The art and technique of digital color correction:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam [u.a.]
Focal Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIV, 373 S. zahlr. Ill. 1 DVD (12 cm) |
| ISBN: | 9780240809908 9780240809922 |
Internformat
MARC
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| 245 | 1 | 0 | |a The art and technique of digital color correction |c Steve Hullfish |
| 264 | 1 | |a Amsterdam [u.a.] |b Focal Press |c 2008 | |
| 300 | |a XIV, 373 S. |b zahlr. Ill. |e 1 DVD (12 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Color computer graphics | |
| 650 | 4 | |a Color computer printers | |
| 650 | 4 | |a Color display systems | |
| 650 | 4 | |a Color photography |x Digital techniques | |
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Datensatz im Suchindex
| _version_ | 1804137588406091776 |
|---|---|
| adam_text | Contents
Acknowledgments
Introduction
xi
PRIMARY COLOR CORRECTION
CHAPTER
1
Tonal Range Primer
ι
Monitoring
4
Video Monitor
4
Viewing Environment
5
Surround Environment: Interview with Randy
Starneš
7
Waveform Monitors and
Vectorscopes
7
Alternative Displays and Tools for Analysis 11
First Things First: Black Level
11
Setting Highlights
21
Setting Gammas or Midtones
24
Defining Contrast
25
Practice Playing Gamma Against Highlights and Shadows
29
CHAPTER
2
Tonal-Correction Tools
зі
Main Tools for Tonal Corrections
31
Sliders and Numerical Controls for Tonal Range
32
Don t use Brightness or Contrast Controls
33
Color s Primary In Room
35
Avid Symphony and Color Finesse HSL Controls Tab
38
Histograms or Levels
39
vi
Contents
Histograms
39
Forms and Functions of Histograms
43
Curves Tab
44
S
Curve Tip
45
Curves Tutorial
47
Isolating Tonal Ranges with Curves
53
Luma Range Display
57
Luma Range Editing
58
Alternative to Luma Range
61
CHAPTER
3
Color Control Primer
бз
Balancing an Image
63
Analyzing Color Casts
63
Using Your Eyes
64
Color and the Waveform
65
Color and the
Vectorscope
73
Histograms
78
Eyedropper
82
Balancing Color with a Flat-Pass Waveform Monitor
Color Contrast
89
CHAPTER
4
Color Control Tools
91
Hue Offset Wheels or Color Balance Controls
91
Hue Offsets with RGB Parade
95
Saturation Controls
101
Histograms
102
Curves
105
RGB Setup, Gamma, and Gain Sliders
112
Channels
123
Printer Lights
126
Filters
126
Conclusion
128
SECONDARY COLOR CORRECTION
CHAPTER
5
Secondary Color Correction Primer
129
The Purpose of Secondary Correction
129
Are You Qualified?
132
Contents
Color Vector Isolation 1
33
Isolating a Vector in Final Cut Pro
143
Isolation Practice
146
Spot Color Correction (Vignettes or Power Windows)
148
Vignette
148
Geographical Color Fix
152
User-Defined Shapes
156
Using Spot Color Correction to Relight
156
Color Vector with Garbage Matte
157
Color s Secondary Curves
160
Secondaries Are Crucial
162
CHAPTER
6
Secondaries with the Pros
ібз
Vignettes
164
Vignetting the Ultralight Flyover Scene
166
Vignetting the Kiss Me in the Dark Bedroom Scene
170
Spot Color Correction
176
Vignette to Create Day-for-Night Shot
177
Vector and Luma Qualified Secondaries
185
Secondary Corrections Can Focus Attention
191
Using Secondaries to Match
195
Using a Luma Key to Build Contrast
201
PRO COLORISTS
CHAPTER
7
Correcting Shots
205
Three More Grades of the Banker s Light Scene
205
Saving a Shot with Bad Color Cast
216
Four Trips Down the Alley
221
Three Passes Over the Barn
228
Building Up a Weak Piece of Video
239
Using Many Tools to Fix a Shot
242
Grading with Curves in Primary
247
CHAPTER
8
Telling the Story
255
Color Changes the Story
258
Talk like a Director of Photography
264
viii Contents
The Story Is the Script
266
Emphasize Elements to Further the Story
268
Imposing a Story on the Boxer
276
Conclusion
285
CHAPTER
9
Matching Shots
287
Matching the Lions of the Art Institute
287
Matching Scene to Scene
303
Matching When Lighting Changes in a Scene
306
Conclusion
309
CHAPTER
10
Creating Looks
зі і
Enough is Enough
312
Preset Looks
312
Festa s PowerGrade Library Revealed
313
Preset Looks in Apple s Color
314
Film Processing Looks
314
Skip Bleach or Bleach Bypass
317
Match the Look
321
Looks for Promos and Opens
324
True Grit
335
Graphic Looks
344
Day-for-Night
350
CHAPTER
11
Miscellaneous Wisdom
збі
Starting Off 361
Communicating with Clients
362
Taking It to Extremes
363
The Importance of Color Contrast
363
Maintaining a Look
363
Looking at Real Life for Inspiration
364
Multitasking
364
Smoke
365
Keeping Butts in the Seats
365
The Future of Color Correction
366
Books of Note
367
Conclusion
367
Index
369
|
| adam_txt |
Contents
Acknowledgments
Introduction
xi
PRIMARY COLOR CORRECTION
CHAPTER
1
Tonal Range Primer
ι
Monitoring
4
Video Monitor
4
Viewing Environment
5
Surround Environment: Interview with Randy
Starneš
7
Waveform Monitors and
Vectorscopes
7
Alternative Displays and Tools for Analysis 11
First Things First: Black Level
11
Setting Highlights
21
Setting Gammas or Midtones
24
Defining Contrast
25
Practice Playing Gamma Against Highlights and Shadows
29
CHAPTER
2
Tonal-Correction Tools
зі
Main Tools for Tonal Corrections
31
Sliders and Numerical Controls for Tonal Range
32
Don't use Brightness or Contrast Controls
33
Color's Primary In Room
35
Avid Symphony and Color Finesse HSL Controls Tab
38
Histograms or Levels
39
vi
Contents
Histograms
39
Forms and Functions of Histograms
43
Curves Tab
44
S
Curve Tip
45
Curves Tutorial
47
Isolating Tonal Ranges with Curves
53
Luma Range Display
57
Luma Range Editing
58
Alternative to Luma Range
61
CHAPTER
3
Color Control Primer
бз
Balancing an Image
63
Analyzing Color Casts
63
Using Your Eyes
64
Color and the Waveform
65
Color and the
Vectorscope
73
Histograms
78
Eyedropper
82
Balancing Color with a Flat-Pass Waveform Monitor
Color Contrast
89
CHAPTER
4
Color Control Tools
91
Hue Offset Wheels or Color Balance Controls
91
Hue Offsets with RGB Parade
95
Saturation Controls
101
Histograms
102
Curves
105
RGB Setup, Gamma, and Gain Sliders
112
Channels
123
Printer Lights
126
Filters
126
Conclusion
128
SECONDARY COLOR CORRECTION
CHAPTER
5
Secondary Color Correction Primer
129
The Purpose of Secondary Correction
129
Are You Qualified?
132
Contents
Color Vector Isolation 1
33
Isolating a Vector in Final Cut Pro
143
Isolation Practice
146
Spot Color Correction (Vignettes or Power Windows)
148
Vignette
148
Geographical Color Fix
152
User-Defined Shapes
156
Using Spot Color Correction to Relight
156
Color Vector with Garbage Matte
157
Color's Secondary Curves
160
Secondaries Are Crucial
162
CHAPTER
6
Secondaries with the Pros
ібз
Vignettes
164
Vignetting the Ultralight Flyover Scene
166
Vignetting the Kiss Me in the Dark Bedroom Scene
170
Spot Color Correction
176
Vignette to Create Day-for-Night Shot
177
Vector and Luma Qualified Secondaries
185
Secondary Corrections Can Focus Attention
191
Using Secondaries to Match
195
Using a Luma Key to Build Contrast
201
PRO COLORISTS
CHAPTER
7
Correcting Shots
205
Three More Grades of the "Banker's Light" Scene
205
Saving a Shot with Bad Color Cast
216
Four Trips Down the "Alley"
221
Three Passes Over the Barn
228
Building Up a Weak Piece of Video
239
Using Many Tools to Fix a Shot
242
Grading with Curves in Primary
247
CHAPTER
8
Telling the Story
255
Color Changes the Story
258
Talk like a Director of Photography
264
viii Contents
The Story Is the Script
266
Emphasize Elements to Further the Story
268
Imposing a Story on the Boxer
276
Conclusion
285
CHAPTER
9
Matching Shots
287
Matching the Lions of the Art Institute
287
Matching Scene to Scene
303
Matching When Lighting Changes in a Scene
306
Conclusion
309
CHAPTER
10
Creating Looks
зі і
Enough is Enough
312
Preset Looks
312
Festa's PowerGrade Library Revealed
313
Preset Looks in Apple's Color
314
Film Processing Looks
314
Skip Bleach or Bleach Bypass
317
Match the Look
321
Looks for Promos and Opens
324
True Grit
335
Graphic Looks
344
Day-for-Night
350
CHAPTER
11
Miscellaneous Wisdom
збі
Starting Off 361
Communicating with Clients
362
Taking It to Extremes
363
The Importance of Color Contrast
363
Maintaining a Look
363
Looking at Real Life for Inspiration
364
Multitasking
364
Smoke
365
Keeping Butts in the Seats
365
The Future of Color Correction
366
Books of Note
367
Conclusion
367
Index
369 |
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| id | DE-604.BV023273379 |
| illustrated | Illustrated |
| index_date | 2024-07-02T20:36:51Z |
| indexdate | 2024-07-09T21:14:41Z |
| institution | BVB |
| isbn | 9780240809908 9780240809922 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016458340 |
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| physical | XIV, 373 S. zahlr. Ill. 1 DVD (12 cm) |
| publishDate | 2008 |
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| publisher | Focal Press |
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| spelling | Hullfish, Steve 1963- Verfasser (DE-588)1140059211 aut The art and technique of digital color correction Steve Hullfish Amsterdam [u.a.] Focal Press 2008 XIV, 373 S. zahlr. Ill. 1 DVD (12 cm) txt rdacontent n rdamedia nc rdacarrier Color computer graphics Color computer printers Color display systems Color photography Digital techniques Korrektur (DE-588)4205358-4 gnd rswk-swf Digitale Filmtechnik (DE-588)4763566-6 gnd rswk-swf Bildverarbeitung (DE-588)4006684-8 gnd rswk-swf Farbwiedergabe (DE-588)4153731-2 gnd rswk-swf Digitale Filmtechnik (DE-588)4763566-6 s Bildverarbeitung (DE-588)4006684-8 s Farbwiedergabe (DE-588)4153731-2 s Korrektur (DE-588)4205358-4 s DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016458340&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hullfish, Steve 1963- The art and technique of digital color correction Color computer graphics Color computer printers Color display systems Color photography Digital techniques Korrektur (DE-588)4205358-4 gnd Digitale Filmtechnik (DE-588)4763566-6 gnd Bildverarbeitung (DE-588)4006684-8 gnd Farbwiedergabe (DE-588)4153731-2 gnd |
| subject_GND | (DE-588)4205358-4 (DE-588)4763566-6 (DE-588)4006684-8 (DE-588)4153731-2 |
| title | The art and technique of digital color correction |
| title_auth | The art and technique of digital color correction |
| title_exact_search | The art and technique of digital color correction |
| title_exact_search_txtP | The art and technique of digital color correction |
| title_full | The art and technique of digital color correction Steve Hullfish |
| title_fullStr | The art and technique of digital color correction Steve Hullfish |
| title_full_unstemmed | The art and technique of digital color correction Steve Hullfish |
| title_short | The art and technique of digital color correction |
| title_sort | the art and technique of digital color correction |
| topic | Color computer graphics Color computer printers Color display systems Color photography Digital techniques Korrektur (DE-588)4205358-4 gnd Digitale Filmtechnik (DE-588)4763566-6 gnd Bildverarbeitung (DE-588)4006684-8 gnd Farbwiedergabe (DE-588)4153731-2 gnd |
| topic_facet | Color computer graphics Color computer printers Color display systems Color photography Digital techniques Korrektur Digitale Filmtechnik Bildverarbeitung Farbwiedergabe |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016458340&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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