Shakespeare and modern popular culture:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2006
|
| Ausgabe: | Reprinted |
| Schriftenreihe: | Oxford Shakespeare topics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | IX, 187 S. Ill. |
| ISBN: | 0198187033 0198187068 |
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Datensatz im Suchindex
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Contents
List of Illustrations
viii
General Note
χ
ι.
Introduction: Where No Bard Has Gone Before
ι
2.
Unpopularizing Shakespeare: A Short History
21
3.
According to Shakespeare: Allusion and Citation
50
4.
Recasting the Plays: Homage, Adaptation, Parody
82
5.
A Will to Reinvent: Biography and Mythology no
6.
Shakespeare Tourism and Festivals
143
Notes
168
Further Reading
179
Index
183
Shakespeare
and Superman? Shakespeare and The Twilight Zone1. Shakespeare
and romance novels? What is Shakespeare doing in modern popular culture?
In the first book-length study to consider the modern
'Shakespop'
phenomenon
broadly, Douglas
Lanier
examines how our conceptions of Shakespeare's works
and his cultural status have been profoundly shaped by Shakespeare's diffuse
presence in such popular forms as films, comic books, TV shows, mass-market
fiction, children's books, kitsch, and advertising. Shakespeare and Modern Popular
Culture offers an overview of issues raised by Shakespeare's appro¬
priation in twentieth-century popular culture, and argues that Shakespeare's
appearances in these media can be seen as a form of cultural theorizing, a
means by which popular culture thinks through its relationship to high culture.
Through a series of case studies, the book examines how popular culture actively
constructs, contests, uses, and perpetuates Shakespeare's cultural authority.
Douglas
Lanier
is Associate Professor and Director of Graduate Studies, English
Department, University of New Hampshire. |
| adam_txt |
Contents
List of Illustrations
viii
General Note
χ
ι.
Introduction: Where No Bard Has Gone Before
ι
2.
Unpopularizing Shakespeare: A Short History
21
3.
According to Shakespeare: Allusion and Citation
50
4.
Recasting the Plays: Homage, Adaptation, Parody
82
5.
A Will to Reinvent: Biography and Mythology no
6.
Shakespeare Tourism and Festivals
143
Notes
168
Further Reading
179
Index
183
Shakespeare
and Superman? Shakespeare and The Twilight Zone1. Shakespeare
and romance novels? What is Shakespeare doing in modern popular culture?
In the first book-length study to consider the modern
'Shakespop'
phenomenon
broadly, Douglas
Lanier
examines how our conceptions of Shakespeare's works
and his cultural status have been profoundly shaped by Shakespeare's diffuse
presence in such popular forms as films, comic books, TV shows, mass-market
fiction, children's books, kitsch, and advertising. Shakespeare and Modern Popular
Culture offers an overview of issues raised by Shakespeare's appro¬
priation in twentieth-century popular culture, and argues that Shakespeare's
appearances in these media can be seen as a form of cultural theorizing, a
means by which popular culture thinks through its relationship to high culture.
Through a series of case studies, the book examines how popular culture actively
constructs, contests, uses, and perpetuates Shakespeare's cultural authority.
Douglas
Lanier
is Associate Professor and Director of Graduate Studies, English
Department, University of New Hampshire. |
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | Reprinted |
| format | Book |
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| index_date | 2024-07-02T20:32:56Z |
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| isbn | 0198187033 0198187068 |
| language | English |
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