Empire, barbarism, and civilisation: James Cook, William Hodges, and the return to the Pacific
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2007
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| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Rezension |
| Beschreibung: | Includes bibliographical references (p. [230]-244) and index |
| Beschreibung: | XX, 249 S., [48] Bl. Ill., Kt. 25 cm |
| ISBN: | 9780521881944 0521881943 |
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| 600 | 1 | 4 | |a Cook, James / 1728-1779 / Diaries |
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Datensatz im Suchindex
| _version_ | 1804137481996599296 |
|---|---|
| adam_text | Titel: Empire, barbarism, and civilisation
Autor: Guest, Harriet
Jahr: 2007
Contents
List of colour plates PaSe ix
List of black and white figures xv
Acknowledgements xix
Introduction 1
1 The great distinction 28
2 Curiosity and desire 49
3 Curiously marked 68
4 Terms of trade in Tonga and Vanuatu 91
5 New Zealand colonial romance 124
6 Ornament and use in London 149
Epilogue: The Effects ofPeace and The Consequences ofWar
in 1794-1795 169
Notes 199
Bibliography 230
Index 245
Colour plates
Between pages 140 and 141
0.1 William Hodges, A View ofthe Monuments ofEaster Island
[Rapanui], 1775, oil on panel, 775 x 1,219 mm. National Maritime
Museum, London. MoD Art Collection.
0.2 William Hodges, View ofthe Province ofOparee [Pare], Island of
Otaheite, with pari ofthe Island ofEimeo [Moorea], [1775?], oil on
panel, 762 x 1,232 mm. National Maritime Museum, London. MoD
Art Collection.
0.3 William Hodges, Review ofthe War Galleys at Tahiti, [c. 1776], oil on
panel, 241 x 470 mm. National Maritime Museum, London. MoD
Art Collection.
0.4 William Hodges, The War Boats ofthe Island of Otaheite [Tahiti], and
the Society Isles, with a View ofPart ofthe Harbour ofOhameneno
[Haamanino], in the Island ofUHetea [Raiatea], One ofthe Society
Islands, 1777, oil on canvas, 1,811 x 2,743 mm. National Maritime
Museum, London. MoD Art Collection.
1.1 William Hodges, A View Taken in the Bay of Otaheite Peha
[Vaitepiha], 1776, oil on canvas, 915 x 1,371 mm. National
Trust, Anglesey Abbey, Cambridgeshire. ©NTPL/John
Hammond.
1.2 William Hodges, View ofMatavai Bay in the Island of Otaheite, 1776,
oil on canvas, 915 x 1,371 mm. Yale Center for British Art, New
Haven, Paul Mellon Collection.
1.3 Detail from William Hodges, A View Taken in the Bay of Otaheite
Peha [Vaitepiha], 1776, oil on canvas, 915 x 1,371 mm. National
Trust, Anglesey Abbey, Cambridgeshire.
2.1 William Hodges, [Aj View ofMaitavie Bay, [in the Island of]
Otaheite [Tahiti], 1776, oil on canvas, 1,371 x 193 mm. National
Maritime Museum, London. MoD Art Collection.
2.2 William Hodges, Tahiti Revisited [the title A View taken [in] y* Bay
of Oaite peha otaheite is inscribed on the back of the original
canvas], 1776, oil on canvas, 927 x 1,384 mm. National Maritime
Museum, London. MoD Art Collection.
2.3 William Hodges, [ View in Tahiti with Waterfall and Girls Bathing],
[1775], oil on panel, 301 x 457 mm. Private collection, England.
2.4 William Hodges, [Waterfall in Tuauru], [1775], oil on panel,
762 x 1,235 mm. Copyright 2007 The Kelton Foundation.
2.5 William Hodges, [A Waterfall in Tahiti], [1775], oil on panel,
489 x 616 mm. National Maritime Museum, London. MoD Art
Collection.
2.6 William Hodges, Landscape, Ruins, and Figures, 1790, oil on panel,
950 x 1,325 mm. James Mackinnon.
3.1 Joshua Reynolds, Portrait ofOmai, c. 1775-6, oil on canvas, 2,362 x
1,448 mm. Sotheby s Picture Library, London.
3.2 William Parry, Omai, Joseph Banks and Dr. Solander, 1775-6, oil on
canvas, 1,525 x 1,525 mm. Copyright National Portrait Gallery,
London / National Museum Gallery, CardifF/ Captain Cook
Memorial Museum, Whitby.
3.3 Benjamin West, Joseph Banks, 1771-3, oil on canvas, 2,340 x
1,600 mm. Usher Gallery, Lincoln, courtesy of Lincolnshire
County Council, the collection, Art and Archaeology in
Lincolnshire.
3.4 William Hodges, Old Maori Man with a Grey Beard, May 1773,
chalk, 542 x 379 mm. National Library of Australia, Canberra.
nla.pic-an2720542.
3.5 William Hodges, Portrait of a YoungMaori Man, June 1773, red
chalk, 542 x 375 mm. Mitchell Library, State Library of New South
Wales, Sydney.
3.6 William Hodges, Woman o/new zeland, [1773-5], red chalk,
544 x 374 mm. National Library of Australia, Canberra.
nla.pic-an2717024.
3.7 William Hodges, Maori Man with Bushy Hair, May 1773, red chalk,
544 x 375 mm. National Library of Australia, Canberra.
nla.pic-an2720564.
3.8 William Hodges, Portrait ofa Maori Chieftarn, October 1773, red
chalk, 543 x 374 mm. National Library of Australia, Canberra.
nla.pic-an2720518.
4.1 William Hodges, A View ofCape Stephens in Cook s Straits with
Waterspout, c. 1776, oil on canvas, 1,359 x 1,931 mm. National
Maritime Museum, London. MoD Art Collection.
4.2 William Hodges, Tongatabu or Amsterdam, [October 1773],
watercolour, 375 x 545 mm. National Library of Australia. RexNan
Kivell Collection. nla.pic-an2720598.
4.3 William Hodges, The Landing at Mallicolo [Malakula], Oneofthe
New Hebrides, [c. 1776], oil on panel, 241 x 457 mm. National
Maritime Museum, London.
4.4 William Hodges, The Landing at Erramanga One ofthe New Hebrides,
[c. 1776], oil on panel, 229 x 457 mm. National Maritime Museum,
London. MoD Art Collection.
4.5 William Hodges, The Landing at Tanna One ofthe New Hebrides,
[c. 1775-6], oil on panel, 241 x 457 mm. National Maritime
Museum, London.
5.1 William Hodges, View in Pickersgill Harbour, Dusky Bay, New
Zealand, April 1773, oil on canvas, 654 x 731 mm. National
Maritime Museum, London. MoD Art Collection.
5.2 William Hodges, Waterfall in Dusky Bay, April 1773, 1775, oil on
canvas, 1,359 x 1,930 mm. National Maritime Museum, London.
MoD Art Collection.
5.3 William Hodges, [ Waterfall in Dusky Bay with a Maori Canoe. II],
[c. 1776], oil on panel, 273 x 356 mm. National Maritime Museum,
London. MoD Art Collection.
5.4 William Hodges, [A Maori Woman, Carrying a Child], [April 1773],
red chalk, 170 x 87 mm. British Museum, Department of Prints and
Drawings, London. 201.c.5, no. 283. © Copyright The Trustees of
The British Museum.
5.5 William Hodges, [A Maori Man Holding a Hatchet], [April 1773], red
chalk, 221 x 76 mm. British Museum, Department of Prints and
Drawings, London. 201.c.5, no. 282. © Copyright The Trustees of
The British Museum.
5.6 William Hodges, A View in Dusky Bay, New Zealand, 1773, oil on
circular wooden panel, 660 mm diam., 810 x 795 x 64 mm.
Auckland Art Gallery Toi o Tamaki, purchased 1961.
6.1 Joshua Reynolds, Head ofOmai, ?1775, 603 x 527 mm. Yale
University Art Gallery.
6.2 William Hodges, Omai, between August 1775 and June 1776, oil on
oval panel, 240 x 200 mm. Royal College of Surgeons, London.
6.3 John Webber, Portrait ofCaptain James Cook, 1776-80, oil on canvas,
1,095 x 695 mm. Museum of New Zealand Te Papa Tongarewa,
Wellington (1960-0013-1).
6.4 John Webber, Portrait of Captain James Cook R. N., 1782, oil on
canvas, 1,140 x 910 mm. National Portrait Gallery, Canberra.
Purchased by the Commonwealth Government with the generous
assistance of Robert Oatley and John Schaeffer 2000.
6.5 William Hodges, Captain James Cook, c. 1775, oil on canvas,
762 x 635 mm. National Maritime Museum, London.
6.6 Nathaniel Dance, James Cook, 1775-6, oil on canvas. 1,270 X
1,016 mm. National Maritime Museum, London. Greenwich
Hospital Collection.
6.7 John Hamilton Mortimer, [ Captain James Cook, Sir Joseph Banks,
Lord Sandwich, Dr Daniel Solander and Dr John Hawkesworth] ? 1771,
oil on canvas, 1,200 x 1,660 mm. National Library of Australia
Canberra, nla.pic-an7351768.
7.1 Thomas Medland after William Hodges, The Effects ofPeace, 1794,
aquatint engraving, 760 x 510 mm. National Maritime Museum,
London.
7.2 Thomas Medland after William Hodges, The Consequences of War,
1794, aquatint engraving, 760 x 510 mm. National Maritime
Museum, London.
7.3 James Gillray, Presentation ofthe Mahometan Credentials -or~ The
Final Resource ofFrench Atheists, London, published by
H. Humphrey, 26 December 1793. BMC no. 8356. Courtesy of The
Lewis Walpole Library, Yale University.
7.4 [I. Cruikshank], A Peep at the Plenipo -. //, London, published by
S. W. Fores, 1 January 1794. BMC no. 8423. Courtesy of The Lewis
Walpole Library, Yale University.
7.5 Daniel Orme after Mather Brown, The Attack on Famars, London,
1796. © Copyright The Trustees of The British Museum.
7.6 Mather Brown, Lord Howe on the Deck ofthe Queen Charlotte , 1794,
oil on canvas, 2,591 x 3,658 mm. National Maritime Museum,
London.
7.7 I. Cruikshank, Lord Howe TheyRun, ortheBritish Tars Giving the
Carmignols a Dressing on Memorable Ist ofjune 1794, London,
published by S. W Fores, 25 June 1794. BMC no. 8471. Courtesy of
The Lewis Walpole Library, Yale University.
7.8 Philippe-Jacques de Loutherbourg, The Battle ofthe First ofjune,
1794, 1795, oil on canvas, 2,665 x 3,735 mm. National Maritime
Museum, London, Greenwich Hospital Collection.
BHC0470.
7.9 James Gillray, The Genius of France Triumphant, or-Britannia
petitioningforPEACE, - Vide, The Proposais of Opposition, London,
published by H- Humphrey, 2 February 1795. BMC no. 8614.
Courtesy of The Lewis Walpole Library, Yale University.
7.10 I. Cruikshank, French Happiness/English Misery, published by S. W.
Fores, Jarmary 1793. BMC no. 8288. Courtesy of The Lewis Walpole
Library, Yale University.
7.11 James Gillray, Fatigues ofthe Campaign in Flanders, London,
published by H- Humphrey, 20 May 1793. BMC no. 8327. Courtesy
of The Lewis Walpole Library, Yale University.
Black and white figures
0.1 James Cook, A Chart ofthe Southern Hemisphere; Shewing the
Tracks ofSome ofthe Most Distinguished Navigators, in James
Cook, A Voyage Towards the South Pole (London: Strahan and
Cadeil, 1777), i, pl. i. National Library of Australia, Canberra,
nla.map-nk2456-15. page2
0.2 William Woollett after William Hodges, Monuments in Easter
Island, in Cook, Voyage (1777), i, pl. x, engraving, 240 x 390
mm. National Library of Australia, Canberra,
nla.pic-an7682817-l. 4
0.3 Adapted from a detail of C. Cooper, Pacific Ocean on
Mercator s Projection (London: Sherwood, Neelyand Jones,
1 Nov. 1809), from John Smith, A System of Modern
Geography, or, the Natural and Political History ofthe Present
State ofthe World (London: Sherwood, 1811). 8
0.4 William Woollett after William Hodges, The Fleet ofOtaheite
Assembled at Oparee, in Cook, Voyage (1777), i, pl. lxi.
National Library of Australia, Canberra, nla.pic-an7682805. 16
1.1 Titian, Diana and Actaeon, c. 1556-9, oil on canvas, 1,880 x
2,030 mm. Duke of Sutherland Collection, on loan to the
National Gallery of Scotland. 37
2.1 William Hodges, George Romney, and Sawrey Gilpin, Jaques
and the Wounded Stag in the Forest of Arden, 1789, oil on
canvas, 92.1 x 1,232 mm. Yale Center for British Art, Paul
Mellon Fund. 64
2.2 Richard Wilson, Solitude, 1762, oil on canvas, 1,003 x 1,251
mm. City and County of Swansea: Glynn Vivian Art Gallery
Collection. 65
3.1 Joshua Reynolds, Members ofthe Society of Dilettanti, 1779, oil
on canvas, 1,968 x 1,422 mm. Brooks s Club, London,
reproduced by kind permission ofthe Society of Dilettanti. 77
3.2 Sydney Parkinson, Black Stains in the Skin called Tattoo, 1769,
pen and ink, top left 273 x 184 mm, top right 273 x 184 mm,
bottom left 286 x 229 mm, bottom right 149 x 120 mm.
British Library Add. MS 23920, fol. 66(a-d). 82
3.3 Herman Spöring, Black Stains on the Skin called Tattoo, 1769,
pencil, top left 102 x 104 mm, top right 118 x 121 mm,
bottom left 102 x 45 mm, bottom right 76 x 99 mm. British
Library Add. MS 23920, fol. 67 (a-d). 83
3.4 Sydney Parkinson, Portrait ofa New Zeland Man 1769, pen
and ink wash, 394 x 298 mm. British Library Add MS 23920,
fol. 54 (a). 84
3.5 Artist unknown, plate from [John Marra], Journal ofthe
Resolution s Voyage (London: F. Newbury, 1775), 31 x 63 mm.
National Library of Australia, Canberra. 85
3.6 T. Chambers after Sydney Parkinson, The Head ofa Chief of
NewZealand, theFace Curiously Tataow d, or Marked according
to their Manner, from Sydney Parkinson, A Journal ofa Voyage
to the South Seas (London, 1784), pl. 16, opposite p. 90,
251 x 184 mm. Rex Nan Kivell Collection, National Library of
Australia, Canberra, nla.pic-an8391494. 87
4.1 James Cook, Chart ofthe Friendly Isles, in Cook, Voyage
(1777), i, pl. xiv. National Library of Australia, Canberra,
aus-nk5677-l-sl6x. 92
4.2 J. K. Sherwin after William Hodges, The Landing at
Middleburgh one of the Friendly Islands, in Cook, Voyage
(1777), ii, pl. uv (fp. 192), 275 x 515 mm. National Library
of Australia, Canberra, nla.pic-an7691871. 94
4.3 William Hodges, Tonga Tabu or Amsterdam, [June 1774-], pen
and indian ink wash, 619 x 1,172 mm. British Library,
London, Add. MS 15743, fol. 2. 96
4.4 J. K. Sherwin after William Hodges, The Landing at Tanna,
One ofthe New Hebrides, in Cook, Voyage (1777), n, pl. ux
(fp. 54), 235 x 473 mm. National Library of Australia,
Canberra, nla.pic-an7691862. 98
4.5 J. K. Sherwin after William Hodges, The Landing at
Erramanga, One of the New Hebrides, in Cook, Voyage (1777),
ii, pl. lxii (fp. 46). National Library of Australia, Canberra,
nla.pic-an7691847-l. 100
4.6 J. Basire after William Hodges, The Landing at Mallicolo, One
ofthe New Hebrides, in Cook, Voyage (1777), n, pl. lx (fp. 30).
National Library of Australia, nla.pic-an7691873. 101
4.7 William Hodges, [A Party ofMaori in a Canoe], [June 1773—],
pen and indian ink wash, with tints of watercolour, 375 x 545
mm. La Trobe Library, State Library of Victoria, Melbourne. 102
4.8 Detail from James Cook, Chart of Discoveries Made in the
South Pacific Ocean, in Cook, Voyage (1777), n, pl. in.
National Library of Australia, Canberra, aus-nk5677-2-s4x. 114
5.1 James Cook, Chart ofNew Zealand, Explored in 1769 and 1770,
in Cook, Voyage (1773), n: 283. National Library of Australia,
Canberra, FERG 7243. 125
5.2 John Rutherford, from an original drawing taken in 1828,
frontispiece to James Drummond, ed., John Rutherford the
White Chief: A Story of Adventure in New Zealand
(Christchurch: Whitcombe and Tombs Ltd, n.d.). 128
6.1 Bernard Baron with William Hogarth after Hogarth, Marriage
A-la-mode, in: The Inspection (London: Hogarth, April 1745),
385 x 465 mm. Private collection. 150
6.2 Royce after Dodd, Omai s Public Entry on his First Landing at
Otaheite, print from [John Rickman], Journal ofCaptain
Cook s Last Voyage (London, Newbery, 1781), opposite 136. 162
6.3 Detail from John Flaxman after William Hodges, Wedgwood
plaque bearing portrait of Cook (c. 1779-80), blue and white
Jasper wäre, 240 x 180 mm. Alexander Turnbull Library,
Wellington, New Zealand, ref. G-681. 167
7.1 Thornton after Richard Westall, William Hodges Esqr. R. A.
landscape painter to the Prince of Wales , Literary and
Biographical Magazine, June 1792. Private collection. 172
7.2 Key to the Print from the Great Picture ofLord Howe s Victory
Exhibiting at Orme s Gallery, Old Bond Street, London,
D. Orme, 1795, NMM PA17781. 188
7.3 I. Cruikshank, TheBRiTiSH Neptune Riding Triumphant,
orthe Carmignols Dancing to the Tuneof Rule Britannia,
London, published by S. W. Fores, 16 June 1794. BMC no.
8469. National Maritime Museum, London, PAG8504. 190
7.4 T. Medland after Robert Cleveley, The End ofthe Battle,
London, A. Poggi, 1795, NMM PAH7876. 191
7.5 D. Orme after M. Brown, Lord Howe on the Deck ofthe Queen
Charlotte, London, D. Orme, 1795, NMM PAH7879. 192
7.6 James Gillray, The Blessings of Peace I The Curses of Wa r ,
London, 12 January 1795. Private collection. 194
|
| adam_txt |
Titel: Empire, barbarism, and civilisation
Autor: Guest, Harriet
Jahr: 2007
Contents
List of colour plates PaSe ix
List of black and white figures xv
Acknowledgements xix
Introduction 1
1 The great distinction 28
2 Curiosity and desire 49
3 Curiously marked 68
4 Terms of trade in Tonga and Vanuatu 91
5 New Zealand colonial romance 124
6 Ornament and use in London 149
Epilogue: The Effects ofPeace and The Consequences ofWar
in 1794-1795 169
Notes 199
Bibliography 230
Index 245
Colour plates
Between pages 140 and 141
0.1 William Hodges, A View ofthe Monuments ofEaster Island
[Rapanui], 1775, oil on panel, 775 x 1,219 mm. National Maritime
Museum, London. MoD Art Collection.
0.2 William Hodges, View ofthe Province ofOparee [Pare], Island of
Otaheite, with pari ofthe Island ofEimeo [Moorea], [1775?], oil on
panel, 762 x 1,232 mm. National Maritime Museum, London. MoD
Art Collection.
0.3 William Hodges, Review ofthe War Galleys at Tahiti, [c. 1776], oil on
panel, 241 x 470 mm. National Maritime Museum, London. MoD
Art Collection.
0.4 William Hodges, The War Boats ofthe Island of Otaheite [Tahiti], and
the Society Isles, with a View ofPart ofthe Harbour ofOhameneno
[Haamanino], in the Island ofUHetea [Raiatea], One ofthe Society
Islands, 1777, oil on canvas, 1,811 x 2,743 mm. National Maritime
Museum, London. MoD Art Collection.
1.1 William Hodges, A View Taken in the Bay of Otaheite Peha
[Vaitepiha], 1776, oil on canvas, 915 x 1,371 mm. National
Trust, Anglesey Abbey, Cambridgeshire. ©NTPL/John
Hammond.
1.2 William Hodges, View ofMatavai Bay in the Island of Otaheite, 1776,
oil on canvas, 915 x 1,371 mm. Yale Center for British Art, New
Haven, Paul Mellon Collection.
1.3 Detail from William Hodges, A View Taken in the Bay of Otaheite
Peha [Vaitepiha], 1776, oil on canvas, 915 x 1,371 mm. National
Trust, Anglesey Abbey, Cambridgeshire.
2.1 William Hodges, [Aj View ofMaitavie Bay, [in the Island of]
Otaheite [Tahiti], 1776, oil on canvas, 1,371 x 193 mm. National
Maritime Museum, London. MoD Art Collection.
2.2 William Hodges, 'Tahiti Revisited' [the title 'A View taken [in] y* Bay
of Oaite peha otaheite'is inscribed on the back of the original
canvas], 1776, oil on canvas, 927 x 1,384 mm. National Maritime
Museum, London. MoD Art Collection.
2.3 William Hodges, [ View in Tahiti with Waterfall and Girls Bathing],
[1775], oil on panel, 301 x 457 mm. Private collection, England.
2.4 William Hodges, [Waterfall in Tuauru], [1775], oil on panel,
762 x 1,235 mm. Copyright 2007 The Kelton Foundation.
2.5 William Hodges, [A Waterfall in Tahiti], [1775], oil on panel,
489 x 616 mm. National Maritime Museum, London. MoD Art
Collection.
2.6 William Hodges, Landscape, Ruins, and Figures, 1790, oil on panel,
950 x 1,325 mm. James Mackinnon.
3.1 Joshua Reynolds, Portrait ofOmai, c. 1775-6, oil on canvas, 2,362 x
1,448 mm. Sotheby's Picture Library, London.
3.2 William Parry, Omai, Joseph Banks and Dr. Solander, 1775-6, oil on
canvas, 1,525 x 1,525 mm. Copyright National Portrait Gallery,
London / National Museum Gallery, CardifF/ Captain Cook
Memorial Museum, Whitby.
3.3 Benjamin West, Joseph Banks, 1771-3, oil on canvas, 2,340 x
1,600 mm. Usher Gallery, Lincoln, courtesy of Lincolnshire
County Council, the collection, Art and Archaeology in
Lincolnshire.
3.4 William Hodges, Old Maori Man with a Grey Beard, May 1773,
chalk, 542 x 379 mm. National Library of Australia, Canberra.
nla.pic-an2720542.
3.5 William Hodges, Portrait of a YoungMaori Man, June 1773, red
chalk, 542 x 375 mm. Mitchell Library, State Library of New South
Wales, Sydney.
3.6 William Hodges, Woman o/new zeland, [1773-5], red chalk,
544 x 374 mm. National Library of Australia, Canberra.
nla.pic-an2717024.
3.7 William Hodges, Maori Man with Bushy Hair, May 1773, red chalk,
544 x 375 mm. National Library of Australia, Canberra.
nla.pic-an2720564.
3.8 William Hodges, Portrait ofa Maori Chieftarn, October 1773, red
chalk, 543 x 374 mm. National Library of Australia, Canberra.
nla.pic-an2720518.
4.1 William Hodges, A View ofCape Stephens in Cook's Straits with
Waterspout, c. 1776, oil on canvas, 1,359 x 1,931 mm. National
Maritime Museum, London. MoD Art Collection.
4.2 William Hodges, Tongatabu or Amsterdam, [October 1773],
watercolour, 375 x 545 mm. National Library of Australia. RexNan
Kivell Collection. nla.pic-an2720598.
4.3 William Hodges, The Landing at Mallicolo [Malakula], Oneofthe
New Hebrides, [c. 1776], oil on panel, 241 x 457 mm. National
Maritime Museum, London.
4.4 William Hodges, The Landing at Erramanga One ofthe New Hebrides,
[c. 1776], oil on panel, 229 x 457 mm. National Maritime Museum,
London. MoD Art Collection.
4.5 William Hodges, The Landing at Tanna One ofthe New Hebrides,
[c. 1775-6], oil on panel, 241 x 457 mm. National Maritime
Museum, London.
5.1 William Hodges, View in Pickersgill Harbour, Dusky Bay, New
Zealand, April 1773, oil on canvas, 654 x 731 mm. National
Maritime Museum, London. MoD Art Collection.
5.2 William Hodges, Waterfall in Dusky Bay, April 1773, 1775, oil on
canvas, 1,359 x 1,930 mm. National Maritime Museum, London.
MoD Art Collection.
5.3 William Hodges, [ Waterfall in Dusky Bay with a Maori Canoe. II],
[c. 1776], oil on panel, 273 x 356 mm. National Maritime Museum,
London. MoD Art Collection.
5.4 William Hodges, [A Maori Woman, Carrying a Child], [April 1773],
red chalk, 170 x 87 mm. British Museum, Department of Prints and
Drawings, London. 201.c.5, no. 283. © Copyright The Trustees of
The British Museum.
5.5 William Hodges, [A Maori Man Holding a Hatchet], [April 1773], red
chalk, 221 x 76 mm. British Museum, Department of Prints and
Drawings, London. 201.c.5, no. 282. © Copyright The Trustees of
The British Museum.
5.6 William Hodges, A View in Dusky Bay, New Zealand, 1773, oil on
circular wooden panel, 660 mm diam., 810 x 795 x 64 mm.
Auckland Art Gallery Toi o Tamaki, purchased 1961.
6.1 Joshua Reynolds, Head ofOmai, ?1775, 603 x 527 mm. Yale
University Art Gallery.
6.2 William Hodges, Omai, between August 1775 and June 1776, oil on
oval panel, 240 x 200 mm. Royal College of Surgeons, London.
6.3 John Webber, Portrait ofCaptain James Cook, 1776-80, oil on canvas,
1,095 x 695 mm. Museum of New Zealand Te Papa Tongarewa,
Wellington (1960-0013-1).
6.4 John Webber, Portrait of Captain James Cook R. N., 1782, oil on
canvas, 1,140 x 910 mm. National Portrait Gallery, Canberra.
Purchased by the Commonwealth Government with the generous
assistance of Robert Oatley and John Schaeffer 2000.
6.5 William Hodges, Captain James Cook, c. 1775, oil on canvas,
762 x 635 mm. National Maritime Museum, London.
6.6 Nathaniel Dance, James Cook, 1775-6, oil on canvas. 1,270 X
1,016 mm. National Maritime Museum, London. Greenwich
Hospital Collection.
6.7 John Hamilton Mortimer, [ Captain James Cook, Sir Joseph Banks,
Lord Sandwich, Dr Daniel Solander and Dr John Hawkesworth] ? 1771,
oil on canvas, 1,200 x 1,660 mm. National Library of Australia
Canberra, nla.pic-an7351768.
7.1 Thomas Medland after William Hodges, The Effects ofPeace, 1794,
aquatint engraving, 760 x 510 mm. National Maritime Museum,
London.
7.2 Thomas Medland after William Hodges, The Consequences of War,
1794, aquatint engraving, 760 x 510 mm. National Maritime
Museum, London.
7.3 James Gillray, Presentation ofthe Mahometan Credentials -or~ The
Final Resource ofFrench Atheists, London, published by
H. Humphrey, 26 December 1793. BMC no. 8356. Courtesy of The
Lewis Walpole Library, Yale University.
7.4 [I. Cruikshank], A Peep at the Plenipo -.'//, London, published by
S. W. Fores, 1 January 1794. BMC no. 8423. Courtesy of The Lewis
Walpole Library, Yale University.
7.5 Daniel Orme after Mather Brown, The Attack on Famars, London,
1796. © Copyright The Trustees of The British Museum.
7.6 Mather Brown, Lord Howe on the Deck ofthe 'Queen Charlotte', 1794,
oil on canvas, 2,591 x 3,658 mm. National Maritime Museum,
London.
7.7 I. Cruikshank, Lord Howe TheyRun, ortheBritish Tars Giving the
Carmignols a Dressing on Memorable Ist ofjune 1794, London,
published by S. W Fores, 25 June 1794. BMC no. 8471. Courtesy of
The Lewis Walpole Library, Yale University.
7.8 Philippe-Jacques de Loutherbourg, The Battle ofthe First ofjune,
1794, 1795, oil on canvas, 2,665 x 3,735 mm. National Maritime
Museum, London, Greenwich Hospital Collection.
BHC0470.
7.9 James Gillray, The Genius of France Triumphant, or-Britannia
petitioningforPEACE, - Vide, The Proposais of Opposition, London,
published by H- Humphrey, 2 February 1795. BMC no. 8614.
Courtesy of The Lewis Walpole Library, Yale University.
7.10 I. Cruikshank, French Happiness/English Misery, published by S. W.
Fores, Jarmary 1793. BMC no. 8288. Courtesy of The Lewis Walpole
Library, Yale University.
7.11 James Gillray, Fatigues ofthe Campaign in Flanders, London,
published by H- Humphrey, 20 May 1793. BMC no. 8327. Courtesy
of The Lewis Walpole Library, Yale University.
Black and white figures
0.1 James Cook, A Chart ofthe Southern Hemisphere; Shewing the
Tracks ofSome ofthe Most Distinguished Navigators, in James
Cook, A Voyage Towards the South Pole (London: Strahan and
Cadeil, 1777), i, pl. i. National Library of Australia, Canberra,
nla.map-nk2456-15. page2
0.2 William Woollett after William Hodges, Monuments in Easter
Island, in Cook, Voyage (1777), i, pl. x, engraving, 240 x 390
mm. National Library of Australia, Canberra,
nla.pic-an7682817-l. 4
0.3 Adapted from a detail of C. Cooper, Pacific Ocean on
Mercator's Projection (London: Sherwood, Neelyand Jones,
1 Nov. 1809), from John Smith, A System of Modern
Geography, or, the Natural and Political History ofthe Present
State ofthe World (London: Sherwood, 1811). 8
0.4 William Woollett after William Hodges, The Fleet ofOtaheite
Assembled at Oparee, in Cook, Voyage (1777), i, pl. lxi.
National Library of Australia, Canberra, nla.pic-an7682805. 16
1.1 Titian, Diana and Actaeon, c. 1556-9, oil on canvas, 1,880 x
2,030 mm. Duke of Sutherland Collection, on loan to the
National Gallery of Scotland. 37
2.1 William Hodges, George Romney, and Sawrey Gilpin, Jaques
and the Wounded Stag in the Forest of Arden, 1789, oil on
canvas, 92.1 x 1,232 mm. Yale Center for British Art, Paul
Mellon Fund. 64
2.2 Richard Wilson, Solitude, 1762, oil on canvas, 1,003 x 1,251
mm. City and County of Swansea: Glynn Vivian Art Gallery
Collection. 65
3.1 Joshua Reynolds, Members ofthe Society of Dilettanti, 1779, oil
on canvas, 1,968 x 1,422 mm. Brooks's Club, London,
reproduced by kind permission ofthe Society of Dilettanti. 77
3.2 Sydney Parkinson, Black Stains in the Skin called Tattoo, 1769,
pen and ink, top left 273 x 184 mm, top right 273 x 184 mm,
bottom left 286 x 229 mm, bottom right 149 x 120 mm.
British Library Add. MS 23920, fol. 66(a-d). 82
3.3 Herman Spöring, Black Stains on the Skin called Tattoo, 1769,
pencil, top left 102 x 104 mm, top right 118 x 121 mm,
bottom left 102 x 45 mm, bottom right 76 x 99 mm. British
Library Add. MS 23920, fol. 67 (a-d). 83
3.4 Sydney Parkinson, Portrait ofa New Zeland Man 1769, pen
and ink wash, 394 x 298 mm. British Library Add MS 23920,
fol. 54 (a). 84
3.5 Artist unknown, plate from [John Marra], Journal ofthe
Resolution's Voyage (London: F. Newbury, 1775), 31 x 63 mm.
National Library of Australia, Canberra. 85
3.6 T. Chambers after Sydney Parkinson, The Head ofa Chief of
NewZealand, theFace Curiously Tataow'd, or Marked according
to their Manner, from Sydney Parkinson, A Journal ofa Voyage
to the South Seas (London, 1784), pl. 16, opposite p. 90,
251 x 184 mm. Rex Nan Kivell Collection, National Library of
Australia, Canberra, nla.pic-an8391494. 87
4.1 James Cook, Chart ofthe Friendly Isles, in Cook, Voyage
(1777), i, pl. xiv. National Library of Australia, Canberra,
aus-nk5677-l-sl6x. 92
4.2 J. K. Sherwin after William Hodges, The Landing at
Middleburgh one of the Friendly Islands, in Cook, Voyage
(1777), ii, pl. uv (fp. 192), 275 x 515 mm. National Library
of Australia, Canberra, nla.pic-an7691871. 94
4.3 William Hodges, Tonga Tabu or Amsterdam, [June 1774-], pen
and indian ink wash, 619 x 1,172 mm. British Library,
London, Add. MS 15743, fol. 2. 96
4.4 J. K. Sherwin after William Hodges, The Landing at Tanna,
One ofthe New Hebrides, in Cook, Voyage (1777), n, pl. ux
(fp. 54), 235 x 473 mm. National Library of Australia,
Canberra, nla.pic-an7691862. 98
4.5 J. K. Sherwin after William Hodges, The Landing at
Erramanga, One of the New Hebrides, in Cook, Voyage (1777),
ii, pl. lxii (fp. 46). National Library of Australia, Canberra,
nla.pic-an7691847-l. 100
4.6 J. Basire after William Hodges, The Landing at Mallicolo, One
ofthe New Hebrides, in Cook, Voyage (1777), n, pl. lx (fp. 30).
National Library of Australia, nla.pic-an7691873. 101
4.7 William Hodges, [A Party ofMaori in a Canoe], [June 1773—],
pen and indian ink wash, with tints of watercolour, 375 x 545
mm. La Trobe Library, State Library of Victoria, Melbourne. 102
4.8 Detail from James Cook, Chart of Discoveries Made in the
South Pacific Ocean, in Cook, Voyage (1777), n, pl. in.
National Library of Australia, Canberra, aus-nk5677-2-s4x. 114
5.1 James Cook, Chart ofNew Zealand, Explored in 1769 and 1770,
in Cook, Voyage (1773), n: 283. National Library of Australia,
Canberra, FERG 7243. 125
5.2 John Rutherford, from an original drawing taken in 1828,
frontispiece to James Drummond, ed., John Rutherford the
White Chief: A Story of Adventure in New Zealand
(Christchurch: Whitcombe and Tombs Ltd, n.d.). 128
6.1 Bernard Baron with William Hogarth after Hogarth, Marriage
A-la-mode, in: The Inspection (London: Hogarth, April 1745),
385 x 465 mm. Private collection. 150
6.2 Royce after Dodd, Omai's Public Entry on his First Landing at
Otaheite, print from [John Rickman], Journal ofCaptain
Cook's Last Voyage (London, Newbery, 1781), opposite 136. 162
6.3 Detail from John Flaxman after William Hodges, Wedgwood
plaque bearing portrait of Cook (c. 1779-80), blue and white
Jasper wäre, 240 x 180 mm. Alexander Turnbull Library,
Wellington, New Zealand, ref. G-681. 167
7.1 Thornton after Richard Westall, 'William Hodges Esqr. R. A.
landscape painter to the Prince of Wales', Literary and
Biographical Magazine, June 1792. Private collection. 172
7.2 Key to the Print from the Great Picture ofLord Howe's Victory
Exhibiting at Orme's Gallery, Old Bond Street, London,
D. Orme, 1795, NMM PA17781. 188
7.3 I. Cruikshank, TheBRiTiSH Neptune Riding Triumphant,
orthe Carmignols Dancing to the Tuneof Rule Britannia,
London, published by S. W. Fores, 16 June 1794. BMC no.
8469. National Maritime Museum, London, PAG8504. 190
7.4 T. Medland after Robert Cleveley, The End ofthe Battle,
London, A. Poggi, 1795, NMM PAH7876. 191
7.5 D. Orme after M. Brown, Lord Howe on the Deck ofthe 'Queen
Charlotte, London, D. Orme, 1795, NMM PAH7879. 192
7.6 James Gillray, The Blessings of Peace I The Curses of Wa r ,
London, 12 January 1795. Private collection. 194 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Guest, Harriet |
| author_GND | (DE-588)140443347 |
| author_facet | Guest, Harriet |
| author_role | aut |
| author_sort | Guest, Harriet |
| author_variant | h g hg |
| building | Verbundindex |
| bvnumber | BV023203911 |
| callnumber-first | D - World History |
| callnumber-label | DU20 |
| callnumber-raw | DU20 |
| callnumber-search | DU20 |
| callnumber-sort | DU 220 |
| callnumber-subject | DU - Oceania (South Seas) |
| classification_rvk | HK 1779 NN 4040 |
| ctrlnum | (OCoLC)173238946 (DE-599)BVBBV023203911 |
| dewey-full | 910.91648 919.5/04 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 910 - Geography and travel 919 - Geography of and travel in other areas |
| dewey-raw | 910.91648 919.5/04 |
| dewey-search | 910.91648 919.5/04 |
| dewey-sort | 3910.91648 |
| dewey-tens | 910 - Geography and travel |
| discipline | Anglistik / Amerikanistik Geschichte Geographie |
| discipline_str_mv | Anglistik / Amerikanistik Geschichte Geographie |
| edition | 1. publ. |
| era | Geschichte 1700-1800 |
| era_facet | Geschichte 1700-1800 |
| format | Book |
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| genre | (DE-588)4076645-7 Reisebericht 1772-1775 gnd-content |
| genre_facet | Reisebericht 1772-1775 |
| geographic | Oceania / In art / History / 18th century Oceania / Description and travel / Early works to 1800 Oceania / Foreign public opinion, European / History / 18th century Oceania Description and travel Early works to 1800 Oceania Foreign public opinion, European History 18th century Oceania In art History 18th century Ozeanien (DE-588)4044257-3 gnd |
| geographic_facet | Oceania / In art / History / 18th century Oceania / Description and travel / Early works to 1800 Oceania / Foreign public opinion, European / History / 18th century Oceania Description and travel Early works to 1800 Oceania Foreign public opinion, European History 18th century Oceania In art History 18th century Ozeanien |
| id | DE-604.BV023203911 |
| illustrated | Illustrated |
| index_date | 2024-07-02T20:09:06Z |
| indexdate | 2024-07-09T21:12:59Z |
| institution | BVB |
| isbn | 9780521881944 0521881943 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016390094 |
| oclc_num | 173238946 |
| open_access_boolean | |
| owner | DE-20 DE-12 DE-521 DE-11 |
| owner_facet | DE-20 DE-12 DE-521 DE-11 |
| physical | XX, 249 S., [48] Bl. Ill., Kt. 25 cm |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| spelling | Guest, Harriet Verfasser (DE-588)140443347 aut Empire, barbarism, and civilisation James Cook, William Hodges, and the return to the Pacific Harriet Guest 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2007 XX, 249 S., [48] Bl. Ill., Kt. 25 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [230]-244) and index Hodges, William / 1744-1797 Cook, James / 1728-1779 / Diaries Cook, James <1728-1779> Diaries Hodges, William <1744-1797> Cook, James 1728-1779 (DE-588)118522027 gnd rswk-swf Hodges, William 1744-1797 (DE-588)123488893 gnd rswk-swf Geschichte 1700-1800 Travel in literature / History / 18th century Geschichte Travel in literature History 18th century Forschungsreise (DE-588)4017916-3 gnd rswk-swf Ozeanien Motiv (DE-588)4201796-8 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Oceania / In art / History / 18th century Oceania / Description and travel / Early works to 1800 Oceania / Foreign public opinion, European / History / 18th century Oceania Description and travel Early works to 1800 Oceania Foreign public opinion, European History 18th century Oceania In art History 18th century Ozeanien (DE-588)4044257-3 gnd rswk-swf (DE-588)4076645-7 Reisebericht 1772-1775 gnd-content Cook, James 1728-1779 (DE-588)118522027 p Ozeanien (DE-588)4044257-3 g Hodges, William 1744-1797 (DE-588)123488893 p DE-604 Forschungsreise (DE-588)4017916-3 s Malerei (DE-588)4037220-0 s Ozeanien Motiv (DE-588)4201796-8 s 1\p DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016390094&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis http://digital.bib-bvb.de/webclient/DeliveryManager?pid=635280&custom_att_2=simple_viewer Rezension 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Guest, Harriet Empire, barbarism, and civilisation James Cook, William Hodges, and the return to the Pacific Hodges, William / 1744-1797 Cook, James / 1728-1779 / Diaries Cook, James <1728-1779> Diaries Hodges, William <1744-1797> Cook, James 1728-1779 (DE-588)118522027 gnd Hodges, William 1744-1797 (DE-588)123488893 gnd Travel in literature / History / 18th century Geschichte Travel in literature History 18th century Forschungsreise (DE-588)4017916-3 gnd Ozeanien Motiv (DE-588)4201796-8 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118522027 (DE-588)123488893 (DE-588)4017916-3 (DE-588)4201796-8 (DE-588)4037220-0 (DE-588)4044257-3 (DE-588)4076645-7 |
| title | Empire, barbarism, and civilisation James Cook, William Hodges, and the return to the Pacific |
| title_auth | Empire, barbarism, and civilisation James Cook, William Hodges, and the return to the Pacific |
| title_exact_search | Empire, barbarism, and civilisation James Cook, William Hodges, and the return to the Pacific |
| title_exact_search_txtP | Empire, barbarism, and civilisation James Cook, William Hodges, and the return to the Pacific |
| title_full | Empire, barbarism, and civilisation James Cook, William Hodges, and the return to the Pacific Harriet Guest |
| title_fullStr | Empire, barbarism, and civilisation James Cook, William Hodges, and the return to the Pacific Harriet Guest |
| title_full_unstemmed | Empire, barbarism, and civilisation James Cook, William Hodges, and the return to the Pacific Harriet Guest |
| title_short | Empire, barbarism, and civilisation |
| title_sort | empire barbarism and civilisation james cook william hodges and the return to the pacific |
| title_sub | James Cook, William Hodges, and the return to the Pacific |
| topic | Hodges, William / 1744-1797 Cook, James / 1728-1779 / Diaries Cook, James <1728-1779> Diaries Hodges, William <1744-1797> Cook, James 1728-1779 (DE-588)118522027 gnd Hodges, William 1744-1797 (DE-588)123488893 gnd Travel in literature / History / 18th century Geschichte Travel in literature History 18th century Forschungsreise (DE-588)4017916-3 gnd Ozeanien Motiv (DE-588)4201796-8 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Hodges, William / 1744-1797 Cook, James / 1728-1779 / Diaries Cook, James <1728-1779> Diaries Hodges, William <1744-1797> Cook, James 1728-1779 Hodges, William 1744-1797 Travel in literature / History / 18th century Geschichte Travel in literature History 18th century Forschungsreise Ozeanien Motiv Malerei Oceania / In art / History / 18th century Oceania / Description and travel / Early works to 1800 Oceania / Foreign public opinion, European / History / 18th century Oceania Description and travel Early works to 1800 Oceania Foreign public opinion, European History 18th century Oceania In art History 18th century Ozeanien Reisebericht 1772-1775 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016390094&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://digital.bib-bvb.de/webclient/DeliveryManager?pid=635280&custom_att_2=simple_viewer |
| work_keys_str_mv | AT guestharriet empirebarbarismandcivilisationjamescookwilliamhodgesandthereturntothepacific |