A vast simplicity: the music of Carl Ruggles
The American composer Carl Ruggles (1876-1971) wrote a small number of powerful, finely crafted, intensely dissonant, and utterly individual works. Although sometimes viewed as very much an isolated figure a stubbornly reclusive ruggedly individualist New Englander, painstakingly creating his uncomp...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hillsdale, NY
Pendragon Press
2009
|
| Schriftenreihe: | Dimension & diversity
8 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The American composer Carl Ruggles (1876-1971) wrote a small number of powerful, finely crafted, intensely dissonant, and utterly individual works. Although sometimes viewed as very much an isolated figure a stubbornly reclusive ruggedly individualist New Englander, painstakingly creating his uncompromisingly dissonant music in the wilds of Vermont Ruggles was in fact an integral member of a close-knit group of composers known as the ultramoderns, which included (among others) Charles Seeger, Ruth Crawford Seeger, Henry Cowell, Edgard Varese, Dane Rudhyar, and Charles Ives (mainly in the role of financier). The ultramoderns were interested in creating a distinctive dissonant American music free of the cultural hegemony of European musical authority and convention. As part of this group, Ruggles formed especially strong ties with Charles Ives each considered the other the world s second-best composer and with Charles Seeger, whose theory of dissonant counterpoint exerted a strong influence on Ruggles s evolving compositional style. Ruggles's music is highly distinctive and personal his works are not easily mistaken for those of any other composer. An individuality so audibly recognizable points to distinctive musical characteristics and compositional procedures. This study examines these in detail, discusses their influences (especially that of Charles Seeger), and places them in the context of Ruggles s spiritual aesthetic of the transcendent and the sublime. |
| Beschreibung: | Includes bibliographical references (p. ) and index |
| Beschreibung: | VIII, 221 S. Ill., Notenbeisp. |
| ISBN: | 9781576471265 |
Internformat
MARC
| LEADER | 00000nam a2200000zcb4500 | ||
|---|---|---|---|
| 001 | BV023258398 | ||
| 003 | DE-604 | ||
| 005 | 20091008 | ||
| 007 | t | ||
| 008 | 080415s2009 xxuagl| |||| 00||| eng d | ||
| 010 | |a 2008006180 | ||
| 020 | |a 9781576471265 |9 978-1-576-47126-5 | ||
| 035 | |a (OCoLC)182656760 | ||
| 035 | |a (DE-599)BVBBV023258398 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-12 | ||
| 050 | 0 | |a ML410.R9 | |
| 082 | 0 | |a 780.92 | |
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Slottow, Stephen |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)139354026 |4 aut | |
| 245 | 1 | 0 | |a A vast simplicity |b the music of Carl Ruggles |c by Stephen P. Slottow |
| 264 | 1 | |a Hillsdale, NY |b Pendragon Press |c 2009 | |
| 300 | |a VIII, 221 S. |b Ill., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Dimension & diversity |v 8 | |
| 500 | |a Includes bibliographical references (p. ) and index | ||
| 520 | 3 | |a The American composer Carl Ruggles (1876-1971) wrote a small number of powerful, finely crafted, intensely dissonant, and utterly individual works. Although sometimes viewed as very much an isolated figure a stubbornly reclusive ruggedly individualist New Englander, painstakingly creating his uncompromisingly dissonant music in the wilds of Vermont Ruggles was in fact an integral member of a close-knit group of composers known as the ultramoderns, which included (among others) Charles Seeger, Ruth Crawford Seeger, Henry Cowell, Edgard Varese, Dane Rudhyar, and Charles Ives (mainly in the role of financier). The ultramoderns were interested in creating a distinctive dissonant American music free of the cultural hegemony of European musical authority and convention. As part of this group, Ruggles formed especially strong ties with Charles Ives each considered the other the world s second-best composer and with Charles Seeger, whose theory of dissonant counterpoint exerted a strong influence on Ruggles s evolving compositional style. Ruggles's music is highly distinctive and personal his works are not easily mistaken for those of any other composer. An individuality so audibly recognizable points to distinctive musical characteristics and compositional procedures. This study examines these in detail, discusses their influences (especially that of Charles Seeger), and places them in the context of Ruggles s spiritual aesthetic of the transcendent and the sublime. | |
| 600 | 1 | 4 | |a Ruggles, Carl |d 1876-1971 |x Criticism and interpretation |
| 600 | 1 | 7 | |a Ruggles, Carl |d 1876-1971 |0 (DE-588)119051818 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Ruggles, Carl |d 1876-1971 |0 (DE-588)119051818 |D p |
| 689 | 0 | |5 DE-604 | |
| 830 | 0 | |a Dimension & diversity |v 8 |w (DE-604)BV011723923 |9 8 | |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016443637&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-016443637 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09048 |g 73 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09046 |g 73 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09045 |g 73 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09047 |g 73 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 73 |
Datensatz im Suchindex
| _version_ | 1804137565726441472 |
|---|---|
| adam_text | A VAST SIMPLICITY
/ SLOTTOW, STEPHEN P.
: C2008
TABLE OF CONTENTS / INHALTSVERZEICHNIS
MELODY
MOTIVE
COUNTERPOINT AND HARMONY
CONCLUSION.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| adam_txt |
A VAST SIMPLICITY
/ SLOTTOW, STEPHEN P.
: C2008
TABLE OF CONTENTS / INHALTSVERZEICHNIS
MELODY
MOTIVE
COUNTERPOINT AND HARMONY
CONCLUSION.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Slottow, Stephen ca. 20./21. Jh |
| author_GND | (DE-588)139354026 |
| author_facet | Slottow, Stephen ca. 20./21. Jh |
| author_role | aut |
| author_sort | Slottow, Stephen ca. 20./21. Jh |
| author_variant | s s ss |
| building | Verbundindex |
| bvnumber | BV023258398 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.R9 |
| callnumber-search | ML410.R9 |
| callnumber-sort | ML 3410 R9 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)182656760 (DE-599)BVBBV023258398 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03266nam a2200481zcb4500</leader><controlfield tag="001">BV023258398</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20091008 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">080415s2009 xxuagl| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2008006180</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781576471265</subfield><subfield code="9">978-1-576-47126-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)182656760</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV023258398</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML410.R9</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.92</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Slottow, Stephen</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)139354026</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A vast simplicity</subfield><subfield code="b">the music of Carl Ruggles</subfield><subfield code="c">by Stephen P. Slottow</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Hillsdale, NY</subfield><subfield code="b">Pendragon Press</subfield><subfield code="c">2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VIII, 221 S.</subfield><subfield code="b">Ill., Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Dimension & diversity</subfield><subfield code="v">8</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. ) and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The American composer Carl Ruggles (1876-1971) wrote a small number of powerful, finely crafted, intensely dissonant, and utterly individual works. Although sometimes viewed as very much an isolated figure a stubbornly reclusive ruggedly individualist New Englander, painstakingly creating his uncompromisingly dissonant music in the wilds of Vermont Ruggles was in fact an integral member of a close-knit group of composers known as the ultramoderns, which included (among others) Charles Seeger, Ruth Crawford Seeger, Henry Cowell, Edgard Varese, Dane Rudhyar, and Charles Ives (mainly in the role of financier). The ultramoderns were interested in creating a distinctive dissonant American music free of the cultural hegemony of European musical authority and convention. As part of this group, Ruggles formed especially strong ties with Charles Ives each considered the other the world s second-best composer and with Charles Seeger, whose theory of dissonant counterpoint exerted a strong influence on Ruggles s evolving compositional style. Ruggles's music is highly distinctive and personal his works are not easily mistaken for those of any other composer. An individuality so audibly recognizable points to distinctive musical characteristics and compositional procedures. This study examines these in detail, discusses their influences (especially that of Charles Seeger), and places them in the context of Ruggles s spiritual aesthetic of the transcendent and the sublime.</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Ruggles, Carl</subfield><subfield code="d">1876-1971</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Ruggles, Carl</subfield><subfield code="d">1876-1971</subfield><subfield code="0">(DE-588)119051818</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ruggles, Carl</subfield><subfield code="d">1876-1971</subfield><subfield code="0">(DE-588)119051818</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Dimension & diversity</subfield><subfield code="v">8</subfield><subfield code="w">(DE-604)BV011723923</subfield><subfield code="9">8</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016443637&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-016443637</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09046</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09045</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09047</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| id | DE-604.BV023258398 |
| illustrated | Illustrated |
| index_date | 2024-07-02T20:30:49Z |
| indexdate | 2024-07-09T21:14:19Z |
| institution | BVB |
| isbn | 9781576471265 |
| language | English |
| lccn | 2008006180 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016443637 |
| oclc_num | 182656760 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | VIII, 221 S. Ill., Notenbeisp. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Pendragon Press |
| record_format | marc |
| series | Dimension & diversity |
| series2 | Dimension & diversity |
| spelling | Slottow, Stephen ca. 20./21. Jh. Verfasser (DE-588)139354026 aut A vast simplicity the music of Carl Ruggles by Stephen P. Slottow Hillsdale, NY Pendragon Press 2009 VIII, 221 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Dimension & diversity 8 Includes bibliographical references (p. ) and index The American composer Carl Ruggles (1876-1971) wrote a small number of powerful, finely crafted, intensely dissonant, and utterly individual works. Although sometimes viewed as very much an isolated figure a stubbornly reclusive ruggedly individualist New Englander, painstakingly creating his uncompromisingly dissonant music in the wilds of Vermont Ruggles was in fact an integral member of a close-knit group of composers known as the ultramoderns, which included (among others) Charles Seeger, Ruth Crawford Seeger, Henry Cowell, Edgard Varese, Dane Rudhyar, and Charles Ives (mainly in the role of financier). The ultramoderns were interested in creating a distinctive dissonant American music free of the cultural hegemony of European musical authority and convention. As part of this group, Ruggles formed especially strong ties with Charles Ives each considered the other the world s second-best composer and with Charles Seeger, whose theory of dissonant counterpoint exerted a strong influence on Ruggles s evolving compositional style. Ruggles's music is highly distinctive and personal his works are not easily mistaken for those of any other composer. An individuality so audibly recognizable points to distinctive musical characteristics and compositional procedures. This study examines these in detail, discusses their influences (especially that of Charles Seeger), and places them in the context of Ruggles s spiritual aesthetic of the transcendent and the sublime. Ruggles, Carl 1876-1971 Criticism and interpretation Ruggles, Carl 1876-1971 (DE-588)119051818 gnd rswk-swf Ruggles, Carl 1876-1971 (DE-588)119051818 p DE-604 Dimension & diversity 8 (DE-604)BV011723923 8 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016443637&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Slottow, Stephen ca. 20./21. Jh A vast simplicity the music of Carl Ruggles Dimension & diversity Ruggles, Carl 1876-1971 Criticism and interpretation Ruggles, Carl 1876-1971 (DE-588)119051818 gnd |
| subject_GND | (DE-588)119051818 |
| title | A vast simplicity the music of Carl Ruggles |
| title_auth | A vast simplicity the music of Carl Ruggles |
| title_exact_search | A vast simplicity the music of Carl Ruggles |
| title_exact_search_txtP | A vast simplicity the music of Carl Ruggles |
| title_full | A vast simplicity the music of Carl Ruggles by Stephen P. Slottow |
| title_fullStr | A vast simplicity the music of Carl Ruggles by Stephen P. Slottow |
| title_full_unstemmed | A vast simplicity the music of Carl Ruggles by Stephen P. Slottow |
| title_short | A vast simplicity |
| title_sort | a vast simplicity the music of carl ruggles |
| title_sub | the music of Carl Ruggles |
| topic | Ruggles, Carl 1876-1971 Criticism and interpretation Ruggles, Carl 1876-1971 (DE-588)119051818 gnd |
| topic_facet | Ruggles, Carl 1876-1971 Criticism and interpretation Ruggles, Carl 1876-1971 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016443637&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011723923 |
| work_keys_str_mv | AT slottowstephen avastsimplicitythemusicofcarlruggles |