Zoltán Kodály, in retrospect: a Hungarian national composer in the 20th century on the border of East and West
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Kecskemét
Kodály Institute
2006
|
| Ausgabe: | [Neuausg.] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VIII, 285 S. Ill., Notenbeisp. |
| ISBN: | 9637295283 |
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| adam_text | Titel: Zoltán Kodály, in retrospect
Autor: Ittzés, Mihály
Jahr: 2006
Contents
Notes can be found at the end of the chapters.
1 Introduction.........................................................1
1.1 Explanation of the title of the book.............................2
1.2 Summary of the contents of the chapters.........................6
1.3 A short overview of opinions and researches
about the topic........................12
2 Backgrounds..........................................................18
2.1 Historical background: national trends in 19th and 20th century
Hungarian music ....................................18
2.1.1 19th century: A national school based on verbunkos music .................................19
2.1.2 Decadence and new requirements...................................25
2.1.3 20th century: A national school based on folk music..........................................26
2.1.4 AfterBartok and Kodaly s ..revolution .............................................................28
2. 2 Pedagogical background: chronology to the establishment and
development of Zoltan Kodaly s music pedagogical concept
in Hungary ...............................................32
2.2.1 Antecedents.......................................32
2.2.2 The development of Kodaly s music educational concept:
the establishment of the new ideas; the elaboration of details
of the method with his collaborators; introduction into school curricula............33
2.2.3 After Kodaly.....................................................................................................38
2.3 Theoretical background: relative solfa in musical analysis
and other occurences of relativity in music ..............................................41
2.3.1 Melodic examples.............................................................................................47
2.3.2 Renaissance harmony.......................................................................................51
2.3.3 Romantic harmony..........................................................................................54
2.3.4 Kodaly examples and Conclusion......................................................................58
3 Music pedagogy...............................................................................62
3.1 Kodaly s singing exercises and their relation to European art music ... 62
3.1.1 Zoltan Kodaly s singing exercises — a summary..................................................63
3.1.2 Baroque connections ...................................................................................67
3.1.3 Romantic connections............................................................................................................................74
3.2 The musical world of Kodaly s instrumental pieces for children............81
3.2.1 Twelve Little Piano Pieces................................................82
3.2.2 Twentyfour Little Canons on the Black Keys.....................................................85
3.2.3 Pentatonic Music, Volume 2.........................................86
3.2.4 Children s Dances...........................................89
3.2.5 Epilogue............................................................................................................................92
3.3 The artistic and pedagogical problems
of programme music in Kodaly s oeuvre.............................................................94
3.3.1 A historical survey.........................................................................................................94
3.3.2 Kodaly s opinion on programme music in music education...................................95
3.3.3 Artistic problems and solutions: Kodaly s programme music.................................97
3.3.4 Summary........................................................................................................................108
4 From folk music to art music......................................................................110
4.1 Restriction and freedom in folk music as it is reflected
in Kodaly s works.......................................................................................................110
4.1.1 Ethnomusicological basis............................................................................................Ill
4.1.2 Laments...........................................................................................................................112
4.1.3 Instrumental music.......................................................................................................114
4.1.4 Historical tradition and performance practice.........................................................115
4.1.5 Combined materials......................................................................................................119
4.1.6 An original Kodaly work..............................................................................................123
4.1.7 Conclusion......................................................................................................................124
4.2 Artistic unity and variety in folksongs and their arrangements..................126
4.2.1 Analysis of a folksong..................................................................................................126
4.2.2 Bartok on folksong arrangements in general...........................................................128
4.2.3 A piano piece: Szekely nota (Szekely Song).............................................................129
4.2.4 A song arrangement: Az hoi en elmenyek (Wherever I go) .................................133
4.2.5 Various pieces based on the ,,Peacock Song ...........................................................137
4.2.6 Peacock Variations for Orchestra...............................................................................142
4.3 Wainamoinen makes music
Kodaly and the Kalevala...........................................................................................150
4.3.1 Scientific and pedagogical references........................................................................151
4.3.2 Kalevala pieces in Bicinia Hungarica........................................................................153
4.3.3 Wainamoinen Makes Music .......................................................................................160
4.3.4 Conclusion......................................................................................................................165
5 Some aspects of Kodaly s choral works.......................................................167
5.1 Kodaly s choruses. A summary.............................................................................167
5.1.1 An historical overview..................................................................................................168
5.1.2 Children s choruses.......................................................................................................169
5.1.3 Female choirs................................................................................................................176
5.1.4 Choirs for male voices.................................................................................................178
5.1.5 Mixed choirs..................................................................................................................180
5.1.6 Conclusion......................................................................................................................186
5.2 Variation and refrain in Kodaly s choral works................................................188
5.2.1 Musical means of variation.........................................................................................189
5.2.2 Chorale variations and other examples..................................................................191
5.2.3 Choral works with refrain............................................................................................196
5.2.4 Combined forms...........................................................................................................197
5.3 Molnar Anna (Annie Miller) A Szekely folk ballad
arranged by Zoltan Kodaly for mixed choir...........................................199
5.3.1 The text.......................................................................200
5.3.2 The melody........................................................204
5.3.3 Harmonization..................................................212
5.3.4 Form, tonal order .............................................................222
6 Connections: Places and Persons 228
6.1 Kodaly and his native town, Kecskemet
Connections and incentives.......................................................................228
6.1.1 1930s: Choral Movement...........................................229
6 12 1950s-1960s: The Musical Primary School......................................................231
6.1.3 Incentives...................................................233
6.2 Kodaly and Italy.................................................................235
6.2.1 Kodaly s visits to Italy .....................................................................................235
6.2.2 Connections to Italian Musicians .....................................................................236
6.2.3 Reflections on Italian Culture in Kodaly s Writings.........................................240
6.2.4 Kodaly and Italian Music - Opinions and Inspirations.....................................240
6.3 Kodaly and Liszt .........................................................................245
6.3.1 Refrences to Liszt in Kodaly s writings............................................................245
6.2.3 Liszt parallels in Kodaly s works.......................................................................247
6.3.3 Kodaly s tribute to Liszt..................................................................................255
6.3.4 Epilogue: Liszt and Kodaly in the Hungarian music history .............................25H
7 Conclusion......................................................................................260
7.1 East meets West: multicultural ideas in Kodaly s
writings and musical works.......................................................................260
7.1.1 Between East and West...................................................................................260
7.1.2 Extension of musical horizon..........................................................................264
7.1.3 East and West in music — Kodaly s overview....................................................266
7.2 Kodaly, the example and the inspiration..................................................270
7.2.1 Background and sources .................................................................................270
7.2.2 Professor of composition.................................................................................270
7.2.3 The choral movement...............................272
7.2.4 Folk music research and musicology...............................................................273
7.2.5 An Interlude: relatives in composition....................................................273
7.2.6 A musical legacy.....................................................275
SOURCES (with original titles) .............................................279
Index of names ............................................280
Index of Kodaly works...................................................282
|
| adam_txt |
Titel: Zoltán Kodály, in retrospect
Autor: Ittzés, Mihály
Jahr: 2006
Contents
Notes can be found at the end of the chapters.
1 Introduction.1
1.1 Explanation of the title of the book.2
1.2 Summary of the contents of the chapters.6
1.3 A short overview of opinions and researches
about the topic.12
2 Backgrounds.18
2.1 Historical background: national trends in 19th and 20th century
Hungarian music .18
2.1.1 19th century: A national school based on verbunkos music .19
2.1.2 Decadence and new requirements.25
2.1.3 20th century: A national school based on folk music.26
2.1.4 AfterBartok and Kodaly's .revolution" .28
2. 2 Pedagogical background: chronology to the establishment and
development of Zoltan Kodaly's music pedagogical concept
in Hungary .32
2.2.1 Antecedents.32
2.2.2 The development of Kodaly's music educational concept:
the establishment of the new ideas; the elaboration of details
of the method with his collaborators; introduction into school curricula.33
2.2.3 After Kodaly.38
2.3 Theoretical background: relative solfa in musical analysis
and other occurences of relativity in music .41
2.3.1 Melodic examples.47
2.3.2 Renaissance harmony.51
2.3.3 Romantic harmony.54
2.3.4 Kodaly examples and Conclusion.58
3 Music pedagogy.62
3.1 Kodaly's singing exercises and their relation to European art music . 62
3.1.1 Zoltan Kodaly's singing exercises — a summary.63
3.1.2 Baroque connections .67
3.1.3 Romantic connections.74
3.2 The musical world of Kodaly's instrumental pieces for children.81
3.2.1 Twelve Little Piano Pieces.82
3.2.2 Twentyfour Little Canons on the Black Keys.85
3.2.3 Pentatonic Music, Volume 2.86
3.2.4 Children's Dances.89
3.2.5 Epilogue.92
3.3 The artistic and pedagogical problems
of programme music in Kodaly's oeuvre.94
3.3.1 A historical survey.94
3.3.2 Kodaly's opinion on programme music in music education.95
3.3.3 Artistic problems and solutions: Kodaly's programme music.97
3.3.4 Summary.108
4 From folk music to art music.110
4.1 Restriction and freedom in folk music as it is reflected
in Kodaly's works.110
4.1.1 Ethnomusicological basis.Ill
4.1.2 Laments.112
4.1.3 Instrumental music.114
4.1.4 Historical tradition and performance practice.115
4.1.5 Combined materials.119
4.1.6 An original Kodaly work.123
4.1.7 Conclusion.124
4.2 Artistic unity and variety in folksongs and their arrangements.126
4.2.1 Analysis of a folksong.126
4.2.2 Bartok on folksong arrangements in general.128
4.2.3 A piano piece: Szekely nota (Szekely Song).129
4.2.4 A song arrangement: Az hoi en elmenyek (Wherever I go) .133
4.2.5 Various pieces based on the ,,Peacock Song".137
4.2.6 Peacock Variations for Orchestra.142
4.3 'Wainamoinen makes music'
Kodaly and the Kalevala.150
4.3.1 Scientific and pedagogical references.151
4.3.2 Kalevala pieces in Bicinia Hungarica.153
4.3.3 "Wainamoinen Makes Music'.160
4.3.4 Conclusion.165
5 Some aspects of Kodaly's choral works.167
5.1 Kodaly's choruses. A summary.167
5.1.1 An historical overview.168
5.1.2 Children's choruses.169
5.1.3 Female choirs.176
5.1.4 Choirs for male voices.178
5.1.5 Mixed choirs.180
5.1.6 Conclusion.186
5.2 Variation and refrain in Kodaly's choral works.188
5.2.1 Musical means of variation.189
5.2.2 "Chorale" variations and other examples.191
5.2.3 Choral works with refrain.196
5.2.4 Combined forms.197
5.3 Molnar Anna (Annie Miller) A Szekely folk ballad
arranged by Zoltan Kodaly for mixed choir.199
5.3.1 The text.200
5.3.2 The melody.204
5.3.3 Harmonization.212
5.3.4 Form, tonal order .222
6 Connections: Places and Persons 228
6.1 Kodaly and his native town, Kecskemet
Connections and incentives.228
6.1.1 1930s: Choral Movement.229
6 12 1950s-1960s: The Musical Primary School.231
6.1.3 Incentives.233
6.2 Kodaly and Italy.235
6.2.1 Kodaly's visits to Italy .235
6.2.2 Connections to Italian Musicians .236
6.2.3 Reflections on Italian Culture in Kodaly's Writings.240
6.2.4 Kodaly and Italian Music - Opinions and Inspirations.240
6.3 Kodaly and Liszt .245
6.3.1 Refrences to Liszt in Kodaly's writings.245
6.2.3 Liszt parallels in Kodaly's works.247
6.3.3 Kodaly's tribute to Liszt.255
6.3.4 Epilogue: Liszt and Kodaly in the Hungarian music history .25H
7 Conclusion.260
7.1 East meets West: multicultural ideas in Kodaly's
writings and musical works.260
7.1.1 Between East and West.260
7.1.2 Extension of musical horizon.264
7.1.3 East and West in music — Kodaly's overview.266
7.2 Kodaly, the example and the inspiration.270
7.2.1 Background and sources .270
7.2.2 Professor of composition.270
7.2.3 The choral movement.272
7.2.4 Folk music research and musicology.273
7.2.5 An Interlude: relatives in composition.273
7.2.6 A musical legacy.275
SOURCES (with original titles) .279
Index of names .280
Index of Kodaly works.282 |
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| spelling | Ittzés, Mihály Verfasser aut Zoltán Kodály, in retrospect a Hungarian national composer in the 20th century on the border of East and West Mihály Ittzés [Neuausg.] Kecskemét Kodály Institute 2006 VIII, 285 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Zugl.: Jyväskylä, Univ., Diss., 2002 Kodály, Zoltán <1882-1967> Kodály, Zoltán 1882-1967 (DE-588)118564145 gnd rswk-swf Composers Hungary History and criticism Ungarn (DE-588)4113937-9 Hochschulschrift gnd-content (DE-588)4189680-4 Werkverzeichnis gnd-content Kodály, Zoltán 1882-1967 (DE-588)118564145 p DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016363395&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ittzés, Mihály Zoltán Kodály, in retrospect a Hungarian national composer in the 20th century on the border of East and West Kodály, Zoltán <1882-1967> Kodály, Zoltán 1882-1967 (DE-588)118564145 gnd Composers Hungary History and criticism |
| subject_GND | (DE-588)118564145 (DE-588)4113937-9 (DE-588)4189680-4 |
| title | Zoltán Kodály, in retrospect a Hungarian national composer in the 20th century on the border of East and West |
| title_auth | Zoltán Kodály, in retrospect a Hungarian national composer in the 20th century on the border of East and West |
| title_exact_search | Zoltán Kodály, in retrospect a Hungarian national composer in the 20th century on the border of East and West |
| title_exact_search_txtP | Zoltán Kodály, in retrospect a Hungarian national composer in the 20th century on the border of East and West |
| title_full | Zoltán Kodály, in retrospect a Hungarian national composer in the 20th century on the border of East and West Mihály Ittzés |
| title_fullStr | Zoltán Kodály, in retrospect a Hungarian national composer in the 20th century on the border of East and West Mihály Ittzés |
| title_full_unstemmed | Zoltán Kodály, in retrospect a Hungarian national composer in the 20th century on the border of East and West Mihály Ittzés |
| title_short | Zoltán Kodály, in retrospect |
| title_sort | zoltan kodaly in retrospect a hungarian national composer in the 20th century on the border of east and west |
| title_sub | a Hungarian national composer in the 20th century on the border of East and West |
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| topic_facet | Kodály, Zoltán <1882-1967> Kodály, Zoltán 1882-1967 Composers Hungary History and criticism Ungarn Hochschulschrift Werkverzeichnis |
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