The films of Samuel Fuller: if you die, I'll kill you!
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Middletown, Conn.
Wesleyan Univ. Press
2008
|
| Schriftenreihe: | Wesleyan film
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XII, 246 S. Ill. |
| ISBN: | 9780819568663 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
List of Illustrations ix
Acknowledgments xi
Introduction i
The Fuller Biographical Legend 4
Fuller as Storyteller 10
Movement and Conflict 17
Chapter One: The Lippert Years, 1948-1951 24
The Marketplace for Low-Budget Films 25
Early Experiments: / Shot Jesse ]antes and The Baron of Arizona 28
Establishing a Voice: The Steel Helmet 39
Chapter Two: The Fox Years, 1951-1956 52
The Trade-offs of Studio Filmmaking 54
Return to War: Fixed Bayonets 56
Complete Independence: Park Row 62
Brutality: Pickup on South Street 6j
Classical Style: Hell and High Water and House of Bamboo 77
Chapter Three: The Globe Years, 1956-1961 93
The Challenges of Independence 94
No Holds Barred: Run of the Arrow, China Gate, Forty Guns,
and Verboten! 97
Sensational Style: The Crimson Kimono and Underworld, U.S.A. 121
Chapter Four: The Freelance Years, 1961-1964 141
Return to War: Merrill s Marauders 142
Adult Exploitation: Shock Corridor and The Naked Kiss 148
Fuller Goes to Vietnam: The Rifle 168
Vlll CONTENTS
Chapter Five: The Final Battles, 1965-1997 171
Critical Recognition, Professional Frustration 171
Loose Ends: Shark! and Dead Pigeon on Beethoven Street 177
A Personal Journey: The Big Red One 184
Inciting Controversy: White Dog 191
In Exile: Thieves After Dark and Street of No Return 196
Conclusion 2.03
Notes 2.07
Filmography 2.27
Bibliography 2-33
Index 2.39
Illustrations
Samuel Fuller in Italy during World War II 5
Publicity still for Park Row 11
Drawing by Fuller for Park Row 15
Production still for Forty Guns 19
Frame enlargements from Underworld, U.S.A. 22
Publicity still for / Shot Jesse James 3 2
Publicity still for The Baron of Arizona 37
Publicity still for The Steel Helmet 47
Darryl Zanuck and Samuel Fuller 5 3
Production still for Fixed Bayonets 61
Production still contact sheet for Park Row 66
Publicity still for Pickup on South Street 73
Publicity still for Hell and High Water 80
Production still for House of Bamboo 88
Production still for Run of the Arrow 101
Publicity still for China Gate 105
Frame enlargements from Forty Guns 114
Publicity still for Verboten! 118
Frame enlargements from The Crimson Kimono 127
Frame enlargements from Underworld, U.S.A. 140
Production still for Merrill s Marauders 145
Frame enlargements from Shock Corridor 155
Advertisement mat for Shock Corridor 157
Production still and frame enlargements from The Naked Kiss 161
Francois Truffaut and Samuel Fuller 173
Production still for Shark! 179
Frame enlargement from Dead Pigeon on Beethoven Street 183
Production still for The Big Red One 188
Production still for White Dog 195
|
| adam_txt |
Contents
List of Illustrations ix
Acknowledgments xi
Introduction i
The Fuller Biographical Legend 4
Fuller as Storyteller 10
Movement and Conflict 17
Chapter One: The Lippert Years, 1948-1951 24
The Marketplace for Low-Budget Films 25
Early Experiments: / Shot Jesse ]antes and The Baron of Arizona 28
Establishing a Voice: The Steel Helmet 39
Chapter Two: The Fox Years, 1951-1956 52
The Trade-offs of Studio Filmmaking 54
Return to War: Fixed Bayonets 56
Complete Independence: Park Row 62
Brutality: Pickup on South Street 6j
Classical Style: Hell and High Water and House of Bamboo 77
Chapter Three: The Globe Years, 1956-1961 93
The Challenges of Independence 94
No Holds Barred: Run of the Arrow, China Gate, Forty Guns,
and Verboten! 97
Sensational Style: The Crimson Kimono and Underworld, U.S.A. 121
Chapter Four: The Freelance Years, 1961-1964 141
Return to War: Merrill's Marauders 142
Adult Exploitation: Shock Corridor and The Naked Kiss 148
Fuller Goes to Vietnam: The Rifle 168
Vlll CONTENTS
Chapter Five: The Final Battles, 1965-1997 171
Critical Recognition, Professional Frustration 171
Loose Ends: Shark! and Dead Pigeon on Beethoven Street 177
A Personal Journey: The Big Red One 184
Inciting Controversy: White Dog 191
In Exile: Thieves After Dark and Street of No Return 196
Conclusion 2.03
Notes 2.07
Filmography 2.27
Bibliography 2-33
Index 2.39
Illustrations
Samuel Fuller in Italy during World War II 5
Publicity still for Park Row 11
Drawing by Fuller for Park Row 15
Production still for Forty Guns 19
Frame enlargements from Underworld, U.S.A. 22
Publicity still for / Shot Jesse James 3 2
Publicity still for The Baron of Arizona 37
Publicity still for The Steel Helmet 47
Darryl Zanuck and Samuel Fuller 5 3
Production still for Fixed Bayonets 61
Production still contact sheet for Park Row 66
Publicity still for Pickup on South Street 73
Publicity still for Hell and High Water 80
Production still for House of Bamboo 88
Production still for Run of the Arrow 101
Publicity still for China Gate 105
Frame enlargements from Forty Guns 114
Publicity still for Verboten! 118
Frame enlargements from The Crimson Kimono 127
Frame enlargements from Underworld, U.S.A. 140
Production still for Merrill's Marauders 145
Frame enlargements from Shock Corridor 155
Advertisement mat for Shock Corridor 157
Production still and frame enlargements from The Naked Kiss 161
Francois Truffaut and Samuel Fuller 173
Production still for Shark! 179
Frame enlargement from Dead Pigeon on Beethoven Street 183
Production still for The Big Red One 188
Production still for White Dog 195 |
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| isbn | 9780819568663 |
| language | English |
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| spelling | Dombrowski, Lisa Verfasser aut The films of Samuel Fuller if you die, I'll kill you! Lisa Dombrowski Middletown, Conn. Wesleyan Univ. Press 2008 XII, 246 S. Ill. txt rdacontent n rdamedia nc rdacarrier Wesleyan film Includes bibliographical references and index Fuller, Samuel 1912-1997 Criticism and interpretation Fuller, Samuel 1912-1997 (DE-588)119229021 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Fuller, Samuel 1912-1997 (DE-588)119229021 p Film (DE-588)4017102-4 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016397356&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dombrowski, Lisa The films of Samuel Fuller if you die, I'll kill you! Fuller, Samuel 1912-1997 Criticism and interpretation Fuller, Samuel 1912-1997 (DE-588)119229021 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)119229021 (DE-588)4017102-4 |
| title | The films of Samuel Fuller if you die, I'll kill you! |
| title_auth | The films of Samuel Fuller if you die, I'll kill you! |
| title_exact_search | The films of Samuel Fuller if you die, I'll kill you! |
| title_exact_search_txtP | The films of Samuel Fuller if you die, I'll kill you! |
| title_full | The films of Samuel Fuller if you die, I'll kill you! Lisa Dombrowski |
| title_fullStr | The films of Samuel Fuller if you die, I'll kill you! Lisa Dombrowski |
| title_full_unstemmed | The films of Samuel Fuller if you die, I'll kill you! Lisa Dombrowski |
| title_short | The films of Samuel Fuller |
| title_sort | the films of samuel fuller if you die i ll kill you |
| title_sub | if you die, I'll kill you! |
| topic | Fuller, Samuel 1912-1997 Criticism and interpretation Fuller, Samuel 1912-1997 (DE-588)119229021 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Fuller, Samuel 1912-1997 Criticism and interpretation Fuller, Samuel 1912-1997 Film |
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