Sound design & science fiction:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | vi, 280 Seiten Illustrationen 23 cm |
| ISBN: | 9780292714304 0292714300 9780292714311 0292714319 |
Internformat
MARC
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| 245 | 1 | 0 | |a Sound design & science fiction |c by William Whittington |
| 246 | 1 | 3 | |a Sound design and science fiction |
| 264 | 1 | |a Austin |b University of Texas Press |c 2007 | |
| 300 | |a vi, 280 Seiten |b Illustrationen |c 23 cm | ||
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| 650 | 4 | |a Motion pictures |x Sound effects | |
| 650 | 4 | |a Science fiction films | |
| 650 | 4 | |a Sound motion pictures | |
| 650 | 4 | |a Sound |x Recording and reproducing | |
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Datensatz im Suchindex
| _version_ | 1804137438133616640 |
|---|---|
| adam_text | Contents
Acknowledgments
viii
Introduction
ι
PART I. The Dawn of Sound Design
chapter i. Sound Design: Origins and Influences
17
chapter
2.
Music and Speculation in
2001:
A Space Odyssey
39
part
11.
Sound Montage
chapters. The Convergence of Hollywood
and New Wave Science Fiction
55
chapter
4.
Suggestive Fragments in THX1138
75
PART III. Sound Designing
chapter
5.
From Sound Capture to Construction:
Building the Lexicon of Sound Designs
for Star Wars
93
chapter
6.
Surround Sound and Science Fiction
115
PART IV. Sound Effects
chapter
7.
Genre Splicing: Horror and
Science Fiction
129
chapter
8.
Alien: Audio-biomechanics
147
vi
I CONTENTS
part v. Voice Design
chapter
9.
Blade Runners: A Crisis in Voicing Authority,
Identity, and Spectacle
169
part
vi.
Final Design
chapter
10.
Sound Mixing and Sound Design in Science
Fiction Cinema: A Mixed Paradox
191
chapter
11.
Mixing Man and Machine in
Terminator
2:
Judgment Day
207
PART
VII.
Conclusion: A Sounding of the Future
chapter
12.
What is The Matrix? Sound Design
in a Digital World
223
Appendix: Overview of the General Processes
of Sound Production
241
Notes
245
Glossary
257
Bibliography
261
Filmography
269
Index
273
FILM AND MEDIA STUDIES: SCIENCE FICTION STUDIES
I haven t elsewhere seen such a thorough consideration of sound that
integrates the analysis of dialogue and music and sound effects as here.
—Robert
Spadoni, Case
Western Reserve University, author of Uncanny
Bodies: The Coming of Sound Film and the Origins of the Horror Genre
OUND is half the PICTURE, and since the
1960s,
film sound
not only has rivaled the innovative imagery of contemporary Hol¬
lywood cinema, but in some ways has surpassed it in status and
privilege because of the emergence of sound design.
This in-depth study by William Whittington considers the evolution of
sound design not only through cultural and technological developments
during the last four decades, but also through the attitudes and expecta¬
tions of filmgoers. Fans of recent blockbuster films, in particular science
fiction films, have come to expect a more advanced and refined degree of
film sound use, which has changed the way they experience and under¬
stand spectacle and storytelling in contemporary cinema.
The book covers recent science fiction cinema in rich and compelling
detail, providing a new sounding of familiar films, while offering insights into
the constructed nature of cinematic sound design. This is accomplished by
examining the formal elements and historical context of sound production
in movies to better appreciate how a film sound track is conceived and
presented.
Whittington focuses on seminal science fiction films that have made
specific advances in film sound, including
2007:
A Space Odyssey, THX
1138,
Star Wars, Alien, Blade Runner (original version and director s cut),
Terminator
2:
Judgment Day, and The Matrix trilogy and games—milestones
of the entertainment industry s technological and aesthetic advancements
with sound.
Setting itself apart from other works, the book illustrates through ac¬
cessible detail and compelling examples how swiftly such advancements
in film sound aesthetics and technology have influenced recent science
fiction cinema, and examines how these changes correlate to the history,
theory, and practice of contemporary Hollywood filmmaking.
WILLIAM WHITTINGTON is Assistant Chair of Critical Studies at the
University of Southern California in Los Angeles.
|
| adam_txt |
Contents
Acknowledgments
viii
Introduction
ι
PART I. The Dawn of Sound Design
chapter i. Sound Design: Origins and Influences
17
chapter
2.
Music and Speculation in
2001:
A Space Odyssey
39
part
11.
Sound Montage
chapters. The Convergence of Hollywood
and New Wave Science Fiction
55
chapter
4.
Suggestive Fragments in THX1138
75
PART III. Sound Designing
chapter
5.
From Sound Capture to Construction:
Building the Lexicon of Sound Designs
for Star Wars
93
chapter
6.
Surround Sound and Science Fiction
115
PART IV. Sound Effects
chapter
7.
Genre Splicing: Horror and
Science Fiction
129
chapter
8.
Alien: Audio-biomechanics
147
vi
I CONTENTS
part v. Voice Design
chapter
9.
Blade Runners: A Crisis in Voicing Authority,
Identity, and Spectacle
169
part
vi.
Final Design
chapter
10.
Sound Mixing and Sound Design in Science
Fiction Cinema: A Mixed Paradox
191
chapter
11.
Mixing Man and Machine in
Terminator
2:
Judgment Day
207
PART
VII.
Conclusion: A Sounding of the Future
chapter
12.
What is The Matrix? Sound Design
in a Digital World
223
Appendix: Overview of the General Processes
of Sound Production
241
Notes
245
Glossary
257
Bibliography
261
Filmography
269
Index
273
FILM AND MEDIA STUDIES: SCIENCE FICTION STUDIES
"I haven't elsewhere seen such a thorough consideration of sound that
integrates the analysis of dialogue and music and sound effects as here."
—Robert
Spadoni, Case
Western Reserve University, author of Uncanny
Bodies: The Coming of Sound Film and the Origins of the Horror Genre
OUND is half the PICTURE, and since the
1960s,
film sound
not only has rivaled the innovative imagery of contemporary Hol¬
lywood cinema, but in some ways has surpassed it in status and
'
privilege because of the emergence of sound design.
This in-depth study by William Whittington considers the evolution of
sound design not only through cultural and technological developments
during the last four decades, but also through the attitudes and expecta¬
tions of filmgoers. Fans of recent blockbuster films, in particular science
fiction films, have come to expect a more advanced and refined degree of
film sound use, which has changed the way they experience and under¬
stand spectacle and storytelling in contemporary cinema.
The book covers recent science fiction cinema in rich and compelling
detail, providing a new sounding of familiar films, while offering insights into
the constructed nature of cinematic sound design. This is accomplished by
examining the formal elements and historical context of sound production
in movies to better appreciate how a film sound track is conceived and
presented.
Whittington focuses on seminal science fiction films that have made
specific advances in film sound, including
2007:
A Space Odyssey, THX
1138,
Star Wars, Alien, Blade Runner (original version and director's cut),
Terminator
2:
Judgment Day, and The Matrix trilogy and games—milestones
of the entertainment industry's technological and aesthetic advancements
with sound.
Setting itself apart from other works, the book illustrates through ac¬
cessible detail and compelling examples how swiftly such advancements
in film sound aesthetics and technology have influenced recent science
fiction cinema, and examines how these changes correlate to the history,
theory, and practice of contemporary Hollywood filmmaking.
WILLIAM WHITTINGTON is Assistant Chair of Critical Studies at the
University of Southern California in Los Angeles. |
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| index_date | 2024-07-02T19:59:08Z |
| indexdate | 2024-07-09T21:12:17Z |
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| spelling | Whittington, William 1964- Verfasser (DE-588)1153777541 aut Sound design & science fiction by William Whittington Sound design and science fiction Austin University of Texas Press 2007 vi, 280 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Geschichte gnd rswk-swf Cinéma - Effets sonores ram Films de science-fiction ram Films sonores ram Son - Enregistrement et reproduction ram son - enregistrement et reproduction ram Film Motion pictures Sound effects Science fiction films Sound motion pictures Sound Recording and reproducing Soundverarbeitung (DE-588)4485311-7 gnd rswk-swf Filmvertonung (DE-588)4017148-6 gnd rswk-swf Sounddesign (DE-588)7693207-2 gnd rswk-swf Science-Fiction-Film (DE-588)4054023-6 gnd rswk-swf Science-Fiction-Film (DE-588)4054023-6 s Soundverarbeitung (DE-588)4485311-7 s Filmvertonung (DE-588)4017148-6 s Sounddesign (DE-588)7693207-2 s Geschichte z DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016360874&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016360874&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Whittington, William 1964- Sound design & science fiction Cinéma - Effets sonores ram Films de science-fiction ram Films sonores ram Son - Enregistrement et reproduction ram son - enregistrement et reproduction ram Film Motion pictures Sound effects Science fiction films Sound motion pictures Sound Recording and reproducing Soundverarbeitung (DE-588)4485311-7 gnd Filmvertonung (DE-588)4017148-6 gnd Sounddesign (DE-588)7693207-2 gnd Science-Fiction-Film (DE-588)4054023-6 gnd |
| subject_GND | (DE-588)4485311-7 (DE-588)4017148-6 (DE-588)7693207-2 (DE-588)4054023-6 |
| title | Sound design & science fiction |
| title_alt | Sound design and science fiction |
| title_auth | Sound design & science fiction |
| title_exact_search | Sound design & science fiction |
| title_exact_search_txtP | Sound design & science fiction |
| title_full | Sound design & science fiction by William Whittington |
| title_fullStr | Sound design & science fiction by William Whittington |
| title_full_unstemmed | Sound design & science fiction by William Whittington |
| title_short | Sound design & science fiction |
| title_sort | sound design science fiction |
| topic | Cinéma - Effets sonores ram Films de science-fiction ram Films sonores ram Son - Enregistrement et reproduction ram son - enregistrement et reproduction ram Film Motion pictures Sound effects Science fiction films Sound motion pictures Sound Recording and reproducing Soundverarbeitung (DE-588)4485311-7 gnd Filmvertonung (DE-588)4017148-6 gnd Sounddesign (DE-588)7693207-2 gnd Science-Fiction-Film (DE-588)4054023-6 gnd |
| topic_facet | Cinéma - Effets sonores Films de science-fiction Films sonores Son - Enregistrement et reproduction son - enregistrement et reproduction Film Motion pictures Sound effects Science fiction films Sound motion pictures Sound Recording and reproducing Soundverarbeitung Filmvertonung Sounddesign Science-Fiction-Film |
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