Subverting subversion: the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
2002
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Lawrence, Kan. Univ. of Kansas, Diss., 2002. - Kopie, erschienen im Verl. UMI Diss. Services, Ann Arbor, Mich. |
| Beschreibung: | V, 413 S. |
Internformat
MARC
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| 264 | 1 | |c 2002 | |
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Datensatz im Suchindex
| _version_ | 1804137537419083776 |
|---|---|
| adam_text | Introduction: Wlere s tie Popcorn?
—
Bringing Tragedy to tine Masses....
__
.Í
Scope of the Dissertation
...................................................................................13
Filmic Text Selection
.........................................................................................16
Ideology, Hegemony, and Subjection:
Defiaitíoms
aßd
Interrogations ....„..„JO
Marx and the Marxist Conception of
Ideolog}
..................................................20
Interpellation and the Althusserian Turn
...........................................................26
Ideology as a Belief System
...............................................................................31
Hegemony and the Gramscian Turn
..................................................................35
The Muitiaccentuality of Ideological Practices
.................................................41
Freud, the Uncanny, and Ideology
................................,....................................43
Ideology and the Speaking Subject
....................................................................48
Ideology and the Subject: A Tentative Conclusion...
........................................51
Chapter HI
Севге
and the Problematics of Typology, Reeurrenee, aad Stability
.............54
Theorizing the Complexity of Genre
.................................................................56
Defining Genre
..................................................................................................60
Genre Transgression: Stability and Change
.......................................................65
Transgression and Literary Genres
................................................................66
Generic Dynamism
........................................................................................68
Rhetoric and the Theory of Genre
.....................................................................72
The Ideology of Genre
.......................................................................................76
The Search for Commonality in Genre Studies..
...............................................78
Genre and the Bakhiiniaa Utterance
..................................................................82
Theorizing the
Constituent
Parts of a Genre
......................................................86
Narrative Structure and the
Interna!
Dynamics of Genre
..................................89
Chapter IV
Tragedy: the Morphology of am Utterance........
....................______..............93
The Argument Against Modern Tragedy....
.......................................................96
The Viability of Modem Tragedy
......................................................................99
interrogating the Aristotelian Morphology of Tragedy
...................................102
The Aristotelian Definition of Tragedy
.......................................................102
The Narrative- Structure of Tragedy
.............................................................
Î05
Tragedy and Social Instability
.....................................................................106
Modernizing the Aristotelian Definition of Tragedy
.......................................109
Positing a Modem Morphology of Tragedy
....................................................113
Ш
Tragedy and
Katharsis
.....................................................................................116
The Ideological Role of Tragedy
.....................................................................118
Tragedy and the Freudian Uncanny.
............................................................120
Modem Tragedy,
Katharsis,
and the
Amen-Effect
......................................123
The
Ideologica!
Power of Modem Tragedy
.....................................................126
Chapter V
The Filmic Utterance as Mediator of Social Practice
....................................
Л
29
The Socia! Practice of Cinema
.........................................................................133
The Role of Narrative in Filmic Texts
.............................................................135
The Role of Sound in Filmic Texts
..................................................................139
Theorizing Filmic Genres
................................................................................142
Film As Social Practice Revisited
...................................................................148
Chapter VI
Look Closer, Bat Watch Yo«r Steps Contesting the Ideological Practices of
Downsizing to American Beauty.
__.___..............___..--------..........__...........149
The
1990s:
The Downsizing Decade?
....................................................:........155
Defining Downsizing
...................................................................................158
The Disappearance of Job Security
..............................................................162
The Media and Downsizing
.........................................................................170
Downsizing Naturalized
...............................................................................174
American Beauty. Lester Burnham s Transgression Against the Corporate
Capitalist Practice of Downsizing
....................................................................176
The Genre of American Beauty
...................................................................178
It s Never Too Late to Get It Back: Lester Burnham Looks Closer
............183
Lester Burnham s Transgression Takes Shape
............................................194
Lester s Disideatification: Making Transgression Visible
..........................200
Tragedy Fulfilled: Subverting Lester s Transgression
................................211
Katharsis
and the Death of Lester Burnham
................................................217
Chapter VI!
Getting What You See:
Ccntesüng
the Ideological Practices of Gesider amd
Sexuality in Bays Don t Cry..............
....................._______.___......................224
The Gender and Sexual Other in
a
Heteronormative
Society
..........................230
The Homosexual Other
................................................................................231
The Transgender Other
................................................................................240
Boys Don t Cry: Transgressing Against the Ideological Practice of Sex-Gender
Congruity
.........................................................................................................251
The Teena Brandon Story: Documenting Brandon Teena
...........................254
Boys Don t Cry: The Tragedy of Brandon Teena
........................................266
The Anatomy of a Transgression: Brandon Teena s Gender Identity
.....270
Transgressing Heieronormativity: Brandoa and
Lana
Become Lovers.^SO
Transgression
Revealed: Depantsing and Rape
.......................................285
Containing the Threat: The Death of Brandon Teena..
............................291
Containing Transgression:
Katharsis
and the Death of Brandon Teena
..........299
Black Skim, White Face: Subverting Tragedy s Subversion in Bamboozled
303
Race Representation in the Visual Media
........................................................308
Black Representation and the Cosby Moment
......,......................................312
Revisiting Resistance: Black Actors Before the Cosby Moment
................314
Black Vernacular Experience
Digniűed:
Frank s Place
.............................315
The Cultural Segregation of Television
.......................................................317
Spike Lee and Bamboozled: Challenging Race Representations
.....................320
Pierre Delacroix: Identity in Crisis
..............................................................323
The Power of a Name
..................................................................................326
Pierre Delacroix and Transgression: That One Black Face
.........................330
From Subversive Insider to
Complicii
Insider
.............................................335
Motivating Delacroix s Transgression: The Desire for Recognition
...........338
To Serve or Not to Serve: The Wages of Selling Out
..................................343
The Cost of Success: Isolating Delacroix
....................................................347
Smoking Guns: Dying in the Spotlight
—
Delacroix s Transgression
..........353
Sloan and Delacroix: Ideological Justice
.....................................................360
Subverting the Dominant Hegemony: Bamboozled and the Validation of an
Oppositionaî
Ideological Position
....................................................................365
Conclusion: Ideology and the
Tragedie
—
the
Amen-Effect snel
the
Subversion of Subversion.
—...—.—.—.—----·—.........................................—369
Works Cited
.............—.—............................................-----------------...........380
|
| adam_txt |
Introduction: Wlere's tie Popcorn?
—
Bringing Tragedy to tine Masses.
_
.Í
Scope of the Dissertation
.13
Filmic Text Selection
.16
Ideology, Hegemony, and Subjection:
Defiaitíoms
aßd
Interrogations .„.„JO
Marx and the Marxist Conception of
Ideolog}'
.20
Interpellation and the Althusserian Turn
.26
Ideology as a Belief System
.31
Hegemony and the Gramscian Turn
.35
The Muitiaccentuality of Ideological Practices
.41
Freud, the Uncanny, and Ideology
.,.43
Ideology and the Speaking Subject
.48
Ideology and the Subject: A Tentative Conclusion.
.51
Chapter HI
Севге
and the Problematics of Typology, Reeurrenee, aad Stability
.54
Theorizing the Complexity of Genre
.56
Defining Genre
.60
Genre Transgression: Stability and Change
.65
Transgression and Literary Genres
.66
Generic Dynamism
.68
Rhetoric and the Theory of Genre
.72
The Ideology of Genre
.76
The Search for Commonality in Genre Studies.
.78
Genre and the Bakhiiniaa Utterance
.82
Theorizing the
Constituent
Parts of a Genre
.86
Narrative Structure and the
Interna!
Dynamics of Genre
.89
Chapter IV
Tragedy: the Morphology of am Utterance.
._.93
The Argument Against Modern Tragedy.
.96
The Viability of Modem Tragedy
.99
interrogating the Aristotelian Morphology of Tragedy
.102
The Aristotelian Definition of Tragedy
.102
The Narrative- Structure of Tragedy
.
Î05
Tragedy and Social Instability
.106
Modernizing the Aristotelian Definition of Tragedy
.109
Positing a Modem Morphology of Tragedy
.113
Ш
Tragedy and
Katharsis
.116
The Ideological Role of Tragedy
.118
Tragedy and the Freudian Uncanny.
.120
Modem Tragedy,
Katharsis,
and the
Amen-Effect
.123
The
Ideologica!
Power of Modem Tragedy
.126
Chapter V
The Filmic Utterance as Mediator of Social Practice
.
Л
29
The Socia! Practice of Cinema
.133
The Role of Narrative in Filmic Texts
.135
The Role of Sound in Filmic Texts
.139
Theorizing Filmic Genres
.142
Film As Social Practice Revisited
.148
Chapter VI
Look Closer, Bat Watch Yo«r Steps Contesting the Ideological Practices of
Downsizing to American Beauty.
_._._.--------._.149
The
1990s:
The Downsizing Decade?
.:.155
Defining Downsizing
.158
The Disappearance of Job Security
.162
The Media and Downsizing
.170
Downsizing Naturalized
.174
American Beauty. Lester Burnham's Transgression Against the Corporate
Capitalist Practice of Downsizing
.176
The Genre of American Beauty
.178
It's Never Too Late to Get It Back: Lester Burnham Looks Closer
.183
Lester Burnham's Transgression Takes Shape
.194
Lester's Disideatification: Making Transgression Visible
.200
Tragedy Fulfilled: Subverting Lester's Transgression
.211
Katharsis
and the Death of Lester Burnham
.217
Chapter VI!
Getting What You See:
Ccntesüng
the Ideological Practices of Gesider amd
Sexuality in Bays Don't Cry.
._._.224
The Gender and Sexual Other in
a
Heteronormative
Society
.230
The Homosexual Other
.231
The Transgender Other
.240
Boys Don't Cry: Transgressing Against the Ideological Practice of Sex-Gender
Congruity
.251
The Teena Brandon Story: Documenting Brandon Teena
.254
Boys Don't Cry: The Tragedy of Brandon Teena
.266
The Anatomy of a Transgression: Brandon Teena's Gender Identity
.270
Transgressing Heieronormativity: Brandoa and
Lana
Become Lovers.^SO
Transgression
Revealed: Depantsing and Rape
.285
Containing the Threat: The Death of Brandon Teena.
.291
Containing Transgression:
Katharsis
and the Death of Brandon Teena
.299
Black Skim, White Face: Subverting Tragedy's Subversion in Bamboozled
303
Race Representation in the Visual Media
.308
Black Representation and the Cosby Moment
.,.312
Revisiting Resistance: Black Actors Before the Cosby Moment
.314
Black Vernacular Experience
Digniűed:
Frank's Place
.315
The Cultural Segregation of Television
.317
Spike Lee and Bamboozled: Challenging Race Representations
.320
Pierre Delacroix: Identity in Crisis
.323
The Power of a Name
.326
Pierre Delacroix and Transgression: That One Black Face
.330
From Subversive Insider to
Complicii
Insider
.335
Motivating Delacroix's Transgression: The Desire for Recognition
.338
To Serve or Not to Serve: The Wages of Selling Out
.343
The Cost of Success: Isolating Delacroix
.347
Smoking Guns: Dying in the Spotlight
—
Delacroix's Transgression
.353
Sloan and Delacroix: Ideological Justice
.360
Subverting the Dominant Hegemony: Bamboozled and the Validation of an
Oppositionaî
Ideological Position
.365
Conclusion: Ideology and the
Tragedie
—
the
Amen-Effect snel
the
Subversion of Subversion.
—.—.—.—.—----·—.—369
Works Cited
.—.—.-----------------.380 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Starke-Meyerring, Todd R. |
| author_facet | Starke-Meyerring, Todd R. |
| author_role | aut |
| author_sort | Starke-Meyerring, Todd R. |
| author_variant | t r s m trs trsm |
| building | Verbundindex |
| bvnumber | BV023240272 |
| classification_rvk | HU 1691 |
| ctrlnum | (OCoLC)54942672 (DE-599)BVBBV023240272 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Book |
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| owner | DE-355 DE-BY-UBR |
| owner_facet | DE-355 DE-BY-UBR |
| physical | V, 413 S. |
| publishDate | 2002 |
| publishDateSearch | 2002 |
| publishDateSort | 2002 |
| record_format | marc |
| spelling | Starke-Meyerring, Todd R. Verfasser aut Subverting subversion the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled by Todd R. Starke-Meyerring 2002 V, 413 S. txt rdacontent n rdamedia nc rdacarrier Lawrence, Kan. Univ. of Kansas, Diss., 2002. - Kopie, erschienen im Verl. UMI Diss. Services, Ann Arbor, Mich. American beauty (DE-588)4610578-5 gnd rswk-swf Bamboozled Film, 2000 (DE-588)4798800-9 gnd rswk-swf Boys don't cry Film (DE-588)7622572-0 gnd rswk-swf Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Tragödie (DE-588)4060591-7 gnd rswk-swf Soziale Klasse Motiv (DE-588)4315466-9 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Tragödie (DE-588)4060591-7 s Soziale Klasse Motiv (DE-588)4315466-9 s Geschlechterrolle (DE-588)4071776-8 s Ethnische Beziehungen Motiv (DE-588)4176974-0 s DE-604 American beauty (DE-588)4610578-5 u Bamboozled Film, 2000 (DE-588)4798800-9 u Boys don't cry Film (DE-588)7622572-0 u Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016425833&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Starke-Meyerring, Todd R. Subverting subversion the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled American beauty (DE-588)4610578-5 gnd Bamboozled Film, 2000 (DE-588)4798800-9 gnd Boys don't cry Film (DE-588)7622572-0 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd Tragödie (DE-588)4060591-7 gnd Soziale Klasse Motiv (DE-588)4315466-9 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
| subject_GND | (DE-588)4610578-5 (DE-588)4798800-9 (DE-588)7622572-0 (DE-588)4176974-0 (DE-588)4017102-4 (DE-588)4060591-7 (DE-588)4315466-9 (DE-588)4071776-8 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | Subverting subversion the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled |
| title_auth | Subverting subversion the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled |
| title_exact_search | Subverting subversion the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled |
| title_exact_search_txtP | Subverting subversion the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled |
| title_full | Subverting subversion the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled by Todd R. Starke-Meyerring |
| title_fullStr | Subverting subversion the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled by Todd R. Starke-Meyerring |
| title_full_unstemmed | Subverting subversion the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled by Todd R. Starke-Meyerring |
| title_short | Subverting subversion |
| title_sort | subverting subversion the ideology of class gender and race in the deployment of tragedy in american beauty boys don t cry and bamboozled |
| title_sub | the ideology of class, gender, and race in the deployment of tragedy in American Beauty, Boys Don't Cry, and Bamboozled |
| topic | American beauty (DE-588)4610578-5 gnd Bamboozled Film, 2000 (DE-588)4798800-9 gnd Boys don't cry Film (DE-588)7622572-0 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd Tragödie (DE-588)4060591-7 gnd Soziale Klasse Motiv (DE-588)4315466-9 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
| topic_facet | American beauty Bamboozled Film, 2000 Boys don't cry Film Ethnische Beziehungen Motiv Film Tragödie Soziale Klasse Motiv Geschlechterrolle USA Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016425833&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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