Verfügbarkeit: Designing design

Designing design:

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Hara, Ken'ya 1958- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Baden Müller 2007
Schlagworte:	Hara, Kenya Hara, Ken'ya > 1958- Grafikdesign Design Produktgestaltung Bildband
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Enth. Text von und über Kenya Hara. - Teilw. aus dem Japan. übers.
Beschreibung:	467 S. Ill.
ISBN:	9783037781050

Internformat

MARC


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Datensatz im Suchindex

DE-BY-863_location	1911
DE-BY-FWS_call_number	1911/2017:0226
DE-BY-FWS_katkey	327289
DE-BY-FWS_media_number	083101091900
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adam_text	DESIGNING DESIGN KENYA HARA Lars Müller Publishers DESIGNING DESIGN KENYA HARA Lars Müller Publishers s Li EDELKOORT A DIALECT IN DESIGN Dissecting Kenya Hara 12 John MAEDA The Aesthetics of Invisibility 14 Jasper MORRISON Message Received 19 Kenya HARA Preface Ѓ à УЗЧ10П9ЙЭ % Ο «ŕ •а 1 RE-DESIGN Daily Products of the 21st Century 22 Making the Ordinary Unknown 24 Art and Design 25 RE-DESIGN Exhibition 26 Shigeru Ban and Toilet Paper 30 Masahiko Sato and Entry/Exit Stamps 33 Kengo Kuma and the Roach Trap 38 Kaoru Mende and Matches 40 Kosuké Tsumura and Diapers 44 Naoto Fukasawa and Tea Bags 48 The RE-DESIGN Exhibition Travels the World The Architects' Macaroni Exhibition 52 Food Design 56 Norihidelmagawa: SHE & HE 57 Tadasu Ohe: WAVE—RIPPLE. LOOP. SURF 58 Akio Okumura: i flutte 59 Kaoru Kasai: ОТТОСО 60 Kengo Kuma: Semi Constructive 61 Atelier Zo: MACCHERONI 62 Kanji Hayashi: Serie Maccheľocchi 63 Mayumi Miyawaki: Punching Macaroni 2 HAPTIC Awakening the Senses 68 Designing the Senses 70 The HAPTIC Exhibition 72 Kosuké Tsumura: Kami Tama 4 5 76 Shin Sobue: Tadpole Coasters 80 Jasper Morrison: Wall Clock 84 Toyo Ito: Gel Doorknob 88 Panasonic Design Company: Gel Remote Control 92 Naoto Fukasawa: Juice Skin 96 Shuhei Hasadó: Geta 100 Events on the Skin 104 Yasuhiro Suzuki: Cabbage Bowls 110 Shunji Yamanaka: Floating Compass 114 Matthieu Manche: Mom 'η Baby 118 Keiko Hirano: Paper Wastebasket 122 Kenya Hara: Water Pachinko 128 Masayo Ave: 800 Dots—Paperback Cover 130 KengoKuma: Cast-off Snakeskin PaperTowel 134 Reiko Sudo: Gazelles 138 Kazunari Hattori: Tailed Gift Cards 140 Kenya Hara: Humidifier 144 Sense-driven The Progress of Technology and the Deterioration of the Senses 147 Spreading the World Atlas of the Senses 3 SENSEWARE Medium That Intrigues Man 152 What Evokes the Senses A White, Tense Material 155 Communicating with Materiality Architecture of Information 156 The Field of Sensory Perceptions The Architecture within the Brain The Programs for the Opening and Closing Ceremonies of the Nagano Winter Olympic Games 158 Designing Paper 162 Invoking the Memory of Treading on Snow Signage System for a Clinic 164 Signage System for the Umeda Hospital 166 The Communication in Keeping White Cloth Clean 170 Katta Civic Polyclinic Signage System Matsuya Ginza Renewal Project 174 Palpable Media 177 The Collaboration of Tactile Designs 184 Information as an Event Nagasaki Prefectural Art Museum: Visual Identification 188 Ripple-like Information Swatch Group: Signage System for Nicolas G.Hayek Center 192 The Watch Hovering in the Air 193 A Watch in the Hand Books as Information Sculpture 196 Rediscovering Books 198 Information Is a Single Soft-Boiled Egg 200 Information Sculpture 201 Not Future but Present 202 FILING 204 im product I Don't Talk about Colors 206 Optimum 208 Paper and Design 4 WHITE 212 White as a Design Concept 213 Discovering White 214 The Implicit Color 216 Escaping Color 217 Original Forms of Information and Life 5 MUji Nothing, Yet Everything 228 Visualizing the MUJI Concept 230 What Ikko Tanaka Passed on to Me 231 MUJI's Origin, MUJI's Challenge 238 Acceptance, not Appetite 240 World MUJI 241 Emptiness 243 Placing the Logo on the Horizon 246 Location — In Search of the Horizon 254 House 272 What Is Quality in Simplicity? 282 The Future of Design 283 Education of Desire 289 Fertilizing the Soil 292 MUJI: What Happens Naturally 6 VIEWING THE WORLD FROM THE TIP OF ASIA 302 Where All Cultures Are Accepted 308 Tradition and Universality 309 Recreating a Mature Culture 312 Waiting for What Nature Brings: Gajyoen and Tenku-no-Mori 314 Reclaiming Japan's Quality in the World's Eyes: Obuse-do Corporation 318 Unearthing the Meaning of Nothingness: Mukayu 325 Identity Breeds Attraction The Expo That Might Have Been 330 The Original Idea and "Nature's Wisdom" 332 The Practical Power of Ecology 335 Our Forest Vision 340 Technology: Closer to Nature with Each Evolution 344 Familiar Nature and Life Forms, as Characters 352 The Self-propagating/Multiplying/Breeding Media 3J4 The Never-ending Project The Beijing Summer Olympic Games Symbol Design Competition 356 The Pulse of Asia 6І7 7 EXFORMATION A New Information Format 370 Making the World Unknown 372 Putting a Full Stop to Thinking 373 Acquiring Knowledge Is not the Goal 374 Making an Entrance for Curiosity 376 The Process of Making Things Unknown Exformation —1 THE SHIMANTO RIVER 8 WHAT IS DESIGN? 377 The Object of the Process 378 Field Research 380 The Projects Simulations — If the River Were a Road 386 Footprint Landscape 388 Picking Up 390 The Shimanto River Cut into a Cube 391 Six Days Alone: The Document 410 412 414 4)6 418 420 422 424 425 428 429 432 434 Exformation —2 RESORT 393 After Clothing, Food and Shelter 39J Relaxation Time that Makes Sense to Everyone Various Resorts 397 Vinyl/Stripes: Turning Tokyo into Vinyl and Stripes 400 Sleeping Outside 402 Soft-serve Ice Cream Machine 404 Loose Typography 40J Resort Switch 407 Exformation Continues to Evolve Hearing the Outcry Two Origins Decoration and Power The Origin of Design Integration of Design Design in the Afternoon of the 20th Century Standardization and Mass Production Style Change and Identity Thought and Brand The Prank of Postmodernism Computer Technology and Design Radical Dash Beyond Modernism 440 Naoto FUKASAWA About Kenya Hara 442 Kenya HARA Afterword, or Perhaps, a New Serve 446 List of Works 464 Biography of Kenya Hara 468 Photographic Credits
adam_txt	DESIGNING DESIGN KENYA HARA Lars Müller Publishers DESIGNING DESIGN KENYA HARA Lars Müller Publishers s Li EDELKOORT A DIALECT IN DESIGN Dissecting Kenya Hara 12 John MAEDA The Aesthetics of Invisibility 14 Jasper MORRISON Message Received 19 Kenya HARA Preface Ѓ à УЗЧ10П9ЙЭ % Ο «ŕ •а 1 RE-DESIGN Daily Products of the 21st Century 22 Making the Ordinary Unknown 24 Art and Design 25 RE-DESIGN Exhibition 26 Shigeru Ban and Toilet Paper 30 Masahiko Sato and Entry/Exit Stamps 33 Kengo Kuma and the Roach Trap 38 Kaoru Mende and Matches 40 Kosuké Tsumura and Diapers 44 Naoto Fukasawa and Tea Bags 48 The RE-DESIGN Exhibition Travels the World The Architects' Macaroni Exhibition 52 Food Design 56 Norihidelmagawa: SHE & HE 57 Tadasu Ohe: WAVE—RIPPLE. LOOP. SURF 58 Akio Okumura: i flutte 59 Kaoru Kasai: ОТТОСО 60 Kengo Kuma: Semi Constructive 61 Atelier Zo: MACCHERONI 62 Kanji Hayashi: Serie Maccheľocchi 63 Mayumi Miyawaki: Punching Macaroni 2 HAPTIC Awakening the Senses 68 Designing the Senses 70 The HAPTIC Exhibition 72 Kosuké Tsumura: Kami Tama 4 5 76 Shin Sobue: Tadpole Coasters 80 Jasper Morrison: Wall Clock 84 Toyo Ito: Gel Doorknob 88 Panasonic Design Company: Gel Remote Control 92 Naoto Fukasawa: Juice Skin 96 Shuhei Hasadó: Geta 100 Events on the Skin 104 Yasuhiro Suzuki: Cabbage Bowls 110 Shunji Yamanaka: Floating Compass 114 Matthieu Manche: Mom 'η Baby 118 Keiko Hirano: Paper Wastebasket 122 Kenya Hara: Water Pachinko 128 Masayo Ave: 800 Dots—Paperback Cover 130 KengoKuma: Cast-off Snakeskin PaperTowel 134 Reiko Sudo: Gazelles 138 Kazunari Hattori: Tailed Gift Cards 140 Kenya Hara: Humidifier 144 Sense-driven The Progress of Technology and the Deterioration of the Senses 147 Spreading the World Atlas of the Senses 3 SENSEWARE Medium That Intrigues Man 152 What Evokes the Senses A White, Tense Material 155 Communicating with Materiality Architecture of Information 156 The Field of Sensory Perceptions The Architecture within the Brain The Programs for the Opening and Closing Ceremonies of the Nagano Winter Olympic Games 158 Designing Paper 162 Invoking the Memory of Treading on Snow Signage System for a Clinic 164 Signage System for the Umeda Hospital 166 The Communication in Keeping White Cloth Clean 170 Katta Civic Polyclinic Signage System Matsuya Ginza Renewal Project 174 Palpable Media 177 The Collaboration of Tactile Designs 184 Information as an Event Nagasaki Prefectural Art Museum: Visual Identification 188 Ripple-like Information Swatch Group: Signage System for Nicolas G.Hayek Center 192 The Watch Hovering in the Air 193 A Watch in the Hand Books as Information Sculpture 196 Rediscovering Books 198 Information Is a Single Soft-Boiled Egg 200 Information Sculpture 201 Not Future but Present 202 FILING 204 im product I Don't Talk about Colors 206 Optimum 208 Paper and Design 4 WHITE 212 White as a Design Concept 213 Discovering White 214 The Implicit Color 216 Escaping Color 217 Original Forms of Information and Life 5 MUji Nothing, Yet Everything 228 Visualizing the MUJI Concept 230 What Ikko Tanaka Passed on to Me 231 MUJI's Origin, MUJI's Challenge 238 Acceptance, not Appetite 240 World MUJI 241 Emptiness 243 Placing the Logo on the Horizon 246 Location — In Search of the Horizon 254 House 272 What Is Quality in Simplicity? 282 The Future of Design 283 Education of Desire 289 Fertilizing the Soil 292 MUJI: What Happens Naturally 6 VIEWING THE WORLD FROM THE TIP OF ASIA 302 Where All Cultures Are Accepted 308 Tradition and Universality 309 Recreating a Mature Culture 312 Waiting for What Nature Brings: Gajyoen and Tenku-no-Mori 314 Reclaiming Japan's Quality in the World's Eyes: Obuse-do Corporation 318 Unearthing the Meaning of Nothingness: Mukayu 325 Identity Breeds Attraction The Expo That Might Have Been 330 The Original Idea and "Nature's Wisdom" 332 The Practical Power of Ecology 335 Our Forest Vision 340 Technology: Closer to Nature with Each Evolution 344 Familiar Nature and Life Forms, as Characters 352 The Self-propagating/Multiplying/Breeding Media 3J4 The Never-ending Project The Beijing Summer Olympic Games Symbol Design Competition 356 The Pulse of Asia 6І7 7 EXFORMATION A New Information Format 370 Making the World Unknown 372 Putting a Full Stop to Thinking 373 Acquiring Knowledge Is not the Goal 374 Making an Entrance for Curiosity 376 The Process of Making Things Unknown Exformation —1 THE SHIMANTO RIVER 8 WHAT IS DESIGN? 377 The Object of the Process 378 Field Research 380 The Projects Simulations — If the River Were a Road 386 Footprint Landscape 388 Picking Up 390 The Shimanto River Cut into a Cube 391 Six Days Alone: The Document 410 412 414 4)6 418 420 422 424 425 428 429 432 434 Exformation —2 RESORT 393 After Clothing, Food and Shelter 39J Relaxation Time that Makes Sense to Everyone Various Resorts 397 Vinyl/Stripes: Turning Tokyo into Vinyl and Stripes 400 Sleeping Outside 402 Soft-serve Ice Cream Machine 404 Loose Typography 40J Resort Switch 407 Exformation Continues to Evolve Hearing the Outcry Two Origins Decoration and Power The Origin of Design Integration of Design Design in the Afternoon of the 20th Century Standardization and Mass Production Style Change and Identity Thought and Brand The Prank of Postmodernism Computer Technology and Design Radical Dash Beyond Modernism 440 Naoto FUKASAWA About Kenya Hara 442 Kenya HARA Afterword, or Perhaps, a New Serve 446 List of Works 464 Biography of Kenya Hara 468 Photographic Credits
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topic	Hara, Kenya sbt Hara, Ken'ya 1958- (DE-588)124272983 gnd Grafikdesign (DE-588)4019558-2 gnd Design (DE-588)4011510-0 gnd Produktgestaltung (DE-588)4047340-5 gnd
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THWS Würzburg Magazin

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Signatur:	1911 2017:0226
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