Brevenčatyj Ierusalim: derevjannye cerkvi i časovni Rusi 1 Kletskie cerkvi i časovni
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Moskva
Opolo
2007
|
| Schriftenreihe: | Drevnerusskoe derevjannoe zodčestvo
4 |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | 527 S. überw. Ill., Kt., graph. Darst. |
| ISBN: | 5889640054 |
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| 245 | 1 | 0 | |a Brevenčatyj Ierusalim |b derevjannye cerkvi i časovni Rusi |n 1 |p Kletskie cerkvi i časovni |c A. V. Opolovnikov ; E. A. Opolovnikova |
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| 490 | 0 | |a Drevnerusskoe derevjannoe zodčestvo |v ... | |
| 700 | 1 | |a Opolovnikova, Elena A. |e Verfasser |4 aut | |
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Datensatz im Suchindex
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|---|---|
| adam_text | 527
Оглавление:
ММ. Дунаев
Бревенчатый Иерусалим
Предисловие
6
К началу: «мнится не быти, и есть»
13
Часть
1.
Клетские церкви и часовни
Глава
1............ 89
Глава
2............ 115
Глава
3............ 159
Глава
4............ 176
Глава
5............ 188
Глава б
............ 199
Глава
7............206
Глава
8............228
Глава
9............237
Глава
10............254
Глава
11............267
Глава
12............285
Глава
13............300
Глава
14............325
Глава
15............359
Глава
16............423
Глава
17............475
Примечания
.......504
Библиография
.......510
Перечень имен
.......516
Перечень географических названий
.......519
Summary
Log Jerusalem.
Russian Wooden Churches and Chapels.
Part
1.
Klet-type churches and chapels.
523
523
Summary
Α.
V. OPOLOVNIKOV Ye.
Α.
OPOLOVNÏKOVA
Logjerusalem.
Russian Wooden Churches
and Chapels.
Part
1.
Klet-type churches and chapels.
The series of books under the title of the Early Russian Wooden
Architecture , put out by the OPOLO Publishers is based on the archives of
Alexander Viktorovich Opolovnikov
(1911-1994),
a devotee of science and an
outstanding restorator of early Russian wooden architectural masterpieces.
The scientist had collected his archives during a period of
60
years. They
include unique photographs showing the lost and long forgotten wooden
relics of Russia, measurements drawings and draughts, skillfully made graph¬
ical reconstructions, as well as paintings which give a vivid and graphic idea
of early Russian wooden ensembles and separate monuments.
Beginning from
1980
A.V. Opolovnikov had been working in coopera¬
tion with his daughter Professor Ye. A. Opolovnikova, Doctor of
Architecture, who continued the cause of her father. Their archives have
been constantly increasing with her photo materials and construction proj¬
ects in the field of protection of wooden architecture and recreation of the
true artistic, value of log masterpieces. This work is being carried out on the
basis of scientific and practical methods of restoration elaborated by
Opolovnikov and approbated in practice at all major wooden architectural
monuments throughout Russia. Modern principles of restoration are repro¬
duced in the book side by side with archive documents. The aim of the pub¬
lication was not only to demonstrate the diversity of early Russian architec¬
tural log monuments and show traditional foundation of their construction
but to penetrate into mental system of early Russian architects inseparable
from the Christian dogmas. Such mentality was typical of all considerable
work of Russian people: artistic, literary or philosophic, theologian and sci¬
entific. The book reveals the integrity of their interconnection by constant
parallels between architectural monuments, their historical environment
and origins and the general creativity of Russian people at different stages of
their evolution, The idea of the people includes here all the groups of
Russian society, and not just an isolated part scornfully called common peo¬
ple (the term common has acquired in the book a lofty interpretation as
distinct from its sly substitution, the primitive ).
The fourth book of the series under the general title of the Log
Jerusalem is devoted to the early Russian wooden churches and chapels.
The first book of the series
-
Old Obdorsk and Polar Towns-Legends
(400
pp.,
571
il.)
was published in
1998;
the second
-
Izba Liturgy. A Book
about Russian Izba
(512
pp.,
800
il.) in
2002;
the third book
-
The Wooden
Land of Irkutsk
(532
pp.,
880
il.)
was out in
2004.
Each book, including the
Log jerusalem
can be justly characterized as
historico-educational, intended for the broad readership. They are in fact
524
Λ
!■
representing a new genre of popular
science
fiction
(sfili}
¡mj Kussiim cul
ture in
general and the history of architecture in particular.
As a restorer A.V. Opolovnikov paid major attention to
нчтецЦои
oí
churches which most fully concentrated the wise bcauly of early Russian
wooden architecture, deeply connected with integral perception of the
divine world. His archives keep a great number of materials dealing with
churches and chapels. The author s desire to most fully acquaint the read¬
ers with these monuments resulted in the considerable increase of the
book s size, which is divided into three parts-volumes, each comprising
certain types of monuments according to the generally accepted classifi¬
cation.
Our story about wooden churches and chapels, the most poetical and
profoundly national section of the Russian architectural heritage, tradition¬
ally begins with more simple pieces, referring to the
klel
type.
The term
/¿feris
known to come from the word
klel,
which means a quad¬
rangular frame. It is covered with a two-pitched roofing and makes the basis
of
/íZeHype
churches and chapels.
% * *
The book offered for the readers consideration is opened with a
Preface written by Professor of the Moscow Ecclesiastical Academy
M.M. Dunayev, an outstanding explorer of Russian literature and theology,
who stressed that it was exactly in wooden architecture that the national
ideology of space where Man began to realize his own space as a integral part
of the general national space , had preserved. The grandiose endeavour of
Alexander and Yelena Opolovnikov is especially precious since it has vividly
and graphically reflected the Russian log Jerusalem the memory of which
seems highly important now for both the broad circles of readership and
architects who not knowing the traditions of genuine art create tasteless,
often dull and untalented projects . The researcher also stressed that the
study and assimilation of cultural heritage would assist in finishing with
careless ignorance and violation of aesthetics laws.
From times immemorial, concluded Dunayev, the earthen beauty had
been interpreted in Russia as the reflection of divine beauty, reminding of
the true meaning of human life .
Introduction of the book, connected with the previous volumes by the
generalized title Towards the beginning has also a subtitle. It seems not to
be but it is...
These are the paraphrased words of the martyr Tivurtius about the invis¬
ible heavenly life which as distinct from the real and tangible earthly living
really exists in eternity. The life after death or the main human life is that very
Celestial Jerusalem, attracting Christian souls.
The word Jerusalem harbours sacramental symbolics: the house of the
world , the dwelling of the world . In Russia it symbolized the house of God.
The Holy Jerusalem, descending from Heavens and seen with the
Christians mind s eye, personified in works of literature and the arts, in
icons and architecture, uniform in their creative ideology. As a multiform
evangelical image it comprised the initial foundation of the Orthodox think¬
ing. That was the image of the Passion of Christ and the Apostles leading
back to the Biblical history.
The Holy City of Jerusalem served the symbolical prototype of old
Russian settlements. Their similarity was semantic, not literal, without exact
copying of forms and design, while the spiritual meaning concentrated in
striving for mental Paradise, for the spiritual ascent to the High Jerusalem,
absolutely free and the Mother of us all .
(Galatians,
4:26).
525
The compositional centre of any architectural environment was the
church, and in a small space it was the chapel, but this did not lessen the mes¬
sage of the place s spiritual meaning, which, according to D.A. Khomyakov,
completed in a single unit forming
a microcosmos
in itself.
The cross reigning above the church rushed into heaven and symbolized
the lifegiving pivot of existence, the blessing of forefathers, and the church
itself- the threshold of the Divine Kingdom, the
parvis
in front of the Holy
Gates in the God s Church. This image was always present in the populated
human space and protected from sins, betrayal of God,
The church itself symbolized the threshold of the Celestial Kingdom as a
parvis
in front of the gates to the Heavenly Temple. The image of the church
constantly present in space, inhabited by human beings, protected from sins
-
the betrayal of God, elevating men s souls to receive the God s blessing.
The Introduction also tells a brief story of the Palestinian Jerusalem the
ruin of which had been foreseen by sobbing Christ.
Further on the authors recall a legend telling of the invisible town of
Kitezh, miraculously hidden in the lake during Tartar invasion; the legend
was widely known in Russia. From time immemorial faithful believers could
see golden cupolas of the churches and hear low bell-ringing from the bottom
of Lake Svetloyar, which became the place of pilgrimage for Russian people,
more so adherents of the old faith , the Old Believers.
The history of schism in Russian church in the mid-1
7
L^ century and the
following persecution of dissidents which A.I. Solzhenitsyn called the
Russian Inquisition are connected with them.
The great Russian writer considers insufficient the official absolution of
the persecuted proclaimed by the Russian Church. Church officials must
admit their fault in attitude to the guiltless adherents of old traditions and
repent in their sins together with all Orthodox believers. Persecution of the
Old Believers entailed radical reconstruction of early Russian log churches
and chapels, which took place in the country beginning from the mid-19tn
century. This architecture was changed out of all recognition. The process
resulted in complete alienation of the people from the Christian origins of
national culture and, finally, in the people s spiritual degradation.
Russian wooden architecture in the form it has come down to us from
Old Russia has no analogues in the world. It has accumulated all the essence
of old Christian philosophy and attitude to the surrounding world peculiar to
Russian people.
Having devoted their life to studying wooden churches and chapels
whose architectural and artistic peculiarities have been distorted and contin¬
ue to be distorted up till now the authors share Alexander Solzhenitsyn s con¬
viction in the necessary penance of the Russian Church before Old Believers
and call for realization of at least something little
-
repentance in architec¬
ture, repudiation of the sin of oblivion.
The panorama of repentance in architecture, interpreted as the real
union of the Russian Orthodox Church with enchanting culture of Early
Russia and with clear sources of our national belief, can be achieved through
restoration of the images of Early Russian wooden architecture, the mean¬
ingful, deep and not dull or imitative restoration.
According to your faith be it unto you (St. Matthew,
9:29).
After the Introduction individual monuments of the
Ш
-type
are exam¬
ined in the book. As distinct from previous publications the present text is
divided not into chapters but into
17
sections.
The
1st
section is a review, narrating of the coming into being of
chapels all over Russia, of their general worship and imposed ban on their
construction. The section is developing the theme touched upon in the
Introduction and represents, alongside worthy architectural monuments,
526
A.lì.
OnvAOUHUKoi!
» ¡;.
Λ.
ugly, tasteless examples of modern chapels built in the sacred places of the
Russian North.
The
2nd
section is the largest by its volume. It is devoted to the Church
oí*
the Nativity of the Virgin in the town of Yurievets in the Ivanovo Region. The
authors of the book inspiredly began its re-creation in the late
1980s.
The build¬
ing was almost completed and the church crowned with the cross was splendid¬
ly commanding the Volga vistas, but was burnt down...
It was not accidental that the story of the churches began with this monu¬
ment. Its fate reflected, like in a mirror, the present attitude towards the early
Russian wooden architecture based on the one hand, on misunderstanding and
lack of knowledge of its original Orthodox foundation and on the other, on the
purposeful, though hidden under bigoted care, destruction of this foundation,
the life-giving source of not only architecture but Russian culture as a whole.
The following sections deal with individual architectural monuments and
groups of monuments either at open-air museums or in historically formed nat¬
ural environment. The sections titles give an idea of geographical location of
major
Ш
-type
churches and chapels throughout the country, concentrated
mainly in its Siberian part. The monuments in Siberia including the polar
regions, which were represented in the previous publications are mentioned
only as analogues of the pieces under consideration.
The list of sections is as follows:
3.
The Church of
SS.
Peter and Paul in Plyos of the Ivanovo Region.
4.
The Church of the Resurrection of the Saviour from the Bilyukovo Village
of the Ivanovo Region, recreated in Plyos on the
Levitán
Mount.
5.
The Church of the Transfiguration of Our Saviour from Vezhi Pogost,
which stood on the territory of the Ipatyev Monastery in Kostroma.
6.
The Church of the Saviour of All Mercy from the Fominskoye Village at
the Museum of Wooden Architecture of the Kostroma Region.
7.
The Church of the Dormition of the Virgin in Ivanovo, now the regional
centre.
8.
The Church of the Sign of the Virgin from the Pylyovo Village, recreated
at the Museum of Wooden Architecture of the Tver Region.
9.
The Church of the Transfiguration of the Savior from the Spas-na-Sozi
Village, reconstructed at the wooden architecture museum of the Tver Region.
10.
Chapel from the
Lema
Village and other monuments of the Vologda
Region.
11.
JCfeHype churches and chapels at the Vitoslavlitsy Museum near
Veliký
Novgorod.
12.
The Church of St. George in the Yuksovichi Village and other monu¬
ments in the Leningrad Region.
13.
The Church of the Raising of Lazarus from the Murom Monastery
recreated at the Kizhi Museum.
14.
Chapel on the Kizhi Isle included into the exposition of the open-air
museum.
15.
Chapels of the Kizhi Necklace preserved in the villages surrounding
the Kizhi Isle.
16.
Churches and Chapels of Zaonezhye, built in the villages and settle¬
ments of the Zaonezhye Peninsula.
17.
Churches and Chapels of Prionezhye built on western and eastern terri¬
tories adjacent to Lake Onega.
Kiel-type churches and chapels situated in the Archangel and Murom
regions will be included in the next volume of the Log Jerusalem . The readers
will also get acquainted with wooden churchs of the tier and cube type which
were preserved or could be seen quite recently on the territory of Russia.
The last book of the present publication will be devoted to the shatyw and
many-cupola monuments.
|
| adam_txt |
527
Оглавление:
ММ. Дунаев
Бревенчатый Иерусалим
Предисловие
6
К началу: «мнится не быти, и есть»
13
Часть
1.
Клетские церкви и часовни
Глава
1. 89
Глава
2. 115
Глава
3. 159
Глава
4. 176
Глава
5. 188
Глава б
. 199
Глава
7.206
Глава
8.228
Глава
9.237
Глава
10.254
Глава
11.267
Глава
12.285
Глава
13.300
Глава
14.325
Глава
15.359
Глава
16.423
Глава
17.475
Примечания
.504
Библиография
.510
Перечень имен
.516
Перечень географических названий
.519
Summary
Log Jerusalem.
Russian Wooden Churches and Chapels.
Part
1.
Klet-type churches and chapels.
523
523
Summary
Α.
V. OPOLOVNIKOV Ye.
Α.
OPOLOVNÏKOVA
Logjerusalem.
Russian Wooden Churches
and Chapels.
Part
1.
Klet-type churches and chapels.
The series of books under the title of the "Early Russian Wooden
Architecture", put out by the OPOLO Publishers is based on the archives of
Alexander Viktorovich Opolovnikov
(1911-1994),
a devotee of science and an
outstanding restorator of early Russian wooden architectural masterpieces.
The scientist had collected his archives during a period of
60
years. They
include unique photographs showing the lost and long forgotten wooden
relics of Russia, measurements drawings and draughts, skillfully made graph¬
ical reconstructions, as well as paintings which give a vivid and graphic idea
of early Russian wooden ensembles and separate monuments.
Beginning from
1980
A.V. Opolovnikov had been working in coopera¬
tion with his daughter Professor Ye. A. Opolovnikova, Doctor of
Architecture, who continued the cause of her father. Their archives have
been constantly increasing with her photo materials and construction proj¬
ects in the field of protection of wooden architecture and recreation of the
true artistic, value of log masterpieces. This work is being carried out on the
basis of scientific and practical methods of restoration elaborated by
Opolovnikov and approbated in practice at all major wooden architectural
monuments throughout Russia. Modern principles of restoration are repro¬
duced in the book side by side with archive documents. The aim of the pub¬
lication was not only to demonstrate the diversity of early Russian architec¬
tural log monuments and show traditional foundation of their construction
but to penetrate into mental system of early Russian architects inseparable
from the Christian dogmas. Such mentality was typical of all considerable
work of Russian people: artistic, literary or philosophic, theologian and sci¬
entific. The book reveals the integrity of their interconnection by constant
parallels between architectural monuments, their historical environment
and origins and the general creativity of Russian people at different stages of
their evolution, The idea of the "people" includes here all the groups of
Russian society, and not just an isolated part scornfully called "common peo¬
ple" (the term "common" has acquired in the book a lofty interpretation as
distinct from its sly substitution, the "primitive").
The fourth book of the series under the general title of the "Log
Jerusalem" is devoted to the early Russian wooden churches and chapels.
The first book of the series
-
'Old Obdorsk and Polar Towns-Legends"
(400
pp.,
571
il.)
was published in
1998;
the second
-
"Izba Liturgy. A Book
about Russian Izba"
(512
pp.,
800
il.) in
2002;
the third book
-
"The Wooden
Land of Irkutsk"
(532
pp.,
880
il.)
was out in
2004.
Each book, including the
"Log jerusalem"
can be justly characterized as
historico-educational, intended for the broad readership. They are in fact
524
Λ
!■
representing a new genre of popular
science
fiction
(sfili}
¡mj Kussiim cul
ture in
general and the history of architecture in particular.
As a restorer A.V. Opolovnikov paid major attention to
нчтецЦои
oí
churches which most fully concentrated the wise bcauly of early Russian
wooden architecture, deeply connected with integral perception of the
divine world. His archives keep a great number of materials dealing with
churches and chapels. The author's desire to most fully acquaint the read¬
ers with these monuments resulted in the considerable increase of the
book's size, which is divided into three parts-volumes, each comprising
certain types of monuments according to the generally accepted classifi¬
cation.
Our story about wooden churches and chapels, the most poetical and
profoundly national section of the Russian architectural heritage, tradition¬
ally begins with more simple pieces, referring to the
klel
type.
The term
/¿feris
known to come from the word
klel,
which means a quad¬
rangular frame. It is covered with a two-pitched roofing and makes the basis
of
/íZeHype
churches and chapels.
% * *
The book offered for the readers' consideration is opened with a
Preface written by Professor of the Moscow Ecclesiastical Academy
M.M. Dunayev, an outstanding explorer of Russian literature and theology,
who stressed that "it was exactly in wooden architecture that the national
ideology of space where Man began to realize his own space as a integral part
of the general national space", had preserved. "The grandiose endeavour of
Alexander and Yelena Opolovnikov is especially precious since it has vividly
and graphically reflected the Russian "log Jerusalem" the memory of which
seems highly important now for both the broad circles of readership and
architects who not knowing the "traditions of genuine art create tasteless,
often dull and untalented projects". The researcher also stressed that the
study and assimilation of cultural heritage would assist in finishing with
careless ignorance and violation of aesthetics laws.
From times immemorial, concluded Dunayev, "the earthen beauty had
been interpreted in Russia as the reflection of divine beauty, reminding of
the true meaning of human life".
Introduction of the book, connected with the previous volumes by the
generalized title "Towards the beginning" has also a subtitle. "It seems not to
be but it is."
These are the paraphrased words of the martyr Tivurtius about the invis¬
ible heavenly life which as distinct from the real and tangible earthly living
really exists in eternity. The life after death or the main human life is that very
Celestial Jerusalem, attracting Christian souls.
The word Jerusalem harbours sacramental symbolics: "the house of the
world", "the dwelling of the world". In Russia it symbolized the house of God.
The Holy Jerusalem, descending from Heavens and seen with the
Christians' mind's eye, personified in works of literature and the arts, in
icons and architecture, uniform in their creative ideology. As a multiform
evangelical image it comprised the initial foundation of the Orthodox think¬
ing. That was the image of the Passion of Christ and the Apostles leading
back to the Biblical history.
The Holy City of Jerusalem served the symbolical prototype of old
Russian settlements. Their similarity was semantic, not literal, without exact
copying of forms and design, while the spiritual meaning concentrated in
striving for mental Paradise, for the spiritual ascent to the High Jerusalem,
"absolutely free and the Mother of us all".
(Galatians,
4:26).
525
The compositional centre of any architectural environment was the
church, and in a small space it was the chapel, but this did not lessen the mes¬
sage of the place's spiritual meaning, which, according to D.A. Khomyakov,
completed in a single unit forming
a microcosmos
in itself.
The cross reigning above the church rushed into heaven and symbolized
the lifegiving pivot of existence, the blessing of forefathers, and the church
itself- the threshold of the Divine Kingdom, the
parvis
in front of the Holy
Gates in the God's Church. This image was always present in the populated
human space and protected from sins, betrayal of God,
The church itself symbolized the threshold of the Celestial Kingdom as a
parvis
in front of the gates to the Heavenly Temple. The image of the church
constantly present in space, inhabited by human beings, protected from sins
-
the betrayal of God, elevating men's souls to receive the God's blessing.
The Introduction also tells a brief story of the Palestinian Jerusalem the
ruin of which had been foreseen by sobbing Christ.
Further on the authors recall a legend telling of the invisible town of
Kitezh, miraculously hidden in the lake during Tartar invasion; the legend
was widely known in Russia. From time immemorial faithful believers could
see golden cupolas of the churches and hear low bell-ringing from the bottom
of Lake Svetloyar, which became the place of pilgrimage for Russian people,
more so adherents of the "old faith", the Old Believers.
The history of schism in Russian church in the mid-1
7
L^ century and the
following persecution of dissidents which A.I. Solzhenitsyn called the
"Russian Inquisition" are connected with them.
The great Russian writer considers insufficient the official "absolution of
the persecuted" proclaimed by the Russian Church. Church officials must
admit their fault in attitude to the guiltless adherents of old traditions and
repent in their sins together with all Orthodox believers. Persecution of the
Old Believers entailed radical reconstruction of early Russian log churches
and chapels, which took place in the country beginning from the mid-19tn
century. This architecture was changed out of all recognition. The process
resulted in complete alienation of the people from the Christian origins of
national culture and, finally, in the people's spiritual degradation.
Russian wooden architecture in the form it has come down to us from
Old Russia has no analogues in the world. It has accumulated all the essence
of old Christian philosophy and attitude to the surrounding world peculiar to
Russian people.
Having devoted their life to studying wooden churches and chapels
whose architectural and artistic peculiarities have been distorted and contin¬
ue to be distorted up till now the authors share Alexander Solzhenitsyn's con¬
viction in the necessary penance of the Russian Church before Old Believers
and call for realization of at least something little
-
repentance in architec¬
ture, repudiation of the sin of oblivion.
The panorama of repentance in architecture, interpreted as the real
union of the Russian Orthodox Church with enchanting culture of Early
Russia and with clear sources of our national belief, can be achieved through
restoration of the images of Early Russian wooden architecture, the mean¬
ingful, deep and not dull or imitative restoration.
"According to your faith be it unto you" (St. Matthew,
9:29).
After the Introduction individual monuments of the
Ш
-type
are exam¬
ined in the book. As distinct from previous publications the present text is
divided not into chapters but into
17
sections.
The
1st
section is a review, narrating of the coming into being of
chapels all over Russia, of their general worship and imposed ban on their
construction. The section is developing the theme touched upon in the
Introduction and represents, alongside worthy architectural monuments,
526
A.lì.
OnvAOUHUKoi!
» ¡;.
Λ.
ugly, tasteless examples of modern chapels built in the sacred places of the
Russian North.
The
2nd
section is the largest by its volume. It is devoted to the Church
oí*
the Nativity of the Virgin in the town of Yurievets in the Ivanovo Region. The
authors of the book inspiredly began its re-creation in the late
1980s.
The build¬
ing was almost completed and the church crowned with the cross was splendid¬
ly commanding the Volga vistas, but was burnt down.
It was not accidental that the story of the churches began with this monu¬
ment. Its fate reflected, like in a mirror, the present attitude towards the early
Russian wooden architecture based on the one hand, on misunderstanding and
lack of knowledge of its original Orthodox foundation and on the other, on the
purposeful, though hidden under bigoted care, destruction of this foundation,
the life-giving source of not only architecture but Russian culture as a whole.
The following sections deal with individual architectural monuments and
groups of monuments either at open-air museums or in historically formed nat¬
ural environment. The sections titles give an idea of geographical location of
major
Ш
-type
churches and chapels throughout the country, concentrated
mainly in its Siberian part. The monuments in Siberia including the polar
regions, which were represented in the previous publications are mentioned
only as analogues of the pieces under consideration.
The list of sections is as follows:
3.
The Church of
SS.
Peter and Paul in Plyos of the Ivanovo Region.
4.
The Church of the Resurrection of the Saviour from the Bilyukovo Village
of the Ivanovo Region, recreated in Plyos on the
Levitán
Mount.
5.
The Church of the Transfiguration of Our Saviour from Vezhi Pogost,
which stood on the territory of the Ipatyev Monastery in Kostroma.
6.
The Church of the Saviour of All Mercy from the Fominskoye Village at
the Museum of Wooden Architecture of the Kostroma Region.
7.
The Church of the Dormition of the Virgin in Ivanovo, now the regional
centre.
8.
The Church of the Sign of the Virgin from the Pylyovo Village, recreated
at the Museum of Wooden Architecture of the Tver Region.
9.
The Church of the Transfiguration of the Savior from the Spas-na-Sozi
Village, reconstructed at the wooden architecture museum of the Tver Region.
10.
Chapel from the
Lema
Village and other monuments of the Vologda
Region.
11.
JCfeHype churches and chapels at the Vitoslavlitsy Museum near
Veliký
Novgorod.
12.
The Church of St. George in the Yuksovichi Village and other monu¬
ments in the Leningrad Region.
13.
The Church of the Raising of Lazarus from the Murom Monastery
recreated at the "Kizhi" Museum.
14.
Chapel on the Kizhi Isle included into the exposition of the open-air
museum.
15.
Chapels of the "Kizhi Necklace" preserved in the villages surrounding
the Kizhi Isle.
16.
Churches and Chapels of Zaonezhye, built in the villages and settle¬
ments of the Zaonezhye Peninsula.
17.
Churches and Chapels of Prionezhye built on western and eastern terri¬
tories adjacent to Lake Onega.
Kiel-type churches and chapels situated in the Archangel and Murom
regions will be included in the next volume of the "Log Jerusalem". The readers
will also get acquainted with wooden churchs of the tier and cube type which
were preserved or could be seen quite recently on the territory of Russia.
The last book of the present publication will be devoted to the shatyw and
many-cupola monuments. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Opolovnikov, Aleksandr V. 1911-1994 Opolovnikova, Elena A. |
| author_GND | (DE-588)124764266 |
| author_facet | Opolovnikov, Aleksandr V. 1911-1994 Opolovnikova, Elena A. |
| author_role | aut aut |
| author_sort | Opolovnikov, Aleksandr V. 1911-1994 |
| author_variant | a v o av avo e a o ea eao |
| building | Verbundindex |
| bvnumber | BV023271267 |
| ctrlnum | (OCoLC)230135765 (DE-599)BVBBV023271267 |
| format | Book |
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| id | DE-604.BV023271267 |
| illustrated | Illustrated |
| index_date | 2024-07-02T20:36:00Z |
| indexdate | 2024-07-09T21:14:38Z |
| institution | BVB |
| isbn | 5889640054 |
| language | Russian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016456273 |
| oclc_num | 230135765 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 527 S. überw. Ill., Kt., graph. Darst. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Opolo |
| record_format | marc |
| series | Drevnerusskoe derevjannoe zodčestvo |
| series2 | Drevnerusskoe derevjannoe zodčestvo |
| spelling | Opolovnikov, Aleksandr V. 1911-1994 Verfasser (DE-588)124764266 aut Brevenčatyj Ierusalim derevjannye cerkvi i časovni Rusi 1 Kletskie cerkvi i časovni A. V. Opolovnikov ; E. A. Opolovnikova Moskva Opolo 2007 527 S. überw. Ill., Kt., graph. Darst. txt rdacontent sti rdacontent n rdamedia nc rdacarrier Drevnerusskoe derevjannoe zodčestvo 4 Drevnerusskoe derevjannoe zodčestvo ... Opolovnikova, Elena A. Verfasser aut (DE-604)BV023271248 1 Drevnerusskoe derevjannoe zodčestvo 4 (DE-604)BV012479021 4 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016456273&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016456273&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Opolovnikov, Aleksandr V. 1911-1994 Opolovnikova, Elena A. Brevenčatyj Ierusalim derevjannye cerkvi i časovni Rusi Drevnerusskoe derevjannoe zodčestvo |
| title | Brevenčatyj Ierusalim derevjannye cerkvi i časovni Rusi |
| title_auth | Brevenčatyj Ierusalim derevjannye cerkvi i časovni Rusi |
| title_exact_search | Brevenčatyj Ierusalim derevjannye cerkvi i časovni Rusi |
| title_exact_search_txtP | Brevenčatyj Ierusalim derevjannye cerkvi i časovni Rusi |
| title_full | Brevenčatyj Ierusalim derevjannye cerkvi i časovni Rusi 1 Kletskie cerkvi i časovni A. V. Opolovnikov ; E. A. Opolovnikova |
| title_fullStr | Brevenčatyj Ierusalim derevjannye cerkvi i časovni Rusi 1 Kletskie cerkvi i časovni A. V. Opolovnikov ; E. A. Opolovnikova |
| title_full_unstemmed | Brevenčatyj Ierusalim derevjannye cerkvi i časovni Rusi 1 Kletskie cerkvi i časovni A. V. Opolovnikov ; E. A. Opolovnikova |
| title_short | Brevenčatyj Ierusalim |
| title_sort | brevencatyj ierusalim derevjannye cerkvi i casovni rusi kletskie cerkvi i casovni |
| title_sub | derevjannye cerkvi i časovni Rusi |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016456273&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016456273&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV023271248 (DE-604)BV012479021 |
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