Sounds unlikely: music in Birmingham
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Studley
Brewin Books
2006
|
| Ausgabe: | Rev. and expanded ed |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Previous ed. had sub-title: six hundred years of music in Birmingham, 1392-1992 Includes bibliography and index |
| Beschreibung: | xiv, 354 S. Ill. 25 cm |
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| 245 | 1 | 0 | |a Sounds unlikely |b music in Birmingham |c Margaret Handford |
| 250 | |a Rev. and expanded ed | ||
| 264 | 1 | |a Studley |b Brewin Books |c 2006 | |
| 300 | |a xiv, 354 S. |b Ill. |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Previous ed. had sub-title: six hundred years of music in Birmingham, 1392-1992 | ||
| 500 | |a Includes bibliography and index | ||
| 648 | 7 | |a Geschichte 1392-1992 |2 gnd |9 rswk-swf | |
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Datensatz im Suchindex
| _version_ | 1804137567828836352 |
|---|---|
| adam_text | Contents
List of Illustrations
....................................................................................
vii
Acknowledgements
....................................................................................
χ
Foreword by
Sakari Oramo
......................................................................xii
Introduction
............................................................................................xiii
PART ONE:
1392-1900.....................................................................1
1
Six centuries ago
...................................................................................2
2
Some evidence for medieval music in Birmingham
................................7
3
The town grows
1700-1768................................................................12
4
Not to be written on the back
.............................................................29
of a postage stamp
1740-1800
5
From Music Meeting to Musical Festival
.............................................46
with a portrait gallery of stars
1768-1834
6
What else?
..........................................................................................72
7
After the building of the Town Hall
.....................................................82
8
Costa, Stockley and this wonderful choir
..........................................104
9
Costa s reign.The Birmingham Musical Festivals
1849-1882..............109
10
A Boa Constrictor?
1834-1880.........................................................120
11
The Harrison Concerts. Another gallery of celebrities
........................137
12
Some Birmingham musical personalities
............................................147
13
Musical Education. The establishment
...............................................153
of the Midland Institute School of Music
14
Nineteenth century church music in Birmingham
.............................161
15
By the people, for the people
............................................................165
16
Stockley s Orchestra
1873-1897........................................................167
17
Chamber Music
................................................................................173
18
Hans
Richter.
The Twilight of the Gods
.............................................175
The Musical Festivals
1885-1912
v
PART TWO: THE TWENTIETH CENTURY
.................................183
19
Introducing the twentieth century.
....................................................184
20
Phase One: Birmingham Musical Festival
-
Cause of death
.................189
21
Elgar and Birmingham
......................................................................195
22
Halford s concerts
.............................................................................206
23
An Orchestral Medley.
......................................................................214
24
The Choral craze
..............................................................................225
25
A miscellany
1900-1920...................................................................232
26
Granville Bantock
-
larger than life
....................................................240
27
PhaseTwo:A City Orchestra
-
the new musical flagship
.....................246
28
Again, what else?
...............................................................................284
29
Phase Three: Transformation
-
the Rattle effect
.................................314
APPENDICES
1.
Office holders in the musical world in Birmingham
..............................331
2.
Biographical notes on some of the people mentioned
......................334
in the text
1834-1992
Bibliography.
..........................................................................................342
Index
.....................................................................................................346
vi
List of Illustrations
Birmingham,
1656
(Dugdale Antiquities ofWarwickshire)
......................................3
Westley s East Prospect of Birmingham,
1732........................................................13
The Plan of Birmingham, surveyed in the year
1731
by Mr.Westley.
.....................14
Blue Coat School, Birmingham
............................................................................16
The following four illustrations are reproduced by courtesy of the Birmingham
Library Services, Local Studies and History:
Title page of one of Michael Broome s Birmingham Publications,
1744...........17
From A Collection of Twenty-four Psalm-tunes,
.......................................................18
by Michael Broome, Birmingham
1744
From A Collection of Psalm-tunes in IV parts,
........................................................19
Michael Broome, Birmingham
1760
St. Bartholomew s Church, Birmingham
.........................................................21
James Kempson
....................................................................................................28
Vauxhall
Gardens
..................................................................................................33
John Freeth and his friends by Eckstein
.................................................................41
The tune of A Warwickshire Lad
............................................................................43
Angelica
Catalani,
1780-1849...............................................................................56
John Braham, tenor,
1774-1856............................................................................62
Robert Lindley,
1776-1855...................................................................................64
(Reproduced with the permission of the National Portrait Gallery)
Theatre Royal, New Street, Birmingham, exterior view.
........................................74
Theatre Royal, New Street, Birmingham, interior view.
.........................................75
Joseph Moore,
1766-1849.....................................................................................85
Interior of the Birmingham Town Hall as it appeared in
1846................................86
A Concert scene,
1840 -
(Source Unknown)
........................................................87
Hanover Square Concert Rooms,
1843................................................................88
(Reproduced with acknowledgements to the
London Illustrated News Picture Library)
Clara
Novello,
1818-1908.....................................................................................91
Birmingham Musical Festival, 1834.A Grand Selection of Sacred Music
.................92
to be performed in the New Town Hall on Tuesday Morning
the Seventh of October
vu
Birmingham Musical
Festival,
1834.
First
Miscellaneous Concert
..........................92
to be performed in the New Town Hall on
Tuesday Evening the Seventh of October.
Felix Mendelssohn,
1809-47
(Reproduced with acknowledgements
......................94
to the London Illustrated News Picture Library)
William Pountney, chorus bass and Festival commentator,
1846-1897.....................95
Mario Giovanni Matteo,
Cavaliere
di
Cândia,
1810-1883.......................................96
(Reproduced by kind permission of the Royal College of Music)
Giulia Grisi,
1811-1869........................................................................................97
Charles Lockey,
1820-1901.
First tenor in Elijah
...................................................102
Michele
Costa,
1808-84
(Michael Costa in
1872)................................................110
Gounod s sketch for the arrangement of choir and orchestra
................................115
for The Redemption (Birmingham Musical Festival
1882)
Sims Reeves and Catherine Hayes in Lucia
di
Lammermoor 1846...........................126
Alfred Mellon,
1820-1867...................................................................................127
Adelina
Patti,
1843-1919.....................................................................................139
The Joachim Quartet,
1888
(Joachim, Louis
Ries, Ludwig
Straus and
Piatti)
.........140
Clara Schumann,
1819-1896...............................................................................141
Wilma Norman-Neruda,
Lady
Hallé,
1839-1911................................................141
leading a quartet At the Monday Pops
Clara Butt, contralto,
1873-1936.........................................................................146
F. Edward
Bache
..................................................................................................150
The Three B s-
В
sharp,
В
flat and
В
natural
...........................................................150
(Biilow, Buonamici and Walter
Bache)
Sarah Ann Glover,
1785-1867.............................................................................155
John Curwen,
1816-1880....................................................................................156
The original Birmingham and Midland Institute, Paradise Street
..........................160
WiUiam Stockley,
1830-1919..............................................................................172
Hans
Richter, 1843-1916....................................................................................176
Henry
J.
Wood,
1869-1944..................................................................................180
Birmingham Town Hall ca.
1905.........................................................................181
Edward Elgar in
1900.........................................................................................198
Muriel Foster, mezzo
-
soprano,
1877-1937.........................................................199
Mason College, Edmund Street, before
1886.......................................................203
(Later the University of Birmingham. This is
where the present Central Library now stands).
Halford and Halford s Orchestra with
Kreisler
as soloist
........................................210
Kreisler s last concert with them was on
7th November
1905
in the Town Hall
Granville Bantock
...............................................................................................242
viu
Very sincere thanks must go to the City of Birmingham Symphony Orchestra
for making available from its archive the following photographs of its conductors,
also to the named photographers for giving permission for their use:
Appleby Matthews
..............................................................................................249
Adrian Boult (photograph by
Constantine)
.........................................................251
Leslie Heward
.....................................................................................................257
George
Weldon
..................................................................................................262
Rudolf
Schwarz..................................................................................................266
Harold Gray (photograph by
Constantine)
..........................................................270
Hugo Rignold and the CBSO rehearsing in Nottingham
....................................272
Louis
Frémaux
at the Town Hall in rehearsal with the CBSO
...............................277
(photograph by Alan Wood)
G. D. Cunningham, Birmingham City Organist and
...............................................290
Festival Choral Society Conductor
George Thalben-Ball
..........................................................................................299
Simon Rattle in the recording studio
...................................................................320
Simon Rattle and the CBSO in rehearsal
.............................................................322
(photograph by Alan Wood)
The audience of tomorrow: Rattle meeting children after a
..................................323
CBSO family concert
Sakari Oramo
.....................................................................................................325
Simon Halsey (photograph by Alan Wood)
..........................................................326
Symphony Hall
..................................................................................................330
ix
|
| adam_txt |
Contents
List of Illustrations
.
vii
Acknowledgements
.
χ
Foreword by
Sakari Oramo
.xii
Introduction
.xiii
PART ONE:
1392-1900.1
1
Six centuries ago
.2
2
Some evidence for medieval music in Birmingham
.7
3
The town grows
1700-1768.12
4
Not to be written on the back
.29
of a postage stamp
1740-1800
5
From Music Meeting to Musical Festival
.46
with a portrait gallery of stars
1768-1834
6
What else?
.72
7
After the building of the Town Hall
.82
8
Costa, Stockley and'this wonderful choir'
.104
9
Costa's reign.The Birmingham Musical Festivals
1849-1882.109
10
A Boa Constrictor?
1834-1880.120
11
The Harrison Concerts. Another gallery of celebrities
.137
12
Some Birmingham musical personalities
.147
13
Musical Education. The establishment
.153
of the Midland Institute School of Music
14
Nineteenth century church music in Birmingham
.161
15
By the people, for the people
.165
16
Stockley's Orchestra
1873-1897.167
17
Chamber Music
.173
18
Hans
Richter.
The Twilight of the Gods
.175
The Musical Festivals
1885-1912
v
PART TWO: THE TWENTIETH CENTURY
.183
19
Introducing the twentieth century.
.184
20
Phase One: Birmingham Musical Festival
-
Cause of death
.189
21
Elgar and Birmingham
.195
22
Halford's concerts
.206
23
An Orchestral Medley.
.214
24
The Choral craze
.225
25
A miscellany
1900-1920.232
26
Granville Bantock
-
larger than life
.240
27
PhaseTwo:A City Orchestra
-
the new musical flagship
.246
28
Again, what else?
.284
29
Phase Three: Transformation
-
the Rattle effect
.314
APPENDICES
1.
Office holders in the musical world in Birmingham
.331
2.
Biographical notes on some of the people mentioned
.334
in the text
1834-1992
Bibliography.
.342
Index
.346
vi
List of Illustrations
Birmingham,
1656
(Dugdale Antiquities ofWarwickshire)
.3
Westley's East Prospect of Birmingham,
1732.13
The Plan of Birmingham, surveyed in the year
1731
by Mr.Westley.
.14
Blue Coat School, Birmingham
.16
The following four illustrations are reproduced by courtesy of the Birmingham
Library Services, Local Studies and History:
Title page of one of Michael Broome's Birmingham Publications,
1744.17
From A Collection of Twenty-four Psalm-tunes,
.18
by Michael Broome, Birmingham
1744
From A Collection of Psalm-tunes in IV parts,
.19
Michael Broome, Birmingham
1760
St. Bartholomew's Church, Birmingham
.21
James Kempson
.28
Vauxhall
Gardens
.33
John Freeth and his friends by Eckstein
.41
The tune of A Warwickshire Lad
.43
Angelica
Catalani,
1780-1849.56
John Braham, tenor,
1774-1856.62
Robert Lindley,
1776-1855.64
(Reproduced with the permission of the National Portrait Gallery)
Theatre Royal, New Street, Birmingham, exterior view.
.74
Theatre Royal, New Street, Birmingham, interior view.
.75
Joseph Moore,
1766-1849.85
Interior of the Birmingham Town Hall as it appeared in
1846.86
A Concert scene,
1840 -
(Source Unknown)
.87
Hanover Square Concert Rooms,
1843.88
(Reproduced with acknowledgements to the
London Illustrated News Picture Library)
Clara
Novello,
1818-1908.91
Birmingham Musical Festival, 1834.A Grand Selection of Sacred Music
.92
to be performed in the New Town Hall on Tuesday Morning
the Seventh of October
vu
Birmingham Musical
Festival,
1834.
First
Miscellaneous Concert
.92
to be performed in the New Town Hall on
Tuesday Evening the Seventh of October.
Felix Mendelssohn,
1809-47
(Reproduced with acknowledgements
.94
to the London Illustrated News Picture Library)
William Pountney, chorus bass and Festival commentator,
1846-1897.95
Mario Giovanni Matteo,
Cavaliere
di
Cândia,
1810-1883.96
(Reproduced by kind permission of the Royal College of Music)
Giulia Grisi,
1811-1869.97
Charles Lockey,
1820-1901.
First tenor in Elijah
.102
Michele
Costa,
1808-84
(Michael Costa in
1872).110
Gounod's sketch for the arrangement of choir and orchestra
.115
for The Redemption (Birmingham Musical Festival
1882)
Sims Reeves and Catherine Hayes in Lucia
di
Lammermoor 1846.126
Alfred Mellon,
1820-1867.127
Adelina
Patti,
1843-1919.139
The Joachim Quartet,
1888
(Joachim, Louis
Ries, Ludwig
Straus and
Piatti)
.140
Clara Schumann,
1819-1896.141
Wilma Norman-Neruda,
Lady
Hallé,
1839-1911.141
leading a quartet 'At the Monday Pops'
Clara Butt, contralto,
1873-1936.146
F. Edward
Bache
.150
The Three B's-
В
sharp,
В
flat and
В
natural
.150
(Biilow, Buonamici and Walter
Bache)
Sarah Ann Glover,
1785-1867.155
John Curwen,
1816-1880.156
The original Birmingham and Midland Institute, Paradise Street
.160
WiUiam Stockley,
1830-1919.172
Hans
Richter, 1843-1916.176
Henry
J.
Wood,
1869-1944.180
Birmingham Town Hall ca.
1905.181
Edward Elgar in
1900.198
Muriel Foster, mezzo
-
soprano,
1877-1937.199
Mason College, Edmund Street, before
1886.203
(Later the University of Birmingham. This is
where the present Central Library now stands).
Halford and Halford's Orchestra with
Kreisler
as soloist
.210
Kreisler's last concert with them was on
7th November
1905
in the Town Hall
Granville Bantock
.242
viu
Very sincere thanks must go to the City of Birmingham Symphony Orchestra
for making available from its archive the following photographs of its conductors,
also to the named photographers for giving permission for their use:
Appleby Matthews
.249
Adrian Boult (photograph by
Constantine)
.251
Leslie Heward
.257
George
Weldon
.262
Rudolf
Schwarz.266
Harold Gray (photograph by
Constantine)
.270
Hugo Rignold and the CBSO rehearsing in Nottingham
.272
Louis
Frémaux
at the Town Hall in rehearsal with the CBSO
.277
(photograph by Alan Wood)
G. D. Cunningham, Birmingham City Organist and
.290
Festival Choral Society Conductor
George Thalben-Ball
.299
Simon Rattle in the recording studio
.320
Simon Rattle and the CBSO in rehearsal
.322
(photograph by Alan Wood)
The audience of tomorrow: Rattle meeting children after a
.323
CBSO family concert
Sakari Oramo
.325
Simon Halsey (photograph by Alan Wood)
.326
Symphony Hall
.330
ix |
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| edition | Rev. and expanded ed |
| era | Geschichte 1392-1992 gnd |
| era_facet | Geschichte 1392-1992 |
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| geographic | Birmingham (DE-588)4006934-5 gnd |
| geographic_facet | Birmingham |
| id | DE-604.BV023259810 |
| illustrated | Illustrated |
| index_date | 2024-07-02T20:31:31Z |
| indexdate | 2024-07-09T21:14:21Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016445029 |
| oclc_num | 76794172 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xiv, 354 S. Ill. 25 cm |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Brewin Books |
| record_format | marc |
| spelling | Handford, Margaret Verfasser aut Sounds unlikely music in Birmingham Margaret Handford Rev. and expanded ed Studley Brewin Books 2006 xiv, 354 S. Ill. 25 cm txt rdacontent n rdamedia nc rdacarrier Previous ed. had sub-title: six hundred years of music in Birmingham, 1392-1992 Includes bibliography and index Geschichte 1392-1992 gnd rswk-swf Music / England / Birmingham / History and criticism Musik Music England Birmingham History and criticism Musikleben (DE-588)4075128-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Birmingham (DE-588)4006934-5 gnd rswk-swf Birmingham (DE-588)4006934-5 g Musik (DE-588)4040802-4 s Geschichte 1392-1992 z DE-604 Musikleben (DE-588)4075128-4 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016445029&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Handford, Margaret Sounds unlikely music in Birmingham Music / England / Birmingham / History and criticism Musik Music England Birmingham History and criticism Musikleben (DE-588)4075128-4 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4040802-4 (DE-588)4006934-5 |
| title | Sounds unlikely music in Birmingham |
| title_auth | Sounds unlikely music in Birmingham |
| title_exact_search | Sounds unlikely music in Birmingham |
| title_exact_search_txtP | Sounds unlikely music in Birmingham |
| title_full | Sounds unlikely music in Birmingham Margaret Handford |
| title_fullStr | Sounds unlikely music in Birmingham Margaret Handford |
| title_full_unstemmed | Sounds unlikely music in Birmingham Margaret Handford |
| title_short | Sounds unlikely |
| title_sort | sounds unlikely music in birmingham |
| title_sub | music in Birmingham |
| topic | Music / England / Birmingham / History and criticism Musik Music England Birmingham History and criticism Musikleben (DE-588)4075128-4 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Music / England / Birmingham / History and criticism Musik Music England Birmingham History and criticism Musikleben Birmingham |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016445029&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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