Shakespeare's Marlowe: the influence of Christopher Marlowe on Shakespeare's artistry
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2007
|
| Ausgabe: | Reprinted |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 251 S. |
| ISBN: | 0754657639 |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments
vi
Epigraph
vii
1
Marlowe and Shakespeare: Repositioning the Question of Sources and
Influence
1
2
Unfelt Imaginations : Influence and Characterization in The Massacre
At Paris, Titus Andronicus, and Richard HI
31
3
Hero and
Leander
and Venus and Adonis: Artistic Individuality and the
Ideology of Containment
55
4
Edward H,
Richardii,
the Will to Play, and an Aesthetic of Ambiguity
83
5
For a Tricksy Word
/
Defy the Matter : The Influence of The Jew of
Malta on The Merchant of Venice
117
6
Marlowe s Tamburlaine Plays, Shakespeare s Henry V, and the
Primacy of an Artistic Consciousness
143
7
Making the Haunt His: Dido, Queen of Carthage as a Precursor to
Antony and Cleopatra
169
8
Glutted with Conceit : Imprints of Doctor Faustus on Macbeth
and The Tempest
197
9
Conclusion: Marlovian Incentives
231
Bibliography
237
Index
247
Moving beyond traditional studies of sources
and influence, Shakespeare s Marlowe analyzes
the uncommonly powerful aesthetic bond
between Christopher Marlowe and William
Shakespeare. Not only does this study take into
account recent ideas about intertextuality, but it
also shows how the process of tracking
Marlowe s influence itself prompts questions
and reflections that illuminate the dramatists
connections. Further, after questioning the
commonly held view of Marlowe and
Shakespeare as rivals, the individual chapters
suggest new possible interrelationships in the
formation of Shakespeare s works. Such
examination of Shakespeare s Marlovian
inheritance enhances our understanding of the
dramaturgical strategies of each writer and
illuminates the importance of such strategies as
shaping forces on their works.
Robert Logan here makes plain how
Shakespeare incorporated into his own work the
dramaturgical and literary devices that resulted
in Marlowe s artistic and commercial success.
Logan shows how Shakespeare s examination of
the mechanics of his fellow dramatist s artistry
led him to absorb and develop three especially
powerful influences: Marlowe s remarkable
verbal dexterity, Ins imaginative flexibility in
reconfiguring standard notions of dramatic
genres, and his astute use of ambivalence and
ambiguity. This study therefore argues that
Marlowe and Shakespeare regarded one another
not chiefly as writers with great themes, but as
practicing dramatists and poets—which is where,
Logan contends, the influence begins and ends.
|
| adam_txt |
Contents
Acknowledgments
vi
Epigraph
vii
1
Marlowe and Shakespeare: Repositioning the Question of Sources and
Influence
1
2
"Unfelt Imaginations": Influence and Characterization in The Massacre
At Paris, Titus Andronicus, and Richard HI
31
3
Hero and
Leander
and Venus and Adonis: Artistic Individuality and the
Ideology of Containment
55
4
Edward H,
Richardii,
the Will to Play, and an Aesthetic of Ambiguity
83
5
"For a Tricksy Word
/
Defy the Matter": The Influence of The Jew of
Malta on The Merchant of Venice
117
6
Marlowe's Tamburlaine Plays, Shakespeare's Henry V, and the
Primacy of an Artistic Consciousness
143
7
Making the Haunt His: Dido, Queen of Carthage as a Precursor to
Antony and Cleopatra
169
8
"Glutted with Conceit": Imprints of Doctor Faustus on Macbeth
and The Tempest
197
9
Conclusion: Marlovian Incentives
231
Bibliography
237
Index
' 247
Moving beyond traditional studies of sources
and influence, Shakespeare's Marlowe analyzes
the uncommonly powerful aesthetic bond
between Christopher Marlowe and William
Shakespeare. Not only does this study take into
account recent ideas about intertextuality, but it
also shows how the process of tracking
Marlowe's influence itself prompts questions
and reflections that illuminate the dramatists'
connections. Further, after questioning the
commonly held view of Marlowe and
Shakespeare as rivals, the individual chapters
suggest new possible interrelationships in the
formation of Shakespeare's works. Such
examination of Shakespeare's Marlovian
inheritance enhances our understanding of the
dramaturgical strategies of each writer and
illuminates the importance of such strategies as
shaping forces on their works.
Robert Logan here makes plain how
Shakespeare incorporated into his own work the
dramaturgical and literary devices that resulted
in Marlowe's artistic and commercial success.
Logan shows how Shakespeare's examination of
the mechanics of his fellow dramatist's artistry
led him to absorb and develop three especially
powerful influences: Marlowe's remarkable
verbal dexterity, Ins imaginative flexibility in
reconfiguring standard notions of dramatic
genres, and his astute use of ambivalence and
ambiguity. This study therefore argues that
Marlowe and Shakespeare regarded one another
not chiefly as writers with great themes, but as
practicing dramatists and poets—which is where,
Logan contends, the influence begins and ends. |
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| spelling | Logan, Robert A. 1935- Verfasser (DE-588)137061714 aut Shakespeare's Marlowe the influence of Christopher Marlowe on Shakespeare's artistry Robert A. Logan Reprinted Aldershot [u.a.] Ashgate 2007 251 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Marlowe, Christopher <1564-1593> Criticism, Textual Marlowe, Christopher <1564-1593> Influence Marlowe, Christopher <1564-1593> Literary style Marlowe, Christopher <1564-1593> Technique Shakespeare, William <1564-1616> Criticism, Textual Shakespeare, William <1564-1616> Literary style Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Marlowe, Christopher 1564-1593 (DE-588)118578065 gnd rswk-swf Geschichte gnd rswk-swf English drama Early modern and Elizabethan, 1500-1600 History and criticism Rezeption (DE-588)4049716-1 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Marlowe, Christopher 1564-1593 (DE-588)118578065 p DE-604 Drama (DE-588)4012899-4 s Rezeption (DE-588)4049716-1 s Geschichte z Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016401319&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016401319&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Logan, Robert A. 1935- Shakespeare's Marlowe the influence of Christopher Marlowe on Shakespeare's artistry Marlowe, Christopher <1564-1593> Criticism, Textual Marlowe, Christopher <1564-1593> Influence Marlowe, Christopher <1564-1593> Literary style Marlowe, Christopher <1564-1593> Technique Shakespeare, William <1564-1616> Criticism, Textual Shakespeare, William <1564-1616> Literary style Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd Marlowe, Christopher 1564-1593 (DE-588)118578065 gnd English drama Early modern and Elizabethan, 1500-1600 History and criticism Rezeption (DE-588)4049716-1 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)118578065 (DE-588)4049716-1 (DE-588)4012899-4 |
| title | Shakespeare's Marlowe the influence of Christopher Marlowe on Shakespeare's artistry |
| title_auth | Shakespeare's Marlowe the influence of Christopher Marlowe on Shakespeare's artistry |
| title_exact_search | Shakespeare's Marlowe the influence of Christopher Marlowe on Shakespeare's artistry |
| title_exact_search_txtP | Shakespeare's Marlowe the influence of Christopher Marlowe on Shakespeare's artistry |
| title_full | Shakespeare's Marlowe the influence of Christopher Marlowe on Shakespeare's artistry Robert A. Logan |
| title_fullStr | Shakespeare's Marlowe the influence of Christopher Marlowe on Shakespeare's artistry Robert A. Logan |
| title_full_unstemmed | Shakespeare's Marlowe the influence of Christopher Marlowe on Shakespeare's artistry Robert A. Logan |
| title_short | Shakespeare's Marlowe |
| title_sort | shakespeare s marlowe the influence of christopher marlowe on shakespeare s artistry |
| title_sub | the influence of Christopher Marlowe on Shakespeare's artistry |
| topic | Marlowe, Christopher <1564-1593> Criticism, Textual Marlowe, Christopher <1564-1593> Influence Marlowe, Christopher <1564-1593> Literary style Marlowe, Christopher <1564-1593> Technique Shakespeare, William <1564-1616> Criticism, Textual Shakespeare, William <1564-1616> Literary style Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd Marlowe, Christopher 1564-1593 (DE-588)118578065 gnd English drama Early modern and Elizabethan, 1500-1600 History and criticism Rezeption (DE-588)4049716-1 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Marlowe, Christopher <1564-1593> Criticism, Textual Marlowe, Christopher <1564-1593> Influence Marlowe, Christopher <1564-1593> Literary style Marlowe, Christopher <1564-1593> Technique Shakespeare, William <1564-1616> Criticism, Textual Shakespeare, William <1564-1616> Literary style Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 Marlowe, Christopher 1564-1593 English drama Early modern and Elizabethan, 1500-1600 History and criticism Rezeption Drama |
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