Muzica etnică: tradiţie şi valoare
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Romanian |
| Veröffentlicht: |
Chişinău
Grafema Libris
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassung in engl. Sprache u.d.T.: Ethnic music |
| Beschreibung: | 296 S. Notenbeisp. |
| ISBN: | 9789975986496 |
Internformat
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| 500 | |a Zsfassung in engl. Sprache u.d.T.: Ethnic music | ||
| 650 | 4 | |a Literature on music | |
| 650 | 4 | |a Moldova. Moldovian S.S.R. Bessarabia | |
| 650 | 4 | |a Music | |
| 650 | 4 | |a National music | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Folk music |z Bessarabia (Moldova and Ukraine) | |
| 650 | 4 | |a Folk music |z Bessarabia (Moldova and Ukraine) |x History and criticism | |
| 650 | 4 | |a Folk songs, Moldovan |z Bessarabia (Moldova and Ukraine) | |
| 650 | 4 | |a Folk songs, Moldovan |z Bessarabia (Moldova and Ukraine) |x History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804137547070177280 |
|---|---|
| adam_text | Cuprins
Preliminarii
Capitolul
і
Muzica tradiţionala ca fenomen sociocultural
.....................13
Capitolul
II
Manifestări muzicale legate de prilej din viaţa spirituală
a comunităţii autohtone contemporane.
Genuri şi repertorii
...................................................................41
2.1.
Folclorul obiceiurilor. Caracterizare generală
.........41
2.2.
Producţii artistice din perioada
sărbătorilor de iarnă
...................................................44
2.3.
Particularităţi muzicale ale colindelor
.....................49
2.4.
Creaţia artistică a copiilor legată
de ciclul sărbătorilor de iarnă
................................... 56
2.5.
Manifestările artistice din perioada
de primăvară-vară
.......................................................59
Capitolul III
Categorii muzicale tradiţionale şi funcţionarea lor
în cadrul manifestărilor neocazionale
...................................90
3.1.
Folclorul copiilor.
Generalităţi şi criterii de sistematizare
....................90
3.2.
Categoriile creaţiilor artistice orale ale copiilor
.....95
3.2.1.
Reacţii spontane faţă de mediul înconjurător
95
3.2.2.
Formule independente de jocul organizat
... 97
3.2.3.
Accesorii ale jocului
.........................................97
3.3.
Elemente morfologice în folclorul copiilor
.............99
3.4.
Consideraţii generale asupra
categoriei muzicale doina
........................................104
3.4.1.
Scurtă privire istorică asupra originii doinei
ca termen şi specie muzicală
........................112
3.4.2.
Unele premise posibile privind începuturile
şi evoluţia configuraţiei ritmico-melodice
a doinei
............................................................122
3.4.3.
Menţiuni scrise despre doina autohtonă
.... 140
3.4.4
Melodica doinei şi trăsăturile ei muzicale
de bază
.............................................................152
încheiere
....................................................................................180
Anexă
—
Exemple muzicale
..............................................:.. 183
Indice de termeni
...........;........................................................277
Indice de nume
........................................................................285
Summary
.............................,..„.,...........................
(>
.................... 292
Contents.
...................................................
<<<ιΦ<......
295
Contents
Preliminaries
.
Chapter I
Traditional Music as a Socio-Cultural Phenomenon
.........13
Chapter II
Musical Manifestations in the Spiritual Life
of the Autochthonous Modern Community
Connected with Events» Genres and Repertoires
...............41
2.1.
The Folklore of Customs. General Characteristics
..41
2.2.
Artistic Productions in the Period
of Winter Holidays
.....................................................44
2.3.
Musical Peculiarities of Carols
..................................49
2.4.
Children s Artistic Creation Connected
with Winter Holidays Cycle
......................................56
2.5.
Artistic Manifestations
in the Spring
—
Summer Period.....
...........................59
Chapter III
Traditional Musical Categories
and their Functioning within Manifestations
Unconnected with Special Events
...........................................90
3.1,
Children s Folklore.
Generalities and Systematization Criteria
...............90
3.2.
Children s Oral Artistic Creation Categories
.„....„.95
3.2.1.
Spontaneous Reactions to Environment
....... 95
— 295 —
3.2.2.
Formulas
Independent
of the Organized Game
...................................97
3.2.3.
Accessories of the Game
..................................97
3.3.
Morphological Elements in Children s Folklore
......99
3.4.
General Considerations on the Musical
Category
—
Doina....
................................................104
3.4.1.
Short Historical Overview of the Origin of
Doina
as a Term and as a Musical Genre...ll2
3.4.2.
Some Possible Premises Regarding the
Origination and the Evolution of the
Rhythmic-Melodic Configuration of
Doina.
122
3.4.3.
Written Endorsements about
the Autochthonous
Doina
.............................140
3.4.4.
The Melody of
Doina
and its Basic Musical Characteristics
...........152
Conclusion
..................................................................................180
Annexes
—
Musical samples
............................,.....................183
Index of Terms
..........................................................................277
Index of Authors
.......................................................................285
Summary
.....................................................................................292
Bayerlsrtv-
.
Staatsbib·!
— 296 — { München
SUMMARY
Ethnic Music* Tradition and Value
The ethnic music in Moldova on the left bank of the
river Prut represents a consistent historical and socio-artistic
document, accumulated, stratified and developed successively
in the spiritual patrimony of the people. The song, as the
first act of musical-artistic manifestation in the history of the
spiritual culture of humankind, was present and accompanied
the human beings in their main moments of life and activ¬
ity. Considering the above perspective, our traditional music
expresses, in products of the finest kind, the deepest feelings,
thoughts, and aspirations of the autochthonous conscience,
the state and the material life of the community, the concept
about the world and society, the mentality of the community,
its language, history, the ethno-geographic framework in which
it dwells. At the same time it imposes itself as an important
means of artistic communication. Accumulating and gradually
perfecting the means of specific expression, the ethic music
goes alongside the whole history of our people.
Being born out of its own spirit to express feelings, the
collective sonorous art such as the ethnic traditional music
was and still remains the most wide-spread and accessible
genre of musical art, which also fundamentally marks the
cultural identity of the autochthonous communities. Unlike
the academic culture, the oral traditional music, by its mere
concept, has involved the collectivity in the process of crea¬
tion, execution, conservation, and its perpetuity in time even
— 292 —
in the earliest stages of society. As a result, in the course of
millennia, the artistic patrimony of the kinfolk has collected
a thesaurus of cultural goods of a different nature (musi¬
cal, literary, choreographic) and of a varied morphological
structure and syncretism. This thing confirms once again
the value, the great wealth and the diversity of the spiritual
goods that compose the treasure of the ethnic music in the
Prut-Nistru space.
The present publication is intended to offer better knowl¬
edge of the autochthonous sonorous stratus and its more
complete exploration on the cognitive, cultural, artistic and
scientific scales. In order to meet the given objective our
approach solicited the research of such issues as the origin
and evolution of the traditional musical creation in the given
cultural space, the decoding of the meaning of some artistic
categories of the past and present, as well as their relation
with the contemporary epoch.
For a better understanding of the investigated phenom¬
enon, it was necessary to deepen some aspects that deal with
the means of expression that are found at the basis of the
traditional music of Moldova. The material included in the
present work attempts at meeting this desideratum.
The study contains an introductory part entitled Preliminar¬
ies, which treats the technical notion of folklore (recently
also called profound culture) from the conceptual point of
view in the light of the latest estimations of science in the
given field. The up-to-datedness of this stratum of culture,
which contributes to the closeness of different social, ethnic
and other types of groups, also finds reflection here.
Chapter I, Traditional Music as a Socio-Cultural Phenom¬
enon, reveals the characteristics of this type of art as an oral
cognitive and communicative human activity. The approaches in
the given chapter take into consideration the five fundamental
concepts of a logic character, valid of the investigated field, and
— 293 —
which guide the contemporary ethno-musicology. The internal
factors that contribute to the evolution of the language of the
traditional music have also been concisely analyzed.
Chapter II, Musical Manifestations in the Spiritual Life
of the Autochthonous Modern Community Connected with
Events: Genres and Repertoires, debates the general pecu¬
liarities of the musical artistic creation characteristic of the
calendar cycle. The semantic, ethnographic and the musical
sides of the repertoire included both in the winter holiday
customs and in the artistic manifestations in the period
of spring and summer, typical of the traditional culture in
Moldova, are further analyzed in the chapter. In both cases,
priority is given to musical analyses of the products attested
in the investigated area.
Traditional Musical Categories and their Functioning
within Manifestations Unconnected with Special Events are
analyzed in Chapter III. Alongside with children s creation
(the whole categorical ensemble and its morphological ele¬
ments), special attention is paid to
doina
—
the reference
song of the autochthonous spirituality. The author undertakes
analyses regarding the definition, classification, etymology
and the origin of
doina
as a term and as a musical genre.
The chapter also outlines some premises referring to the
origin and the evolution of the rhythmic-melodic configura¬
tions of
doina,
revealing, at the same time, the basic musical
characteristics of this lyric genre.
The main conclusions of the study, which envision the
present state of Moldovan traditional music and some ten¬
dencies in its evolution, are formulated in the Conclusion.
In order not to stick strictly only to theory, the author
makes references, in the limits of need, to musical samples
to illustrate the formulated ideas.
English translation by dr. Ana Gorea
— 294 —
|
| adam_txt |
Cuprins
Preliminarii
Capitolul
і
Muzica tradiţionala ca fenomen sociocultural
.13
Capitolul
II
Manifestări muzicale legate de prilej din viaţa spirituală
a comunităţii autohtone contemporane.
Genuri şi repertorii
.41
2.1.
Folclorul obiceiurilor. Caracterizare generală
.41
2.2.
Producţii artistice din perioada
sărbătorilor de iarnă
.44
2.3.
Particularităţi muzicale ale colindelor
.49
2.4.
Creaţia artistică a copiilor legată
de ciclul sărbătorilor de iarnă
. 56
2.5.
Manifestările artistice din perioada
de primăvară-vară
.59
Capitolul III
Categorii muzicale tradiţionale şi funcţionarea lor
în cadrul manifestărilor neocazionale
.90
3.1.
Folclorul copiilor.
Generalităţi şi criterii de sistematizare
.90
3.2.
Categoriile creaţiilor artistice orale ale copiilor
.95
3.2.1.
Reacţii spontane faţă de mediul înconjurător
95
3.2.2.
Formule independente de jocul organizat
. 97
3.2.3.
Accesorii ale jocului
.97
3.3.
Elemente morfologice în folclorul copiilor
.99
3.4.
Consideraţii generale asupra
categoriei muzicale doina
.104
3.4.1.
Scurtă privire istorică asupra originii doinei
ca termen şi specie muzicală
.112
3.4.2.
Unele premise posibile privind începuturile
şi evoluţia configuraţiei ritmico-melodice
a doinei
.122
3.4.3.
Menţiuni scrise despre doina autohtonă
. 140
3.4.4
Melodica doinei şi trăsăturile ei muzicale
de bază
.152
încheiere
.180
Anexă
—
Exemple muzicale
.:. 183
Indice de termeni
.;.277
Indice de nume
.285
Summary
.,.„.,.
(>
. 292
Contents.
.
<<<ιΦ<.
295
Contents
Preliminaries
.
Chapter I
Traditional Music as a Socio-Cultural Phenomenon
.13
Chapter II
Musical Manifestations in the Spiritual Life
of the Autochthonous Modern Community
Connected with Events» Genres and Repertoires
.41
2.1.
The Folklore of Customs. General Characteristics
.41
2.2.
Artistic Productions in the Period
of Winter Holidays
.44
2.3.
Musical Peculiarities of Carols
.49
2.4.
Children's Artistic Creation Connected
with Winter Holidays Cycle
.56
2.5.
Artistic Manifestations
in the Spring
—
Summer Period.
.59
Chapter III
Traditional Musical Categories
and their Functioning within Manifestations
Unconnected with Special Events
.90
3.1,
Children's Folklore.
Generalities and Systematization Criteria
.90
3.2.
Children's Oral Artistic Creation Categories
.„.„.95
3.2.1.
Spontaneous Reactions to Environment
. 95
— 295 —
3.2.2.
Formulas
Independent
of the Organized Game
.97
3.2.3.
Accessories of the Game
.97
3.3.
Morphological Elements in Children's Folklore
.99
3.4.
General Considerations on the Musical
Category
—
Doina.
.104
3.4.1.
Short Historical Overview of the Origin of
Doina
as a Term and as a Musical Genre.ll2
3.4.2.
Some Possible Premises Regarding the
Origination and the Evolution of the
Rhythmic-Melodic Configuration of
Doina.
122
3.4.3.
Written Endorsements about
the Autochthonous
Doina
.140
3.4.4.
The Melody of
Doina
and its Basic Musical Characteristics
.152
Conclusion
.180
Annexes
—
Musical samples
.,.183
Index of Terms
.277
Index of Authors
.285
Summary
.292
Bayerlsrtv-
.
Staatsbib·!
— 296 — { München
SUMMARY
Ethnic Music* Tradition and Value
The ethnic music in Moldova on the left bank of the
river Prut represents a consistent historical and socio-artistic
document, accumulated, stratified and developed successively
in the spiritual patrimony of the people. The song, as the
first act of musical-artistic manifestation in the history of the
spiritual culture of humankind, was present and accompanied
the human beings in their main moments of life and activ¬
ity. Considering the above perspective, our traditional music
expresses, in products of the finest kind, the deepest feelings,
thoughts, and aspirations of the autochthonous conscience,
the state and the material life of the community, the concept
about the world and society, the mentality of the community,
its language, history, the ethno-geographic framework in which
it dwells. At the same time it imposes itself as an important
means of artistic communication. Accumulating and gradually
perfecting the means of specific expression, the ethic music
goes alongside the whole history of our people.
Being born out of its own spirit to express feelings, the
collective sonorous art such as the ethnic traditional music
was and still remains the most wide-spread and accessible
genre of musical art, which also fundamentally marks the
cultural identity of the autochthonous communities. Unlike
the academic culture, the oral traditional music, by its mere
concept, has involved the collectivity in the process of crea¬
tion, execution, conservation, and its perpetuity in time even
— 292 —
in the earliest stages of society. As a result, in the course of
millennia, the artistic patrimony of the kinfolk has collected
a thesaurus of cultural goods of a different nature (musi¬
cal, literary, choreographic) and of a varied morphological
structure and syncretism. This thing confirms once again
the value, the great wealth and the diversity of the spiritual
goods that compose the treasure of the ethnic music in the
Prut-Nistru space.
The present publication is intended to offer better knowl¬
edge of the autochthonous sonorous stratus and its more
complete exploration on the cognitive, cultural, artistic and
scientific scales. In order to meet the given objective our
approach solicited the research of such issues as the origin
and evolution of the traditional musical creation in the given
cultural space, the decoding of the meaning of some artistic
categories of the past and present, as well as their relation
with the contemporary epoch.
For a better understanding of the investigated phenom¬
enon, it was necessary to deepen some aspects that deal with
the means of expression that are found at the basis of the
traditional music of Moldova. The material included in the
present work attempts at meeting this desideratum.
The study contains an introductory part entitled Preliminar¬
ies, which treats the "technical notion" of "folklore" (recently
also called profound culture) from the conceptual point of
view in the light of the latest estimations of science in the
given field. The up-to-datedness of this stratum of culture,
which contributes to the closeness of different social, ethnic
and other types of groups, also finds reflection here.
Chapter I, Traditional Music as a Socio-Cultural Phenom¬
enon, reveals the characteristics of this type of art as an oral
cognitive and communicative human activity. The approaches in
the given chapter take into consideration the five fundamental
concepts of a logic character, valid of the investigated field, and
— 293 —
which guide the contemporary ethno-musicology. The internal
factors that contribute to the evolution of the language of the
traditional music have also been concisely analyzed.
Chapter II, Musical Manifestations in the Spiritual Life
of the Autochthonous Modern Community Connected with
Events: Genres and Repertoires, debates the general pecu¬
liarities of the musical artistic creation characteristic of the
calendar cycle. The semantic, ethnographic and the musical
sides of the repertoire included both in the winter holiday
customs and in the artistic manifestations in the period
of spring and summer, typical of the traditional culture in
Moldova, are further analyzed in the chapter. In both cases,
priority is given to musical analyses of the products attested
in the investigated area.
Traditional Musical Categories and their Functioning
within Manifestations Unconnected with Special Events are
analyzed in Chapter III. Alongside with children's creation
(the whole categorical ensemble and its morphological ele¬
ments), special attention is paid to
doina
—
the reference
song of the autochthonous spirituality. The author undertakes
analyses regarding the definition, classification, etymology
and the origin of
doina
as a term and as a musical genre.
The chapter also outlines some premises referring to the
origin and the evolution of the rhythmic-melodic configura¬
tions of
doina,
revealing, at the same time, the basic musical
characteristics of this lyric genre.
The main conclusions of the study, which envision the
present state of Moldovan traditional music and some ten¬
dencies in its evolution, are formulated in the Conclusion.
In order not to stick strictly only to theory, the author
makes references, in the limits of need, to musical samples
to illustrate the formulated ideas.
English translation by dr. Ana Gorea
— 294 — |
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| geographic | Moldawien (DE-588)4039967-9 gnd |
| geographic_facet | Moldawien |
| id | DE-604.BV023246514 |
| illustrated | Illustrated |
| index_date | 2024-07-02T20:26:02Z |
| indexdate | 2024-07-09T21:14:01Z |
| institution | BVB |
| isbn | 9789975986496 |
| language | Romanian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016431964 |
| oclc_num | 221533878 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 296 S. Notenbeisp. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Grafema Libris |
| record_format | marc |
| spelling | Ghilaş, Victor 1956- Verfasser (DE-588)1140557548 aut Muzica etnică tradiţie şi valoare Victor Ghilaş Chişinău Grafema Libris 2007 296 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache u.d.T.: Ethnic music Literature on music Moldova. Moldovian S.S.R. Bessarabia Music National music Musik Folk music Bessarabia (Moldova and Ukraine) Folk music Bessarabia (Moldova and Ukraine) History and criticism Folk songs, Moldovan Bessarabia (Moldova and Ukraine) Folk songs, Moldovan Bessarabia (Moldova and Ukraine) History and criticism Volksmusik (DE-588)4063854-6 gnd rswk-swf Moldawien (DE-588)4039967-9 gnd rswk-swf Moldawien (DE-588)4039967-9 g Volksmusik (DE-588)4063854-6 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016431964&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016431964&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Ghilaş, Victor 1956- Muzica etnică tradiţie şi valoare Literature on music Moldova. Moldovian S.S.R. Bessarabia Music National music Musik Folk music Bessarabia (Moldova and Ukraine) Folk music Bessarabia (Moldova and Ukraine) History and criticism Folk songs, Moldovan Bessarabia (Moldova and Ukraine) Folk songs, Moldovan Bessarabia (Moldova and Ukraine) History and criticism Volksmusik (DE-588)4063854-6 gnd |
| subject_GND | (DE-588)4063854-6 (DE-588)4039967-9 |
| title | Muzica etnică tradiţie şi valoare |
| title_auth | Muzica etnică tradiţie şi valoare |
| title_exact_search | Muzica etnică tradiţie şi valoare |
| title_exact_search_txtP | Muzica etnică tradiţie şi valoare |
| title_full | Muzica etnică tradiţie şi valoare Victor Ghilaş |
| title_fullStr | Muzica etnică tradiţie şi valoare Victor Ghilaş |
| title_full_unstemmed | Muzica etnică tradiţie şi valoare Victor Ghilaş |
| title_short | Muzica etnică |
| title_sort | muzica etnica traditie si valoare |
| title_sub | tradiţie şi valoare |
| topic | Literature on music Moldova. Moldovian S.S.R. Bessarabia Music National music Musik Folk music Bessarabia (Moldova and Ukraine) Folk music Bessarabia (Moldova and Ukraine) History and criticism Folk songs, Moldovan Bessarabia (Moldova and Ukraine) Folk songs, Moldovan Bessarabia (Moldova and Ukraine) History and criticism Volksmusik (DE-588)4063854-6 gnd |
| topic_facet | Literature on music Moldova. Moldovian S.S.R. Bessarabia Music National music Musik Folk music Bessarabia (Moldova and Ukraine) Folk music Bessarabia (Moldova and Ukraine) History and criticism Folk songs, Moldovan Bessarabia (Moldova and Ukraine) Folk songs, Moldovan Bessarabia (Moldova and Ukraine) History and criticism Volksmusik Moldawien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016431964&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016431964&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ghilasvictor muzicaetnicatraditiesivaloare |