Verfügbarkeit: Broadcast journalism

Broadcast journalism: techniques of radio and TV news

Gespeichert in:

Bibliographische Detailangaben
Hauptverfasser:	Boyd, Andrew (VerfasserIn), Stewart, Peter (VerfasserIn), Alexander, Ray (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Oxford [u.a.] Focal Press 2008
Ausgabe:	6. ed.
Schlagworte:	TELEVISION JOURNALISM Nachrichtensendung Fernsehsendung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XIX, 377 S. Ill.
ISBN:	9780240810249

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Datensatz im Suchindex

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adam_text	Contents Preface xvii About the Authors xxi Part One: Principles of Broadcast Journalism 1 1 A career in broadcast journalism 3 Why bother? 3 Writing skills 5 Qualities in the broadcast journalist 5 Getting a foot into the door 5 The interview 8 Multi-tasking 8 Surviving editorial meetings 10 Formal and practical training for broadcast journalism 11 2 What makes news? 13 Audience: What matters to me? 14 News you can use 16 Where did it happen? 16 Relevance 16 Immediacy 6 Interest 17 Drama and impact 17 Entertainment and celebs 18 New, true and interesting 19 Different types of news 19 Emergencies 20 Crime 20 Government 20 Planning and developments 21 vi Contents Conflict and controversy 21 Pressure and lobby groups 21 Industry and business 21 Health and medicine 22 Human interest 22 Sport 22 Seasonal news 22 Special local interest 23 Weather 23 Traffic 24 Animals 25 The final checklist 25 3 Kthics and responsibility 27 Regulation 28 The law 29 Email 31 Sexuality 31 Talking is publishing 31 Websites 31 Being web wise 31 The myth of objectivity 33 Children 33 Ethics in citizen journalism 34 Reporting civil disorder 34 Camera bias 35 Sensationalism 35 Privacy and voyeurism 36 News sources 39 Reporters 39 Stories from consumers 40 Hoaxes 41 Contacts and sources 42 Newsroom diary 43 Files 43 Check calls 44 Emergency services radio 44 The 10 code 45 Politicians 46 Pressure groups 46 Staged events 46 The protest 47 The announcement 47 The set-piece 48 Contents vii News releases 48 Syndicated recordings 51 Freelances 51 Advantages and disadvantages of using stringers 51 Advantages 51 Disadvantages 52 Wire services and news agencies 52 The network 52 Other news media 55 Get the father ... 56 Cross-platform material 56 5 Getting the story 59 Newsroom conference 59 Copytasting 6 1 Balance of news 61 Visuals and actuality 62 The brief 62 The angle 63 Chasing the contact 65 Staged news conferences 66 Beating the clock 67 Work to sequence 67 Don t panic 68 Conversational writing 69 Telling the story 70 Writing for a mass audience 71 No second chance 71 Confusing clauses 73 Inverted sentences 74 Plain English 74 Familiar words 75 Easy listening 75 Accurate English 76 Keep it concrete 77 Make it interesting 77 Contractions 78 Rhythm 79 Ne ws writing 81 The news angle 81 Multi-angled stories 82 Hard news formula 83 The intro 84 viii Contents Placing key words g5 Features openers g^ Developing the story g7 The WHAT formula g7 Signposting gg Last line g9 Last words 90 Accuracy 90 К Broadcast style book 93 Clichés 94 Journalese 95 Hyperbole 96 Adjectives 96 Quotations 97 Attribution 97 Contentious stnlcincnts 98 Immediacy 99 Active 100 Positive 101 Redundancies 101 Repetition 102 Homonyms 102 Singular or plural? 102 Pronouns 103 Punctuation 103 Spelling 103 Abbreviations 104 Figures 104 Proofreading 104 Ambiguity 105 The interview 107 The interviewer s skill 07 Different types of interview 108 A disaster story? 109 Hard news I Informational 11 Investigative 112 Adversarial 113 Interpretative 114 Personal 115 Emotional 116 Entertainment 117 Actuality only 118 Telephone or remote 118 Contents ix Vox pop and multiple 118 Grabbed 119 The disaster story continues 120 10 Setting up the interview 123 Background 123 A plan of campaign - the questions 124 Get your facts right 124 Fit the brief 124 Check arrangements 125 Approach 126 Body language 127 Discussing the questions 127 The questions 128 Using notes 129 Ask the questions that will get answers 129 Yes/no questions 130 Avoid questions that call for monologues 130 Short, single idea questions 131 Progress from point to point 131 Building bridges 132 Avoid double questions 132 Keep the questions relevant 132 Avoid leading questions 133 Mixing statements with questions 134 Beware of questions that would be out of date 134 Avoid sounding ignorant 134 Winding up the interview 135 Finish strongly 135 Being interviewed yourself: the Q & A 135 Introducing actuality 136 11 From 2-minute headlines to 24-hour news 137 The bulletin 137 News programmes 138 Documentary 138 Vérité 139 24-hour news 141 Who does what? I42 Local radio news 143 The future I44 12 Item selection and order 147 A fair picture ... I47 Second thoughts ·49 Item order I49 χ Contents 1 The significance of the story 150 2 The material impact of the story 150 3 Audience reaction (the human interest factor) 150 4 The topicality of the story 151 5 The immediacy factor (the yawn factor) 151 6 Sport/specialisms 151 7 Linking items 152 8 Actuality/pictures 152 9 And finally ... 152 Local considerations 153 Foreign coverage 153 Producing a running order 154 13 Putting the show together 155 Winning an audience - the openers 156 Keeping an audience - headlines and promotions 157 Actuality 158 Pictures 158 Graphics 159 Programme balance - being all things to all people 160 Groupings and variety 160 Rhythm and pace 162 And now the good news? 163 14 Making the programme fit 165 Cutting 165 Filling 167 Backtiming 168 15 News anchors and presenters 171 The talent 171 Qualities of a newscaster 172 More than just a newsreader ... 173 Professionalism 174 Voice 175 16 On air! 177 Performance 177 Presence 177 Getting through to the audience - rapport 179 Know your material 180 Ad-libs 180 The gate 181 Making a swift recovery 182 Contents xi Corpsing 184 Relaxation 184 17 Newsreading mechanics 187 Speed 187 Breathing 187 Projection 1 89 Emphasis 190 Pitch 191 Microphone technique 191 Using the prompter 192 Noise, noise, noise 194 Bringing the story to life 194 Part Two: Radio 195 18 Story treatment 197 Breaking news (bulletin US) 198 Headline 200 Copy story 201 Voicer or voice report 202 Teaser or taster 204 Voice report from the scene 205 Interview 208 Newsclip 211 Package 212 Mini-wrap or bulletin wrap 214 19 Recording 219 Principles of recording 219 Sound 219 How recordings are made 220 Types of microphones 221 Using portable sound recorders 222 Digital recorders 222 Before the interview 223 Setting up the room 223 Dealing with distractions 223 Lining up the victim 223 Mike handling 224 The level check 226 Automatic level control versus manual 226 Maintain eye contact 227 And finally ... 227 xii Contents 20 Editing 229 You can t see the join 230 Editing a SO-second bulletin clip 231 Unethical editing 232 Basic production 232 Cut and paste 233 Multi-tracking 234 Bells and whistles 234 Studio mixing 235 Setting levels 235 Types of fade 236 Pre -fade 236 Cross-fade 236 ľad ing down and fading up 236 Pot-cut 237 Fading in and out 238 21 The studi« 239 On-air studii) 239 Talks studio 239 The contributions studio 240 Remote studios 240 Radio car 241 Outside broadcast vehicle 241 Mobile phones 242 Phone levels 243 Obscenity button 243 Part Three: Television 245 22 The never ending story - the sharing television newsroom 247 Television newsrooms and the news story 248 Advantages and disadvantages 249 In and out 250 A newsroom core server 250 Order from chaos - the journalist s most basic need-to-know 252 TV script types 254 Headlines 255 Out of vision live script or underlay 256 Link or intro 256 Presenter plus stills or graphics 257 Live breaking news - 24/7 newsroom 257 The role of User Generated Content (UGC) for pictures 259 Types of citizen journalism 260 Contents xiii 23 Scripting journalism 263 The intro (cue or link) 264 Complement the pictures with the narrative 265 Writing to sounà 266 Keep detail to a minimum 267 The television news package 268 Balancing words with pictures 271 Using archive pictures 272 The bottom line 274 24 Gathering news 275 Filming for TV journalism 275 Cameraman/Camerawoman/Cameraperson ! 276 Sound recordist 277 Lighting technician 278 The video journalist (VJ) 279 The video journalist checklist 281 Pocket news and hidden filming 283 The Journalist as advance guard - a Recce 285 So here s what is absolutely vital for large OBs and events 287 Getting the story back 287 25 Camera shots 289 Hold the shots 294 Grab action shots first 296 Shoot for impact 296 Shoot in sequences 296 Context 297 Sound 297 Sound-bites and interviewee clips 298 Cutaways and bridge shots 298 Reverses 299 The line 299 Continuity 301 Piece to Camera (PTC) also known as stand uppers 302 Special film equipment 304 Tripod and tall legs 304 Wheels 304 Minicams 304 Vehicle mounts 305 Splash bag 305 Steadicam® 306 Basic lighting 306 xiv Contents 26 Editing the sound and pictures 309 Sequence of shots 310 Shot length 310 Telescoping the action 31 1 Desktop editing 312 The craft editor 313 The timer (time code) 314 The edit controller 315 Video mixing 315 Recording the commentary 316 Audio mixing 316 1 diting shots for interviews 316 Two shot 317 Reverse two shot 319 Wide two shot and wide reverse two shot 319 Set up shots 319 Vox pops 320 Using music 320 27 (ìoinjt live - live TV reporting in vision 321 What works well 323 What works less well. 323 Top Tips 323 28 Graphics and digital display visuals 327 Stills and frame grabs 331 Writing to still pictures and screen insets 331 Overlays and chromakey (CSO) 332 Big screen video wall 333 Acronyms in visuals 333 29 Television news presenters 337 The Best Style for Television 338 Men and their ties 339 Colours and fabrics 339 Women 340 Men 340 Live and Kicking 341 Fill For Ten Seconds! 341 Nerves 342 Make up and perception 343 Doing a TV presentation showreel 344 Coming up ... 345 Contents xv 30 The news studio 347 Standby for transmission 347 The set 347 Lighting 348 Cameras 348 Sound 349 The floor manager 349 Control room 350 The director 35 ] Running order and the studio 352 Glossary of terms used in digital and multi-media broadcasting 355 Index 363
adam_txt	Contents Preface xvii About the Authors xxi Part One: Principles of Broadcast Journalism 1 1 A career in broadcast journalism 3 Why bother? 3 Writing skills 5 Qualities in the broadcast journalist 5 Getting a foot into the door 5 The interview 8 Multi-tasking 8 Surviving editorial meetings 10 Formal and practical training for broadcast journalism 11 2 What makes news? 13 Audience: What matters to me? 14 News you can use 16 Where did it happen? 16 Relevance 16 Immediacy '6 Interest 17 Drama and impact 17 Entertainment and celebs 18 New, true and interesting 19 Different types of news 19 Emergencies 20 Crime 20 Government 20 Planning and developments 21 vi Contents Conflict and controversy 21 Pressure and lobby groups 21 Industry and business 21 Health and medicine 22 Human interest 22 Sport 22 Seasonal news 22 Special local interest 23 Weather 23 Traffic 24 Animals 25 The final checklist 25 3 Kthics and responsibility 27 Regulation 28 The law 29 Email 31 Sexuality 31 Talking is publishing 31 Websites 31 Being web wise 31 The myth of objectivity 33 Children 33 Ethics in citizen journalism 34 Reporting civil disorder 34 Camera bias 35 Sensationalism 35 Privacy and voyeurism 36 News sources 39 Reporters 39 Stories from consumers 40 Hoaxes 41 Contacts and sources 42 Newsroom diary 43 Files 43 Check calls 44 Emergency services radio 44 The 10 code 45 Politicians 46 Pressure groups 46 Staged events 46 The protest 47 The announcement 47 The set-piece 48 Contents vii News releases 48 Syndicated recordings 51 Freelances 51 Advantages and disadvantages of using stringers 51 Advantages 51 Disadvantages 52 Wire services and news agencies 52 The network 52 Other news media 55 'Get the father .' 56 Cross-platform material 56 5 Getting the story 59 Newsroom conference 59 Copytasting 6 1 Balance of news 61 Visuals and actuality 62 The brief 62 The angle 63 Chasing the contact 65 Staged news conferences 66 Beating the clock 67 Work to sequence 67 Don't panic 68 Conversational writing 69 Telling the story 70 Writing for a mass audience 71 No second chance 71 Confusing clauses 73 Inverted sentences 74 Plain English 74 Familiar words 75 Easy listening 75 Accurate English 76 Keep it concrete 77 Make it interesting 77 Contractions 78 Rhythm 79 Ne ws writing 81 The news angle 81 Multi-angled stories 82 Hard news formula 83 The intro 84 viii Contents Placing key words g5 Features openers g^ Developing the story g7 The WHAT formula g7 Signposting gg Last line g9 Last words 90 Accuracy 90 К Broadcast style book 93 Clichés 94 Journalese 95 Hyperbole 96 Adjectives 96 Quotations 97 Attribution 97 Contentious stnlcincnts 98 Immediacy 99 Active 100 Positive 101 Redundancies 101 Repetition 102 Homonyms 102 Singular or plural? 102 Pronouns 103 Punctuation 103 Spelling 103 Abbreviations 104 Figures 104 Proofreading 104 Ambiguity 105 The interview 107 The interviewer's skill '07 Different types of interview 108 A disaster story? 109 Hard news I ' ' Informational 11 ' Investigative 112 Adversarial 113 Interpretative 114 Personal 115 Emotional 116 Entertainment 117 Actuality only 118 Telephone or remote 118 Contents ix Vox pop and multiple 118 Grabbed 119 The disaster story continues 120 10 Setting up the interview 123 Background 123 A plan of campaign - the questions 124 Get your facts right 124 Fit the brief 124 Check arrangements 125 Approach 126 Body language 127 Discussing the questions 127 The questions 128 Using notes 129 Ask the questions that will get answers 129 Yes/no questions 130 Avoid questions that call for monologues 130 Short, single idea questions 131 Progress from point to point 131 Building bridges 132 Avoid double questions 132 Keep the questions relevant 132 Avoid leading questions 133 Mixing statements with questions 134 Beware of questions that would be out of date 134 Avoid sounding ignorant 134 Winding up the interview 135 Finish strongly 135 Being interviewed yourself: the Q & A 135 Introducing actuality 136 11 From 2-minute headlines to 24-hour news 137 The bulletin 137 News programmes 138 Documentary 138 Vérité 139 24-hour news 141 Who does what? I42 Local radio news 143 The future I44 12 Item selection and order 147 'A fair picture .' I47 Second thoughts ·49 Item order I49 χ Contents 1 The significance of the story 150 2 The material impact of the story 150 3 Audience reaction (the human interest factor) 150 4 The topicality of the story 151 5 The immediacy factor (the yawn factor) 151 6 Sport/specialisms 151 7 Linking items 152 8 Actuality/pictures 152 9 And finally ." 152 Local considerations 153 Foreign coverage 153 Producing a running order 154 13 Putting the show together 155 Winning an audience - the openers 156 Keeping an audience - headlines and promotions 157 Actuality 158 Pictures 158 Graphics 159 Programme balance - being all things to all people 160 Groupings and variety 160 Rhythm and pace 162 And now the good news? 163 14 Making the programme fit 165 Cutting 165 Filling 167 Backtiming 168 15 News anchors and presenters 171 The talent 171 Qualities of a newscaster 172 More than just a newsreader . 173 Professionalism 174 Voice 175 16 On air!' 177 Performance 177 Presence 177 Getting through to the audience - rapport 179 Know your material 180 Ad-libs 180 The gate 181 Making a swift recovery 182 Contents xi Corpsing 184 Relaxation 184 17 Newsreading mechanics 187 Speed 187 Breathing 187 Projection 1 89 Emphasis 190 Pitch 191 Microphone technique 191 Using the prompter 192 Noise, noise, noise 194 Bringing the story to life 194 Part Two: Radio 195 18 Story treatment 197 Breaking news (bulletin US) 198 Headline 200 Copy story 201 Voicer or voice report 202 Teaser or taster 204 Voice report from the scene 205 Interview 208 Newsclip 211 Package 212 Mini-wrap or bulletin wrap 214 19 Recording 219 Principles of recording 219 Sound 219 How recordings are made 220 Types of microphones 221 Using portable sound recorders 222 Digital recorders 222 Before the interview 223 Setting up the room 223 Dealing with distractions 223 Lining up the victim 223 Mike handling 224 The level check 226 Automatic level control versus manual 226 Maintain eye contact 227 And finally . 227 xii Contents 20 Editing 229 'You can't see the join' 230 Editing a SO-second bulletin clip 231 Unethical editing 232 Basic production 232 Cut and paste 233 Multi-tracking 234 Bells and whistles 234 Studio mixing 235 Setting levels 235 Types of fade 236 Pre -fade 236 Cross-fade 236 ľad ing down and fading up 236 Pot-cut 237 Fading in and out 238 21 The studi« 239 On-air studii) 239 Talks studio 239 The contributions studio 240 Remote studios 240 Radio car 241 Outside broadcast vehicle 241 Mobile phones 242 Phone levels 243 Obscenity button 243 Part Three: Television 245 22 The never ending story - the sharing television newsroom 247 Television newsrooms and the news story 248 Advantages and disadvantages 249 In and out 250 A newsroom core server 250 Order from chaos - the journalist's most basic need-to-know 252 TV script types 254 Headlines 255 Out of vision live script or underlay 256 Link or intro 256 Presenter plus stills or graphics 257 Live breaking news - 24/7 newsroom 257 The role of User Generated Content (UGC) for pictures 259 Types of citizen journalism 260 Contents xiii 23 Scripting journalism 263 The intro (cue or link) 264 Complement the pictures with the narrative 265 Writing to sounà 266 Keep detail to a minimum 267 The television news package 268 Balancing words with pictures 271 Using archive pictures 272 The bottom line 274 24 Gathering news 275 Filming for TV journalism 275 Cameraman/Camerawoman/Cameraperson ! 276 Sound recordist 277 Lighting technician 278 The video journalist (VJ) 279 The video journalist checklist 281 Pocket news and hidden filming 283 The Journalist as advance guard - a Recce 285 So here's what is absolutely vital for large OBs and events 287 Getting the story back 287 25 Camera shots 289 Hold the shots 294 Grab action shots first 296 Shoot for impact 296 Shoot in sequences 296 Context 297 Sound 297 Sound-bites and interviewee clips 298 Cutaways and bridge shots 298 Reverses 299 The line 299 Continuity 301 Piece to Camera (PTC) also known as stand uppers 302 Special film equipment 304 Tripod and tall legs 304 Wheels 304 Minicams 304 Vehicle mounts 305 Splash bag 305 Steadicam® 306 Basic lighting 306 xiv Contents 26 Editing the sound and pictures 309 Sequence of shots 310 Shot length 310 Telescoping the action 31 1 Desktop editing 312 The craft editor 313 The timer (time code) 314 The edit controller 315 Video mixing 315 Recording the commentary 316 Audio mixing 316 1'diting shots for interviews 316 Two shot 317 Reverse two shot 319 Wide two shot and wide reverse two shot 319 Set up shots 319 Vox pops 320 Using music 320 27 (ìoinjt live - live TV reporting in vision 321 What works well' 323 What works less well.' 323 Top Tips 323 28 Graphics and digital display visuals 327 Stills and frame grabs 331 Writing to still pictures and screen insets 331 Overlays and chromakey (CSO) 332 Big screen video wall 333 Acronyms in visuals 333 29 Television news presenters 337 The Best Style for Television 338 Men and their ties 339 Colours and fabrics 339 Women 340 Men 340 Live and Kicking 341 'Fill For Ten Seconds!' 341 Nerves 342 Make up and perception 343 Doing a TV presentation showreel 344 'Coming up .' 345 Contents xv 30 The news studio 347 Standby for transmission 347 The set 347 Lighting 348 Cameras 348 Sound 349 The floor manager 349 Control room 350 The director 35 ] Running order and the studio 352 Glossary of terms used in digital and multi-media broadcasting 355 Index 363
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title	Broadcast journalism techniques of radio and TV news
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title_full	Broadcast journalism techniques of radio and TV news Andrew Boyd ; Peter Stewart ; Ray Alexander
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title_short	Broadcast journalism
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title_sub	techniques of radio and TV news
topic	TELEVISION JOURNALISM Nachrichtensendung (DE-588)4127995-5 gnd Fernsehsendung (DE-588)4016842-6 gnd
topic_facet	TELEVISION JOURNALISM Nachrichtensendung Fernsehsendung
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