Musical autographs from Monteverdi to Hindemith: 1
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Dover Publications
1965
|
| Ausgabe: | 1. Dover publ. |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | V, 154 S. Ill., Notenbeisp. |
Internformat
MARC
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| 100 | 1 | |a Winternitz, Emanuel |d 1898-1983 |e Verfasser |0 (DE-588)117411051 |4 aut | |
| 245 | 1 | 0 | |a Musical autographs from Monteverdi to Hindemith |n 1 |
| 250 | |a 1. Dover publ. | ||
| 264 | 1 | |a New York |b Dover Publications |c 1965 | |
| 300 | |a V, 154 S. |b Ill., Notenbeisp. | ||
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| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-016359505 | ||
Datensatz im Suchindex
| _version_ | 1804137435958870016 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS
I. THE WRITTEN SIGN
i. Choice of Material
3
i. The Physiognomy of Script
3
3.
Printed and Written Music
5
4.
Dimensions of Music on Paper
6
5.
Changing Methods of Notation
7
a) Elements of the Modern Score
8
bar lines
9
superposition of parts
10
scoring
10
b) Shape of Notes
12
c) Increase of Directions
12
d) Expression Marks
M
tempo indications
14
dynamic marks
15
e) Articulation
17
phrasing marks
17
fingering marks
17
pedal marks
17
f
)
Abbreviation and Shorthand
18
thoroughbass
18
ornaments
18
distinction of parts in keyboard polyphony
19
II. THE WRITING ACT
1.
The Tools of Writing
23
quill pen
23
steel pen
24
2.
Changing Fashions of Writing
25
3.
Individual Hands
26
A. Characteristics of Single Signs
26
a) Size
26
b) Width
26
c) Quality of line
27
d) Slant
27
e) Shape
27
f) Direction
27
CONTENTS
g) Connectedness
27
h)
Interrelation between shape, direction and connectedness
28
B. Relationship between Signs
30
a) Space Sensitivity
30
b) Evenness
31
c) Visual Harmony and Rhythm
33
C. Constancy of Features
33
4.
Graphology and Musical Script
33
a) The Status of Graphology
Intuitional and experimental methods
b) Musical Script as Supplementary Graphological Material
35
Metaphors as graphological technique
36
c)
Letterhand
and Musical Notation
37
1
both as products of the same habitual pen motion (R. Wagner)
2
letterhand influenced by musical notation (Mozart, Verdi)
3
simplified patterns in score and letter script (Brahms)
SELECTIVE BIBLIOGRAPHY
41
III. DESCRIPTION OF THE PLATES
45
INDEX i49
|
| adam_txt |
CONTENTS
ACKNOWLEDGMENTS
I. THE WRITTEN SIGN
i. Choice of Material
3
i. The Physiognomy of Script
3
3.
Printed and Written Music
5
4.
Dimensions of Music on Paper
6
5.
Changing Methods of Notation
7
a) Elements of the Modern Score
8
bar lines
9
superposition of parts
10
scoring
10
b) Shape of Notes
12
c) Increase of Directions
12
d) Expression Marks
M
tempo indications
14
dynamic marks
15
e) Articulation
17
phrasing marks
17
fingering marks
17
pedal marks
17
f
)
Abbreviation and Shorthand
18
thoroughbass
18
ornaments
18
distinction of parts in keyboard polyphony
19
II. THE WRITING ACT
1.
The Tools of Writing
23
quill pen
23
steel pen
24
2.
Changing Fashions of Writing
25
3.
Individual Hands
26
A. Characteristics of Single Signs
26
a) Size
26
b) Width
26
c) Quality of line
27
d) Slant
27
e) Shape
27
f) Direction
27
CONTENTS
g) Connectedness
27
h)
Interrelation between shape, direction and connectedness
28
B. Relationship between Signs
30
a) Space Sensitivity
30
b) Evenness
31
c) Visual Harmony and Rhythm
33
C. Constancy of Features
33
4.
Graphology and Musical Script
33
a) The Status of Graphology
Intuitional and experimental methods
b) Musical Script as Supplementary Graphological Material
35
Metaphors as graphological technique
36
c)
Letterhand
and Musical Notation
37
1
both as products of the same habitual pen motion (R. Wagner)
2
letterhand influenced by musical notation (Mozart, Verdi)
3
simplified patterns in score and letter script (Brahms)
SELECTIVE BIBLIOGRAPHY
41
III. DESCRIPTION OF THE PLATES
45
INDEX i49 |
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| author | Winternitz, Emanuel 1898-1983 |
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| edition | 1. Dover publ. |
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| id | DE-604.BV023172854 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:58:28Z |
| indexdate | 2024-07-09T21:12:15Z |
| institution | BVB |
| language | English |
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| physical | V, 154 S. Ill., Notenbeisp. |
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| publishDateSearch | 1965 |
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| spelling | Winternitz, Emanuel 1898-1983 Verfasser (DE-588)117411051 aut Musical autographs from Monteverdi to Hindemith 1 1. Dover publ. New York Dover Publications 1965 V, 154 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier (DE-604)BV023172849 1 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016359505&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Winternitz, Emanuel 1898-1983 Musical autographs from Monteverdi to Hindemith |
| title | Musical autographs from Monteverdi to Hindemith |
| title_auth | Musical autographs from Monteverdi to Hindemith |
| title_exact_search | Musical autographs from Monteverdi to Hindemith |
| title_exact_search_txtP | Musical autographs from Monteverdi to Hindemith |
| title_full | Musical autographs from Monteverdi to Hindemith 1 |
| title_fullStr | Musical autographs from Monteverdi to Hindemith 1 |
| title_full_unstemmed | Musical autographs from Monteverdi to Hindemith 1 |
| title_short | Musical autographs from Monteverdi to Hindemith |
| title_sort | musical autographs from monteverdi to hindemith |
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