Mastering digital audio production: the professional music workflow with Mac OS X
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Indianapolis, Ind.
Wiley
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXXI, 591 S. Ill. 1 DVD (12 cm) |
| ISBN: | 9780470102596 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804137557369290752 |
|---|---|
| adam_text | MASTERING DIGITAL AUDIO PRODUCTION THE PROFESSIONAL MUSIC WORKFLOW WITH
MAC OS X CLIFFTRUESDELL ; 1 8 O 7 L »WILEY I WILEY PUBLISHING, INC.
CONTENTS INTRODUCTION XXV CHAPTER L * OPTIMIZING YOUR SYSTEM L THE RIGHT
MEMORY 1 HOW MUCH RAM? 1 ADDING MORE RAM 2 SETTING SYSTEM PREFERENCES 2
DASHBOARD & EXPOSE 3 DESKTOP & SCREEN SAVER 4 THE DOCK 5 SECURITY 5
SPOTLIGHT 6 ENERGY SAVER 6 KEYBOARD & MOUSE 6 SOUND 8 SOFTWARE UPDATE 8
TIPS, TRICKS, AND SOFTWARE 9 LEAVE ROOM 9 DISABLING DASHBOARD 10
ACTIVITY MONITOR 10 UNIVERSAL BINARY 11 YOUR HARD DRIVES 12 RESEARCHING
THE BEST HARD DRIVE 12 FORMATTING HARD DRIVES 13 PARTITIONING 13 RUNNING
OS X ON AN EXTERNAL DRIVE 16 OS X MAINTENANCE 16 MAINTENANCE SCRIPTS 17
REPAIRING PERMISSIONS 18 SURF SMART 19 HARDWARE MAINTENANCE 19 SMOKE AND
DUST 19 UPDATING HARDWARE DRIVERS 20 THE BOTTOM LINE 20 CHAPTER 2 *
REASON 21 OVERVIEW OF THE REASON PROGRAM 21 INTRODUCING REASON S
INSTRUMENTS 21 INTRODUCING REASON S EFFECTS 22 WHAT REASON DOESN T DO 22
TECH SUPPORT AND RESOURCES 22 THE MASTERING SESSION FILES 23
INSTALLATION AND AUDIO SETUP 23 BASIC MIDI SETUP 23 AUDIO OUTPUT 26 A
FIRST LOOK AT REASON 26 TRANSPORT AND SEQUENCER 26 INSTRUMENTS AND
EFFECTS 27 REASON INTERFACE BASICS 28 THE REASON INSTRUMENTS 30 CREATING
A NEW SESSION 30 THE REASON MIXER 14:2 30 DR. REX LOOP PLAYER 31 NN-XT
AND NN19 SAMPLERS 34 THE SUBTRACTOR ANALOG SYNTHESIZER 38 THE MALSTROEM
GRAINTABLE SYNTHESIZER 39 REDRUM 42 EFFECTS 44 RETURN TO SENDER 45
RV7000 ADVANCED REVERB 45 SCREAM 4 DISTORTION 46 DDL-1 DIGITAL DELAY
LINE 47 ECF-42 ENVELOPE CONTROLLED FILTER 47 PH-90 PHASER 48 THE
COMBINATOR 49 CREATE YOUR OWN COMBINATOR PATCHES 50 THE MATRIX PATTERN
SEQUENCER 50 BASIC OPERATION 51 MULTIPLE PATTERNS 52 THE REASON
SEQUENCER 52 EDIT MODE 52 THE TRANSPORT BAR 55 ARRANGE MODE 55 RECORDING
AND GROUPING A PERFORMANCE 56 TUTORIALS 57 AUTOMATING THE MATRIX PATTERN
SEQUENCER 57 REAL-TIME AUTOMATION 58 CREATING A TEMPLATE SESSION 61
REWIRE 63 REASON AND OS X 64 MORE POWER? 64 ORGANIZING REFILLS 64
MAXIMIZING PROCESSOR RESOURCES 64 THE BOTTOM LINE 68 CHAPTER 3 * ABLETON
LIVE 69 LIVE BASICS 69 LIVE S MAJOR FEATURES 69 THE MASTERING DEMO FILES
70 SETTING UP A LIVE TEMPLATE 70 CONTENTS XV SESSION AND ARRANGE VIEW 70
THE LIVE INTERFACE 72 INCLUDED INSTRUMENTS 79 USING IMPULSE 80 USING
SIMPLER 83 USING SAMPLER 84 INCLUDED EFFECTS 87 MIDI EFFECTS 87 AUDIO
EFFECTS 88 EXPANDING LIVE 88 LIVE CLIPS 89 AUDIO CLIPS 89 MIDI CLIPS 90
LIVE TUTORIALS 90 WORKING WITH AUDIO LOOPS 90 ENVELOPES 92 AUDIO
RECORDING 93 MIDI RECORDING 96 ABLETON LIVE WITH REASON AND REWIRE 97
STEREO ROUTING 98 COMPLEX ROUTING 99 LIVE AND OS X 102 KEEP UP TO DATE
102 FREEZING TRACKS 102 CPU METER 102 LOCATIONS 103 THE BOTTOM LINE 105
CHAPTER 4 * PRO TOOLS 107 PRO TOOLS BASICS 107 TECH SUPPORT 108 USER
FORUM 108 SETTING UP PRO TOOLS 109 CREATING YOUR FIRST SESSION 109 THE
PRO TOOLS EDIT WINDOW 110 CREATING TRACKS 111 THE COUNTER WINDOW 117 THE
TRANSPORT BAR 117 CHANGING EDIT WINDOW VIEWS 118 SAVING SESSIONS 119
CREATING AN AUDIO ONLY SESSION 119 ADDING AN INSERT 123 PLUG-IN EFFECTS
129 AUDIOSUITE, REAL TIME AUDIOSUITE, AND TDM 129 DIGIRACK PLUG-INS 130
DYNAMICS III 132 REVERB PLUG-INS 134 EQ PLUG-INS 134 BOMB FACTORY
PLUG-INS 135 PLUG-IN AUTOMATION 135 SENDS AND BUSSES 137 INCLUDED
SOFTWARE 139 ABLETON LIVE LITE 5 DIGIDESIGN EDITION 140 REASON ADAPTED 3
141 IK MULTIMEDIA SAMPLETANK 2 SE 142 IK MULTIMEDIA AMPLITUBE LE 144
XPAND! 145 CREATING TEMPLATES 146 PRO TOOLS AND REASON 148 A BASIC
SESSION 148 CONTROLLING MULTIPLE INSTRUMENTS 150 ROUTING MULTIPLE
OUTPUTS 150 PRO TOOLS AND ABLETON LIVE 152 A BASIC SESSION 153 MULTIPLE
OUTPUT SESSION 154 LIVE, PLUG-INS, AND REWIRE 155 USING THE WORKSPACE
155 PRO TOOLS AND OS X 156 BUFFER SETTINGS 156 KEEPING AN EYE ON THE
DISK USAGE 157 ROUND ROBIN ALLOCATION 159 THE BOTTOM LINE 160 CHAPTER 5
* LOGIC 163 LOGIC BASICS: LOGIC PRO AND LOGIC EXPRESS 163 SETTING UP
LOGIC 164 THE ARRANGE WINDOW 165 CREATING AN AUTOLOAD SONG 167 CREATING
A NEW SESSION 168 THE MIXER WINDOW 169 THE TRANSPORT BAR 172 KEY
COMMANDS 172 RECORDING INTO LOGIC 173 CREATING A MIDI PERFORMANCE 174
THE LOOP BROWSER 177 CYCLE REGIONS 178 BASIC EDITING 179 LOGIC
INSTRUMENTS 183 THE KEYBOARDS 184 LOGIC S SYNTHS 186 INCLUDED EFFECTS
194 DELAYS 194 DISTORTION 195 DYNAMICS 196 EQ 197 MODULATION EFFECTS 198
REVERB 199 CONTENTS XV11 SPECIAL 200 AUTOMATING EFFECTS 200 ADDING
EFFECTS ON BUS TRACKS 201 A REWIRE SESSION WITH LOGIC AND REASON 202
COMPLEX ROUTING 203 CONTROLLING REASON INSTRUMENTS IN LOGIC 204 ADDING
MORE REASON INSTRUMENTS TO A LOGIC SESSION 206 A REWIRE SESSION WITH
LOGIC AND LIVE 207 BASIC STEREO ROUTING 207 COMPLEX ROUTING 207 LOGIC
AND OS X 208 AUTOMATIC UPDATING 208 FREEZE TRACKS 208 THE BOTTOM LINE
209 CHAPTER 6 * GARAGEBAND 211 GARAGEBAND BASICS 211 INSTALLING
GARAGEBAND 212 YOUR FIRST SESSION 212 SETTING PREFERENCES 212 THE
GARAGEBAND INTERFACE 214 WORKING WITH LOOPS 217 CUSTOMIZING THE LOOP
BROWSER 217 INCLUDED INSTRUMENTS 219 RECORDING WITH SOFTWARE INSTRUMENTS
219 RECORDING WITH REAL INSTRUMENTS 225 INCLUDED EFFECTS 226 ADDING
EFFECTS TO A TRACK 226 USING EFFECT PRESETS 228 CREATING YOUR OWN EFFECT
PRESETS 228 GARAGEBAND TUTORIALS 229 USING THE TRACK EDITOR 229 MUSICAL
TYPING 231 PITCH SHIFTING 233 EXPORTING TO ITUNES 234 PODCASTING WITH
GARAGEBAND 234 GARAGEBAND AND REWIRE 238 A GARAGEBAND/REASON SESSION 238
ABLETON LIVE AND GARAGEBAND 239 GARAGEBAND TO LOGIC 241 GARAGEBAND AND
OS X 241 INSTALLING GARAGEBAND ON AN EXTERNAL HARD DISK 241 MAXIMIZING
PROCESSOR POWER 242 THE BOTTOM LINE 243 CHAPTER 7 * MORE USEFUL SOFTWARE
245 GET READY 245 DEFAULT PLAYBACK DEVICES 245 XV111 J CONTENTS
AUDIOFINDER 247 SETTING UP AUDIOFINDER 247 SCANNING 248 BROWSING 250
BOOKMARKS 250 PLAYING FILES 251 COPYING FILES TO A NEW LOCATION 251
CONVERTING FILES 252 ADDING EFFECTS 253 EDITING FILES 253 PLUG-IN
MANAGER 255 AND THE BEAT GOES ON 255 AUDIO HIJACK/AUDIO HIJACK PRO 256
LOOPING AND SAMPLING WITH AUDIO HIJACK 256 AUDIO HIJACK PRO 257 AUDACITY
260 BASIC MULTITRACK RECORDING 261 MIXING 261 EDITING 262 SAVING AND
EXPORTING 262 USING EFFECTS 263 RESOURCES 264 WAVE EDITOR 264 WAVE
EDITOR BASICS 265 EDITING A SOUND FILE 265 THE PROCESSOR WINDOW 266
RECORDING 268 KEYBOARD SHORTCUTS 268 BIAS PEAK 269 BIAS PEAK BASICS 270
EDITING WITH PEAK 271 RECORDING INTO BIAS PEAK 272 MELODYNE CRE8 273
SETTING UP MELODYNE 273 WORKING WITH AUDIO FILES 274 THE MELODYNE MIXER
276 RAX 277 SETTING UP RAX 278 PLAYING RAX 278 ADDING EFFECTS 279
RECORDING RAX 281 VSTI HOST 281 SETTING UP 281 PLAYING AN INSTRUMENT IN
VSTI HOST 282 ADDING EFFECTS: SUPAPHASER 283 RECORDING 284 VSTI HOST AND
PRO TOOLS 284 CONTENTS XIX RECYCLE 285 WORKING WITH RECYCLE 285 ADVANCED
EDITING 286 EXPORTING 288 SAMPLE MANAGER 288 NORMALIZING 289 CONVERTING
A FILE 290 ADDING EFFECTS 291 BATCH CONVERTING 291 THE BOTTOM LINE 296
CHAPTER 8 * PLUG-IN EFFECTS 297 PLUG-IN FORMATS 297 AUDIO UNITS (AU) 297
VST 298 RTAS (REAL TIME AUDIOSUITE) 298 OTHER FORMATS 299 DONGLES AND
KEYS 299 USING PLUG-INS IN YOUR DAW 300 FINDING FREE PLUG-INS 305 TYPES
OF EFFECTS 306 DELAYS 306 COMPRESSORS AND LIMITERS 310 DISTORTION/GAIN
315 MODULATION EFFECTS 317 REVERBS 320 EQS 323 FILTERS 326 MULTI-EFFECTS
PLUG-INS 331 PLUG-IN BUNDLES 333 NOMAD FACTORY 333 WAVES 335 CYCLING 74
337 MDA 340 MORE BUNDLES 341 THE BOTTOM LINE 341 CHAPTER 9 * VIRTUAL
INSTRUMENTS 343 PLUG-IN FORMATS 343 USING VIRTUAL INSTRUMENTS 344 IN
LIVE 344 IN PRO TOOLS 345 IN LOGIC 347 IN GARAGEBAND 347 VIRTUAL
SAMPLERS 348 LIMITATIONS 348 WHICH SAMPLER IS THE BEST? 349 SAMPLER
FORMATS AND FILE FORMATS 349 XX CONTENTS BASIC SAMPLER PARAMETERS 350
SAMPLETANK 2 351 KONTAKT 354 OTHER VIRTUAL SAMPLERS 360 VIRTUAL
SYNTHESIZERS 360 USING VIRTUAL SYNTHS 360 DIGITAL SYNTHESIZERS 364
VINTAGE VIRTUAL SYNTHS 373 MORE VIRTUAL SYNTHESIZERS FOR OS X 378
VIRTUAL KEYBOARDS 379 VIRTUAL PIANOS 379 VIRTUAL ORGANS 381 ELECTRIC
PIANOS 383 VIRTUAL DRUMS 384 USING A VIRTUAL DRUM MACHINE IN YOUR DAW
385 IDRUM 385 BATTERY 389 VIRTUAL DRUMMERS 393 VIRTUAL AMPLIFIERS 397
HOW VIRTUAL AMPS WORK 397 SETTING UP A VIRTUAL AMPLIFIER IN YOUR DAW 398
VIRTUAL AMP OPTIONS 400 LINE 6 406 MORE VIRTUAL AMPS 407 VIRTUAL
INSTRUMENT BUNDLES 407 REAKTOR 407 KOMPLETE 407 PLUGGO AND HIPNO 408
STEINBERG STUDIO CASE II 408 THE BOTTOM LINE 408 CHAPTER 10 * APPLE
LOOPS 411 WHAT APPLE LOOPS ARE 411 OTHER LOOP FORMATS 412 REX LOOPS 412
ACID LOOPS 413 BUYING LOOPS 413 READ THE LICENSE 414 FREE LOOPS 414
APPLE LOOPS UTILITY 414 INSIDE VIEW OF AN APPLE LOOP 416 CONVERTING AN
AIFF FILE TO AN APPLE LOOP 417 ADJUSTING TRANSIENTS 417 SETTING
PREFERENCES 418 CONVERTING WAV FILES TO APPLE LOOPS 419 BATCH CONVERSION
419 CHANGING TEMPOS 420 WHERE TO GO FROM HERE 421 CONTENTS I XXI USING
AND CREATING LOOPS WITH REASON 421 CONVERTING LOOPS IN THE REDRUM 421
PLAYING LOOPS IN THE NN-XT 422 CREATING LOOPS IN REASON 425 USING AND
CREATING LOOPS IN LIVE 430 WARP MODES 431 LOOP EDITING 431 EXPORTING AS
AIFF OR WAV 432 CREATING LOOPS WITH LIVE S MIDI INSTRUMENTS 433 USING
AND CREATING LOOPS WITH PRO TOOLS 435 SETTING UP 435 THE TIME
COMPRESSION/EXPANSION TOOL 436 DRAG AND DROP REX LOOPS 437 ACID LOOPS IN
PRO TOOLS 438 APPLE LOOPS AND PRO TOOLS 438 USING IMPORT AUDIO TO ADD
LOOPS TO A SESSION 439 USING THE WORKSPACE 440 CREATING LOOPS IN PRO
TOOLS 440 TAKE IT FURTHER 444 USING AND CREATING LOOPS WITH LOGIC 444
USING LOOPS IN LOGIC 444 CREATING APPLE LOOPS IN LOGIC 445 CREATING REAL
INSTRUMENT LOOPS 446 CLICK AND EXPORT 447 IMPORTING WAV AND AIFF FILES
448 NORMALIZING A LOOP IN THE SAMPLE EDITOR 448 CROSS-FADING IN THE
SAMPLE EDITOR 448 TAKE IT FURTHER 449 USING AND CREATING LOOPS WITH
GARAGEBAND 449 EDITING SOFTWARE LOOPS 449 PITCH SHIFTING 450 ADDING
INDIVIDUAL LOOPS TO THE LOOP BROWSER 450 ADDING LOOP LIBRARIES TO THE
LOOP BROWSER 450 EDITING REAL INSTRUMENT LOOPS 451 CREATING LOOPS IN
GARAGEBAND 452 CREATING A REAL INSTRUMENT APPLE LOOP 453 EXPORTING LOOPS
TO ITUNES 453 THE BOTTOM LINE 455 CHAPTER N * MIDI 457 GETTING STARTED
457 MIDI BASICS 458 USING MIDI 461 MIDI KEYBOARDS AND INTERFACES 461
CHOOSING A MIDI KEYBOARD 461 OTHER TYPES OF CONTROLLERS 462 PLAYING AND
CREATING MIDI FILES 465 MIDI AND REASON 469 SETTING UP A CONTROL SURFACE
OR KEYBOARD 469 AUTOMATIC MIDI MAPPING 470 MANUALLY WORKING WITH MIDI
472 QUANTIZING IN REASON 474 MIDI AND ABLETON LIVE 474 MIDI MAPPING IN
LIVE 474 MIDI VELOCITY AND CLIPS 478 QUANTIZING IN LIVE 479 MIDI AND PRO
TOOLS 479 CREATING A MIDI PERFORMANCE 479 HUMANIZING YOUR PERFORMANCE
481 MIDI EDITING IN PRO TOOLS 483 MIDI AND LOGIC 484 THE MATRIX EDIT
WINDOW 484 THE EVENT LIST 485 THE HYPER EDIT WINDOW 485 MIDI AND
GARAGEBAND 488 VELOCITY 489 QUANTIZING IN GARAGEBAND 489 THE BOTTOM LINE
492 CHAPTER 12 * THE LAPTOP STUDIO 495 GETTING STARTED 495 PORTABLE OR
STATIONARY? 496 THE RIGHT LAPTOP 496 THE RIGHT SOFTWARE FOR YOUR LAPTOP
STUDIO 497 AUDIO AND MIDI INTERFACES 498 TIPS FOR BUYING THE BEST
INTERFACE 499 TO MIDI OR NOT TO MIDI 499 OTHER PERIPHERALS 500
HEADPHONES 500 HEADPHONE SPLITTERS 501 CABLES 501 SPEAKERS 502 STORAGE
AND BACKUP 502 POWER ADAPTERS 502 MICROPHONES 503 MIXERS 504 LAPTOP
RECORDING 504 CREATING ISOLATION 504 USING THE BLEED 504 RECORDING DRUMS
505 RECORDING VOCALS 505 RECORDING ELECTRIC GUITARS 506 RECORDING
ACOUSTIC GUITARS 506 RECORDING BASS 507 USING OVERDUBS 507 CONTENTS
XXIII HEADPHONE MIXES 508 CREATIVE EDITING 508 IN-THE-BOX COMPOSITION
510 MIDI PROGRAMMING 510 WORK WITH LOOPS 510 LACK OF REAL INSTRUMENTS
510 THE BOTTOM LINE 513 CHAPTER 13 * POST PRODUCTION 515 FILE FORMATS
515 MASTERING 516 MASTERING YOURSELF 517 USING T-RACKS 518 MASTERING
PLUG-INS 522 DITHERING 522 EXPORTING SESSIONS FROM YOUR DAW 523 NO
PEAKING 524 EXPORTING IN REASON 524 EXPORTING IN LIVE 525 EXPORTING IN
PRO TOOLS 526 EXPORTING IN LOGIC 526 EXPORTING IN GARAGEBAND 528 CD
AUTHORING 528 RED BOOK STANDARD 528 CREATING A RED BOOK-COMPLIANT CD
WITH XO WAVE 529 TOAST WITH JAM 532 OTHER RED BOOK-COMPLIANT CD
AUTHORING SOFTWARE FOR OS X 533 USING ITUNES TO CREATE MP3 AND AAC FILES
533 CONVERTING FILES IN ITUNES 534 ADDING METADATA 535 GRACENOTE 535
DIGITAL DISTRIBUTION 537 MOSTLY FREE, DO-IT-YOURSELF SERVICES 537 ITUNES
537 CD BABY 538 IODA 538 OTHER SITES 538 THE BOTTOM LINE 540 APPENDIX A
* THE BOTTOM LINE 541 CHAPTER 1: OPTIMIZING YOUR SYSTEM 541 CHAPTER 2:
REASON 543 CHAPTER 3: ABLETON LIVE 545 CHAPTER 4: PRO TOOLS 548 CHAPTER
5: LOGIC 550 CHAPTER 6: GARAGEBAND 552 CHAPTER 7: MORE USEFUL SOFTWARE
555 CHAPTER 8: PLUG-IN EFFECTS 558 XXIV CONTENTS CHAPTER 9: VIRTUAL
INSTRUMENTS 560 CHAPTER 10: APPLE LOOPS 562 CHAPTER 11: MIDI 566 CHAPTER
12: THE LAPTOP STUDIO 569 CHAPTER 13: POST PRODUCTION 570 INDEX 575
|
| adam_txt |
MASTERING DIGITAL AUDIO PRODUCTION THE PROFESSIONAL MUSIC WORKFLOW WITH
MAC OS X CLIFFTRUESDELL ; 1 8 O 7 L \ »WILEY I WILEY PUBLISHING, INC.
CONTENTS INTRODUCTION XXV CHAPTER L * OPTIMIZING YOUR SYSTEM L THE RIGHT
MEMORY 1 HOW MUCH RAM? 1 ADDING MORE RAM 2 SETTING SYSTEM PREFERENCES 2
DASHBOARD & EXPOSE 3 DESKTOP & SCREEN SAVER 4 THE DOCK 5 SECURITY 5
SPOTLIGHT 6 ENERGY SAVER 6 KEYBOARD & MOUSE 6 SOUND 8 SOFTWARE UPDATE 8
TIPS, TRICKS, AND SOFTWARE 9 LEAVE ROOM 9 DISABLING DASHBOARD 10
ACTIVITY MONITOR 10 UNIVERSAL BINARY 11 YOUR HARD DRIVES 12 RESEARCHING
THE BEST HARD DRIVE 12 FORMATTING HARD DRIVES 13 PARTITIONING 13 RUNNING
OS X ON AN EXTERNAL DRIVE 16 OS X MAINTENANCE 16 MAINTENANCE SCRIPTS 17
REPAIRING PERMISSIONS 18 SURF SMART 19 HARDWARE MAINTENANCE 19 SMOKE AND
DUST 19 UPDATING HARDWARE DRIVERS 20 THE BOTTOM LINE 20 CHAPTER 2 *
REASON 21 OVERVIEW OF THE REASON PROGRAM 21 INTRODUCING REASON'S
INSTRUMENTS 21 INTRODUCING REASON'S EFFECTS 22 WHAT REASON DOESN'T DO 22
TECH SUPPORT AND RESOURCES 22 THE MASTERING SESSION FILES 23
INSTALLATION AND AUDIO SETUP 23 BASIC MIDI SETUP 23 AUDIO OUTPUT 26 A
FIRST LOOK AT REASON 26 TRANSPORT AND SEQUENCER 26 INSTRUMENTS AND
EFFECTS 27 REASON INTERFACE BASICS 28 THE REASON INSTRUMENTS 30 CREATING
A NEW SESSION 30 THE REASON MIXER 14:2 30 DR. REX LOOP PLAYER 31 NN-XT
AND NN19 SAMPLERS 34 THE SUBTRACTOR ANALOG SYNTHESIZER 38 THE MALSTROEM
GRAINTABLE SYNTHESIZER 39 REDRUM 42 EFFECTS 44 RETURN TO SENDER 45
RV7000 ADVANCED REVERB 45 SCREAM 4 DISTORTION 46 DDL-1 DIGITAL DELAY
LINE 47 ECF-42 ENVELOPE CONTROLLED FILTER 47 PH-90 PHASER 48 THE
COMBINATOR 49 CREATE YOUR OWN COMBINATOR PATCHES 50 THE MATRIX PATTERN
SEQUENCER 50 BASIC OPERATION 51 MULTIPLE PATTERNS 52 THE REASON
SEQUENCER 52 EDIT MODE 52 THE TRANSPORT BAR 55 ARRANGE MODE 55 RECORDING
AND GROUPING A PERFORMANCE 56 TUTORIALS 57 AUTOMATING THE MATRIX PATTERN
SEQUENCER 57 REAL-TIME AUTOMATION 58 CREATING A TEMPLATE SESSION 61
REWIRE 63 REASON AND OS X 64 MORE POWER? 64 ORGANIZING REFILLS 64
MAXIMIZING PROCESSOR RESOURCES 64 THE BOTTOM LINE 68 CHAPTER 3 * ABLETON
LIVE 69 LIVE BASICS 69 LIVE'S MAJOR FEATURES 69 THE MASTERING DEMO FILES
70 SETTING UP A LIVE TEMPLATE 70 CONTENTS XV SESSION AND ARRANGE VIEW 70
THE LIVE INTERFACE 72 INCLUDED INSTRUMENTS 79 USING IMPULSE 80 USING
SIMPLER 83 USING SAMPLER 84 INCLUDED EFFECTS 87 MIDI EFFECTS 87 AUDIO
EFFECTS 88 EXPANDING LIVE 88 LIVE CLIPS 89 AUDIO CLIPS 89 MIDI CLIPS 90
LIVE TUTORIALS 90 WORKING WITH AUDIO LOOPS 90 ENVELOPES 92 AUDIO
RECORDING 93 MIDI RECORDING 96 ABLETON LIVE WITH REASON AND REWIRE 97
STEREO ROUTING 98 COMPLEX ROUTING 99 LIVE AND OS X 102 KEEP UP TO DATE
102 FREEZING TRACKS 102 CPU METER 102 LOCATIONS 103 THE BOTTOM LINE 105
CHAPTER 4 * PRO TOOLS 107 PRO TOOLS BASICS 107 TECH SUPPORT 108 USER
FORUM 108 SETTING UP PRO TOOLS 109 CREATING YOUR FIRST SESSION 109 THE
PRO TOOLS EDIT WINDOW 110 CREATING TRACKS 111 THE COUNTER WINDOW 117 THE
TRANSPORT BAR 117 CHANGING EDIT WINDOW VIEWS 118 SAVING SESSIONS 119
CREATING AN AUDIO ONLY SESSION 119 ADDING AN INSERT 123 PLUG-IN EFFECTS
129 AUDIOSUITE, REAL TIME AUDIOSUITE, AND TDM 129 DIGIRACK PLUG-INS 130
DYNAMICS III 132 REVERB PLUG-INS 134 EQ PLUG-INS 134 BOMB FACTORY
PLUG-INS 135 PLUG-IN AUTOMATION 135 SENDS AND BUSSES 137 INCLUDED
SOFTWARE 139 ABLETON LIVE LITE 5 DIGIDESIGN EDITION 140 REASON ADAPTED 3
141 IK MULTIMEDIA SAMPLETANK 2 SE 142 IK MULTIMEDIA AMPLITUBE LE 144
XPAND! 145 CREATING TEMPLATES 146 PRO TOOLS AND REASON 148 A BASIC
SESSION 148 CONTROLLING MULTIPLE INSTRUMENTS 150 ROUTING MULTIPLE
OUTPUTS 150 PRO TOOLS AND ABLETON LIVE 152 A BASIC SESSION 153 MULTIPLE
OUTPUT SESSION 154 LIVE, PLUG-INS, AND REWIRE 155 USING THE WORKSPACE
155 PRO TOOLS AND OS X 156 BUFFER SETTINGS 156 KEEPING AN EYE ON THE
DISK USAGE 157 ROUND ROBIN ALLOCATION 159 THE BOTTOM LINE 160 CHAPTER 5
* LOGIC 163 LOGIC BASICS: LOGIC PRO AND LOGIC EXPRESS 163 SETTING UP
LOGIC 164 THE ARRANGE WINDOW 165 CREATING AN AUTOLOAD SONG 167 CREATING
A NEW SESSION 168 THE MIXER WINDOW 169 THE TRANSPORT BAR 172 KEY
COMMANDS 172 RECORDING INTO LOGIC 173 CREATING A MIDI PERFORMANCE 174
THE LOOP BROWSER 177 CYCLE REGIONS 178 BASIC EDITING 179 LOGIC
INSTRUMENTS 183 THE KEYBOARDS 184 LOGIC'S SYNTHS 186 INCLUDED EFFECTS
194 DELAYS 194 DISTORTION 195 DYNAMICS 196 EQ 197 MODULATION EFFECTS 198
REVERB 199 CONTENTS XV11 SPECIAL 200 AUTOMATING EFFECTS 200 ADDING
EFFECTS ON BUS TRACKS 201 A REWIRE SESSION WITH LOGIC AND REASON 202
COMPLEX ROUTING 203 CONTROLLING REASON INSTRUMENTS IN LOGIC 204 ADDING
MORE REASON INSTRUMENTS TO A LOGIC SESSION 206 A REWIRE SESSION WITH
LOGIC AND LIVE 207 BASIC STEREO ROUTING 207 COMPLEX ROUTING 207 LOGIC
AND OS X 208 AUTOMATIC UPDATING 208 FREEZE TRACKS 208 THE BOTTOM LINE
209 CHAPTER 6 * GARAGEBAND 211 GARAGEBAND BASICS 211 INSTALLING
GARAGEBAND 212 YOUR FIRST SESSION 212 SETTING PREFERENCES 212 THE
GARAGEBAND INTERFACE 214 WORKING WITH LOOPS 217 CUSTOMIZING THE LOOP
BROWSER 217 INCLUDED INSTRUMENTS 219 RECORDING WITH SOFTWARE INSTRUMENTS
219 RECORDING WITH REAL INSTRUMENTS 225 INCLUDED EFFECTS 226 ADDING
EFFECTS TO A TRACK 226 USING EFFECT PRESETS 228 CREATING YOUR OWN EFFECT
PRESETS 228 GARAGEBAND TUTORIALS 229 USING THE TRACK EDITOR 229 MUSICAL
TYPING 231 PITCH SHIFTING 233 EXPORTING TO ITUNES 234 PODCASTING WITH
GARAGEBAND 234 GARAGEBAND AND REWIRE 238 A GARAGEBAND/REASON SESSION 238
ABLETON LIVE AND GARAGEBAND 239 GARAGEBAND TO LOGIC 241 GARAGEBAND AND
OS X 241 INSTALLING GARAGEBAND ON AN EXTERNAL HARD DISK 241 MAXIMIZING
PROCESSOR POWER 242 THE BOTTOM LINE 243 CHAPTER 7 * MORE USEFUL SOFTWARE
245 GET READY 245 DEFAULT PLAYBACK DEVICES 245 XV111 J CONTENTS
AUDIOFINDER 247 SETTING UP AUDIOFINDER 247 SCANNING 248 BROWSING 250
BOOKMARKS 250 PLAYING FILES 251 COPYING FILES TO A NEW LOCATION 251
CONVERTING FILES 252 ADDING EFFECTS 253 EDITING FILES 253 PLUG-IN
MANAGER 255 AND THE BEAT GOES ON 255 AUDIO HIJACK/AUDIO HIJACK PRO 256
LOOPING AND SAMPLING WITH AUDIO HIJACK 256 AUDIO HIJACK PRO 257 AUDACITY
260 BASIC MULTITRACK RECORDING 261 MIXING 261 EDITING 262 SAVING AND
EXPORTING 262 USING EFFECTS 263 RESOURCES 264 WAVE EDITOR 264 WAVE
EDITOR BASICS 265 EDITING A SOUND FILE 265 THE PROCESSOR WINDOW 266
RECORDING 268 KEYBOARD SHORTCUTS 268 BIAS PEAK 269 BIAS PEAK BASICS 270
EDITING WITH PEAK 271 RECORDING INTO BIAS PEAK 272 MELODYNE CRE8 273
SETTING UP MELODYNE 273 WORKING WITH AUDIO FILES 274 THE MELODYNE MIXER
276 RAX 277 SETTING UP RAX 278 PLAYING RAX 278 ADDING EFFECTS 279
RECORDING RAX 281 VSTI HOST 281 SETTING UP 281 PLAYING AN INSTRUMENT IN
VSTI HOST 282 ADDING EFFECTS: SUPAPHASER 283 RECORDING 284 VSTI HOST AND
PRO TOOLS 284 CONTENTS XIX RECYCLE 285 WORKING WITH RECYCLE 285 ADVANCED
EDITING 286 EXPORTING 288 SAMPLE MANAGER 288 NORMALIZING 289 CONVERTING
A FILE 290 ADDING EFFECTS 291 BATCH CONVERTING 291 THE BOTTOM LINE 296
CHAPTER 8 * PLUG-IN EFFECTS 297 PLUG-IN FORMATS 297 AUDIO UNITS (AU) 297
VST 298 RTAS (REAL TIME AUDIOSUITE) 298 OTHER FORMATS 299 DONGLES AND
KEYS 299 USING PLUG-INS IN YOUR DAW 300 FINDING FREE PLUG-INS 305 TYPES
OF EFFECTS 306 DELAYS 306 COMPRESSORS AND LIMITERS 310 DISTORTION/GAIN
315 MODULATION EFFECTS 317 REVERBS 320 EQS 323 FILTERS 326 MULTI-EFFECTS
PLUG-INS 331 PLUG-IN BUNDLES 333 NOMAD FACTORY 333 WAVES 335 CYCLING '74
337 MDA 340 MORE BUNDLES 341 THE BOTTOM LINE 341 CHAPTER 9 * VIRTUAL
INSTRUMENTS 343 PLUG-IN FORMATS 343 USING VIRTUAL INSTRUMENTS 344 IN
LIVE 344 IN PRO TOOLS 345 IN LOGIC 347 IN GARAGEBAND 347 VIRTUAL
SAMPLERS 348 LIMITATIONS 348 WHICH SAMPLER IS THE BEST? 349 SAMPLER
FORMATS AND FILE FORMATS 349 XX CONTENTS BASIC SAMPLER PARAMETERS 350
SAMPLETANK 2 351 KONTAKT 354 OTHER VIRTUAL SAMPLERS 360 VIRTUAL
SYNTHESIZERS 360 USING VIRTUAL SYNTHS 360 DIGITAL SYNTHESIZERS 364
"VINTAGE" VIRTUAL SYNTHS 373 MORE VIRTUAL SYNTHESIZERS FOR OS X 378
VIRTUAL KEYBOARDS 379 VIRTUAL PIANOS 379 VIRTUAL ORGANS 381 ELECTRIC
PIANOS 383 VIRTUAL DRUMS 384 USING A VIRTUAL DRUM MACHINE IN YOUR DAW
385 IDRUM 385 BATTERY 389 VIRTUAL DRUMMERS 393 VIRTUAL AMPLIFIERS 397
HOW VIRTUAL AMPS WORK 397 SETTING UP A VIRTUAL AMPLIFIER IN YOUR DAW 398
VIRTUAL AMP OPTIONS 400 LINE 6 406 MORE VIRTUAL AMPS 407 VIRTUAL
INSTRUMENT BUNDLES 407 REAKTOR 407 KOMPLETE 407 PLUGGO AND HIPNO 408
STEINBERG STUDIO CASE II 408 THE BOTTOM LINE 408 CHAPTER 10 * APPLE
LOOPS 411 WHAT APPLE LOOPS ARE 411 OTHER LOOP FORMATS 412 REX LOOPS 412
ACID LOOPS 413 BUYING LOOPS 413 READ THE LICENSE 414 FREE LOOPS 414
APPLE LOOPS UTILITY 414 INSIDE VIEW OF AN APPLE LOOP 416 CONVERTING AN
AIFF FILE TO AN APPLE LOOP 417 ADJUSTING TRANSIENTS 417 SETTING
PREFERENCES 418 CONVERTING WAV FILES TO APPLE LOOPS 419 BATCH CONVERSION
419 CHANGING TEMPOS 420 WHERE TO GO FROM HERE 421 CONTENTS I XXI USING
AND CREATING LOOPS WITH REASON 421 CONVERTING LOOPS IN THE REDRUM 421
PLAYING LOOPS IN THE NN-XT 422 CREATING LOOPS IN REASON 425 USING AND
CREATING LOOPS IN LIVE 430 WARP MODES 431 LOOP EDITING 431 EXPORTING AS
AIFF OR WAV 432 CREATING LOOPS WITH LIVE'S MIDI INSTRUMENTS 433 USING
AND CREATING LOOPS WITH PRO TOOLS 435 SETTING UP 435 THE TIME
COMPRESSION/EXPANSION TOOL 436 DRAG AND DROP REX LOOPS 437 ACID LOOPS IN
PRO TOOLS 438 APPLE LOOPS AND PRO TOOLS 438 USING IMPORT AUDIO TO ADD
LOOPS TO A SESSION 439 USING THE WORKSPACE 440 CREATING LOOPS IN PRO
TOOLS 440 TAKE IT FURTHER 444 USING AND CREATING LOOPS WITH LOGIC 444
USING LOOPS IN LOGIC 444 CREATING APPLE LOOPS IN LOGIC 445 CREATING REAL
INSTRUMENT LOOPS 446 CLICK AND EXPORT 447 IMPORTING WAV AND AIFF FILES
448 NORMALIZING A LOOP IN THE SAMPLE EDITOR 448 CROSS-FADING IN THE
SAMPLE EDITOR 448 TAKE IT FURTHER 449 USING AND CREATING LOOPS WITH
GARAGEBAND 449 EDITING SOFTWARE LOOPS 449 PITCH SHIFTING 450 ADDING
INDIVIDUAL LOOPS TO THE LOOP BROWSER 450 ADDING LOOP LIBRARIES TO THE
LOOP BROWSER 450 EDITING REAL INSTRUMENT LOOPS 451 CREATING LOOPS IN
GARAGEBAND 452 CREATING A REAL INSTRUMENT APPLE LOOP 453 EXPORTING LOOPS
TO ITUNES 453 THE BOTTOM LINE 455 CHAPTER N * MIDI 457 GETTING STARTED
457 MIDI BASICS 458 USING MIDI 461 MIDI KEYBOARDS AND INTERFACES 461
CHOOSING A MIDI KEYBOARD 461 OTHER TYPES OF CONTROLLERS 462 PLAYING AND
CREATING MIDI FILES 465 MIDI AND REASON 469 SETTING UP A CONTROL SURFACE
OR KEYBOARD 469 AUTOMATIC MIDI MAPPING 470 MANUALLY WORKING WITH MIDI
472 QUANTIZING IN REASON 474 MIDI AND ABLETON LIVE 474 MIDI MAPPING IN
LIVE 474 MIDI VELOCITY AND CLIPS 478 QUANTIZING IN LIVE 479 MIDI AND PRO
TOOLS 479 CREATING A MIDI PERFORMANCE 479 HUMANIZING YOUR PERFORMANCE
481 MIDI EDITING IN PRO TOOLS 483 MIDI AND LOGIC 484 THE MATRIX EDIT
WINDOW 484 THE EVENT LIST 485 THE HYPER EDIT WINDOW 485 MIDI AND
GARAGEBAND 488 VELOCITY 489 QUANTIZING IN GARAGEBAND 489 THE BOTTOM LINE
492 CHAPTER 12 * THE LAPTOP STUDIO 495 GETTING STARTED 495 PORTABLE OR
STATIONARY? 496 THE RIGHT LAPTOP 496 THE RIGHT SOFTWARE FOR YOUR LAPTOP
STUDIO 497 AUDIO AND MIDI INTERFACES 498 TIPS FOR BUYING THE BEST
INTERFACE 499 TO MIDI OR NOT TO MIDI 499 OTHER PERIPHERALS 500
HEADPHONES 500 HEADPHONE SPLITTERS 501 CABLES 501 SPEAKERS 502 STORAGE
AND BACKUP 502 POWER ADAPTERS 502 MICROPHONES 503 MIXERS 504 LAPTOP
RECORDING 504 CREATING ISOLATION 504 USING THE BLEED 504 RECORDING DRUMS
505 RECORDING VOCALS 505 RECORDING ELECTRIC GUITARS 506 RECORDING
ACOUSTIC GUITARS 506 RECORDING BASS 507 USING OVERDUBS 507 CONTENTS
XXIII HEADPHONE MIXES 508 CREATIVE EDITING 508 IN-THE-BOX COMPOSITION
510 MIDI PROGRAMMING 510 WORK WITH LOOPS 510 LACK OF "REAL" INSTRUMENTS
510 THE BOTTOM LINE 513 CHAPTER 13 * POST PRODUCTION 515 FILE FORMATS
515 MASTERING 516 MASTERING YOURSELF 517 USING T-RACKS 518 MASTERING
PLUG-INS 522 DITHERING 522 EXPORTING SESSIONS FROM YOUR DAW 523 NO
PEAKING 524 EXPORTING IN REASON 524 EXPORTING IN LIVE 525 EXPORTING IN
PRO TOOLS 526 EXPORTING IN LOGIC 526 EXPORTING IN GARAGEBAND 528 CD
AUTHORING 528 RED BOOK STANDARD 528 CREATING A RED BOOK-COMPLIANT CD
WITH XO WAVE 529 TOAST WITH JAM 532 OTHER RED BOOK-COMPLIANT CD
AUTHORING SOFTWARE FOR OS X 533 USING ITUNES TO CREATE MP3 AND AAC FILES
533 CONVERTING FILES IN ITUNES 534 ADDING METADATA 535 GRACENOTE 535
DIGITAL DISTRIBUTION 537 MOSTLY FREE, DO-IT-YOURSELF SERVICES 537 ITUNES
537 CD BABY 538 IODA 538 OTHER SITES 538 THE BOTTOM LINE 540 APPENDIX A
* THE BOTTOM LINE 541 CHAPTER 1: OPTIMIZING YOUR SYSTEM 541 CHAPTER 2:
REASON 543 CHAPTER 3: ABLETON LIVE 545 CHAPTER 4: PRO TOOLS 548 CHAPTER
5: LOGIC 550 CHAPTER 6: GARAGEBAND 552 CHAPTER 7: MORE USEFUL SOFTWARE
555 CHAPTER 8: PLUG-IN EFFECTS 558 XXIV CONTENTS CHAPTER 9: VIRTUAL
INSTRUMENTS 560 CHAPTER 10: APPLE LOOPS 562 CHAPTER 11: MIDI 566 CHAPTER
12: THE LAPTOP STUDIO 569 CHAPTER 13: POST PRODUCTION 570 INDEX 575 |
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| author | Truesdell, Cliff |
| author_facet | Truesdell, Cliff |
| author_role | aut |
| author_sort | Truesdell, Cliff |
| author_variant | c t ct |
| building | Verbundindex |
| bvnumber | BV023253248 |
| callnumber-first | M - Music |
| callnumber-label | ML74 |
| callnumber-raw | ML74.3 |
| callnumber-search | ML74.3 |
| callnumber-sort | ML 274.3 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | AP 38200 |
| ctrlnum | (OCoLC)76851529 (DE-599)BVBBV023253248 |
| dewey-full | 781.3/4536 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.3/4536 |
| dewey-search | 781.3/4536 |
| dewey-sort | 3781.3 44536 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| discipline_str_mv | Allgemeines Musikwissenschaft |
| format | Book |
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| id | DE-604.BV023253248 |
| illustrated | Illustrated |
| index_date | 2024-07-02T20:28:48Z |
| indexdate | 2024-07-09T21:14:11Z |
| institution | BVB |
| isbn | 9780470102596 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016438576 |
| oclc_num | 76851529 |
| open_access_boolean | |
| physical | XXXI, 591 S. Ill. 1 DVD (12 cm) |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Wiley |
| record_format | marc |
| spelling | Truesdell, Cliff Verfasser aut Mastering digital audio production the professional music workflow with Mac OS X Cliff Truesdell Indianapolis, Ind. Wiley 2007 XXXI, 591 S. Ill. 1 DVD (12 cm) txt rdacontent n rdamedia nc rdacarrier Mac OS Computer sound processing Digital audio editors Tonstudiotechnik (DE-588)4135823-5 gnd rswk-swf Tonstudiotechnik (DE-588)4135823-5 s DE-604 GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016438576&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Truesdell, Cliff Mastering digital audio production the professional music workflow with Mac OS X Mac OS Computer sound processing Digital audio editors Tonstudiotechnik (DE-588)4135823-5 gnd |
| subject_GND | (DE-588)4135823-5 |
| title | Mastering digital audio production the professional music workflow with Mac OS X |
| title_auth | Mastering digital audio production the professional music workflow with Mac OS X |
| title_exact_search | Mastering digital audio production the professional music workflow with Mac OS X |
| title_exact_search_txtP | Mastering digital audio production the professional music workflow with Mac OS X |
| title_full | Mastering digital audio production the professional music workflow with Mac OS X Cliff Truesdell |
| title_fullStr | Mastering digital audio production the professional music workflow with Mac OS X Cliff Truesdell |
| title_full_unstemmed | Mastering digital audio production the professional music workflow with Mac OS X Cliff Truesdell |
| title_short | Mastering digital audio production |
| title_sort | mastering digital audio production the professional music workflow with mac os x |
| title_sub | the professional music workflow with Mac OS X |
| topic | Mac OS Computer sound processing Digital audio editors Tonstudiotechnik (DE-588)4135823-5 gnd |
| topic_facet | Mac OS Computer sound processing Digital audio editors Tonstudiotechnik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016438576&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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