What the deejay said: a critique from the street!
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Nu-Beyond Ltd
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 268 Seiten 21 cm |
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Datensatz im Suchindex
| _version_ | 1804137568995901440 |
|---|---|
| adam_text | Table
of
Contents
Preface by Paul Giltoy
Step Forward
1
Introduction: thinking about thoughtists
3
Structure of the book
16
Run
Di Riddim
ABSIDE
Overstanding
blak
cultural expression
Chapter
1
Black youth , whose truth? The redefining of difference
25
Introduction
1.1
Redefining difference: UK
Blak
1.2
Ђ1аск
like you, or
blak
like me? The language of consciousness!
1.3
De-constructing black youth
Conclusion
Chapter
2
The colouring of ethnography
57
Introduction
2.1
Knowledge, power and the politics of location
2.2
Paying the Tryce
2.3
Counter-cultures as adaptive response
2.4
Epistemological privilege , who feels it knows it!
2.5
Using self overstanding to
överstånd
self
Conclusion
Chapter
3
Black music and the Jamaican cultural influence
on black youth in Britain
88
Introduction
3.1
Reggae music and black solidarity
3.2
Black music and the Svinning of cultural space
3.3
One hand wash the other : libratory language across
the black Atlantic
Conclusion
Pull-up! Summarising the A-SIDE
113
Tun it over!
B~SIDE
Drama Pon
Plastic: Critique from the street
Re-memories U7
Chapter
4
Me bornah England, me know me
blak,
me
nah seh
me British
122
Introduction
4.1
Tromote the youth, we haffi promote the youth !
4.2
Wise up, rise up
4.3
Entertainer, entertainer, we
fi
join hands together
Conclusion
Chapter
5
Conscious Deejays know
weh
fi chat!
147
Introduction
5.1
Iťs
conscious time
5.2
Time to come original
5.3
Questioning consciousness : the roadman mentality
5.4
Burying consciousness ; I m not here for liberties!
Re-memories
Conclusion
Chapter
6
Originality learn to study !
182
Introduction
6.1
Breaking the silence : Jah know seh ah London we
deh!
6.2
Rewriting reality: that s real, that s us
6.3
Rhyming with reason! Troper lyrics
Conclusion
Chapter
7
«To who respect is due, respect it must
goh
through !
215
Introduction
7-1
I m not ah amateur, I man ah pro
7.2
It is a job, Jahman: it is ah job to entertain
7.3
Hidden voices in public spaces
Conclusion
Forward again! Future prospects
242
Appendix: Glossary of terms
References
Index
|
| adam_txt |
Table
of
Contents
Preface by Paul Giltoy
Step Forward
1
Introduction: thinking about "thoughtists"
3
Structure of the book
16
Run
Di Riddim
ABSIDE
Overstanding
blak
cultural expression
Chapter
1
'Black youth', whose truth? The redefining of difference
25
Introduction
1.1
Redefining difference: UK
Blak
1.2
Ђ1аск'
like you, or
'blak'
like me? The language of consciousness!
1.3
De-constructing'black youth'
Conclusion
Chapter
2
The colouring of ethnography
57
Introduction
2.1
Knowledge, power and the politics of location
2.2
Paying the Tryce
'
2.3
Counter-cultures as adaptive response
2.4
'Epistemological privilege', who feels it knows it!
2.5
Using self overstanding to
'överstånd'
self
Conclusion
Chapter
3
Black music and the Jamaican cultural influence
on black youth in Britain
88
Introduction
3.1
Reggae music and black solidarity
3.2
"Black music' and the Svinning of cultural space'
3.3
'One hand wash the other': libratory language across
the "black Atlantic'
Conclusion
Pull-up! Summarising the A-SIDE
113
Tun it over!
B~SIDE
Drama Pon
Plastic: Critique from the street
Re-memories U7
Chapter
4
'Me bornah England, me know me
blak,
me
nah seh
me British'
122
Introduction
4.1
Tromote the youth, we haffi promote the youth'!
4.2
Wise up, rise up'
4.3
'Entertainer, entertainer, we
fi
join hands together'
Conclusion
Chapter
5
'Conscious' Deejays know
weh
fi chat!
147
Introduction
5.1
'Iťs
conscious time'
5.2
Time to come original
5.3
Questioning 'consciousness': the 'roadman' mentality
5.4
Burying 'consciousness'; I'm not here for liberties!
Re-memories
Conclusion
Chapter
6
Originality learn to study'!
182
Introduction
6.1
Breaking the 'silence': Jah know seh ah London we
deh!
6.2
Rewriting reality: 'that's real, that's us'
6.3
Rhyming with reason! Troper lyrics'
Conclusion
Chapter
7
«To who respect is due, respect it must
goh
through'!
215
Introduction
7-1
I'm not ah amateur, I man ah pro
7.2
'It is a job, Jahman: it is ah job to entertain'
7.3
'Hidden voices' in public spaces
Conclusion
Forward again! Future prospects
242
Appendix: Glossary of terms
References
Index |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Henry, William |
| author_facet | Henry, William |
| author_role | aut |
| author_sort | Henry, William |
| author_variant | w h wh |
| building | Verbundindex |
| bvnumber | BV023260578 |
| classification_rvk | LS 48900 |
| ctrlnum | (OCoLC)182662191 (DE-599)BVBBV023260578 |
| dewey-full | 782.421646 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.421646 |
| dewey-search | 782.421646 |
| dewey-sort | 3782.421646 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| spelling | Henry, William Verfasser aut What the deejay said a critique from the street! William (Lez) Henry London Nu-Beyond Ltd 2006 268 Seiten 21 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Reggae music / History Disc jockeys / Jamaica / History Geschichte Disc jockeys Jamaica History Reggae music History Reggae (DE-588)4131018-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Discjockey (DE-588)4380204-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Jamaika (DE-588)4028456-6 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Jamaika (DE-588)4028456-6 g Reggae (DE-588)4131018-4 s Großbritannien (DE-588)4022153-2 g Geschichte z DE-604 Discjockey (DE-588)4380204-7 s Schwarze (DE-588)4116433-7 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016445788&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Henry, William What the deejay said a critique from the street! Reggae music / History Disc jockeys / Jamaica / History Geschichte Disc jockeys Jamaica History Reggae music History Reggae (DE-588)4131018-4 gnd Schwarze (DE-588)4116433-7 gnd Discjockey (DE-588)4380204-7 gnd |
| subject_GND | (DE-588)4131018-4 (DE-588)4116433-7 (DE-588)4380204-7 (DE-588)4022153-2 (DE-588)4028456-6 (DE-588)4006804-3 |
| title | What the deejay said a critique from the street! |
| title_auth | What the deejay said a critique from the street! |
| title_exact_search | What the deejay said a critique from the street! |
| title_exact_search_txtP | What the deejay said a critique from the street! |
| title_full | What the deejay said a critique from the street! William (Lez) Henry |
| title_fullStr | What the deejay said a critique from the street! William (Lez) Henry |
| title_full_unstemmed | What the deejay said a critique from the street! William (Lez) Henry |
| title_short | What the deejay said |
| title_sort | what the deejay said a critique from the street |
| title_sub | a critique from the street! |
| topic | Reggae music / History Disc jockeys / Jamaica / History Geschichte Disc jockeys Jamaica History Reggae music History Reggae (DE-588)4131018-4 gnd Schwarze (DE-588)4116433-7 gnd Discjockey (DE-588)4380204-7 gnd |
| topic_facet | Reggae music / History Disc jockeys / Jamaica / History Geschichte Disc jockeys Jamaica History Reggae music History Reggae Schwarze Discjockey Großbritannien Jamaika Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016445788&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT henrywilliam whatthedeejaysaidacritiquefromthestreet |