Intermedialities:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Trier
WVT, Wiss. Verl. Trier
2007
|
| Schriftenreihe: | Focal Point
6 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Ausführliche Beschreibung Inhaltsverzeichnis Klappentext |
| Beschreibung: | 172 S. Ill. |
| ISBN: | 9783884769560 3884769561 |
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Datensatz im Suchindex
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Contents
Werner Huber
(Vienna),
Evelyne
Keitel (Chemnitz),
Gunter Süß (Chemnitz)
Intermedialities: An
Introduction
1
Martin Middeke, Christoph Henke (Augsburg)
Baudrillard
Revisited:
Simulation,
Simulacra, and
Postmodern
Mythmaking in
the
Matrix
Trilogy
11
Gunter Süß (Chemnitz)
"Did you ever meet a sexier male chauvinist pig?":
Robbie Williams, Irony, and Englishness
27
Monika
Seidl
(Vienna)
Framing Colin: The Adaptation of Classics
and Colin Firth as Mr. Darcy and after Mr. Darcy
37
Sabine
Baltes
(Chemnitz)
The Nanny: An American Sitcom and the English Governess Novel
51
Marie-Luise
Egbert (Leipzig)
"A Good Book Speaks for Itself:
Audiobooks and Reception Aesthetics
59
Peter Paul Schnierer (Heidelberg)
Elucidating Difficult Texts: Satanic and Occult Rock Music
69
Manuela Müller
(Chemnitz)
Native Cinema: "sit back, watch, and listen"
83
Marcel Hartwig
(Chemnitz)
"I'm into murders and executions mostly":
Inducing Psychosis in American Psycho
95
Elisabeth
Siegel
(Vienna)
"Another fleeting image": Pictorial Memory in John Banville's The Sea
107
Stefan Meier (Chemnitz)
The Many Faces of Don Diego
Vega:
The
Zorro
Figure as an Icon of Popular Culture
119
Eckart Voigts-Virchow (Siegen)
Paratracks in the Digital Age: Bonus Material as Bogus Material
in Blood Simple (Joel and Ethan
Coen,
1984/2001) 129
André
Nimtz (Chemnitz)
New Worlds, Old Habits? Towards an
Intermedial
Definition
of the Science Fiction Genre via Soundtracks
141
Evelyne Keitel
(Chemnitz)
Edgar Allan
Poe
is Alive and Well and Living in Popular Culture:
The Simpsons Episode of "The Raven"
155
Notes on Contributors
169
The imagination of the early twenty-first century is catastrophic. Hollywood
blockbuster novels, computer games, popular music, art and even political
speeches depict a world consumed by vampires, zombies, aliens from outer space,
viral infection, crazed terrorists and mad scientists. These descriptions of the
apocalypse not only commodify fear itself; they articulate and even aid the US bid
for global control. In ways similar to the British 'imperial gothic' of the late nineteenth
century, ("he American imperial gofhic is obsessed with race, gender, degeneration
and invasion, with the destruction of society, the collapse of modernity and the
disintegration of capitalism.
Drawing on a rich array of texts from a long history of the gothic, this book contends
that the doom faced by the world in popular culture is related to the current global
instability, renegotiation of worldwide power and the American bid for hegemony
that can be traced back to the beginning of the Republic. From the frontier gothic of
Charles Brockden Brown's Edgar Huntly to the apocalyptic 'torture porn' or Eli Roth's
Hostel, the American imperial gothic dramatises the desires and anxieties of empire.
Revealing the ways in which ¡mages of destruction and social upheaval feed line
longing for stable imperial structures, but also sometimes query the violence with
which the US has asserted itself locally and globally this book will be of interest to
scholars and students of popular culture, cultural and media studies, literary and
visual studies and sociology,
ι |
| adam_txt |
Contents
Werner Huber
(Vienna),
Evelyne
Keitel (Chemnitz),
Gunter Süß (Chemnitz)
Intermedialities: An
Introduction
1
Martin Middeke, Christoph Henke (Augsburg)
Baudrillard
Revisited:
Simulation,
Simulacra, and
Postmodern
Mythmaking in
the
Matrix
Trilogy
11
Gunter Süß (Chemnitz)
"Did you ever meet a sexier male chauvinist pig?":
Robbie Williams, Irony, and Englishness
27
Monika
Seidl
(Vienna)
Framing Colin: The Adaptation of Classics
and Colin Firth as Mr. Darcy and after Mr. Darcy
37
Sabine
Baltes
(Chemnitz)
The Nanny: An American Sitcom and the English Governess Novel
51
Marie-Luise
Egbert (Leipzig)
"A Good Book Speaks for Itself:
Audiobooks and Reception Aesthetics
59
Peter Paul Schnierer (Heidelberg)
Elucidating Difficult Texts: Satanic and Occult Rock Music
69
Manuela Müller
(Chemnitz)
Native Cinema: "sit back, watch, and listen"
83
Marcel Hartwig
(Chemnitz)
"I'm into murders and executions mostly":
Inducing Psychosis in American Psycho
95
Elisabeth
Siegel
(Vienna)
"Another fleeting image": Pictorial Memory in John Banville's The Sea
107
Stefan Meier (Chemnitz)
The Many Faces of Don Diego
Vega:
The
Zorro
Figure as an Icon of Popular Culture
119
Eckart Voigts-Virchow (Siegen)
Paratracks in the Digital Age: Bonus Material as Bogus Material
in Blood Simple (Joel and Ethan
Coen,
1984/2001) 129
André
Nimtz (Chemnitz)
New Worlds, Old Habits? Towards an
Intermedial
Definition
of the Science Fiction Genre via Soundtracks
141
Evelyne Keitel
(Chemnitz)
Edgar Allan
Poe
is Alive and Well and Living in Popular Culture:
The Simpsons Episode of "The Raven"
155
Notes on Contributors
169
The imagination of the early twenty-first century is catastrophic. Hollywood
blockbuster novels, computer games, popular music, art and even political
speeches depict a world consumed by vampires, zombies, aliens from outer space,
viral infection, crazed terrorists and mad scientists. These descriptions of the
apocalypse not only commodify fear itself; they articulate and even aid the US bid
for global control. In ways similar to the British 'imperial gothic' of the late nineteenth
century, ("he American imperial gofhic is obsessed with race, gender, degeneration
and invasion, with the destruction of society, the collapse of modernity and the
disintegration of capitalism.
Drawing on a rich array of texts from a long history of the gothic, this book contends
that the doom faced by the world in popular culture is related to the current global
instability, renegotiation of worldwide power and the American bid for hegemony
that can be traced back to the beginning of the Republic. From the frontier gothic of
Charles Brockden Brown's Edgar Huntly to the apocalyptic 'torture porn' or Eli Roth's
Hostel, the American imperial gothic dramatises the desires and anxieties of empire.
Revealing the ways in which ¡mages of destruction and social upheaval feed line
longing for stable imperial structures, but also sometimes query the violence with
which the US has asserted itself locally and globally this book will be of interest to
scholars and students of popular culture, cultural and media studies, literary and
visual studies and sociology,
ι |
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| series | Focal Point |
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| spelling | Intermedialities Werner Huber ... (eds.) Trier WVT, Wiss. Verl. Trier 2007 172 S. Ill. txt rdacontent n rdamedia nc rdacarrier Focal Point 6 Künste (DE-588)4033422-3 gnd rswk-swf Intermedialität (DE-588)4605581-2 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2004 Chemnitz gnd-content Künste (DE-588)4033422-3 s Intermedialität (DE-588)4605581-2 s b DE-604 Huber, Werner 1952-2016 (DE-588)129259454 edt Focal Point 6 (DE-604)BV021257714 6 text/html http://deposit.dnb.de/cgi-bin/dokserv?id=2990447&prov=M&dok_var=1&dok_ext=htm Inhaltstext text/html http://www.wvttrier.de/top/Beschreibungen/ID742.html Ausführliche Beschreibung Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016362073&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016362073&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| subject_GND | (DE-588)4033422-3 (DE-588)4605581-2 (DE-588)1071861417 |
| title | Intermedialities |
| title_auth | Intermedialities |
| title_exact_search | Intermedialities |
| title_exact_search_txtP | Intermedialities |
| title_full | Intermedialities Werner Huber ... (eds.) |
| title_fullStr | Intermedialities Werner Huber ... (eds.) |
| title_full_unstemmed | Intermedialities Werner Huber ... (eds.) |
| title_short | Intermedialities |
| title_sort | intermedialities |
| topic | Künste (DE-588)4033422-3 gnd Intermedialität (DE-588)4605581-2 gnd |
| topic_facet | Künste Intermedialität Konferenzschrift 2004 Chemnitz |
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