Masculine jealousy and contemporary cinema:
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York [u.a.]
Palgrave Macmillan
2007
|
Schlagworte: | |
Online-Zugang: | Contributor biographical information Publisher description Table of contents only Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XI, 225 S. |
ISBN: | 1403986215 |
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adam_text | Titel: Masculine jealousy and contemporary cinema
Autor: Yates, Candida
Jahr: 2007
Contents
Acknowledgements xi
1 Setting the Scene: Masculinity, Jealousy and Contemporary
Culture 1
Masculinities in popular culture and Hollywood cinema 3
Masculinity, jealousy and the unconscious 6
Hegemonic masculinities, jealousy and cultural change 8
The crisis of masculinities and the feminization of culture
and society 9
Consumer culture, the objectification of male bodies and a
backlash to feminization and change 11
A different cultural response: the new emotional man
and the plurality of masculinities 12
Feminist debates about emotional masculinities and cinema 14
Part I The Psycho-Cultural Shaping of Masculine
Jealousy 17
2 Psychoanalytic Understandings of Masculinity and Jealousy 19
Introduction 19
Jealousy as love and hate: the ambivalent feeling subject 20
Freud s account of normal Oedipal jealousy 21
Neurotic guilt and wishful jealousies 22
A Lacanian perspective on jealousy 24
Narcissistic jealousies as a sign of hate 25
Jealousy and homosexuality 27
Oral jealousy 29
Reparative and envious jealousies 29
Contemporary psychoanalytic research into jealousy 31
Two psychoanalytic models of defensive masculinity
and jealousy 34
The complexity of gendered subjectivities and good enough
jealousy 38
3 Theories of Masculinity, Cinema, Spectatorship and the
Jealous Gaze 42
Introduction 42
Screen theory , cinema and the apparatus of the mind 44
vn
viii Contents
Laura Mulvey and the pleasures of the male gaze 46
The anxieties and pleasures of masculinity as the object
of the gaze 49
Masochism and the male gaze 51
Primal fantasies and the fluidity of the jealous gaze 52
Masculinity and fantasies of the engulfing mother 53
Cultural studies and its influences 54
Contemporary psychoanalytic understandings of masculinity
and cinema 55
4 Analysing Jealousy Texts from a Psycho-Cultural
Perspective 58
Introduction 58
Film studies methodologies: questions of interdisciplinarity,
text and reception 58
Men and women reading men 60
New Hollywood and the cross-over film 61
Film reviews and their uses 62
The inter-textuality of star and film text 64
Emotional texts and affective spectatorship 65
Towards a psycho-cultural case study approach to film analysis 70
Part II Masculine Jealousy in the Movies 73
5 Taxi Driver: The Psychopathic Hero and the Rescue
Romance: How Jealousy Drives the Narrative Along
(M. Scorsese, USA, 1976) 75
Masculinity under siege: the psychopathic jealous hero 76
Robert De Niro as Taxi Driver 78
Contemporary nostalgia for De Niro as Taxi Driver 79
The jealous mise-en-scene 81
The jealous rescue motif 82
The female objects of rescue and desire 84
Morbid jealousy and male rivalry 87
Gender and jealous paranoia in reviews of Taxi Driver 88
Conclusion 89
6 Michael Douglas: Envy, Greed and Jealous Desire in
A Perfect Murder (A. Davis, USA, 1998) 92
Michael Douglas: an icon of wounded, cuckolded white
masculinity 93
Jealousy, greed and the fantasies of the instinctive,
jealous body 95
Contents ix
Rivalry, homoerotocism and the imaginary father 96
Voyeurism, jealousy and new technology 98
The jealous mise-en-scene: globalization, consumer culture
and jealous desire 99
Jealous megalomania 101
Dial M For Murder (1954) and the re-make of a jealous hero 102
Emily as the active curious subject, or the passive object of
jealousy? 104
Conclusion 105
7 Englishness, Nation and Masculine Jealousy in The End Of
The Affair (N. Jordan, USA/UK, 1999) 108
Introduction 108
The jealous mise-en-scene: a postmodern take on heritage and
jealousy in The End Of The Affair 109
Ralph Fiennes as an English hero 110
Ralph Fiennes as a modern Freudian hero 112
Bendrix: the reflexive jealous hero or drama queen? 113
The sanctification of Sarah as a jealous object of desire 115
Homoeroticism, and male rivalry: the tensions of sameness
and difference 116
Neil Jordan s interpretation of jealousy: a view from
the outside 118
Englishness, nation and the struggle in the UK press 120
Conclusion: questions of faith and the jealous struggle for
possession 121
8 The Piano: A Feminine Narrative of Masculine Jealousies
(/. Campion, Australia/New Zealand, 1993) 124
Introduction 124
Jane Campion and The Piano as a feminist text 125
Sam Neill as Stewart 126
Harvey Keitel as George Baines 126
The jealous mise-en-scene: the otherness of the film s
landscape 128
Ada as an object of jealousy and exchange 129
Masculinity, melodrama, and a different kind of ending 131
A different vision of rivalrous masculinities 132
Images of masculinity, jealousy and otherness: the press
response 136
Conclusion ¦ 139
x Contents
9 Unfaithful: A Tale of Female Infidelity and the Jealousy of a
Good Husband (A. Lyne, USA, 2002) 141
Introduction 141
The contradictions of Adrian Lyne: an auteur on the themes
of sex, love and betrayal 142
Richard Gere, from playboy to family man: a jealous hero
for the post-Clinton/Blairite era 146
Contemporary dilemmas of a good husband and father and
the protection of the family 148
The mise-en scene of jealousy and the collapse of family
boundaries 152
The sexual politics of blame and jealousy as an innate
condition 155
Jealous bodies and the incestuous mother 157
Oedipal rivalry of father and son 159
The press response to Unfaithful: disappointment at the
lack-lustre cuckold 160
Conclusion: family fictions, jealous loss and the lack of a
happy ending 161
10 Conclusion: Towards an Understanding of Masculinity,
Jealousy and Cinema 164
The psycho-cultural shaping of masculinity and jealousy 164
The place of masculine jealousy in contemporary culture 166
Jealous sensibilities and sexual difference 167
A cultural crisis of masculinity 169
Images of masculine jealousy and new spaces for
spectatorship 171
Transitional, good enough masculinities, jealousy and
cultural change 176
Appendix: Case Study Film Synopses 179
Notes 184
Filmography 199
Bibliography 202
Index 219
|
adam_txt |
Titel: Masculine jealousy and contemporary cinema
Autor: Yates, Candida
Jahr: 2007
Contents
Acknowledgements xi
1 Setting the Scene: Masculinity, Jealousy and Contemporary
Culture 1
Masculinities in popular culture and Hollywood cinema 3
Masculinity, jealousy and the unconscious 6
Hegemonic masculinities, jealousy and cultural change 8
The crisis of masculinities and the feminization of culture
and society 9
Consumer culture, the objectification of male bodies and a
backlash to feminization and change 11
A different cultural response: the new 'emotional man'
and the plurality of masculinities 12
Feminist debates about emotional masculinities and cinema 14
Part I The Psycho-Cultural Shaping of Masculine
Jealousy 17
2 Psychoanalytic Understandings of Masculinity and Jealousy 19
Introduction 19
Jealousy as love and hate: the ambivalent feeling subject 20
Freud's account of 'normal' Oedipal jealousy 21
Neurotic guilt and wishful jealousies 22
A Lacanian perspective on jealousy 24
Narcissistic jealousies as a sign of hate 25
Jealousy and homosexuality 27
Oral jealousy 29
Reparative and envious jealousies 29
Contemporary psychoanalytic research into jealousy 31
Two psychoanalytic models of defensive masculinity
and jealousy 34
The complexity of gendered subjectivities and good enough
jealousy 38
3 Theories of Masculinity, Cinema, Spectatorship and the
Jealous Gaze 42
Introduction 42
'Screen theory', cinema and the apparatus of the mind 44
vn
viii Contents
Laura Mulvey and the pleasures of the male gaze 46
The anxieties and pleasures of masculinity as the object
of the gaze 49
Masochism and the male gaze 51
Primal fantasies and the fluidity of the jealous gaze 52
Masculinity and fantasies of the engulfing mother 53
Cultural studies and its influences 54
Contemporary psychoanalytic understandings of masculinity
and cinema 55
4 Analysing Jealousy Texts from a Psycho-Cultural
Perspective 58
Introduction 58
Film studies methodologies: questions of interdisciplinarity,
text and reception 58
Men and women reading men 60
New Hollywood and the cross-over film 61
Film reviews and their uses 62
The inter-textuality of star and film text 64
Emotional texts and affective spectatorship 65
Towards a psycho-cultural case study approach to film analysis 70
Part II Masculine Jealousy in the Movies 73
5 Taxi Driver: The Psychopathic Hero and the Rescue
Romance: How Jealousy Drives the Narrative Along
(M. Scorsese, USA, 1976) 75
Masculinity under siege: the psychopathic jealous hero 76
Robert De Niro as Taxi Driver 78
Contemporary nostalgia for De Niro as Taxi Driver 79
The jealous mise-en-scene 81
The jealous 'rescue motif 82
The female objects of rescue and desire 84
Morbid jealousy and male rivalry 87
Gender and jealous paranoia in reviews of Taxi Driver 88
Conclusion 89
6 Michael Douglas: Envy, Greed and Jealous Desire in
A Perfect Murder (A. Davis, USA, 1998) 92
Michael Douglas: an icon of wounded, cuckolded white
masculinity 93
Jealousy, greed and the fantasies of the instinctive,
jealous body 95
Contents ix
Rivalry, homoerotocism and the imaginary father 96
Voyeurism, jealousy and new technology 98
The jealous mise-en-scene: globalization, consumer culture
and jealous desire 99
Jealous megalomania 101
Dial M For Murder (1954) and the re-make of a jealous hero 102
Emily as the active curious subject, or the passive object of
jealousy? 104
Conclusion 105
7 Englishness, Nation and Masculine Jealousy in The End Of
The Affair (N. Jordan, USA/UK, 1999) 108
Introduction 108
The jealous mise-en-scene: a postmodern take on heritage and
jealousy in The End Of The Affair 109
Ralph Fiennes as an English hero 110
Ralph Fiennes as a modern Freudian hero 112
Bendrix: the reflexive jealous hero or drama queen? 113
The sanctification of Sarah as a jealous object of desire 115
Homoeroticism, and male rivalry: the tensions of sameness
and difference 116
Neil Jordan's interpretation of jealousy: a view from
the outside 118
Englishness, nation and the struggle in the UK press 120
Conclusion: questions of faith and the jealous struggle for
possession 121
8 The Piano: A Feminine Narrative of Masculine Jealousies
(/. Campion, Australia/New Zealand, 1993) 124
Introduction 124
Jane Campion and The Piano as a feminist text 125
Sam Neill as Stewart 126
Harvey Keitel as George Baines 126
The jealous mise-en-scene: the otherness of the film's
landscape 128
Ada as an object of jealousy and exchange 129
Masculinity, melodrama, and a different kind of ending 131
A different vision of rivalrous masculinities 132
Images of masculinity, jealousy and otherness: the press
response 136
Conclusion ¦ 139
x Contents
9 Unfaithful: A Tale of Female Infidelity and the Jealousy of a
Good Husband (A. Lyne, USA, 2002) 141
Introduction 141
The contradictions of Adrian Lyne: an auteur on the themes
of sex, love and betrayal 142
Richard Gere, from playboy to family man: a jealous hero
for the post-Clinton/Blairite era 146
Contemporary dilemmas of a good husband and father and
the protection of the family 148
The mise-en scene of jealousy and the collapse of family
boundaries 152
The sexual politics of blame and jealousy as an innate
condition 155
Jealous bodies and the incestuous mother 157
Oedipal rivalry of father and son 159
The press response to Unfaithful: disappointment at the
'lack-lustre' cuckold 160
Conclusion: family fictions, jealous loss and the lack of a
happy ending 161
10 Conclusion: Towards an Understanding of Masculinity,
Jealousy and Cinema 164
The psycho-cultural shaping of masculinity and jealousy 164
The place of masculine jealousy in contemporary culture 166
Jealous sensibilities and sexual difference 167
A cultural crisis of masculinity 169
Images of masculine jealousy and new spaces for
spectatorship 171
Transitional, good enough masculinities, jealousy and
cultural change 176
Appendix: Case Study Film Synopses 179
Notes 184
Filmography 199
Bibliography 202
Index 219 |
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spellingShingle | Yates, Candida Masculine jealousy and contemporary cinema Men in motion pictures Masculinity in motion pictures Jealousy in motion pictures Film (DE-588)4017102-4 gnd Eifersucht Motiv (DE-588)4137638-9 gnd Männlichkeit Motiv (DE-588)4372433-4 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4137638-9 (DE-588)4372433-4 (DE-588)4099817-4 |
title | Masculine jealousy and contemporary cinema |
title_auth | Masculine jealousy and contemporary cinema |
title_exact_search | Masculine jealousy and contemporary cinema |
title_exact_search_txtP | Masculine jealousy and contemporary cinema |
title_full | Masculine jealousy and contemporary cinema Candida Yates |
title_fullStr | Masculine jealousy and contemporary cinema Candida Yates |
title_full_unstemmed | Masculine jealousy and contemporary cinema Candida Yates |
title_short | Masculine jealousy and contemporary cinema |
title_sort | masculine jealousy and contemporary cinema |
topic | Men in motion pictures Masculinity in motion pictures Jealousy in motion pictures Film (DE-588)4017102-4 gnd Eifersucht Motiv (DE-588)4137638-9 gnd Männlichkeit Motiv (DE-588)4372433-4 gnd |
topic_facet | Men in motion pictures Masculinity in motion pictures Jealousy in motion pictures Film Eifersucht Motiv Männlichkeit Motiv Los Angeles- Hollywood |
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