Modal counterpoint, Renaissance style:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford University Press
2008
|
| Ausgabe: | Second edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVIII, 347 Seiten zahlreiche Notenbeispiele |
| ISBN: | 9780195331943 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804137443077652480 |
|---|---|
| adam_text | Contents
Preface
vii
Note
to the Student
xi
Note to the Instructor
xv
Introduction: Renaissance Musical Style
and Notation I
1.
Mode
9
2.
Introduction to Two-Part Species
Counterpoint
18
3.
First Species
26
4.
Second Species
44
5.
Third Species
58
6.
Fourth Species
76
7.
Mixed Values
87
8.
Counterpoint with Repetition of a Motive
105
9.
Motivic Variation
117
10.
Cadence Formulas in Two Voices
136
11.
Two Parts in Mixed Values
144
12.
The Imitative Duo
161
13.
Invertible Counterpoint
177
14.
Three Parts
189
15.
Three Parts in Mixed Values
210
16.
The Three-Voice Invertible Canon
227
17.
Four-Part Writing
243
vi
Contents
18.
Adding Three Parts in Mixed Values to a CF
261
19.
Four Parts in Mixed Values
273
20.
Composing a Whole Piece
304
Appendix
1:
Text Setting
315
Appendix
2:
Canon Against a CF
319
Appendix
3:
Solmization
334
Appendix
4:
Sample Motive Placements
338
Appendix
5:
The Invertible Duo
339
Bibliography
342
Index
345
|
| adam_txt |
Contents
Preface
vii
Note
to the Student
xi
Note to the Instructor
xv
Introduction: Renaissance Musical Style
and Notation I
1.
Mode
9
2.
Introduction to Two-Part Species
Counterpoint
18
3.
First Species
26
4.
Second Species
44
5.
Third Species
58
6.
Fourth Species
76
7.
Mixed Values
87
8.
Counterpoint with Repetition of a Motive
105
9.
Motivic Variation
117
10.
Cadence Formulas in Two Voices
136
11.
Two Parts in Mixed Values
144
12.
The Imitative Duo
161
13.
Invertible Counterpoint
177
14.
Three Parts
189
15.
Three Parts in Mixed Values
210
16.
The Three-Voice Invertible Canon
227
17.
Four-Part Writing
243
vi
Contents
18.
Adding Three Parts in Mixed Values to a CF
261
19.
Four Parts in Mixed Values
273
20.
Composing a Whole Piece
304
Appendix
1:
Text Setting
315
Appendix
2:
Canon Against a CF
319
Appendix
3:
Solmization
334
Appendix
4:
Sample Motive Placements
338
Appendix
5:
The Invertible Duo
339
Bibliography
342
Index
345 |
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| spelling | Schubert, Peter 1946- (DE-588)1023861909 aut Modal counterpoint, Renaissance style Peter Schubert Second edition New York [u.a.] Oxford University Press 2008 XVIII, 347 Seiten zahlreiche Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Geschichte 1400-1600 gnd rswk-swf Contrepoint Counterpoint Kontrapunkt (DE-588)4032307-9 gnd rswk-swf (DE-588)4123623-3 Lehrbuch gnd-content Kontrapunkt (DE-588)4032307-9 s Geschichte 1400-1600 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016364000&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Schubert, Peter 1946- Modal counterpoint, Renaissance style Contrepoint Counterpoint Kontrapunkt (DE-588)4032307-9 gnd |
| subject_GND | (DE-588)4032307-9 (DE-588)4123623-3 |
| title | Modal counterpoint, Renaissance style |
| title_auth | Modal counterpoint, Renaissance style |
| title_exact_search | Modal counterpoint, Renaissance style |
| title_exact_search_txtP | Modal counterpoint, Renaissance style |
| title_full | Modal counterpoint, Renaissance style Peter Schubert |
| title_fullStr | Modal counterpoint, Renaissance style Peter Schubert |
| title_full_unstemmed | Modal counterpoint, Renaissance style Peter Schubert |
| title_short | Modal counterpoint, Renaissance style |
| title_sort | modal counterpoint renaissance style |
| topic | Contrepoint Counterpoint Kontrapunkt (DE-588)4032307-9 gnd |
| topic_facet | Contrepoint Counterpoint Kontrapunkt Lehrbuch |
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