American literature and the culture of reprinting: 1834 - 1853
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia
Univ. of Pennsylvania Press
2007
|
| Ausgabe: | 1. paperback ed. |
| Schriftenreihe: | Material texts
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references (p. [335]-350) and index |
| Beschreibung: | VIII, 364 S. |
| ISBN: | 9780812219951 0812219953 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Introduction:
The Matter of
tlie
Text
ι
1. Commerce, Print Culture, and the Authority of the State in
American Copyright Law
45
Discontinuities in the Genealogy of Authorship
46
Materiality and the Common Law in Wheatron v. Peters
49
Dissemination and the State
58
Perfect Title : American Copyright and the Letter of the Law
63
2.
International Copyright and the Political Economy of Print
76
legalizing Piracy
80
Representing the Nation: The Campaign for International Copyright
87
Decentering the Market: Defending the System of Reprinting
93
Maintaining Decentralization: Reprinting and the Syncopation of the
National Imaginary
102
3.
Circulating Media: Charles Dickens, Reprinting, and the
Dislocation of American Culture
109
Property in Dickens: The
184.2
Tour in
National Debt and National Identity: The American Circulation of
American Notes for General Circulation ri8
Representing Decentralization: The Narrative Structure of
American Notes
122
Circulation and Slavery
126
Martin Chuzzlewit, the Social Order, and the Medium of Print
132
4.
Unauthorized
Poe
141
Embracing Secondarily 151
Dislocating Reference
155
Elaboration, Eclecticism, and the Deferral of Authorship
164
Authentic Facsimiles
176
viii Contents
5. Poe,
Literáty
Nationalism, and Authorial Identity
187
James Russell Lowell and the
Be-Mirrormenť
of
Poe 188
Removing the Anonymous: YoungAmerica and the Control of
Dissemination
197
Narratives of Absolute Possession and Dispossession: Authorial
Identity in The Little Longfellow War
204
Dùowning
Ownership: Foe s
Evasimi
of Identity at the Boston
Lyceum
214
6.
Suspended Animation: Hawthorne and the Relocation of
Narrative Authority
218
The Uses of Obscurity
zzi
Sleeping Beauty in the Waxworks : Monotony and Repose in
Early Hawthorne
227
Monotony and Declension: The Properties of
Narrative
in
The House of the Seven Gables
233
Time-Stricken : Narratiw Disruption and Self-Indictment
242
Sordid Contact : Addressing Ordinary Life and the Disenchantment*
of Address zsz
Authorship and the Power of Humiliation
262
Coda
27O
Notes
279
Bibliography
335
Index
351
Acknowledgments
361
The antebellum period has long been identified with the belated emergence of a truly national lit¬
erature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built
and sustained through what we would call rampant literary piracy: a national literature developed
not despite but because of the systematic copying of foreign works. Restoring a political dimen¬
sion to accounts of the economic grounds of antebellum literature, McGill unfolds the legal argu¬
ments and political struggles that produced an American culture of reprinting and held it in
place for two crucial decades.
In this culture of reprinting, the circulation of print outstripped authorial and editorial control.
McGill examines the workings of literary culture within this market, shifting her gaze from first
and authorized editions to reprints and piracies, from the form of the book to the intersection of
book and periodical publishing, and from a national literature to an internally divided and
transatlantic literary marketplace. Through readings of the work of Dickens,
Poe,
and Hawthorne,
McGill seeks both to analyze how changes in the conditions of publication influenced literary
form and to measure what was lost as literary markets became centralized and literary culture
became stratified in the early 1850s.
Meredith L. McGill is Associate Professor of English at Rutgers University.
Material Texts
Series Editors: Roger Chartier, Joan
DeJean,
Joseph
Farral,
Anthony
Grafion,
Janice Railway,
Peter Stallybrass
|
| adam_txt |
Contents
Introduction:
The Matter of
tlie
Text
ι
1. Commerce, Print Culture, and the Authority of the State in
American Copyright Law
45
Discontinuities in the Genealogy of Authorship
46
Materiality and the Common Law in Wheatron v. Peters
49
Dissemination and the State
58
"Perfect Title": American Copyright and the Letter of the Law
63
2.
International Copyright and the Political Economy of Print
76
legalizing Piracy
80
Representing the Nation: The Campaign for International Copyright
87
Decentering the Market: Defending the System of Reprinting
93
Maintaining Decentralization: Reprinting and the Syncopation of the
National Imaginary
102
3.
Circulating Media: Charles Dickens, Reprinting, and the
Dislocation of American Culture
109
Property in Dickens: The
184.2
Tour in
National Debt and National Identity: The American Circulation of
American Notes for General Circulation ri8
Representing Decentralization: The Narrative Structure of
American Notes
122
Circulation and Slavery
126
Martin Chuzzlewit, the Social Order, and the Medium of Print
132
4.
Unauthorized
Poe
141
Embracing Secondarily 151
Dislocating Reference
155
Elaboration, Eclecticism, and the Deferral of Authorship
164
Authentic Facsimiles
176
viii Contents
5. Poe,
Literáty
Nationalism, and Authorial Identity
187
James Russell Lowell and the
"Be-Mirrormenť"
of
Poe 188
Removing the Anonymous: YoungAmerica and the Control of
Dissemination
197
Narratives of Absolute Possession and Dispossession: Authorial
Identity in "The Little Longfellow War"
204
Dùowning
Ownership: Foe's
Evasimi
of Identity at the Boston
Lyceum
214
6.
Suspended Animation: Hawthorne and the Relocation of
Narrative Authority
218
The Uses of Obscurity
zzi
"Sleeping Beauty in the Waxworks": Monotony and Repose in
Early Hawthorne
227
Monotony and Declension: The Properties of
Narrative
in
The House of the Seven Gables
233
"Time-Stricken": Narratiw Disruption and Self-Indictment
242
"Sordid Contact": Addressing Ordinary Life and the Disenchantment*
of Address zsz
Authorship and the Power of Humiliation
262
Coda
27O
Notes
279
Bibliography
335
Index
351
Acknowledgments
361
The antebellum period has long been identified with the belated emergence of a truly national lit¬
erature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built
and sustained through what we would call rampant literary piracy: a national literature developed
not despite but because of the systematic copying of foreign works. Restoring a political dimen¬
sion to accounts of the economic grounds of antebellum literature, McGill unfolds the legal argu¬
ments and political struggles that produced an American "culture of reprinting" and held it in
place for two crucial decades.
In this culture of reprinting, the circulation of print outstripped authorial and editorial control.
McGill examines the workings of literary culture within this market, shifting her gaze from first
and authorized editions to reprints and piracies, from the form of the book to the intersection of
book and periodical publishing, and from a national literature to an internally divided and
transatlantic literary marketplace. Through readings of the work of Dickens,
Poe,
and Hawthorne,
McGill seeks both to analyze how changes in the conditions of publication influenced literary
form and to measure what was lost as literary markets became centralized and literary culture
became stratified in the early 1850s.
Meredith L. McGill is Associate Professor of English at Rutgers University.
Material Texts
Series Editors: Roger Chartier, Joan
DeJean,
Joseph
Farral,
Anthony
Grafion,
Janice Railway,
Peter Stallybrass |
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| edition | 1. paperback ed. |
| era | Geschichte 1800-1900 Geschichte 1834-1853 gnd |
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| spelling | McGill, Meredith L. Verfasser aut American literature and the culture of reprinting 1834 - 1853 Meredith L. McGill 1. paperback ed. Philadelphia Univ. of Pennsylvania Press 2007 VIII, 364 S. txt rdacontent n rdamedia nc rdacarrier Material texts Includes bibliographical references (p. [335]-350) and index Dickens, Charles <1812-1870> Relations with publishers Hawthorne, Nathaniel <1804-1864> Relations with publishers Poe, Edgar Allan <1809-1849> Relations with publishers Geschichte 1800-1900 Geschichte 1834-1853 gnd rswk-swf Geschichte American literature 19th century History and criticism Authors and publishers United States History 19th century Literature publishing United States History 19th century Literatur (DE-588)4035964-5 gnd rswk-swf Nachdruck (DE-588)4171002-2 gnd rswk-swf Verlag (DE-588)4063004-3 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Nachdruck (DE-588)4171002-2 s Verlag (DE-588)4063004-3 s Geschichte 1834-1853 z DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016389442&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016389442&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | McGill, Meredith L. American literature and the culture of reprinting 1834 - 1853 Dickens, Charles <1812-1870> Relations with publishers Hawthorne, Nathaniel <1804-1864> Relations with publishers Poe, Edgar Allan <1809-1849> Relations with publishers Geschichte American literature 19th century History and criticism Authors and publishers United States History 19th century Literature publishing United States History 19th century Literatur (DE-588)4035964-5 gnd Nachdruck (DE-588)4171002-2 gnd Verlag (DE-588)4063004-3 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4171002-2 (DE-588)4063004-3 (DE-588)4078704-7 |
| title | American literature and the culture of reprinting 1834 - 1853 |
| title_auth | American literature and the culture of reprinting 1834 - 1853 |
| title_exact_search | American literature and the culture of reprinting 1834 - 1853 |
| title_exact_search_txtP | American literature and the culture of reprinting 1834 - 1853 |
| title_full | American literature and the culture of reprinting 1834 - 1853 Meredith L. McGill |
| title_fullStr | American literature and the culture of reprinting 1834 - 1853 Meredith L. McGill |
| title_full_unstemmed | American literature and the culture of reprinting 1834 - 1853 Meredith L. McGill |
| title_short | American literature and the culture of reprinting |
| title_sort | american literature and the culture of reprinting 1834 1853 |
| title_sub | 1834 - 1853 |
| topic | Dickens, Charles <1812-1870> Relations with publishers Hawthorne, Nathaniel <1804-1864> Relations with publishers Poe, Edgar Allan <1809-1849> Relations with publishers Geschichte American literature 19th century History and criticism Authors and publishers United States History 19th century Literature publishing United States History 19th century Literatur (DE-588)4035964-5 gnd Nachdruck (DE-588)4171002-2 gnd Verlag (DE-588)4063004-3 gnd |
| topic_facet | Dickens, Charles <1812-1870> Relations with publishers Hawthorne, Nathaniel <1804-1864> Relations with publishers Poe, Edgar Allan <1809-1849> Relations with publishers Geschichte American literature 19th century History and criticism Authors and publishers United States History 19th century Literature publishing United States History 19th century Literatur Nachdruck Verlag USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016389442&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016389442&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mcgillmeredithl americanliteratureandthecultureofreprinting18341853 |