Nineteenth century French art: from Romanticism to Impressionism, post-Impressionism and Art Nouveau
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English French |
| Veröffentlicht: |
Paris
Flammarion
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Originally published in French |
| Beschreibung: | 463 Seiten Illustrationen 29 cm |
Internformat
MARC
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| 100 | 1 | |a Allard, Sébastien |d 1967- |e Verfasser |0 (DE-588)143653180 |4 aut | |
| 240 | 1 | 0 | |a L'Art du XIXe siècle |
| 245 | 1 | 0 | |a Nineteenth century French art |b from Romanticism to Impressionism, post-Impressionism and Art Nouveau |c Henri Loyrette, general ed. Sébastien Allard and Laurence des Cars |
| 264 | 1 | |a Paris |b Flammarion |c 2007 | |
| 300 | |a 463 Seiten |b Illustrationen |c 29 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Originally published in French | ||
| 505 | 8 | |a Includes bibliographical references (p. 443-453) and indexes | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1800-1900 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Art, French / 19th century | |
| 650 | 7 | |a Art - France - 19e siècle |2 ram | |
| 650 | 7 | |a Art nouveau - France |2 ram | |
| 650 | 7 | |a Impressionnisme (art) - France |2 ram | |
| 650 | 7 | |a Romantisme - France - France |2 ram | |
| 650 | 4 | |a Kunst | |
| 650 | 4 | |a Art, French |y 19th century | |
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Datensatz im Suchindex
| _version_ | 1804137372124708864 |
|---|---|
| adam_text | Contents
French Art in the Nineteenth Century 8
Henri Loyrette
The Romantic Experiment 40
Sébastien Allard
The Salon: tradition and modernity 41
Heroism: traditional models
and the modern world 44
Artists in search of a modern heroism 44
The recourse to national history: the nude
and modern dress 47
The nostalgic dream of Italy 51
Géricault and the breakthrough
of contemporary history 52
The artist as demiurge: originality
versus principles 55
The dreams of young innovators 55
Delacroix, or the power of inspiration 58
From artist as demiurge to a committed art:
the case of sculpture 66
The emergence of landscape:
beyond the constraints of genre 76
Camille Corot and the renewal of the great tradition 77
Lessons from England: a national landscape 86
The pantheist Naturalism of Théodore Rousseau 88
The ambivalence of the Barbizon Group 93
Disenchantment with history
End of the lyrical illusion:
the verism of Horace Vernet
Paul Delaroche, historical genre,
and the advent of the masses
The revival of the Classical school
and its move toward sensualism
Ingres and Ingrism:
the principles regenerated
Ingres: the power of style
Diversity among the followers of Ingres
ingrism, or the revival ot large-scale decoration
An impossible synthesis: Theodore Chassériau
From Historicism to Eclecticism
Si- has i i en Ai.iaki) AM) Lmjri.nci- des Cars
Classicai Antiquity
and the shock of history
95
95
98
106
106
117
125
126
132
133
The maintenance of the Antique style
A liberating archaism: the Greek model
Conquering new horizons
The past in the service of modern art
The new frontiers of Classicism:
Orientalism and japonisme
133
137
H5
145
160
A MODERN STYLE: NINETEENTH-CENTURY GOTHIC 165
The search for a French Gothic 165
Viollet-le-Duc, or the system against the norm 168
Stylistic nuances in Gothic design 173
Eclecticism and re-creation 175
Synthesizing the lessons of history 176
Charles Gamier and the synthesis of the arts 182
The dominion of the decorative 188
Heirs to eclecticism: a French model? 192
The Realist Revolution 196
Laurence des Cars
Daumier: freedom of the outsider 203
Artistic circles 207
Two Great Peasants 208
Millet: the ideal reworked 212
Courbet s self-invention 215
Truths of nature 220
The evolution of landscape 222
Stylistic harmony 226
Rome s dying embers 226
Carpeaux: the rebel sculptor 230
The work and its multiples 233
The hothouse atmosphere of the Salon 236
From the true to the modern:
a New Painting 237
Spain, in Paris 239
Closing the ranks 244
The art of engraving 247
The status of still life 249
History painting: a difference shared by Manet
and Degas 251
Landscape and genre: figure painting in
the open air 255
Modern connections 258
Realism and spontaneity: the seeds of
Impressionism 261
London, exile and promised land 263
Innovation and independence:
the Impressionist adventure
One has to be a thousand—or all alone.
Degas and the development of the portrait
The countryside and the city
Photographic influences
Capturing the real
The battle for a new art
Photography and its relationship
with Realism
Document and history
A sidelong glance
The Modern City
Sébastien Allard and Laurence des Cars
In search of a new Paris (1820-50)
The transformation of Paris: Napoleon hi
and Haussmann
The Haussmann system
Territories old and new
Haussmannization outside Paris
From the Commune to the Third Republic:
the fate of Hausmann s Paris
A NEW URBAN LANDSCAPE
The apartment building as symbol of
the modern citv
The monument takes center stage
From the street to the garden, the c itv of the flaneur
The impact of industry
The age at the rlsori
Dreams of the itì :
the u ni e r s l exhibitions
Fin de Siècle
LAURÏ-V ! Di s G r-s
Impressionism m crisis
Working m solitude
Sculpture rejmenated: Rodin
La [ orte de I Enfer: endless inspiration
A new urammar of form
Rodin and the publie monument
Rodm in iqoc: assessment and manifesto
264
268
270
276
281
281
283
287
290
291
292
293
299
300
302
304
306
309
309
3 3
318
321
Artists, power, and i he market:
a new environment
An era of pluralism
The power of patronage
From hisiory painting ro naturalist
NARRA IT V E
Dramaturgy and realism
Naturalism—or the portrait of society
The dominance of allegory in sculpture
From photography to the birth of the cinema:
a new understanding of the world
THE AN I INA! (JRAl IS I REACTION:
THE APPEAL OF SYMBOI ISM
1886: the birth of Symbolism?
Gustave Morcan: myth as a substitute for history
f uvis de Chavannes: the essence of the decorative
Odilon Redon: the dream within
I he artwork in metamorphosis
Stylistic quandaries and new ai.sthi ii s:
Ni o-Impri ssionism and Cioisonnism
Sennit: the drive for a new art
Neo Impressioinsm
Gauguin: from Impressionism to Symbolist
synthesis
Van Gogh and the lyric Km ol coloi
Primitive forms
Seeking a lost woild
Till N Alii RI VI I I ION
Sac red and profane
file painter at the theatet
1 ou louse (.,hi liei : new i on» loi lus
I he dec oratisi imperative
A K I c ) 11 I II : I 111 R I 11 I I i ( ) N OI I l I I ! I o N
f he genesis of ,i c ontemporarv ait
Nane v. the (¡emus Imi ol Art Nouveau
(¦mile Galle: horn natine to s mbol
I ouis Majoielle and Lugene Vallili:
st li/ed sti u( tines
Applied arts and die h i tec tine: the Nani v yalaw
c ilv: lire loi Gì lim, lid in l ai i
357
557
362
365
369
371
374
374
37
379
; A7 1 he ¦ aie lutee 1 and
Ne )te s
Se In •le de te X d I. ihliogiaph
s7 l I lot e l^ lap Ine e redits
38S
39-^
401
40 i
40s
4°9
4 1
41s
417
418
4-4
4-S
4 «
4-5s
44 Ì
4S4
4 4
|
| adam_txt |
Contents
French Art in the Nineteenth Century 8
Henri Loyrette
The Romantic Experiment 40
Sébastien Allard
The Salon: tradition and modernity 41
Heroism: traditional models
and the modern world 44
Artists in search of a modern heroism 44
The recourse to national history: the nude
and modern dress 47
The nostalgic dream of Italy 51
Géricault and the breakthrough
of contemporary history 52
The artist as demiurge: originality
versus principles 55
The dreams of young innovators 55
Delacroix, or the power of inspiration 58
From artist as demiurge to a committed art:
the case of sculpture 66
The emergence of landscape:
beyond the constraints of genre 76
Camille Corot and the renewal of the great tradition 77
Lessons from England: a national landscape 86
The pantheist Naturalism of Théodore Rousseau 88
The ambivalence of the Barbizon Group 93
Disenchantment with history
End of the lyrical illusion:
the verism of Horace Vernet
Paul Delaroche, historical genre,
and the advent of the masses
The revival of the Classical school
and its move toward sensualism
Ingres and Ingrism:
the principles regenerated
Ingres: the power of style
Diversity among the followers of Ingres
ingrism, or the revival ot large-scale decoration
An impossible synthesis: Theodore Chassériau
From Historicism to Eclecticism
Si- has i i en Ai.iaki) AM) Lmjri.nci- des Cars
Classicai Antiquity
and the shock of history
95
95
98
106
106
117
125
126
132
133
The maintenance of the Antique style
A liberating archaism: the Greek model
Conquering new horizons
The past in the service of modern art
The new frontiers of Classicism:
Orientalism and japonisme
133
137
H5
145
160
A MODERN STYLE: NINETEENTH-CENTURY GOTHIC 165
The search for a French Gothic 165
Viollet-le-Duc, or the system against the norm 168
Stylistic nuances in Gothic design 173
Eclecticism and re-creation 175
Synthesizing the lessons of history 176
Charles Gamier and the synthesis of the arts 182
The dominion of the decorative 188
Heirs to eclecticism: a French model? 192
The Realist Revolution 196
Laurence des Cars
Daumier: freedom of the outsider 203
Artistic circles 207
"Two Great Peasants" 208
Millet: the ideal reworked 212
Courbet's self-invention 215
Truths of nature 220
The evolution of landscape 222
Stylistic harmony 226
Rome's dying embers 226
Carpeaux: the rebel sculptor 230
The work and its multiples 233
The hothouse atmosphere of the Salon 236
From the true to the modern:
a New Painting 237
Spain, in Paris 239
Closing the ranks 244
The art of engraving 247
The status of still life 249
History painting: a difference shared by Manet
and Degas 251
Landscape and genre: figure painting in
the open air 255
Modern connections 258
Realism and spontaneity: the seeds of
Impressionism 261
London, exile and promised land 263
Innovation and independence:
the Impressionist adventure
"One has to be a thousand—or all alone."
Degas and the development of the portrait
The countryside and the city
Photographic influences
Capturing the real
The battle for a new art
Photography and its relationship
with Realism
Document and history
A sidelong glance
The Modern City
Sébastien Allard and Laurence des Cars
In search of a new Paris (1820-50)
The "transformation" of Paris: Napoleon hi
and Haussmann
The Haussmann system
Territories old and new
Haussmannization outside Paris
From the Commune to the Third Republic:
the fate of Hausmann s Paris
A NEW URBAN LANDSCAPE
The apartment building as symbol of
the modern citv
The monument takes center stage
From the street to the garden, the c itv of the flaneur
The impact of industry
The age at the rlsori
Dreams of the itì :
the u ni \ e r s \ l exhibitions
Fin de Siècle
LAURÏ-V ! Di s G \r-s
Impressionism m crisis
Working m solitude
Sculpture rejmenated: Rodin
La ['orte de I Enfer: endless inspiration
A new urammar of form
Rodin and the publie monument
Rodm in iqoc: assessment and manifesto
264
268
270
276
281
281
283
287
290
291
292
293
299
300
302
304
306
309
309
3'3
318
321
Artists, power, and i he market:
a new environment
An era of pluralism
The power of patronage
From hisiory painting ro naturalist
NARRA IT V E
Dramaturgy and realism
Naturalism—or the portrait of society
The dominance of allegory in sculpture
From photography to the birth of the cinema:
a new understanding of the world
THE AN I INA! (JRAl IS I REACTION:
THE APPEAL OF SYMBOI ISM
1886: the birth of Symbolism?
Gustave Morcan: myth as a substitute for history
f'uvis de Chavannes: the essence of the decorative
Odilon Redon: the dream within
I he artwork in metamorphosis
Stylistic quandaries and new ai.sthi ii s:
Ni o-Impri ssionism and Cioisonnism
Sennit: the drive for a new art
Neo Impressioinsm
Gauguin: from Impressionism to Symbolist
"synthesis"
Van Gogh and the lyric Km ol coloi
Primitive forms
Seeking a lost woild
Till N Alii RI VI I \ I ION
Sac red and profane
file painter at the theatet
1 ou louse (.,hi liei : new i on» loi lus
I he dec oratisi' imperative
A K I \ c ) 11 \ I \ II : I 111 R I 11 I I i ( ) N OI I \l I I \ ! I o N
f he genesis of ,i c ontemporarv ait
Nane v. the (¡emus Imi ol Art Nouveau
(¦mile Galle: horn natine to s\mbol
I ouis Majoielle and Lugene Vallili:
st\ li/ed sti u( tines
Applied arts and die h i tec tine: the Nani v yalaw
c ilv: lire loi Gì lim, lid in l'ai i
357
557
362
365
369
371
374
374
37'
379
\\; A7 1 he ¦ aie lutee 1 and
Ne )te s
Se In •le de te X d I. ihliogiaph
' s7 l'I lot e l^ lap Ine e redits
38S
39-^
401
40 i
40s
4°9
4 1
41s
417
418
4-4
4-S
4 «
4-5s
44 Ì
4S4
4 4 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Allard, Sébastien 1967- Des Cars, Laurence 1966- |
| author_GND | (DE-588)143653180 (DE-588)14258178X (DE-588)124154263 |
| author_facet | Allard, Sébastien 1967- Des Cars, Laurence 1966- |
| author_role | aut aut |
| author_sort | Allard, Sébastien 1967- |
| author_variant | s a sa c l d cl cld |
| building | Verbundindex |
| bvnumber | BV023109757 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6847 |
| callnumber-raw | N6847 |
| callnumber-search | N6847 |
| callnumber-sort | N 46847 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LM 10180 |
| contents | Includes bibliographical references (p. 443-453) and indexes |
| ctrlnum | (OCoLC)144225307 (DE-599)BVBBV023109757 |
| dewey-full | 709.44/09034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.44/09034 |
| dewey-search | 709.44/09034 |
| dewey-sort | 3709.44 49034 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 |
| format | Book |
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| id | DE-604.BV023109757 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:47:53Z |
| indexdate | 2024-07-09T21:11:15Z |
| institution | BVB |
| language | English French |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016312373 |
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| physical | 463 Seiten Illustrationen 29 cm |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Flammarion |
| record_format | marc |
| spelling | Allard, Sébastien 1967- Verfasser (DE-588)143653180 aut L'Art du XIXe siècle Nineteenth century French art from Romanticism to Impressionism, post-Impressionism and Art Nouveau Henri Loyrette, general ed. Sébastien Allard and Laurence des Cars Paris Flammarion 2007 463 Seiten Illustrationen 29 cm txt rdacontent n rdamedia nc rdacarrier Originally published in French Includes bibliographical references (p. 443-453) and indexes Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Art, French / 19th century Art - France - 19e siècle ram Art nouveau - France ram Impressionnisme (art) - France ram Romantisme - France - France ram Kunst Art, French 19th century Kunst (DE-588)4114333-4 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Kunst (DE-588)4114333-4 s Geschichte 1800-1900 z DE-604 Des Cars, Laurence 1966- Verfasser (DE-588)14258178X aut Loyrette, Henri 1952- Sonstige (DE-588)124154263 oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016312373&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Allard, Sébastien 1967- Des Cars, Laurence 1966- Nineteenth century French art from Romanticism to Impressionism, post-Impressionism and Art Nouveau Includes bibliographical references (p. 443-453) and indexes Art, French / 19th century Art - France - 19e siècle ram Art nouveau - France ram Impressionnisme (art) - France ram Romantisme - France - France ram Kunst Art, French 19th century Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4018145-5 |
| title | Nineteenth century French art from Romanticism to Impressionism, post-Impressionism and Art Nouveau |
| title_alt | L'Art du XIXe siècle |
| title_auth | Nineteenth century French art from Romanticism to Impressionism, post-Impressionism and Art Nouveau |
| title_exact_search | Nineteenth century French art from Romanticism to Impressionism, post-Impressionism and Art Nouveau |
| title_exact_search_txtP | Nineteenth century French art from Romanticism to Impressionism, post-Impressionism and Art Nouveau |
| title_full | Nineteenth century French art from Romanticism to Impressionism, post-Impressionism and Art Nouveau Henri Loyrette, general ed. Sébastien Allard and Laurence des Cars |
| title_fullStr | Nineteenth century French art from Romanticism to Impressionism, post-Impressionism and Art Nouveau Henri Loyrette, general ed. Sébastien Allard and Laurence des Cars |
| title_full_unstemmed | Nineteenth century French art from Romanticism to Impressionism, post-Impressionism and Art Nouveau Henri Loyrette, general ed. Sébastien Allard and Laurence des Cars |
| title_short | Nineteenth century French art |
| title_sort | nineteenth century french art from romanticism to impressionism post impressionism and art nouveau |
| title_sub | from Romanticism to Impressionism, post-Impressionism and Art Nouveau |
| topic | Art, French / 19th century Art - France - 19e siècle ram Art nouveau - France ram Impressionnisme (art) - France ram Romantisme - France - France ram Kunst Art, French 19th century Kunst (DE-588)4114333-4 gnd |
| topic_facet | Art, French / 19th century Art - France - 19e siècle Art nouveau - France Impressionnisme (art) - France Romantisme - France - France Kunst Art, French 19th century Frankreich |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016312373&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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