Verfügbarkeit: The Cambridge introduction to narrative

The Cambridge introduction to narrative:

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Bibliographische Detailangaben
1. Verfasser:	Abbott, Horace Porter 1940- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Cambridge [u.a.] Cambridge Univ. Press 2008
Ausgabe:	2. ed.
Schriftenreihe:	Cambridge introductions to literature
Schlagworte:	Narration (Rhetoric) Fiction / Technique Fiction > Technique Narrativität Erzählforschung Erzählung Erzähltheorie Einführung
Online-Zugang:	Inhaltsverzeichnis Klappentext
Beschreibung:	XVII, 252 S. Ill.
ISBN:	9780521887199 9780521715157

Internformat

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Datensatz im Suchindex

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adam_text	Contents List of illustrations page xi Preface xii Preface to the second edition xv Acknowledgments xvii Chapter 1 Narrative and life 1 The universality of narrative 1 Narrative and time 3 Narrative perception 6 Chapter 2 Defining narrative 13 The bare minimum 13 Story and narrative discourse 16 The mediation (construction) of story 20 Constituent and supplementary events 22 Narrativity 24 Chapter 3 The borders of narrative 28 Framing narratives 28 Paratexts 30 The outer limits of narrative 31 Hypertext narrative 32 Is it narrative or is it life itself? 35 Chapter 4 The rhetoric of narrative 40 The rhetoric of narrative 40 Causation 41 vu viii Contents Normalization 44 Masterplots 46 Narrative rhetoric at work 49 Chapter 5 Closure 55 Conflict: the agon 55 Closure and endings 56 Closure, suspense, and surprise 57 Closure at the level of expectations 58 Closure at the level of questions 60 The absence of closure 62 Chapter б Narration 67 A few words on interpretation 67 The narrator 68 Does the narrator narrate everything? 69 Voice 70 Focalization 73 Distance 74 Reliability 75 Free indirect style 77 Narration on stage and screen 79 Chapter 7 Interpreting narrative 83 The implied author 84 Underreading 86 Overreading 89 Gaps 90 Cruxes 92 Repetition: themes and motifs 95 Chapter 8 Three ways to interpret narrative 100 The question of wholeness in narrative 100 intentional readings 102 Symptomatic readings 104 Adaptive readings 106 Contents ix Chapter 9 Adaptation across media 112 Adaptation as creative destruction 112 Duration and pace 114 Character 116 Figurative language 118 Gaps 121 Focalization 123 Constraints of the marketplace 125 Chapter 10 Character and self in narrative 130 Character vs. action 130 Flat and round characters 133 Can characters be real? 134 Types 136 Autobiography 138 Life writing as performative 141 Chapter 11 Narrative and truth 145 Fiction and nonfiction 145 How do we know if it s fiction or nonfiction? 147 Historical fact in fiction 150 The truth of fiction 153 Chapter 12 Narrative worlds 160 Narrative space 160 The mind of the storyworld 165 Multiple worlds: forking-path narratives 167 Multiple worlds: narrative metalepsis 169 Chapter 13 Narrative contestation )75 A contest of narratives 175 A narrative lattice-work 179 Shadow stories 182 Motivation and personality 183 Masterplots and types 185 Contents Revising cultural masterplots 187 Battling narratives are everywhere 189 Chapter 14 Narrative negotiation 193 Narrative negotiation 194 Critical reading as narrative negotiation 199 Closure, one more time 205 The end of closure? 209 Notes 214 Bibliography 223 Glossary and topical index 228 Index of authors and narratives 244 The Cambridge Introduction to Narrative What is narrative? How does it work and how does it shape our lives and the texts we read? H. Porter Abbott emphasizes that narrative is found not just in literature, film, and theater, but everywhere in the ordinary course of people s lives. This widely used introduction, now thoroughly revised, is informed throughout by recent developments in the field and includes two new chapters. With its lucid exposition of concepts and suggestions for further reading, this book is not only an excellent introduction for courses focused on narrative but also an invaluable resource for students and scholars across a wide range of fields, including literature and drama, film and media, society and politics, journalism, autobiography, history, and still others throughout the arts, humanities, and social sciences. h. porter Abbott is Professor Emeritus in the Department of English at the University of California, Santa Barbara. He is the author of The Fiction of Samuel Beckett: Form and Effect, Diary Fiction: Writing as Action, Beckett Writing Beckett: the Author in the Autograph, and editor of On the Origin of Fictions: Interdisciplinary Perspectives, a special issue of the journal Substance.
adam_txt	Contents List of illustrations page xi Preface xii Preface to the second edition xv Acknowledgments xvii Chapter 1 Narrative and life 1 The universality of narrative 1 Narrative and time 3 Narrative perception 6 Chapter 2 Defining narrative 13 The bare minimum 13 Story and narrative discourse 16 The mediation (construction) of story 20 Constituent and supplementary events 22 Narrativity 24 Chapter 3 The borders of narrative 28 Framing narratives 28 Paratexts 30 The outer limits of narrative 31 Hypertext narrative 32 Is it narrative or is it life itself? 35 Chapter 4 The rhetoric of narrative 40 The rhetoric of narrative 40 Causation 41 vu viii Contents Normalization 44 Masterplots 46 Narrative rhetoric at work 49 Chapter 5 Closure 55 Conflict: the agon 55 Closure and endings 56 Closure, suspense, and surprise 57 Closure at the level of expectations 58 Closure at the level of questions 60 The absence of closure 62 Chapter б Narration 67 A few words on interpretation 67 The narrator 68 Does the narrator narrate everything? 69 Voice 70 Focalization 73 Distance 74 Reliability 75 Free indirect style 77 Narration on stage and screen 79 Chapter 7 Interpreting narrative 83 The implied author 84 Underreading 86 Overreading 89 Gaps 90 Cruxes 92 Repetition: themes and motifs 95 Chapter 8 Three ways to interpret narrative 100 The question of wholeness in narrative 100 intentional readings 102 Symptomatic readings 104 Adaptive readings 106 Contents ix Chapter 9 Adaptation across media 112 Adaptation as creative destruction 112 Duration and pace 114 Character 116 Figurative language 118 Gaps 121 Focalization 123 Constraints of the marketplace 125 Chapter 10 Character and self in narrative 130 Character vs. action 130 Flat and round characters 133 Can characters be real? 134 Types 136 Autobiography 138 Life writing as performative 141 Chapter 11 Narrative and truth 145 Fiction and nonfiction 145 How do we know if it's fiction or nonfiction? 147 Historical fact in fiction 150 The truth of fiction 153 Chapter 12 Narrative worlds 160 Narrative space 160 The mind of the storyworld 165 Multiple worlds: forking-path narratives 167 Multiple worlds: narrative metalepsis 169 Chapter 13 Narrative contestation )75 A contest of narratives 175 A narrative lattice-work 179 Shadow stories 182 Motivation and personality 183 Masterplots and types 185 Contents Revising cultural masterplots 187 Battling narratives are everywhere 189 Chapter 14 Narrative negotiation 193 Narrative negotiation 194 Critical reading as narrative negotiation 199 Closure, one more time 205 The end of closure? 209 Notes 214 Bibliography 223 Glossary and topical index 228 Index of authors and narratives 244 The Cambridge Introduction to Narrative What is narrative? How does it work and how does it shape our lives and the texts we read? H. Porter Abbott emphasizes that narrative is found not just in literature, film, and theater, but everywhere in the ordinary course of people's lives. This widely used introduction, now thoroughly revised, is informed throughout by recent developments in the field and includes two new chapters. With its lucid exposition of concepts and suggestions for further reading, this book is not only an excellent introduction for courses focused on narrative but also an invaluable resource for students and scholars across a wide range of fields, including literature and drama, film and media, society and politics, journalism, autobiography, history, and still others throughout the arts, humanities, and social sciences. h. porter Abbott is Professor Emeritus in the Department of English at the University of California, Santa Barbara. He is the author of The Fiction of Samuel Beckett: Form and Effect, Diary Fiction: Writing as Action, Beckett Writing Beckett: the Author in the Autograph, and editor of On the Origin of Fictions: Interdisciplinary Perspectives, a special issue of the journal Substance.
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title	The Cambridge introduction to narrative
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