A chinese word on image: Zheng Qiao (1104 - 1162) and his thought on Images
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Göteborg
Göteborgs Univ., Acta Univ. Gothoburgensis
2008
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| Schriftenreihe: | Acta Universitatis Gothoburgensis
Gothenburg studies in art and architecture ; 25 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Zugl.: Göteborg, Univ., Diss., 2008 |
| Beschreibung: | 270 S. Ill., graph. Darst. |
| ISBN: | 9789173466073 |
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| 245 | 1 | 0 | |a A chinese word on image |b Zheng Qiao (1104 - 1162) and his thought on Images |c Han Si |
| 264 | 1 | |a Göteborg |b Göteborgs Univ., Acta Univ. Gothoburgensis |c 2008 | |
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Datensatz im Suchindex
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| adam_text | Contents
PREFACE, ACKNOWLEDGEMENTS, EXPLANATORY NOTES..........................................9
the change-a background..........................................................................................9
Acknowledgements....................................................................................................12
PlNYINAND HANZI.........................................................................................................14
Legends of source texts..............................................................................................15
Dynasties, key persons and works...............................................................................16
1. INTRODUCTION...................................................................................................17
Subject.......................................................................................................................17
Methodological approaches......................................................................................17
basic materials and earlier research...........................................................................22
Disposition.................................................................................................................28
a note on the translation ..........................................................................................30
2. THE LIFE AND WORKS OF ZHENG QIAO................................................................31
Life.............................................................................................................................31
Tongzhi (General history)..........................................................................................42
Zheng Qiao s image-related writings and his images....................................................51
3.TUPULUE...........................................................................................................53
Seeking the appearance...............................................................................................54
The equal importance of images and writings.....................................................54
The interdependent relationship between images and writings..........................57
The change of the tradition of using images........................................................61
The loss of images and the crime of the bibliographers.......................................66
Images are needed for any achievements in human affairs................................72
THE ORIGIN OF THE SCHOLARSHIP......................................................................................74
Criticism of scholarly trends and a call for solid learning.....................................74
Image studies: the fundamental scholarship for solid learning...........................77
The sigh of Zheng Qiao.........................................................................................80
6 CONTENTS
Understanding the usage............................................................................................81
Zheng Qiao s scholarly method............................................................................82
Sixteen fields of leaning for which images are indispensable...............................83
Heaven and earth: astronomy and geography.....................................................86
Human life: palaces / houses, utensils, vehicles/flags, clothing.........................88
Architecture: sacrificial altar, city planning, fortification.....................................91
Economy: agriculture and accounting..................................................................92
Laws, regulations, ranking system.......................................................................94
History, names and things, writing system...........................................................96
Making analogy....................................................................................................97
Bibliographies of existing and lost images...................................................................99
Images in the two bibliographies.........................................................................99
The purpose of the two image bibliographies and Tu pu lue................................99
4. MORE ON IMAGES IN TONG ZHI........................................................................103
Trusted images.........................................................................................................103
The content of the Treatise on Astronomy.........................................................103
Comments on images in the Treatise on Astronomy..........................................105
Images can easily contain errors when spread...................................................107
Trusted images are hard to obtain.....................................................................108
Images in words, appearances between lines....................................................109
The meaning of original images.........................................................................109
A FURTHER INQUIRY INTO PU..........................................................................................110
Pu as literature...................................................................................................Ill
Pu as tables.........................................................................................................112
Tables in Tong zhi...............................................................................................115
Tables are important for historiography............................................................115
Reading a Chinese table.....................................................................................119
Making good tables............................................................................................119
Typographical readability...................................................................................120
Be precise and to the point.................................................................................122
Collation..............................................................................................................125
Tables used in phonology...................................................................................125
Indexing images........................................................................................................127
CONTENTS 7
Zheng Qiao s bibliography: Treatise on literature..............................................127
Zhang Xuecheng s criticism of Zheng Qiao s bibliographies...............................129
Image studies in Zheng Qiao s classification of scholarship...............................131
On writing and painting...........................................................................................137
Writing and painting share the same origin.......................................................137
Shape vs. form....................................................................................................139
The issue of painting...........................................................................................141
5. THE INFLUENCE OF ZHENG QIAO.......................................................................143
Echoes of the sigh of Zheng Qiao..............................................................................144
Yu hai: Jade Ocean.............................................................................................144
Jing chuan bai bian : Miscellaneous compendium ofJingchuan........................146
San cai tu hui: Image compendium of the three realms.....................................148
Tu pu lue in two later Tongzhi............................................................................153
Echo of the sigh of Zheng Qiao...........................................................................156
Zhang Xuecheng: a successor to Zheng Qiao.............................................................159
The defense of Zheng Qiao.................................................................................160
The criticism and success of Zheng Qiao s thought on images...........................163
An image is a history without words..................................................................167
Making usable images is a special expertise......................................................168
Zheng Qiao in the era of reading images....................................................................173
6. TERMS OF THE IMAGE AND IMAGE STUDIES......................................................177
Image.......................................................................................................................178
A family tree of image........................................................................................178
Trisections of graphic images.............................................................................182
Tu............................................................................................................................185
Etymology...........................................................................................................185
A Chinese trisection oftu....................................................................................188
Zheng Qiao s classification and taxonomy of tu.................................................196
A comparison of trisections of graphical images................................................201
Xiang........................................................................................................................204
Imagining an elephant.......................................................................................205
A sibling to the elephant....................................................................................207
8 CONTENTS
Xiang as appearance..........................................................................................211
Image vs. picture................................................................................................216
Image studies............................................................................................................219
Image studies......................................................................................................219
Image science.....................................................................................................221
Bildvetenskap.....................................................................................................222
Tupuzhixue.......................................................................................................223
SUMMARY...........................................................................................................227
APPENDIX I: RECORDS OF EXISTING IMAGES.........................................................235
APPENDIX II: RECORDS OF LOST IMAGES..............................................................242
APPENDIX III: SIX-WRITINGS SYSTEM....................................................................248
TABLES.................................................................................................................250
FIGURES...............................................................................................................251
ABBREVIATIONS...................................................................................................253
BIBLIOGRAPHY.....................................................................................................254
INDEX...................................................................................................................268
250
Tables
Table 1. Legends of source texts....................................................................................15
Table 2. Dynasties, key persons and works.................................................................16
Table 3. Translations of some key terms.....................................................................30
Table 4. Contents of Tong tfhi.........................................................................................46
Table 5. Subtides used in Records of lost images............................................................102
Table 6. Ganzhi system.................................................................................................124
Table 7. Taisui system...................................................................................................124
Table 8. Zheng Qiao s classification of books in Treatise on literature.....................135
Table 9. A comparison of trisections of graphical images......................................201
Table 10. A selection of words consisting of Jilor dlin modern Chinese.........210
Table 11. Records of existing images..................................................................................235
Table 12. Records of lost images.........................................................................................242
Table 13. Six-writings system.......................................................................................249
251
Figures
Figure 1. He tu and Luo sbu. Source: SCTH, wenshi vol 1...........................................55
Figure 2. A portrait of Xiao He. Source: SCTH, renwu vol 4....................................63
Figure 3. Official buildings in Nanjing. Source: SCTH, gongshiVol 3......................73
Figure 4. Table of the twenty states in the Spring and Autumn Period. Source:
SCTH, wenshi vol 3.............................................................................................................73
Figure 5. A general star chart. Source: SCTH, tiamven vol 1....................................87
Figure 6. A world map. Source: SCTH, dili vol 1.......................................................87
Figure 7. Sacrificial round mound. Source: SCTH, gongshiVol 3..............................88
Figure 8. Bron2e vessel / ?/ and %un. Source: SCTH, qiyongvol 1...............................90
Figure 9. (left) Flags used at imperial ceremonies. Source: SCTH, ji^hi vol 3.
Figure 10. (right) Ceremonies positioning: princess meeting her husband s
parents. Source: SCTH, ji^hi vol 6..................................................................................90
Figure 11. City portal. Source: SCTH, gongshiVol 2.....................................................92
Figure 12. Various geometrical fields and the way to measure the acreage.
Source: SCTH, dili vol 16.................................................................................................93
Figure 13. Tools for weights and measures. Source: SCTH, qiyongvol 2................95
Figure 14. A dance instruction. Source: SCTH, renshi vol 9......................................97
Figure 15. Explanation of the differences between the character wu #and mu%.
Source: SCTH, renshi vo 3...............................................................................................98
Figure 16. System of indicating sounds by confluent consonants and syllabary.
Source: SCTH, nnshi vol 4...............................................................................................98
Figure 17. The character^ It....................................................................................ln
Figure 18. Era-table of the Three August Ones HMtftlt (san huang shipu) in Tong
%hi. Source: Tong %hi, vol 21, Shanghai shangwu yinshuguan, 1936, 405................114
Figure 19. Year-table of the Spring and Autumn Period #$c¥tf ifhun qiu nian pu)
in Tong %hi. Source: Tong zhi, vol 21, Shanghai shangwu yinshuguan, 1936, 407. 115
Figure 20. A Sound table in Qiyin Be in Tong $i. Source: Tong $i, vol 36,
Shanghai shangwu yinshuguan, 1936, 515...................................................................126
Figure 21. The character sbu fr...................................................................................137
Figure 22. The character hua H..................................................................................141
Figure 23. Xing cai (floating heart, Njmphoides pelatum) Source: Gang Yuanfeng,
Mao shi pin wu tu kao, vol 1..............................................................................................
252 FIGURES
Figure 24. Geographical map of Yongqing, Eastern suburb, five li (a half
kilometer) each square. Source: Zhang Xuecheng, Yongqing Ga%etteer,yuditu 1......166
Figure 25. Architectual map of Yongqing, length of city wall: 5.3 li. Source:
Zhang Xuecheng, Yongqing Gavgtteerjian^hitu 2..........................................................166
Figure 26. Architectual map of Yongqing, government offices. Source: Zhang
Xuecheng, Yongqing Ga%etteer,jian%hitu 5......................................................................172
Figure 27. A table of official positions in the history of Yongqing. Source:
Zhang Xuecheng, Yongqing Gazetteer, %higuanbiao 1.....................................................172
Figure 28. An excerpt from a 1436 primer on Chinese characters. Source: Xin
bian dm xiang si yan, Hongkong University Press, 1967..............................................176
Figure 29. Mitchell s family tree of image. Source: W.J.T. Mitchell, Iconobgy, 1986,
10........................................................................................................................................179
Figure 30. Twyman s trisection of graphic. Source: Michael Twyman, Using pictorial
language, 1985, 246............................................................................................................182
Figure 31. Elkins s trichotomy of image. Source: James Elkins, The domain of images,
1999,85.............................................................................................................................183
Figure 32. The character tu H.....................................................................................185
Figure 33. Various ancient forms of the character tu H. Source: Han ju da %
dian, 1990,725..................................................................................................................187
Figure 34. Yan Yanzhi s trisection of tu H...............................................................189
Figure 35. Arrangement of 64 hexagrams in a circle and a square. Source: SCTH,
wenshi vol 1........................................................................................................................191
Figure Sd.Qiji cheng wen tu (all characters are transformations of a line and a dot).
Source: Zheng Qiao, Tong ^hi, liu shu liie, vol 35,1936, 507......................................192
Figure 37. Instructions on painting plum blossom. Source: SCTH, renshivdi 5. 196
Figure 38. Zheng Qiao s concept of tu and pu..........................................................198
Figure 39. A constructed trisection with Zheng Qiao s terminology....................200
Figure 40. An excerpt from a 1436 primer on Chinese characters. Source: Xin
bian dui xiang si yan, Hongkong University Press, 1967..............................................203
Figure 41. The character xiang %................................................................................208
Figure 42. The character xiang {%...............................................................................209
Figure 43. The character xiangffi.................................................................................212
Figure 44. The character xiangW..................................................................................213
|
| adam_txt |
Contents
PREFACE, ACKNOWLEDGEMENTS, EXPLANATORY NOTES.9
the change-a background.9
Acknowledgements.12
PlNYINAND HANZI.14
Legends of source texts.15
Dynasties, key persons and works.16
1. INTRODUCTION.17
Subject.17
Methodological approaches.17
basic materials and earlier research.22
Disposition.28
a note on the translation .30
2. THE LIFE AND WORKS OF ZHENG QIAO.31
Life.31
Tongzhi (General history).42
Zheng Qiao's image-related writings and his images.51
3.TUPULUE.53
Seeking the appearance.54
The equal importance of images and writings.54
The interdependent relationship between images and writings.57
The change of the tradition of using images.61
The loss of images and the crime of the bibliographers.66
Images are needed for any achievements in human affairs.72
THE ORIGIN OF THE SCHOLARSHIP.74
Criticism of scholarly trends and a call for solid learning.74
Image studies: the fundamental scholarship for solid learning.77
The sigh of Zheng Qiao.80
6 CONTENTS
Understanding the usage.81
Zheng Qiao's scholarly method.82
Sixteen fields of leaning for which images are indispensable.83
Heaven and earth: astronomy and geography.86
Human life: palaces / houses, utensils, vehicles/flags, clothing.88
Architecture: sacrificial altar, city planning, fortification.91
Economy: agriculture and accounting.92
Laws, regulations, ranking system.94
History, names and things, writing system.96
Making analogy.97
Bibliographies of existing and lost images.99
Images in the two bibliographies.99
The purpose of the two image bibliographies and Tu pu lue.99
4. MORE ON IMAGES IN TONG ZHI.103
Trusted images.103
The content of the Treatise on Astronomy.103
Comments on images in the Treatise on Astronomy.105
Images can easily contain errors when spread.107
Trusted images are hard to obtain.108
Images in words, appearances between lines.109
The meaning of original images.109
A FURTHER INQUIRY INTO PU.110
Pu as literature.Ill
Pu as tables.112
Tables in Tong zhi.115
Tables are important for historiography.115
Reading a Chinese table.119
Making good tables.119
Typographical readability.120
Be precise and to the point.122
Collation.125
Tables used in phonology.125
Indexing images.127
CONTENTS 7
Zheng Qiao's bibliography: Treatise on literature.127
Zhang Xuecheng's criticism of Zheng Qiao's bibliographies.129
Image studies in Zheng Qiao's classification of scholarship.131
On writing and painting.137
Writing and painting share the same origin.137
Shape vs. form.139
The issue of painting.141
5. THE INFLUENCE OF ZHENG QIAO.143
Echoes of the sigh of Zheng Qiao.144
Yu hai: Jade Ocean.144
Jing chuan bai bian : Miscellaneous compendium ofJingchuan.146
San cai tu hui: Image compendium of the three realms.148
Tu pu lue in two later Tongzhi.153
Echo of the sigh of Zheng Qiao.156
Zhang Xuecheng: a successor to Zheng Qiao.159
The defense of Zheng Qiao.160
The criticism and success of Zheng Qiao's thought on images.163
An image is a history without words.167
Making usable images is a special expertise.168
Zheng Qiao in the era of reading images.173
6. TERMS OF THE IMAGE AND IMAGE STUDIES.177
Image.178
A family tree of image.178
Trisections of graphic images.182
Tu.185
Etymology.185
A Chinese trisection oftu.188
Zheng Qiao's classification and taxonomy of tu.196
A comparison of trisections of graphical images.201
Xiang.204
Imagining an elephant.205
A sibling to the elephant.207
8 CONTENTS
Xiang as appearance.211
Image vs. picture.216
Image studies.219
Image studies.219
Image science.221
Bildvetenskap.222
Tupuzhixue.223
SUMMARY.227
APPENDIX I: RECORDS OF EXISTING IMAGES.235
APPENDIX II: RECORDS OF LOST IMAGES.242
APPENDIX III: SIX-WRITINGS SYSTEM.248
TABLES.250
FIGURES.251
ABBREVIATIONS.253
BIBLIOGRAPHY.254
INDEX.268
250
Tables
Table 1. Legends of source texts.15
Table 2. Dynasties, key persons and works.16
Table 3. Translations of some key terms.30
Table 4. Contents of Tong tfhi.46
Table 5. Subtides used in Records of lost images.102
Table 6. Ganzhi system.124
Table 7. Taisui system.124
Table 8. "Zheng Qiao's classification of books in Treatise on literature.135
Table 9. A comparison of trisections of graphical images.201
Table 10. A selection of words consisting of Jilor 'dlin modern Chinese.210
Table 11. Records of existing images.235
Table 12. Records of lost images.242
Table 13. Six-writings system.249
251
Figures
Figure 1. He tu and Luo sbu. Source: SCTH, wenshi vol 1.55
Figure 2. A portrait of Xiao He. Source: SCTH, renwu vol 4.63
Figure 3. Official buildings in Nanjing. Source: SCTH, gongshiVol 3.73
Figure 4. Table of the twenty states in the Spring and Autumn Period. Source:
SCTH, wenshi vol 3.73
Figure 5. A general star chart. Source: SCTH, tiamven vol 1.87
Figure 6. A world map. Source: SCTH, dili vol 1.87
Figure 7. Sacrificial round mound. Source: SCTH, gongshiVol 3.88
Figure 8. Bron2e vessel / ?/'and %un. Source: SCTH, qiyongvol 1.90
Figure 9. (left) Flags used at imperial ceremonies. Source: SCTH, ji^hi vol 3.
Figure 10. (right) Ceremonies positioning: princess meeting her husband's
parents. Source: SCTH, ji^hi vol 6.90
Figure 11. City portal. Source: SCTH, gongshiVol 2.92
Figure 12. Various geometrical fields and the way to measure the acreage.
Source: SCTH, dili vol 16.93
Figure 13. Tools for weights and measures. Source: SCTH, qiyongvol 2.95
Figure 14. A dance instruction. Source: SCTH, renshi vol 9.97
Figure 15. Explanation of the differences between the character wu #and mu%.
Source: SCTH, renshi vo\ 3.98
Figure 16. System of indicating sounds by confluent consonants and syllabary.
Source: SCTH, nnshi vol 4.98
Figure 17. The character^ It.ln
Figure 18. Era-table of the Three August Ones HMtftlt (san huang shipu) in Tong
%hi. Source: Tong %hi, vol 21, Shanghai shangwu yinshuguan, 1936, 405.114
Figure 19. Year-table of the Spring and Autumn Period #$c¥tf ifhun qiu nian pu)
in Tong %hi. Source: Tong zhi, vol 21, Shanghai shangwu yinshuguan, 1936, 407. 115
Figure 20. A "Sound table" in Qiyin Be in Tong $i. Source: Tong $i, vol 36,
Shanghai shangwu yinshuguan, 1936, 515.126
Figure 21. The character sbu fr.137
Figure 22. The character hua H.141
Figure 23. Xing cai (floating heart, Njmphoides pelatum) Source: Gang Yuanfeng,
Mao shi pin wu tu kao, vol 1.
252 FIGURES
Figure 24. Geographical map of Yongqing, Eastern suburb, five li (a half
kilometer) each square. Source: Zhang Xuecheng, Yongqing Ga%etteer,yuditu 1.166
Figure 25. Architectual map of Yongqing, length of city wall: 5.3 li. Source:
Zhang Xuecheng, Yongqing Gavgtteerjian^hitu 2.166
Figure 26. Architectual map of Yongqing, government offices. Source: Zhang
Xuecheng, Yongqing Ga%etteer,jian%hitu 5.172
Figure 27. A table of official positions in the history of Yongqing. Source:
Zhang Xuecheng, Yongqing Gazetteer, %higuanbiao 1.172
Figure 28. An excerpt from a 1436 primer on Chinese characters. Source: Xin
bian dm xiang si yan, Hongkong University Press, 1967.176
Figure 29. Mitchell's family tree of image. Source: W.J.T. Mitchell, Iconobgy, 1986,
10.179
Figure 30. Twyman's trisection of graphic. Source: Michael Twyman, Using pictorial
language, 1985, 246.182
Figure 31. Elkins's trichotomy of image. Source: James Elkins, The domain of images,
1999,85.183
Figure 32. The character tu H.185
Figure 33. Various ancient forms of the character tu H. Source: Han ju da %
dian, 1990,725.187
Figure 34. Yan Yanzhi's trisection of tu H.189
Figure 35. Arrangement of 64 hexagrams in a circle and a square. Source: SCTH,
wenshi vol 1.191
Figure Sd.Qiji cheng wen tu (all characters are transformations of a line and a dot).
Source: Zheng Qiao, Tong ^hi, liu shu liie, vol 35,1936, 507.192
Figure 37. Instructions on painting plum blossom. Source: SCTH, renshivdi 5. 196
Figure 38. Zheng Qiao's concept of tu and pu.198
Figure 39. A constructed trisection with Zheng Qiao's terminology.200
Figure 40. An excerpt from a 1436 primer on Chinese characters. Source: Xin
bian dui xiang si yan, Hongkong University Press, 1967.203
Figure 41. The character xiang %.208
Figure 42. The character xiang {%.209
Figure 43. The character xiangffi.212
Figure 44. The character xiangW.213 |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV023212538 |
| illustrated | Illustrated |
| index_date | 2024-07-02T20:12:37Z |
| indexdate | 2024-07-09T21:13:12Z |
| institution | BVB |
| isbn | 9789173466073 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016398583 |
| oclc_num | 239516468 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-255 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-255 |
| physical | 270 S. Ill., graph. Darst. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Göteborgs Univ., Acta Univ. Gothoburgensis |
| record_format | marc |
| series | Acta Universitatis Gothoburgensis |
| series2 | Acta Universitatis Gothoburgensis : Gothenburg studies in art and architecture |
| spelling | Si, Han Verfasser aut A chinese word on image Zheng Qiao (1104 - 1162) and his thought on Images Han Si Göteborg Göteborgs Univ., Acta Univ. Gothoburgensis 2008 270 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Acta Universitatis Gothoburgensis : Gothenburg studies in art and architecture 25 Zugl.: Göteborg, Univ., Diss., 2008 Zheng, Qiao 1104-1162 (DE-588)13564688X gnd rswk-swf Text (DE-588)4059596-1 gnd rswk-swf Bild (DE-588)4006568-6 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Zheng, Qiao 1104-1162 (DE-588)13564688X p Bild (DE-588)4006568-6 s DE-604 Text (DE-588)4059596-1 s Acta Universitatis Gothoburgensis Gothenburg studies in art and architecture ; 25 (DE-604)BV000009359 25 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016398583&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Si, Han A chinese word on image Zheng Qiao (1104 - 1162) and his thought on Images Acta Universitatis Gothoburgensis Zheng, Qiao 1104-1162 (DE-588)13564688X gnd Text (DE-588)4059596-1 gnd Bild (DE-588)4006568-6 gnd |
| subject_GND | (DE-588)13564688X (DE-588)4059596-1 (DE-588)4006568-6 (DE-588)4113937-9 |
| title | A chinese word on image Zheng Qiao (1104 - 1162) and his thought on Images |
| title_auth | A chinese word on image Zheng Qiao (1104 - 1162) and his thought on Images |
| title_exact_search | A chinese word on image Zheng Qiao (1104 - 1162) and his thought on Images |
| title_exact_search_txtP | A chinese word on image Zheng Qiao (1104 - 1162) and his thought on Images |
| title_full | A chinese word on image Zheng Qiao (1104 - 1162) and his thought on Images Han Si |
| title_fullStr | A chinese word on image Zheng Qiao (1104 - 1162) and his thought on Images Han Si |
| title_full_unstemmed | A chinese word on image Zheng Qiao (1104 - 1162) and his thought on Images Han Si |
| title_short | A chinese word on image |
| title_sort | a chinese word on image zheng qiao 1104 1162 and his thought on images |
| title_sub | Zheng Qiao (1104 - 1162) and his thought on Images |
| topic | Zheng, Qiao 1104-1162 (DE-588)13564688X gnd Text (DE-588)4059596-1 gnd Bild (DE-588)4006568-6 gnd |
| topic_facet | Zheng, Qiao 1104-1162 Text Bild Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016398583&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000009359 |
| work_keys_str_mv | AT sihan achinesewordonimagezhengqiao11041162andhisthoughtonimages |