Generating theatre meaning: a theory and methodology of performance analysis
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Brighton
Sussex Academic Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (p. 277-288) and index |
| Beschreibung: | X, 292 S. Ill. 24 cm |
Internformat
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| 650 | 4 | |a Theater / Philosophy | |
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Datensatz im Suchindex
| _version_ | 1804137510184419328 |
|---|---|
| adam_text | Theatre Meaning
A Theory and
Methodology of
Performance
Analysis
ELI ROZIK
Sussex
ACADEMIC
PRESS
BRIGHTON • PORTLAND
Contents
Preface and Acknowledgements x
Introduction: State of the Art and Perspectives 1
Main schools and trends 2
The formalist movement 2
The Prague Linguistic Circle 3
Roman Ingarden 4
The semiotic school 4
Post-semiotic criticism 5
The IFTR Performance Analysis Working Group 6
Main theoretical topics 7
Textual nature of the theatre performance 7
Descriptive nature of the performance-text 8
Imagistic nature of the theatre medium 8
Basic convention of the theatre medium 10
Univocal nature of theatre units 10
Segmentation of the performance-text 11
The principle of acting: deflection of reference 12
Theatrical nature of the play-script 12
Poetic structure of the fictional world 13
Metaphoric nature of the fictional experience 14
Rhetoric structure of the theatre experience 15
Role of the implied director 15
Role of the implied spectator 16
A phenomenology of theatre 16
Structure of the book 17
Part I Semiotic Substratum
1 The Imagistic Nature of Iconicity 21
Imagistic thinking: from Nietzsche to neuroscience 23
Iconicity: image imprinting and language mediation 25
Contents
The basic convention of theatre 27
Explanatory power of the imagistic approach 27
Typical iconic units 28
Real objects on stage 29
Stage metaphor 31
Stage convention 32
Segmentation of Performance-texts 34
Segmentation of real interaction 35
Ingarden s view of fictional verbal interaction 39
The pragmatic approach of Serpieri et al 40
Segmentation of iconic interaction 41
Segmentation of stage objects 44
Segmentation of iconic interaction in Habimah s The Seagidl 45
Stage Metaphor and Symbol 48
A theory of verbal metaphor 48
Stage metaphor 52
Speech act stage metaphor 56
Stylistic implications of mixed stage metaphor 57
Stage allegory 58
Personification 58
Substitution 59
Mediation by abstraction 60
Mixed praxical and allegoric discourse 61
Stage symbol 61
Stage Conventions 64
Reading principles 65
Kinds of stage conventions 66
Medium conventions 66
Imagistic conventions 67
Functions of stage conventions 68
Semiotic functions 68
Poetic functions 69
Norms and styles 76
Acting: The Quintessence of Theatre 78
Deflection of reference 79
Expanded notions of actor , text and character 82
Existential gaps between text and two worlds 84
The fundamental gap between real action and enacting action 86
Experiencing the performers bodies 88
VI
Contents
6 The Theatrical Nature of the Play-script 90
Two kinds of theatre texts 91
The literary fallacy 93
Play-script analysis 95
Intertextual relations between performance-text and play-script 97
Part II Additional Strata and Disciplines
7 The Poetic Structure of the Fictional World 105
The twofold structure of the performance-text 106
Archetypal patterns of response 107
The stratified structure of the fictional world 110
Mythical layer 110
Praxical layer 111
Naive layer 112
Ironic layer 113
Aesthetic layer 114
Structure of the character 116
Possible fallacies 116
Sophocles Oedipus the King 118
8 The Metaphoric Nature of the Fictional Experience 120
The metaphoric principle 121
The expressive nature of fictional worlds 122
The principle of personification 123
The apparent double reference of the performance-text 124
The mechanism of textual metaphor 125
Poetic implications 127
Metaphor in dramatic practice 129
Sophocles Oedipus the King (continued) 129
Yerushalmi s Jephthah s Daughter 130
9 The Rhetoric Structure of the Theatre Experience 133
The pragmatic nature of speech interaction 134
The pragmatic nature of stage/audience interaction 135
Descriptive nature of the performance-text 136
Performative nature of the performance-text 136
Equivalence agent/director and object/spectator 137
Notion of macro-speech act 138
Rhetoric nature of the stage/audience interaction 139
Yerushalmi s Jephthah s Daughter (continued) 143
vu
Contents
10 The Implied Director 146
Hermeneutic vs creative interpretation 147
The mechanism of creative interpretation 149
Fidelity, creativity, and legitimacy 150
Creative interpretation and intertextuality 151
Productions of Beckett s Wailing for Godot 152
The play-script 152
Creative interpretations of Waiting for Godot 154
11 The Implied Spectator 161
Real vs implied spectator 161
Roles of the implied spectator 163
Yerushalmi s Woyzeck 91 164
Framing a performance-text 164
Reading a performance-text 166
Interpreting a performance-text 168
Experiencing a performance-text 171
Dialogue between implied director and implied spectator 173
12 A Phenomenology Theatre 174
States phenomenological approach 175
Alternative phenomenological approaches 179
Functions of actors bodies on stage 180
Textuality 181
Metatheatricality 181
Personification 182
Characterization 183
Aesthetic effect 183
Life Class: a personal experience 184
Theatre vs performance art 186
Part III Examples of Performance Analysis
13 A Transient Shadow A Silent Description of a Speaking 191
Fictional World
Reading A Transient Shadow 192
Interpreting A Transient Shadow 198
Principles of non-verbal description 202
Inherently non-verbal acts 202
Symbolic non-verbal acts 203
Metonymic non-verbal acts 203
Metaphoric non-verbal acts 204
Metaphoric hand gestures 204
Vlll
Contents
Allegoric characters 205
Projected titles 205
14 Suz/o/Suz by La Fura dels Baus: Theatre at the Borderline
The notion of performance 208
The notion of actual 210
Performing an action vs enacting an action 213
Suz/o/Suz by La Fura dels Baus 213
15 Habimah s The Trojan Women: A Ready-made Metaphor 222
of Unjustified War
Euripides The Trojan Women and its Homeric sources 223
Sartre s adaptation: Les Troyennes 227
Habimah s production of Les Troyennes 231
16 Robert Wilson s H G: Non-theatrical Space as Stage 237
Metaphor
Reading H G 238
On the legitimacy of interpretation 244
An attempt at interpretation 245
The warren - a found-space metaphor 247
17 Yerushalmi s Woyzeck 91: Intention 250
in Creative Interpretation
Buchner s Woyzeck 251
Yerushalmi s Woyzeck 91 257
18 Methodological Conclusions 266
Aims of performance analysis 267
Means of performance analysis 268
Theoretical focus 268
Personal experience 269
Use of video recording 269
Abridged account 270
Intuition of structure and meaning 270
Independent performance analysis 270
The disciplines of performance analysis 271
Excludes disciplines 275
List of Cited Works 277
Index 289
IX
|
| adam_txt |
Theatre Meaning
A Theory and
Methodology of
Performance
Analysis
ELI ROZIK
Sussex
ACADEMIC
PRESS
BRIGHTON • PORTLAND
Contents
Preface and Acknowledgements x
Introduction: State of the Art and Perspectives 1
Main schools and trends 2
The formalist movement 2
The Prague Linguistic Circle 3
Roman Ingarden 4
The semiotic school 4
Post-semiotic criticism 5
The IFTR Performance Analysis Working Group 6
Main theoretical topics 7
Textual nature of the theatre performance 7
Descriptive nature of the performance-text 8
Imagistic nature of the theatre medium 8
Basic convention of the theatre medium 10
Univocal nature of theatre units 10
Segmentation of the performance-text 11
The principle of acting: deflection of reference 12
Theatrical nature of the play-script 12
Poetic structure of the fictional world 13
Metaphoric nature of the fictional experience 14
Rhetoric structure of the theatre experience 15
Role of the implied director 15
Role of the implied spectator 16
A phenomenology of theatre 16
Structure of the book 17
Part I Semiotic Substratum
1 The Imagistic Nature of Iconicity 21
Imagistic thinking: from Nietzsche to neuroscience 23
Iconicity: image imprinting and language mediation 25
Contents
The basic convention of theatre 27
Explanatory power of the imagistic approach 27
Typical iconic units 28
Real objects on stage 29
Stage metaphor 31
Stage convention 32
Segmentation of Performance-texts 34
Segmentation of real interaction 35
Ingarden's view of fictional verbal interaction 39
The pragmatic approach of Serpieri et al 40
Segmentation of iconic interaction 41
Segmentation of stage objects 44
Segmentation of iconic interaction in Habimah's The Seagidl 45
Stage Metaphor and Symbol 48
A theory of verbal metaphor 48
Stage metaphor 52
Speech act stage metaphor 56
Stylistic implications of mixed stage metaphor 57
Stage allegory 58
Personification 58
Substitution 59
Mediation by abstraction 60
Mixed praxical and allegoric discourse 61
Stage symbol 61
Stage Conventions 64
Reading principles 65
Kinds of stage conventions 66
Medium conventions 66
Imagistic conventions 67
Functions of stage conventions 68
Semiotic functions 68
Poetic functions 69
Norms and styles 76
Acting: The Quintessence of Theatre 78
Deflection of reference 79
Expanded notions of 'actor', 'text' and 'character' 82
Existential gaps between text and two worlds 84
The fundamental gap between real action and enacting action 86
Experiencing the performers' bodies 88
VI
Contents
6 The Theatrical Nature of the Play-script 90
Two kinds of theatre texts 91
The literary fallacy 93
Play-script analysis 95
Intertextual relations between performance-text and play-script 97
Part II Additional Strata and Disciplines
7 The Poetic Structure of the Fictional World 105
The twofold structure of the performance-text 106
Archetypal patterns of response 107
The stratified structure of the fictional world 110
Mythical layer 110
Praxical layer 111
Naive layer 112
Ironic layer 113
Aesthetic layer 114
Structure of the character 116
Possible fallacies 116
Sophocles' Oedipus the King 118
8 The Metaphoric Nature of the Fictional Experience 120
The metaphoric principle 121
The expressive nature of fictional worlds 122
The principle of personification 123
The apparent double reference of the performance-text 124
The mechanism of textual metaphor 125
Poetic implications 127
Metaphor in dramatic practice 129
Sophocles' Oedipus the King (continued) 129
Yerushalmi's Jephthah's Daughter 130
9 The Rhetoric Structure of the Theatre Experience 133
The pragmatic nature of speech interaction 134
The pragmatic nature of stage/audience interaction 135
Descriptive nature of the performance-text 136
Performative nature of the performance-text 136
Equivalence agent/director and object/spectator 137
Notion of 'macro-speech act' 138
Rhetoric nature of the stage/audience interaction 139
Yerushalmi's Jephthah's Daughter (continued) 143
vu
Contents
10 The Implied Director 146
Hermeneutic vs creative interpretation 147
The mechanism of creative interpretation 149
Fidelity, creativity, and legitimacy 150
Creative interpretation and intertextuality 151
Productions of Beckett's Wailing for Godot 152
The play-script 152
Creative interpretations of Waiting for Godot 154
11 The Implied Spectator 161
Real vs implied spectator 161
Roles of the implied spectator 163
Yerushalmi's Woyzeck 91 164
Framing a performance-text 164
Reading a performance-text 166
Interpreting a performance-text 168
Experiencing a performance-text 171
Dialogue between implied director and implied spectator 173
12 A Phenomenology Theatre 174
States' phenomenological approach 175
Alternative phenomenological approaches 179
Functions of actors' bodies on stage 180
Textuality 181
Metatheatricality 181
Personification 182
Characterization 183
Aesthetic effect 183
Life Class: a personal experience 184
Theatre vs performance art 186
Part III Examples of Performance Analysis
13 A Transient Shadow A Silent Description of a Speaking 191
Fictional World
Reading A Transient Shadow 192
Interpreting A Transient Shadow 198
Principles of non-verbal description 202
Inherently non-verbal acts 202
Symbolic non-verbal acts 203
Metonymic non-verbal acts 203
Metaphoric non-verbal acts 204
Metaphoric hand gestures 204
Vlll
Contents
Allegoric characters 205
Projected titles 205
14 Suz/o/Suz by La Fura dels Baus: Theatre at the Borderline
The notion of 'performance' 208
The notion of 'actual' 210
Performing an action vs enacting an action 213
Suz/o/Suz by La Fura dels Baus 213
15 Habimah's The Trojan Women: A Ready-made Metaphor 222
of Unjustified War
Euripides' The Trojan Women and its Homeric sources 223
Sartre's adaptation: Les Troyennes 227
Habimah's production of Les Troyennes 231
16 Robert Wilson's H G: Non-theatrical Space as Stage 237
Metaphor
Reading H G 238
On the legitimacy of interpretation 244
An attempt at interpretation 245
The warren - a found-space metaphor 247
17 Yerushalmi's Woyzeck 91: Intention 250
in Creative Interpretation
Buchner's Woyzeck 251
Yerushalmi's Woyzeck 91 257
18 Methodological Conclusions 266
Aims of performance analysis 267
Means of performance analysis 268
Theoretical focus 268
Personal experience 269
Use of video recording 269
Abridged account 270
Intuition of structure and meaning 270
Independent performance analysis 270
The disciplines of performance analysis 271
Excludes disciplines 275
List of Cited Works 277
Index 289
IX |
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| illustrated | Illustrated |
| index_date | 2024-07-02T20:16:27Z |
| indexdate | 2024-07-09T21:13:26Z |
| institution | BVB |
| language | English |
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| physical | X, 292 S. Ill. 24 cm |
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| publisher | Sussex Academic Press |
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| spelling | Roziḳ, Eliyahu 1932- Verfasser (DE-588)132703572 aut Generating theatre meaning a theory and methodology of performance analysis Eli Rozik Brighton Sussex Academic Press 2008 X, 292 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 277-288) and index Theater / Semiotics Theater / Philosophy Acting / Philosophy Philosophie Acting Philosophy Theater Philosophy Theater Semiotics Analyse (DE-588)4122795-5 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Theater (DE-588)4059702-7 s Aufführung (DE-588)4143388-9 s Analyse (DE-588)4122795-5 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016408059&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Roziḳ, Eliyahu 1932- Generating theatre meaning a theory and methodology of performance analysis Theater / Semiotics Theater / Philosophy Acting / Philosophy Philosophie Acting Philosophy Theater Philosophy Theater Semiotics Analyse (DE-588)4122795-5 gnd Aufführung (DE-588)4143388-9 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4122795-5 (DE-588)4143388-9 (DE-588)4059702-7 |
| title | Generating theatre meaning a theory and methodology of performance analysis |
| title_auth | Generating theatre meaning a theory and methodology of performance analysis |
| title_exact_search | Generating theatre meaning a theory and methodology of performance analysis |
| title_exact_search_txtP | Generating theatre meaning a theory and methodology of performance analysis |
| title_full | Generating theatre meaning a theory and methodology of performance analysis Eli Rozik |
| title_fullStr | Generating theatre meaning a theory and methodology of performance analysis Eli Rozik |
| title_full_unstemmed | Generating theatre meaning a theory and methodology of performance analysis Eli Rozik |
| title_short | Generating theatre meaning |
| title_sort | generating theatre meaning a theory and methodology of performance analysis |
| title_sub | a theory and methodology of performance analysis |
| topic | Theater / Semiotics Theater / Philosophy Acting / Philosophy Philosophie Acting Philosophy Theater Philosophy Theater Semiotics Analyse (DE-588)4122795-5 gnd Aufführung (DE-588)4143388-9 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Theater / Semiotics Theater / Philosophy Acting / Philosophy Philosophie Acting Philosophy Theater Philosophy Theater Semiotics Analyse Aufführung Theater |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016408059&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rozikeliyahu generatingtheatremeaningatheoryandmethodologyofperformanceanalysis |