Toward a new film aesthetic:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Continuum
2008
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VI, 234 S. Ill. |
| ISBN: | 9780826428714 9780826428707 0826428703 0826428711 |
Internformat
MARC
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| 100 | 1 | |a Isaacs, Bruce |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Toward a new film aesthetic |c Bruce Isaacs |
| 264 | 1 | |a New York [u.a.] |b Continuum |c 2008 | |
| 300 | |a VI, 234 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 500 | |a Includes bibliographical references and index | ||
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| 650 | 4 | |a Film | |
| 650 | 4 | |a Ästhetik | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
1. A Notion of Film Aesthetics................................1
Engaging the Aesthetic Impulse...........................1
Realism: Foundations...................................8
Bazin and the Myth of Total Cinema.....................15
Depth of Field and Focus...............................18
Citizen Kane: A Cinematographic Revolution?.............22
A Note on the Mechanics of Style........................25
Auteurism and the Artifice of the Cinematic Image.........26
Focus and Signification.................................33
A Brief Defense of Bazin................................36
The Transcendence of the Image.........................37
Conclusion...........................................43
2. Toward a Theory of Popular Culture........................51
Culture as Functionality................................51
Culture as Commodity.................................60
Culture as Industry....................................68
Authenticity and Spectacle..............................83
3. Text and Spectacle in The Matrix Franchise..................97
Conceptualizing the Spectacle Aesthetic..................97
Further Musings on Authenticity and the Spectacle.........98
A Brief Note on (Mis)Reading Cinema...................102
Spectacle and Technology..............................104
The Matrix Phenomenon..............................105
Toward a Notion of Textual Discursivity.................107
Intertextuality and Discursivity.........................109
Myth and Text in The Matrix Franchise:
Gorging on the Sacred Past..........................116
vi TOWARD A NEW FILM AESTHETIC
Cinema and the Contemporary Mythology...............118
Conceptualizing the Hypermyth........................123
Baudrillard and a Simulated Mythology..................123
Screening the Hypermyth..............................128
The Discursivity of the One............................130
The Visibility of Style: Image Strategies in
Contemporary Cinema..............................135
24: Real-Time Narrative...............................140
The Ontology of Bullet-Time...........................142
4. The Cinematic Real: Image, Text, Culture..................157
The Spectacle Aesthetic, Or the Cinematic Real...........157
The Metacinematic Lens...............................159
Character Acting.....................................160
Foregrounding Genericity:
The Limitations of Classical Film Genre...............165
Genre and Contemporary Cinematic Forms..............170
Genericity: Beyond Genre.............................177
Performing Genericity.................................179
The Metacinematic Aesthetic:
Tarantino—Leone—Eastwood.......................183
Metacinema and Postmodern Narrative:
The New Auteurism................................190
Conclusion..........................................195
Bibliography..............................................201
Filmography..............................................217
Index ....................................................227
|
| adam_txt |
Contents
1. A Notion of Film Aesthetics.1
Engaging the Aesthetic Impulse.1
Realism: Foundations.8
Bazin and the Myth of Total Cinema.15
Depth of Field and Focus.18
Citizen Kane: A Cinematographic Revolution?.22
A Note on the Mechanics of Style.25
Auteurism and the Artifice of the Cinematic Image.26
Focus and Signification.33
A Brief Defense of Bazin.36
The Transcendence of the Image.37
Conclusion.43
2. Toward a Theory of Popular Culture.51
Culture as Functionality.51
Culture as Commodity.60
Culture as Industry.68
Authenticity and Spectacle.83
3. Text and Spectacle in The Matrix Franchise.97
Conceptualizing the Spectacle Aesthetic.97
Further Musings on Authenticity and the Spectacle.98
A Brief Note on (Mis)Reading Cinema.102
Spectacle and Technology.104
The Matrix Phenomenon.105
Toward a Notion of Textual Discursivity.107
Intertextuality and Discursivity.109
Myth and Text in The Matrix Franchise:
Gorging on the Sacred Past.116
vi TOWARD A NEW FILM AESTHETIC
Cinema and the Contemporary Mythology.118
Conceptualizing the Hypermyth.123
Baudrillard and a Simulated Mythology.123
Screening the Hypermyth.128
The Discursivity of the One.130
The Visibility of Style: Image Strategies in
Contemporary Cinema.135
24: Real-Time Narrative.140
The Ontology of Bullet-Time.142
4. The Cinematic Real: Image, Text, Culture.157
The Spectacle Aesthetic, Or the Cinematic Real.157
The Metacinematic Lens.159
Character Acting.160
Foregrounding Genericity:
The Limitations of Classical Film Genre.165
Genre and Contemporary Cinematic Forms.170
Genericity: Beyond Genre.177
Performing Genericity.179
The Metacinematic Aesthetic:
Tarantino—Leone—Eastwood.183
Metacinema and Postmodern Narrative:
The New Auteurism.190
Conclusion.195
Bibliography.201
Filmography.217
Index .227 |
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| index_date | 2024-07-02T19:58:34Z |
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| isbn | 9780826428714 9780826428707 0826428703 0826428711 |
| language | English |
| lccn | 2007013620 |
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| physical | VI, 234 S. Ill. |
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| spelling | Isaacs, Bruce Verfasser aut Toward a new film aesthetic Bruce Isaacs New York [u.a.] Continuum 2008 VI, 234 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Matrix Film (DE-588)4780840-8 gnd rswk-swf Film Ästhetik Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmästhetik (DE-588)4140881-0 s DE-604 Matrix Film (DE-588)4780840-8 u http://www.loc.gov/catdir/toc/ecip0714/2007013620.html Table of contents only HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016359735&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Isaacs, Bruce Toward a new film aesthetic Matrix Film (DE-588)4780840-8 gnd Film Ästhetik Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd |
| subject_GND | (DE-588)4780840-8 (DE-588)4140881-0 |
| title | Toward a new film aesthetic |
| title_auth | Toward a new film aesthetic |
| title_exact_search | Toward a new film aesthetic |
| title_exact_search_txtP | Toward a new film aesthetic |
| title_full | Toward a new film aesthetic Bruce Isaacs |
| title_fullStr | Toward a new film aesthetic Bruce Isaacs |
| title_full_unstemmed | Toward a new film aesthetic Bruce Isaacs |
| title_short | Toward a new film aesthetic |
| title_sort | toward a new film aesthetic |
| topic | Matrix Film (DE-588)4780840-8 gnd Film Ästhetik Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd |
| topic_facet | Matrix Film Film Ästhetik Motion pictures Aesthetics Filmästhetik |
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