John Ford in focus: essays on the filmmaker's life and work
"This collection of essays offers a comprehensive examination of his life and career. Part one provides an overview of Ford's importance in the early development of cinema. Part two focuses on Ford's personal life. Part three explores theories that explain why Ford's movies have...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Jefferson, NC [u.a.]
McFarland
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This collection of essays offers a comprehensive examination of his life and career. Part one provides an overview of Ford's importance in the early development of cinema. Part two focuses on Ford's personal life. Part three explores theories that explain why Ford's movies have sparked such interest, debate, and enjoyment among Hollywood film critics and the cinema community"--Provided by publisher. |
| Beschreibung: | X, 234 S. Ill. |
| ISBN: | 9780786432158 |
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| 520 | 3 | |a "This collection of essays offers a comprehensive examination of his life and career. Part one provides an overview of Ford's importance in the early development of cinema. Part two focuses on Ford's personal life. Part three explores theories that explain why Ford's movies have sparked such interest, debate, and enjoyment among Hollywood film critics and the cinema community"--Provided by publisher. | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
TABLE OF CONTENTS ACKNOWLEDGMENTS VII GENERAL INTRODUCTION MICHAEL C.
CONNOLLY AND KEVIN L. STOEHR 1 PART ONE: FORD'S VISION AND IMPORTANCE
INTRODUCTION TO PART ONE KEVIN L. STOEHR 5 A TRIBUTE TO JOHN FORD PETER
BOGDANOVICH 7 JOHN FORD IN THE TWENTY-FIRST CENTURY: WHY HE STILL
MATTERS SCOTT ** M ** 14 FORD AND THE ROMANTIC TRADITION CHARLES SILVER
17 PART TWO: LIFE IN MAINE, IRELAND, AND BEYOND INTRODUCTION TO PART TWO
MICHAEL C. CONNOLLY 35 A BULL IS REARED ON MUNJOY HILL: JOHN FORD'S
IRISH UPBRINGING IN PORTLAND, MAINE MICHAEL C. CONNOLLY 42 JOHN FORD: A
MEMORIAL MAIDHC P. O CONAOLA (MIKE P. CONNOLLY), TRANSLATED BY KENNETH
E. NILSEN 68 JOHN FORD AND THE FEENEY FAMILY OF GALWAY AND PORTLAND
MATTHEW JUDE BARKER 75 THE JOHN FORD TOUR MARGARET FEENEY LACOMBE 82
JOHN FORD'S ARRIVAL IN HOLLYWOOD DAN FORD 93 REFLECTIONS ON THE BATTLE
OF MIDWAY: AN INTERVIEW WITH JOHN FORD (AUGUST 17, 1943) 102 111 122 X
TABLE OF CONTENTS WE SHOT D-DAY ON OMAHA BEACH: AN INTERVIEW WITH JOHN
FORD PETER MARTIN JOHN FORD'S USE OF GAELIC IN THE QUIET MAN: AN
INTERVIEW WITH NORA FOLAN KENNETH E. NILSEN PART THREE: FORD'S FILMS
INTRODUCTION TO PART THREE KEVIN L. STOEHR 129 "IF YOU CAN CALL IT AN
ART.": PICTORIAL STYLE IN JOHN FORD'S UNIVERSAL WESTERNS (1917-1918)
TOM PAULUS 131 BEYOND THE BLESSINGS OF CIVILIZATION: JOHN FORD'S
STAGECOACH AND THE MYTH OF THE WESTERN FRONTIER ROBERT C. SICKELS 142
JOHN FORD'S FESTIVE COMEDY: IRELAND IMAGINED IN THE QUIET MAN WILLIAM C.
DOWLING 153 THE QUIET MAN AND THE BOXING FILM: ALLUSIONS AND INFLUENCES
LEGER GRINDON 169 WAYS OF KNOWING: PETER LEHMAN AND THE SEARCHERS TOM
PAULUS 176 POPULIST MOTIFS IN JOHN FORD'S FILMS ROY GRUNDMANN 187
HEROISM, FAITH, AND IDEALISM IN 7 WOMEN AND OTHER FILMS BY JOHN FORD
KEVIN L. STOEHR 205 ABOUT THE CONTRIBUTORS 223 WORKS CITED 225 INDEX 231 |
| adam_txt |
TABLE OF CONTENTS ACKNOWLEDGMENTS VII GENERAL INTRODUCTION MICHAEL C.
CONNOLLY AND KEVIN L. STOEHR 1 PART ONE: FORD'S VISION AND IMPORTANCE
INTRODUCTION TO PART ONE KEVIN L. STOEHR 5 A TRIBUTE TO JOHN FORD PETER
BOGDANOVICH 7 JOHN FORD IN THE TWENTY-FIRST CENTURY: WHY HE STILL
MATTERS SCOTT ** M ** 14 FORD AND THE ROMANTIC TRADITION CHARLES SILVER
17 PART TWO: LIFE IN MAINE, IRELAND, AND BEYOND INTRODUCTION TO PART TWO
MICHAEL C. CONNOLLY 35 A BULL IS REARED ON MUNJOY HILL: JOHN FORD'S
IRISH UPBRINGING IN PORTLAND, MAINE MICHAEL C. CONNOLLY 42 JOHN FORD: A
MEMORIAL MAIDHC P. O CONAOLA (MIKE P. CONNOLLY), TRANSLATED BY KENNETH
E. NILSEN 68 JOHN FORD AND THE FEENEY FAMILY OF GALWAY AND PORTLAND
MATTHEW JUDE BARKER 75 THE JOHN FORD TOUR MARGARET FEENEY LACOMBE 82
JOHN FORD'S ARRIVAL IN HOLLYWOOD DAN FORD 93 REFLECTIONS ON THE BATTLE
OF MIDWAY: AN INTERVIEW WITH JOHN FORD (AUGUST 17, 1943) 102 111 122 X
TABLE OF CONTENTS WE SHOT D-DAY ON OMAHA BEACH: AN INTERVIEW WITH JOHN
FORD PETER MARTIN JOHN FORD'S USE OF GAELIC IN THE QUIET MAN: AN
INTERVIEW WITH NORA FOLAN KENNETH E. NILSEN PART THREE: FORD'S FILMS
INTRODUCTION TO PART THREE KEVIN L. STOEHR 129 "IF YOU CAN CALL IT AN
ART.": PICTORIAL STYLE IN JOHN FORD'S UNIVERSAL WESTERNS (1917-1918)
TOM PAULUS 131 BEYOND THE BLESSINGS OF CIVILIZATION: JOHN FORD'S
STAGECOACH AND THE MYTH OF THE WESTERN FRONTIER ROBERT C. SICKELS 142
JOHN FORD'S FESTIVE COMEDY: IRELAND IMAGINED IN THE QUIET MAN WILLIAM C.
DOWLING 153 THE QUIET MAN AND THE BOXING FILM: ALLUSIONS AND INFLUENCES
LEGER GRINDON 169 WAYS OF KNOWING: PETER LEHMAN AND THE SEARCHERS TOM
PAULUS 176 POPULIST MOTIFS IN JOHN FORD'S FILMS ROY GRUNDMANN 187
HEROISM, FAITH, AND IDEALISM IN 7 WOMEN AND OTHER FILMS BY JOHN FORD
KEVIN L. STOEHR 205 ABOUT THE CONTRIBUTORS 223 WORKS CITED 225 INDEX 231 |
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| title | John Ford in focus essays on the filmmaker's life and work |
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