Music publishing: the roadmap to royalties
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 188 S. |
| ISBN: | 9780415976206 9780415976213 9780203895689 |
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Datensatz im Suchindex
| _version_ | 1804137537586855936 |
|---|---|
| adam_text | Contents
List of figures
ix
Foreword
xi
Introduction
1
1
A brief history of music publishing and copyright law
3
A brief history of copyright
3
The Berne Convention
4
Music publishers and sheet music
5
The nature of copyright
5
Copyright law
6
Writer share and publisher share
7
Inherent rights of copyright
8
Obtaining and enforcing copyright
12
Copyright registration
12
Copyright notice
22
Duration of copyright
23
2
Sources of income, royalties, and licenses
25
Sources of income
25
Performing rights: music played on radio, television,
and in public establishments
26
Synchronization rights: music embedded in film or
television productions
27
Mechanical rights: royalties generated from record
sales and downloads
27
Licenses, assignments, and transfers of rights
28
vi
Contents
Mechanical license fees and the Harry Fox Agency
29
Controlled-composition clause
30
3
Performing rights
33
The performing right
33
Performing Rights Organizations
33
Title Registrations: the roadmap to performance
royalties
36
Song performances, identification, and music surveys
37
Cue sheets
40
Income from radio play
42
Income from television
43
Performing rights and live performances
43
Songwriters and the Performing Rights Organizations
44
Choosing a Performing Rights Organization
46
Accessing Performing Rights Organizations
47
4
Publishing companies
51
Functions of music publishing companies
52
Getting songs recorded
S3
Other publisher functions and interactions
55
Holds
57
Collaborations
58
Who do publishers sign?
62
The nature and role of demos
63
Cross-collateralization of income
65
Publishing administration
65
Songsharks: caveat emptor
66
5
Publishing deals
69
Publishing contracts
69
Publishing contract deal points
72
Evaluating a publisher
76
6
Independent songwriters
81
Demo strategies for the singer-songwriter
81
Home studios vs. commercial studios
82
Keeping track of your business
82
Getting songs recorded: pitching and shopping
83
Contents
vii
Building
a singer-songwriter-performer career
86
Live performance, promotion, and exposure
88
Where you live
91
7
Music in film and television
93
Film and television music
93
Front-end fees / back-end fees
94
Music supervisors
98
Music casting
98
Instrumental music
102
Soundtrack albums
103
Trailers
104
Work-for-hire agreements
105
8
Music in advertising and Production Music Libraries
107
Advertising music
107
Licensing songs for
commençais
108
Production Music Libraries
109
9
Classical music, Broadway, print music, and
educational music
113
Classical music
113
Commissions for composers
113
Broadway and Grand Rights
114
The nature of print music
117
The market for educational music
118
School band and choral music
121
10
Foreign publishing revenue, rights, and deals
123
Foreign Sub-Publishing Deals
123
Functions of sub-publishers
124
Exploitation
125
Administration
126
Foreign collections
127
Foreign mechanical royalties
127
11
New media, technology, and copyright
129
Technology overview
129
Recording technology
130
viii Contents
New media
and the
Internet
130
Filesharing
134
Evolving entertainment industry models
135
Copyright in the twenty-first century
144
12
Legal issues and artist representation
147
Limits and exceptions to copyright
147
Public Domain
147
Pair
Ose
148
Fairness in Music Licensing Act
151
The First-Sale Doctrine
151
Copyright infringement
152
Representatives: managers, lawyers
153
Contract clauses
160
13
Music organizations and resources
165
Making use of songwriter organizations
165
Songwriting contests
173
Songpluggers
174
Unions
175
Arts organizations
176
Special material
177
Books
178
Periodicals and reference materials
179
The last word
179
Bibliography
181
Index
183
Figures
1.1
Writer share and publisher share
8
1.2
Form PA (Performing Arts)
14
1.3
Form SR (Sound Recording)
18
3.1
Music cue sheet
41
5.1
Writer
/
publisher split
72
5.2
Co-writer
/
co-publisher splits
78
|
| adam_txt |
Contents
List of figures
ix
Foreword
xi
Introduction
1
1
A brief history of music publishing and copyright law
3
A brief history of copyright
3
The Berne Convention
4
Music publishers and sheet music
5
The nature of copyright
5
Copyright law
6
Writer share and publisher share
7
Inherent rights of "copyright"
8
Obtaining and enforcing copyright
12
Copyright registration
12
Copyright notice
22
Duration of copyright
23
2
Sources of income, royalties, and licenses
25
Sources of income
25
Performing rights: music played on radio, television,
and in public establishments
26
Synchronization rights: music embedded in film or
television productions
27
Mechanical rights: royalties generated from record
sales and downloads
27
Licenses, assignments, and transfers of rights
28
vi
Contents
Mechanical license fees and the Harry Fox Agency
29
Controlled-composition clause
30
3
Performing rights
33
The performing right
33
Performing Rights Organizations
33
Title Registrations: the roadmap to performance
royalties
36
Song performances, identification, and music surveys
37
Cue sheets
40
Income from radio play
42
Income from television
43
Performing rights and live performances
43
Songwriters and the Performing Rights Organizations
44
Choosing a Performing Rights Organization
46
Accessing Performing Rights Organizations
47
4
Publishing companies
51
Functions of music publishing companies
52
Getting songs recorded
S3
Other publisher functions and interactions
55
Holds
57
Collaborations
58
Who do publishers sign?
62
The nature and role of demos
63
Cross-collateralization of income
65
Publishing administration
65
Songsharks: caveat emptor
66
5
Publishing deals
69
Publishing contracts
69
Publishing contract deal points
72
Evaluating a publisher
76
6
Independent songwriters
81
Demo strategies for the singer-songwriter
81
Home studios vs. commercial studios
82
Keeping track of your business
82
Getting songs recorded: pitching and shopping
83
Contents
vii
Building
a singer-songwriter-performer career
86
Live performance, promotion, and exposure
88
Where you live
91
7
Music in film and television
93
Film and television music
93
"Front-end" fees /"back-end" fees
94
Music supervisors
98
Music casting
98
Instrumental music
102
Soundtrack albums
103
Trailers
104
Work-for-hire agreements
105
8
Music in advertising and Production Music Libraries
107
Advertising music
107
Licensing songs for
commençais
108
Production Music Libraries
109
9
Classical music, Broadway, print music, and
educational music
113
Classical music
113
Commissions for composers
113
Broadway and Grand Rights
114
The nature of print music
117
The market for educational music
118
School band and choral music
121
10
Foreign publishing revenue, rights, and deals
123
Foreign Sub-Publishing Deals
123
Functions of sub-publishers
124
Exploitation
125
Administration
126
Foreign collections
127
Foreign mechanical royalties
127
11
New media, technology, and copyright
129
Technology overview
129
Recording technology
130
viii Contents
New media
and the
Internet
130
Filesharing
134
Evolving entertainment industry models
135
Copyright in the twenty-first century
144
12
Legal issues and artist representation
147
Limits and exceptions to copyright
147
Public Domain
147
Pair
Ose
148
Fairness in Music Licensing Act
151
The First-Sale Doctrine
151
Copyright infringement
152
Representatives: managers, lawyers
153
Contract clauses
160
13
Music organizations and resources
165
Making use of songwriter organizations
165
Songwriting contests
173
Songpluggers
174
Unions
175
Arts organizations
176
Special material
177
Books
178
Periodicals and reference materials
179
The last word
179
Bibliography
181
Index
183
Figures
1.1
Writer share and publisher share
8
1.2
Form PA (Performing Arts)
14
1.3
Form SR (Sound Recording)
18
3.1
Music cue sheet
41
5.1
Writer
/
publisher split
72
5.2
Co-writer
/
co-publisher splits
78 |
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| index_date | 2024-07-02T20:23:33Z |
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| physical | XII, 188 S. |
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| spelling | Sobel, Ron Verfasser aut Music publishing the roadmap to royalties Ron Sobel and Dick Weissman 1. publ. New York [u.a.] Routledge 2008 XII, 188 S. txt rdacontent n rdamedia nc rdacarrier Musik Music publishing United States Music Economic aspects Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content USA (DE-588)4078704-7 g Musikwirtschaft (DE-588)4268614-3 s DE-604 Weissman, Dick 1935- Sonstige (DE-588)132186489 oth Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016425936&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sobel, Ron Music publishing the roadmap to royalties Musik Music publishing United States Music Economic aspects Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4268614-3 (DE-588)4078704-7 (DE-588)4151278-9 |
| title | Music publishing the roadmap to royalties |
| title_auth | Music publishing the roadmap to royalties |
| title_exact_search | Music publishing the roadmap to royalties |
| title_exact_search_txtP | Music publishing the roadmap to royalties |
| title_full | Music publishing the roadmap to royalties Ron Sobel and Dick Weissman |
| title_fullStr | Music publishing the roadmap to royalties Ron Sobel and Dick Weissman |
| title_full_unstemmed | Music publishing the roadmap to royalties Ron Sobel and Dick Weissman |
| title_short | Music publishing |
| title_sort | music publishing the roadmap to royalties |
| title_sub | the roadmap to royalties |
| topic | Musik Music publishing United States Music Economic aspects Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Musik Music publishing United States Music Economic aspects Musikwirtschaft USA Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016425936&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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