Shakespeare as literary dramatist:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2007
|
| Ausgabe: | Digitally printed version |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 287 S. |
| ISBN: | 9780521045667 9780521822558 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of illustrations page
ix
Acknowledgments
x
Introduction
ι
PART I PUBLICATION
ι
The legitimation of printed playbooks in Shakespeare s
time
31
2
The making of Shakespeare
56
3
Shakespeare and the publication of his plays (I): the late
sixreenth century
78
4
Shakespeare and the publication of his plays
(11):
the early
seventeenth century
¡01
5
The players alleged opposition to print
115
PART II TEXTS
6
Why size matters: the two hours traffic of our stage
and the length of Shakespeare s plays
131
7
Editorial policy and the length of Shakespeare s plays
174
8
Bad quartos and their origins: Romeo and Juliet, Henry V,
and Hamlet
192
9
Theatricality, literariness and the texts
oí
Romeo and Juliet,
Henry V, and Hamlet
220
viii Contents
Appendix
A: The plays of Shakespeare and his contemporaries
in print, 1584-1623
245
Appendix
B: Heminge
and
Condelľs Stolne,
and surreptitious
copies and the Pavier quartos
255
Appendix C: Shakespeare and the circulation of dramatic
manuscripts
259
Select bibliograpljy
262
Index
278
SHAKESPEARE
as Literary Dramatist
Paperback Re-issue
In this groundbreaking study
Lukas
Erne argues that Shakespeare, apart
from being a playwright who wrote theatrical texts for the stage, was also
a literary dramatist who produced reading texts for the page. The usual
distinction that has been set up between Ben
Jonson
on the one hand, care¬
fully preparinghis manuscripts for publication, and Shakespeare the man
of the theatre, writing for his actors and audience, indifferent to his plays as
literature, is questioned in this book. Examining the evidence from early
published playbooks, Erne argues that Shakespeare wrote many of his plays
with a readership in mind and that these literary texts would have been
abridged for the stage because they were too long for performance. The
variant early texts of Romeo and Juliet, Henry V, and Hamlet are shown to
reveal important insights into the different media for which Shakespeare
designed his plays.
|
| adam_txt |
Contents
List of illustrations page
ix
Acknowledgments
x
Introduction
ι
PART I PUBLICATION
ι
The legitimation of printed playbooks in Shakespeare's
time
31
2
The making of "Shakespeare"
56
3
Shakespeare and the publication of his plays (I): the late
sixreenth century
78
4
Shakespeare and the publication of his plays
(11):
the early
seventeenth century
¡01
5
The players' alleged opposition to print
115
PART II TEXTS
6
Why size matters: ''the two hours' traffic of our stage"
and the length of Shakespeare's plays
131
7
Editorial policy and the length of Shakespeare's plays
174
8
"Bad" quartos and their origins: Romeo and Juliet, Henry V,
and Hamlet
192
9
Theatricality, literariness and the texts
oí
Romeo and Juliet,
Henry V, and Hamlet
220
viii Contents
Appendix
A: The plays of Shakespeare and his contemporaries
in print, 1584-1623
245
Appendix
B: Heminge
and
Condelľs "Stolne,
and surreptitious
copies" and the Pavier quartos
255
Appendix C: Shakespeare and the circulation of dramatic
manuscripts
259
Select bibliograpljy
262
Index
278
SHAKESPEARE
as Literary Dramatist
Paperback Re-issue
In this groundbreaking study
Lukas
Erne argues that Shakespeare, apart
from being a playwright who wrote theatrical texts for the stage, was also
a literary dramatist who produced reading texts for the page. The usual
distinction that has been set up between Ben
Jonson
on the one hand, care¬
fully preparinghis manuscripts for publication, and Shakespeare the man
of the theatre, writing for his actors and audience, indifferent to his plays as
literature, is questioned in this book. Examining the evidence from early
published playbooks, Erne argues that Shakespeare wrote many of his plays
with a readership in mind and that these literary texts would have been
abridged for the stage because they were too long for performance. The
variant early texts of Romeo and Juliet, Henry V, and Hamlet are shown to
reveal important insights into the different media for which Shakespeare
designed his plays. |
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| index_date | 2024-07-02T20:03:49Z |
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