriet Beecher 1811-1896 Uncle Tom's cabin (DE-588)4305373-7 u Ethik Motiv (DE-588)4487901-5 s Fremdheit Motiv (DE-588)4212059-7 s Erzähltechnik (DE-588)4124854-5 s DE-604 Melville, Herman 1819-1891 Billy Budd (DE-588)4230147-6 u Wright, Richard 1908-1960 Native son (DE-588)4316137-6 u Momaday, Navarre Scott 1934- House made of dawn (DE-588)4123788-2 u Philosophie (DE-588)4045791-6 s Ethik (DE-588)4015602-3 s Fremdheit (DE-588)4018421-3 s Geschichte 1750-1995 z USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Geschichte 1850- z b DE-604 American studies 163 (DE-604)BV000005812 163 text/html http://deposit.dnb.de/cgi-bin/dokserv?id=3066025&prov=M&dok_var=1&dok_ext=htm Inhaltstext Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016458781&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Erlangen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016458781&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Claviez, Thomas 1965- Aesthetics & ethics otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn" American studies Melville, Herman <1819-1891> Billy Budd Momaday, N. Scott <1934-> House made of dawn Stowe, Harriet Beecher <1811-1896> Uncle Tom's cabin Wright, Richard <1908-1960> Native son Aristotle Criticism and interpretation Melville, Herman 1819-1891 Billy Budd (DE-588)4230147-6 gnd Momaday, Navarre Scott 1934- House made of dawn (DE-588)4123788-2 gnd Wright, Richard 1908-1960 Native son (DE-588)4316137-6 gnd Stowe, Harriet Beecher 1811-1896 Uncle Tom's cabin (DE-588)4305373-7 gnd Ethics Other (Philosophy) Other (Philosophy) in literature Erzähltechnik (DE-588)4124854-5 gnd Fremdheit (DE-588)4018421-3 gnd Fremdheit Motiv (DE-588)4212059-7 gnd Literatur (DE-588)4035964-5 gnd Ethik (DE-588)4015602-3 gnd Philosophie (DE-588)4045791-6 gnd Ethik Motiv (DE-588)4487901-5 gnd
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title	Aesthetics & ethics otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn"
title_alt	Aesthetics and ethics
title_auth	Aesthetics & ethics otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn"
title_exact_search	Aesthetics & ethics otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn"
title_exact_search_txtP	Aesthetics & ethics otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn"
title_full	Aesthetics & ethics otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn" Thomas Claviez
title_fullStr	Aesthetics & ethics otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn" Thomas Claviez
title_full_unstemmed	Aesthetics & ethics otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn" Thomas Claviez
title_short	Aesthetics & ethics
title_sort	aesthetics ethics otherness and moral imagination from aristotle to levinas and from uncle tom s cabin to house made of dawn
title_sub	otherness and moral imagination from Aristotle to Levinas and from "Uncle Tom's Cabin" to "House Made of Dawn"
topic	Melville, Herman <1819-1891> Billy Budd Momaday, N. Scott <1934-> House made of dawn Stowe, Harriet Beecher <1811-1896> Uncle Tom's cabin Wright, Richard <1908-1960> Native son Aristotle Criticism and interpretation Melville, Herman 1819-1891 Billy Budd (DE-588)4230147-6 gnd Momaday, Navarre Scott 1934- House made of dawn (DE-588)4123788-2 gnd Wright, Richard 1908-1960 Native son (DE-588)4316137-6 gnd Stowe, Harriet Beecher 1811-1896 Uncle Tom's cabin (DE-588)4305373-7 gnd Ethics Other (Philosophy) Other (Philosophy) in literature Erzähltechnik (DE-588)4124854-5 gnd Fremdheit (DE-588)4018421-3 gnd Fremdheit Motiv (DE-588)4212059-7 gnd Literatur (DE-588)4035964-5 gnd Ethik (DE-588)4015602-3 gnd Philosophie (DE-588)4045791-6 gnd Ethik Motiv (DE-588)4487901-5 gnd
topic_facet	Melville, Herman <1819-1891> Billy Budd Momaday, N. Scott <1934-> House made of dawn Stowe, Harriet Beecher <1811-1896> Uncle Tom's cabin Wright, Richard <1908-1960> Native son Aristotle Criticism and interpretation Melville, Herman 1819-1891 Billy Budd Momaday, Navarre Scott 1934- House made of dawn Wright, Richard 1908-1960 Native son Stowe, Harriet Beecher 1811-1896 Uncle Tom's cabin Ethics Other (Philosophy) Other (Philosophy) in literature Erzähltechnik Fremdheit Fremdheit Motiv Literatur Ethik Philosophie Ethik Motiv USA
url	http://deposit.dnb.de/cgi-bin/dokserv?id=3066025&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016458781&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016458781&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV000005812
work_keys_str_mv	AT claviezthomas aestheticsethicsothernessandmoralimaginationfromaristotletolevinasandfromuncletomscabintohousemadeofdawn AT claviezthomas aestheticsandethics

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