Dickens, family, authorship: psychoanalytic perspectives on kinship and creativity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2008
|
| Schriftenreihe: | The nineteenth century series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XVII, 183 S. Ill. |
| ISBN: | 9780754661801 |
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Datensatz im Suchindex
| _version_ | 1804137551226732544 |
|---|---|
| adam_text | Contents
General Editors
Preface
vi
List of
Figures
vii
Foreword
ix
Acknowledgements
xv
Abbreviations
xvi
Introduction
1
1
Martin Chu::lewit
19
2
Dombey and Son
53
3
David Copperfield
91
4
Bleak House
125
Bibliography
1Ы
Index
179
Drawing on a wide range of Dickens s
writings, including all of his novels and a
selection of his letters, journalism and shorter
fiction, Dickens, Family, Authorship provides
a provocative account of the evolution of an
author from whose psychological honesty
and imaginative generosity emerged
precocious fictional portents of Freudian and
post-Freudian theory.
The decade
1843-1853
was pivotal
in Dickens s career. A phase of feverish
activity on both personal and professional
fronts, it included the irrevocable souring of
his relations with his parents, the peripatetic
residence in continental Europe and a massive
proliferation of writing and editing activities
including the aborted autobiography. It was a
period of astounding creativity which
consolidated Dickens s authorial and
financial stature. It was also one tainted by
loss: the deaths of his father, sister and
daughter and the alarming desertion of his
early facility for composition.
Lynn Cain s substantial study of the
four novels produced during this turbulent
decade
-
Martin Chuzzlewit, Dombey and
Son, David
Copperfield
and Bleak House
-
traces the evolution of Dickens s creative
imagination to discover in the modulating
fictional representation of family relationships a
paradigm for his authorial development.
Closely argued readings demonstrate a
reorientation
from a patriarchal to a maternal
dynamic which signals a radical shift in
Dickens s creative technique. Interweaving
critical analysis of the four novels with
biography and the linguistic and
psychoanalytic writings of modern
theorists, especially
Kristeva
and
Lacan,
Lynn Cain explores the connection between
Dickens s susceptibility to depression
during this period and his increasingly self-
conscious exploitation of his own mental
states in his fiction.
|
| adam_txt |
Contents
General Editors '
Preface
vi
List of
Figures
vii
Foreword
ix
Acknowledgements
xv
Abbreviations
xvi
Introduction
1
1
Martin Chu::lewit
19
2
Dombey and Son
53
3
David Copperfield
91
4
Bleak House
125
Bibliography
1Ы
Index
' 179
Drawing on a wide range of Dickens's
writings, including all of his novels and a
selection of his letters, journalism and shorter
fiction, Dickens, Family, Authorship provides
a provocative account of the evolution of an
author from whose psychological honesty
and imaginative generosity emerged
precocious fictional portents of Freudian and
post-Freudian theory.
The decade
1843-1853
was pivotal
in Dickens's career. A phase of feverish
activity on both personal and professional
fronts, it included the irrevocable souring of
his relations with his parents, the peripatetic
residence in continental Europe and a massive
proliferation of writing and editing activities
including the aborted autobiography. It was a
period of astounding creativity which
consolidated Dickens's authorial and
financial stature. It was also one tainted by
loss: the deaths of his father, sister and
daughter and the alarming desertion of his
early facility for composition.
Lynn Cain's substantial study of the
four novels produced during this turbulent
decade
-
Martin Chuzzlewit, Dombey and
Son, David
Copperfield
and Bleak House
-
traces the evolution of Dickens's creative
imagination to discover in the modulating
fictional representation of family relationships a
paradigm for his authorial development.
Closely argued readings demonstrate a
reorientation
from a patriarchal to a maternal
dynamic which signals a radical shift in
Dickens's creative technique. Interweaving
critical analysis of the four novels with
biography and the linguistic and
psychoanalytic writings of modern
theorists, especially
Kristeva
and
Lacan,
Lynn Cain explores the connection between
Dickens's susceptibility to depression
during this period and his increasingly self-
conscious exploitation of his own mental
states in his fiction. |
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| spelling | Cain, Lynn Verfasser aut Dickens, family, authorship psychoanalytic perspectives on kinship and creativity Lynn Cain Aldershot [u.a.] Ashgate 2008 XVII, 183 S. Ill. txt rdacontent n rdamedia nc rdacarrier The nineteenth century series Teilw. zugl.: Diss. Dickens, Charles <1812-1870> Martin Chuzzlewit Dickens, Charles <1812-1870> Criticism and interpretation Dickens, Charles <1812-1870> Criticism, Textual Dickens, Charles 1812-1870 (DE-588)118525239 gnd rswk-swf Families in literature Psychoanalysis and literature Great Britain Psychoanalyse (DE-588)4047689-3 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Großbritannien (DE-588)4006804-3 Biografie 1843-1853 gnd-content (DE-588)4113937-9 Hochschulschrift gnd-content Dickens, Charles 1812-1870 (DE-588)118525239 p Roman (DE-588)4050479-7 s Psychoanalyse (DE-588)4047689-3 s DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016434500&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016434500&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Cain, Lynn Dickens, family, authorship psychoanalytic perspectives on kinship and creativity Dickens, Charles <1812-1870> Martin Chuzzlewit Dickens, Charles <1812-1870> Criticism and interpretation Dickens, Charles <1812-1870> Criticism, Textual Dickens, Charles 1812-1870 (DE-588)118525239 gnd Families in literature Psychoanalysis and literature Great Britain Psychoanalyse (DE-588)4047689-3 gnd Roman (DE-588)4050479-7 gnd |
| subject_GND | (DE-588)118525239 (DE-588)4047689-3 (DE-588)4050479-7 (DE-588)4006804-3 (DE-588)4113937-9 |
| title | Dickens, family, authorship psychoanalytic perspectives on kinship and creativity |
| title_auth | Dickens, family, authorship psychoanalytic perspectives on kinship and creativity |
| title_exact_search | Dickens, family, authorship psychoanalytic perspectives on kinship and creativity |
| title_exact_search_txtP | Dickens, family, authorship psychoanalytic perspectives on kinship and creativity |
| title_full | Dickens, family, authorship psychoanalytic perspectives on kinship and creativity Lynn Cain |
| title_fullStr | Dickens, family, authorship psychoanalytic perspectives on kinship and creativity Lynn Cain |
| title_full_unstemmed | Dickens, family, authorship psychoanalytic perspectives on kinship and creativity Lynn Cain |
| title_short | Dickens, family, authorship |
| title_sort | dickens family authorship psychoanalytic perspectives on kinship and creativity |
| title_sub | psychoanalytic perspectives on kinship and creativity |
| topic | Dickens, Charles <1812-1870> Martin Chuzzlewit Dickens, Charles <1812-1870> Criticism and interpretation Dickens, Charles <1812-1870> Criticism, Textual Dickens, Charles 1812-1870 (DE-588)118525239 gnd Families in literature Psychoanalysis and literature Great Britain Psychoanalyse (DE-588)4047689-3 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | Dickens, Charles <1812-1870> Martin Chuzzlewit Dickens, Charles <1812-1870> Criticism and interpretation Dickens, Charles <1812-1870> Criticism, Textual Dickens, Charles 1812-1870 Families in literature Psychoanalysis and literature Great Britain Psychoanalyse Roman Großbritannien Biografie 1843-1853 Hochschulschrift |
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