Art, emotion and ethics:
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2007
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Oxford Scholarship Online
|
| Schlagworte: | |
| Online-Zugang: | KUBA1 KUBA4 UBR01 Volltext Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 0199263213 9780199263219 |
| DOI: | 10.1093/acprof:oso/9780199263219.001.0001 |
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Datensatz im Suchindex
| _version_ | 1804137544927936512 |
|---|---|
| adam_text | Art, Emotion and Ethics
BERYS GAUT
OXFORD
UNIVERSITY PRESS
Contents
Acknowledgements
ix
List of Illustrations
x
1.
The Long Debate
1
1.1.
The Controversies
1
1.2.
Disentangling the Issues
б
1.3.
A Thematic Overview
9
1.4.
Two Bathshebas
14
2.
Aesthetics and Ethics: Basic Concepts
26
2.1.
The Puzzle of the Aesthetic
26
2.2.
The Aesthetic and the Artistic
34
2.3.
The Concept of the Ethical
41
3.
A Conceptual Map
49
3.1.
Options in the Debate
49
3.2.
Pro
tanto
Principles
57
4.
Autonomism
67
4.1.
Radical Autonomism and Artistic Acts
67
4.2.
Moderate Autonomism
76
4.3.
Aesthetic Relevance
82
5.
Artistic and Critical Practices
90
5.1.
Artists Ambitions
92
5.2.
Criticism
95
6.
Questions of Character
107
6.1.
Artworks and Friends
109
6.2.
Moral Beauty
114
6.3.
Moral Beauty and Works of Art
127
7.
The Cognitive Argument: The
Epistemic
Claim
133
7.1.
Formulating Aesthetic Cognitivism
136
7.2.
Sources of Knowledge
141
7.3.
How to Learn from Imagination
147
7.4.
Imagination and Ethical Learning
157
viii Contents
8.
The Cognitive Argument. The Aesthetic Claim
165
8.1.
Arguing for the Aesthetic Claim
165
8.2.
Autonomist and Contextualist Objections
172
8.3.
Techniques and Strategies
186
8.4.
Lolita
194
9.
Emotion and Imagination
203
9.1.
The Importance of Emotional Realism
203
9.2.
The Possibility of Fiction-Directed Emotions
208
9.3.
The Rationality of Fiction-Directed Emotions
216
10.
The Merited Response Argument
227
10.1.
Versions of the Argument
227
10.2.
Objections and Replies
234
10.3.
Humour
242
10.4.
Conclusion
251
Bibliography
253
Index
2Ö3
|
| adam_txt |
Art, Emotion and Ethics
BERYS GAUT
OXFORD
UNIVERSITY PRESS
Contents
Acknowledgements
ix
List of Illustrations
x
1.
The Long Debate
1
1.1.
The Controversies
1
1.2.
Disentangling the Issues
б
1.3.
A Thematic Overview
9
1.4.
Two Bathshebas
14
2.
Aesthetics and Ethics: Basic Concepts
26
2.1.
The Puzzle of the Aesthetic
26
2.2.
The Aesthetic and the Artistic
34
2.3.
The Concept of the Ethical
41
3.
A Conceptual Map
49
3.1.
Options in the Debate
49
3.2.
Pro
tanto
Principles
57
4.
Autonomism
67
4.1.
Radical Autonomism and Artistic Acts
67
4.2.
Moderate Autonomism
76
4.3.
Aesthetic Relevance
82
5.
Artistic and Critical Practices
90
5.1.
Artists'Ambitions
92
5.2.
Criticism
95
6.
Questions of Character
107
6.1.
Artworks and Friends
109
6.2.
Moral Beauty
114
6.3.
Moral Beauty and Works of Art
127
7.
The Cognitive Argument: The
Epistemic
Claim
133
7.1.
Formulating Aesthetic Cognitivism
136
7.2.
Sources of Knowledge
141
7.3.
How to Learn from Imagination
147
7.4.
Imagination and Ethical Learning
157
viii Contents
8.
The Cognitive Argument. The Aesthetic Claim
165
8.1.
Arguing for the Aesthetic Claim
165
8.2.
Autonomist and Contextualist Objections
172
8.3.
Techniques and Strategies
186
8.4.
Lolita
194
9.
Emotion and Imagination
203
9.1.
The Importance of Emotional Realism
203
9.2.
The Possibility of Fiction-Directed Emotions
208
9.3.
The Rationality of Fiction-Directed Emotions
216
10.
The Merited Response Argument
227
10.1.
Versions of the Argument
227
10.2.
Objections and Replies
234
10.3.
Humour
242
10.4.
Conclusion
251
Bibliography
253
Index
2Ö3 |
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| title_auth | Art, emotion and ethics |
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