Feminist film theory: a reader
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York
New York Univ. Press
2006
|
| Ausgabe: | 1. publ. in the USA, reprinted |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VI, 361 S. |
| ISBN: | 0814782434 0814782442 |
Internformat
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| 250 | |a 1. publ. in the USA, reprinted | ||
| 264 | 1 | |a New York |b New York Univ. Press |c 2006 | |
| 300 | |a VI, 361 S. | ||
| 336 | |b txt |2 rdacontent | ||
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Datensatz im Suchindex
| _version_ | 1804137466789101568 |
|---|---|
| adam_text | CONTENTS
Introduction
1
Part I: Taking up the Struggle
7
Introduction
9
1.
Sharon Smith: The Image of Women in Film:
Some Suggestions for Future Research
14
2.
Molly Haskell: The Woman s Film
20
3.
Claire Johnston: Women s Cinema as Counter-Cinema
31
4.
B. Ruby Rich: The Crisis of Naming in
Feminist Film Criticism
41
Further Reading
48
Partii:
The Language of Theory
51
Introduction
53
5.
Laura Mulvey: Visual Pleasure and Narrative Cinema
58
6.
Mary Ann Doane: Caught and Rebecca:
The Inscription of Femininity as Absence
70
7.
Teresa
de Lauretis:
Oedipus Interruptus
83
8.
Kaja Silverman:
Lost Objects and Mistaken Subjects
97
Further Reading
106
Partili:
The Female Spectator
109
Introduction 111
9.
Michelle Citron, Julia Lesage, Judith Mayne,
B. Ruby Rich, Anna Marie Taylor, and the editors
of New German Critique: Women and Film:
A Discussion of Feminist Aesthetics
115
10.
Laura Mulvey: Afterthoughts on Visual Pleasure and
Narrative Cinema inspired by King Vidor s
Duel in the Sun
(1946) 122
11.
Mary Ann Doane: Film and the Masquerade:
Theorising the Female Spectator
131
12.
Annette
Kuhn:
Women s Genres:
Melodrama, Soap Opera and Theory
146
Further Reading
157
Contents
Part IV: Textual Negotiations
159
Introduction
161
13.
Christine
Gledhill:
Pleasurable Negotiations
166
14.
Valerie Walkerdine: Video Replay:
Families, Films and Fantasy
180
15.
Jackie Stacey: Feminine Fascinations:
Forms of Identification in Star-Audience Relations
196
16.
Janet Staiger: Taboos and Totems:
Cultural Meanings of The Silence of the Lambs
210
Further Reading
224
Part V: Fantasy, Horror and the Body
227
Introduction
229
17.
Carol J. Clover: Her Body, Himself:
Gender in the Slasher Film
234
18.
Barbara Creed: Horror and the Monstrous-Feminine:
An Imaginary Abjection
251
19.
Linda Williams: Film Bodies: Gender, Genre and Excess
267
Further Reading
282
Part VI: Re-thinking Differences
285
Introduction
287
20.
Jane
Gaines:
White Privilege and Looking Relations:
Race and Gender in Feminist Film Theory
293
21.
bell hooks: The Oppositional Gaze:
Black Female Spectators
307
22.
Tania Modleski:
Cinema and the Dark Continent:
Race and Gender in Popular Film
321
23.
Judith Butler: Gender is Burning:
Questions of Appropriation and Subversion
336
Further Reading
350
Copyright Acknowledgements
353
Index
355
vi
|
| adam_txt |
CONTENTS
Introduction
1
Part I: Taking up the Struggle
7
Introduction
9
1.
Sharon Smith: 'The Image of Women in Film:
Some Suggestions for Future Research'
14
2.
Molly Haskell: 'The Woman's Film'
20
3.
Claire Johnston:'Women's Cinema as Counter-Cinema'
31
4.
B. Ruby Rich: 'The Crisis of Naming in
Feminist Film Criticism'
41
Further Reading
48
Partii:
The Language of Theory
51
Introduction
53
5.
Laura Mulvey: 'Visual Pleasure and Narrative Cinema'
58
6.
Mary Ann Doane: 'Caught and Rebecca:
The Inscription of Femininity as Absence'
70
7.
Teresa
de Lauretis:
Oedipus Interruptus'
83
8.
Kaja Silverman:
'Lost Objects and Mistaken Subjects'
97
Further Reading
106
Partili:
The Female Spectator
109
Introduction 111
9.
Michelle Citron, Julia Lesage, Judith Mayne,
B. Ruby Rich, Anna Marie Taylor, and the editors
of New German Critique: 'Women and Film:
A Discussion of Feminist Aesthetics'
115
10.
Laura Mulvey: 'Afterthoughts on "Visual Pleasure and
Narrative Cinema" inspired by King Vidor's
Duel in the Sun
(1946)' 122
11.
Mary Ann Doane: 'Film and the Masquerade:
Theorising the Female Spectator'
131
12.
Annette
Kuhn:
'Women's Genres:
Melodrama, Soap Opera and Theory'
146
Further Reading
157
Contents
Part IV: Textual Negotiations
159
Introduction
161
13.
Christine
Gledhill:
'Pleasurable Negotiations'
166
14.
Valerie Walkerdine: 'Video Replay:
Families, Films and Fantasy'
180
15.
Jackie Stacey: 'Feminine Fascinations:
Forms of Identification in Star-Audience Relations'
196
16.
Janet Staiger: 'Taboos and Totems:
Cultural Meanings of The Silence of the Lambs'
210
Further Reading
224
Part V: Fantasy, Horror and the Body
227
Introduction
229
17.
Carol J. Clover: 'Her Body, Himself:
Gender in the Slasher Film'
234
18.
Barbara Creed: 'Horror and the Monstrous-Feminine:
An Imaginary Abjection'
251
19.
Linda Williams: 'Film Bodies: Gender, Genre and Excess'
267
Further Reading
282
Part VI: Re-thinking Differences
285
Introduction
287
20.
Jane
Gaines:
'White Privilege and Looking Relations:
Race and Gender in Feminist Film Theory'
293
21.
bell hooks: 'The Oppositional Gaze:
Black Female Spectators'
307
22.
Tania Modleski:
'Cinema and the Dark Continent:
Race and Gender in Popular Film'
321
23.
Judith Butler: 'Gender is Burning:
Questions of Appropriation and Subversion'
336
Further Reading
350
Copyright Acknowledgements
353
Index
355
vi |
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| indexdate | 2024-07-09T21:12:45Z |
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| title | Feminist film theory a reader |
| title_auth | Feminist film theory a reader |
| title_exact_search | Feminist film theory a reader |
| title_exact_search_txtP | Feminist film theory a reader |
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