Film theory and philosophy:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford Univ. Press
2003
|
| Ausgabe: | Reprint |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XI, 474 S. |
| ISBN: | 0198159889 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Notes
on Contributors
Instructions for Use
INTRODUCTION: FILM THEORY AND PHILOSOPHY
Richard Allen and Murray Smith
1.
WHAT IS CINEMATIC REPRESENTATION?
37
1
THE FILM THEORY THAT NEVER WAS: A NERVOUS
MANIFESTO Gregory Currie
42
2
ON PICTURES AND PHOTOGRAPHS: OBJECTIONS
ANSWERED Kendall L. Walton
60
3
LOOKING AT MOTION PICTURES Richard Allen
76
4
SOUND, EPISTEMOLOGY, FILM Edward Branigan
95
II. MEANING, AUTHORSHIP, AND INTENTION 12.7
5
CINEMATIC AUTHORSHIP Paisley Livingston
132
6
FILM AUTHORSHIP AND COLLABORATION Berys Gaut
149
7
FICTION, NON-FICTION, AND THE FILM OF
PRESUMPTIVE ASSERTION: A CONCEPTUAL
ANALYSIS
Noël
Carroll
173
8
WHAT IS NON-FICTION CINEMA? Trevor Ponech
203
9
ON FILM NARRATIVE AND NARRATIVE MEANING
George Wilson
zzï
viii Contents
111. IDEOLOGY AND ETHICS
239
10
THE IDEOLOGICAL IMPEDIMENT: EPISTEMOLOGY,
FEMINISM, AND FILM THEORY Jennifer Hammett Z44
11
IDEOLOGY AND FILM CULTURE Hector Rodriguez
2.60
12
AESTHETICS AND POLITICS IN CONTEMPORARY
BLACK FILM THEORY Tommy L.
Lott z8z
IV. AESTHETICS
303
13
MUSIC IN THE MOVIES: A PHILOSOPHICAL ENQUIRY
Peter Ktvy
308
14
PERSONAL AGENCY THEORIES OF EXPRESSIVENESS
AND THE MOVIES Flo Leibowitz
32.9
15 ARISTOTELIANS ON SPEED: PARADOXES OF
GENRE IN THE CONTEXT OF CINEMA
Deborah Knight
343
V. EMOTIONAL RESPONSE
367
16
NOTES ON SPECTATOR EMOTION AND
IDEOLOGICAL FILM CRITICISM Carl Plantinga
372
17
COMEDY AND CLASSICISM
Dirk Litzen 394
18
IMAGINING FROM THE INSIDE Murray Smith
412
19
SEEING THEORY: ON PERCEPTION AND EMOTIONAL
RESPONSE IN CURRENT FILM THEORY
Malcolm Turuey
431
Select Bibliography
458
Index
467
|
| adam_txt |
Contents
Notes
on Contributors
Instructions for Use
INTRODUCTION: FILM THEORY AND PHILOSOPHY
Richard Allen and Murray Smith
1.
WHAT IS CINEMATIC REPRESENTATION?
37
1
THE FILM THEORY THAT NEVER WAS: A NERVOUS
MANIFESTO Gregory Currie
42
2
ON PICTURES AND PHOTOGRAPHS: OBJECTIONS
ANSWERED Kendall L. Walton
60
3
LOOKING AT MOTION PICTURES Richard Allen
76
4
SOUND, EPISTEMOLOGY, FILM Edward Branigan
95
II. MEANING, AUTHORSHIP, AND INTENTION 12.7
5
CINEMATIC AUTHORSHIP Paisley Livingston
132
6
FILM AUTHORSHIP AND COLLABORATION Berys Gaut
149
7
FICTION, NON-FICTION, AND THE FILM OF
PRESUMPTIVE ASSERTION: A CONCEPTUAL
ANALYSIS
Noël
Carroll
173
8
WHAT IS NON-FICTION CINEMA? Trevor Ponech
203
9
ON FILM NARRATIVE AND NARRATIVE MEANING
George Wilson
zzï
viii Contents
111. IDEOLOGY AND ETHICS
239
10
THE IDEOLOGICAL IMPEDIMENT: EPISTEMOLOGY,
FEMINISM, AND FILM THEORY Jennifer Hammett Z44
11
IDEOLOGY AND FILM CULTURE Hector Rodriguez
2.60
12
AESTHETICS AND POLITICS IN CONTEMPORARY
BLACK FILM THEORY Tommy L.
Lott z8z
IV. AESTHETICS
303
13
MUSIC IN THE MOVIES: A PHILOSOPHICAL ENQUIRY
Peter Ktvy
308
14
PERSONAL AGENCY THEORIES OF EXPRESSIVENESS
AND THE MOVIES Flo Leibowitz
32.9
15 ARISTOTELIANS ON SPEED: PARADOXES OF
GENRE IN THE CONTEXT OF CINEMA
Deborah Knight
343
V. EMOTIONAL RESPONSE
367
16
NOTES ON SPECTATOR EMOTION AND
IDEOLOGICAL FILM CRITICISM Carl Plantinga
372
17
COMEDY AND CLASSICISM
Dirk Litzen 394
18
IMAGINING FROM THE INSIDE Murray Smith
412
19
SEEING THEORY: ON PERCEPTION AND EMOTIONAL
RESPONSE IN CURRENT FILM THEORY
Malcolm Turuey
431
Select Bibliography
458
Index
467 |
| any_adam_object | 1 |
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| discipline | Allgemeines Philosophie |
| discipline_str_mv | Allgemeines Philosophie |
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| title | Film theory and philosophy |
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| title_short | Film theory and philosophy |
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