America on film: representing race, class, gender, and sexuality at the movies
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Malden, MA
Blackwell
2006
|
| Ausgabe: | 1. publ., repr. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVI, 371 S. zahlr. Ill. |
| ISBN: | 0631225838 |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents
Acknowledgments
How to Use This Book
Part
Culture and American Film
ι
Introduction to the Study of Film Form
and Representation
Film Form
American Ideologies: Discrimination and Resistance
Culture and Cultural Studies
Case Study: The lion King
(1994)
Questions for Discussion
Further Reading
2
The Structure and History of Hollywood Filmmaking
Hollywood vs. Independent Film
The Style of Hollywood Cinema
The Business of Hollywood
The History of Hollywood: The Movies Begin
The Classical Hollywood Cinema
World War II and Postwar Film
"New" Hollywood and the Blockbuster Mentality
Questions for Discussion
Further Reading
Further Screening
Race and Ethnicity and American Film
47
Introduction to Part II: What is Race?
49
3
The Concept of Whiteness and American Film
53
Seeing White
54
Bleaching the Green: The Irish in American Cinema
58
Looking for Respect: Italians in American Cinema
63
A Special Case: Jews and Hollywood
67
Case Study: The Jazz Singer
(1927) 72
Questions for Discussion
73
Further Reading
74
Further Screening
74
4
African Americans and American Film
75
African Americans in Early Film
76
Blacks in Classical Hollywood Cinema
80
World War II and the Postwar Social Problem Film
82
The Rise and Fall of Blaxploitation Filmmaking
85
Box: Blacks on TV
87
Hollywood in the
1980s
and the Arrival of Spike Lee
88
Black Independent Film vs. "Neo-Blaxploitation" Today
91
Case Study: Bamboozled
(2000) 93
Questions for Discussion
95
Further Reading
95
Further Screening
95
5
Native Americans and American Film
96
The American "Indian" Before Film
97
Ethnographic Films and the Rise of the Hollywood Western
100
The Evolving Western
104
A Kinder, Gentler America?
109
Case Study: Smoke Signals
(1998) 113
Questions for Discussion
114
Further Reading
114
Further Screening
115
6
Asian Americans and American Film
ш
Silent Film and Asian Images
117
Asians in Classical Hollywood Cinema
119
World War II and After: War Films, Miscegenation
Melodramas, and
Kung
Fu
124
Asian American Actors and Filmmakers Today
128
Case Study: Eat a Bowl of Tea
(1989) 131
Questions for Discussion
133
Further Reading
134
Further Screening
134
7
Latinos and American Film
135
The Greaser and the Latin Lover: Alternating Stereotypes
137
World War II and After: The Good Neighbor Policy
140
The
1950s
to the
1970s:
Back to Business as Usual?
146
Expanding Opportunities in Recent Decades
148
Case Study: My Family/Mi
Familia
(1995) 152
Questions for Discussion
153
Further Reading
154
Further Screening
154
Class and American Film
155
Introduction to Part III: What is Class?
157
8
Classical Hollywood Cinema and Class 161
Setting the Stage: The Industrial Revolution
162
Early Cinema: The Rise of the Horatio
Alger
Myth
163
Hollywood and Unionization
168
Class in the Classical Hollywood Cinema
171
Case Study: The Grapes of Wrath
(1940) 174
Conclusion: Recloaking Class Consciousness
176
Questions for Discussion
177
Further Reading
177
Further Screening
177
9
Cinematic Class Struggle After the Depression
m
From World War II to the Red Scare
179
From Opulence to Counterculture
182
Box: Class on Television
185
New Hollywood and the Resurrection of the Horatio
Alger
Myth
189
Case Study: Bulworth
(1998) 195
Conclusion: Corporate Hollywood and Labor Today
197
Questions for Discussion
198
Further Reading
199
Further Screening
199
Gender and American Film
201
Introduction to Part IV: What is Gender?
203
10
Women in Classical Hollywood Filmmaking
207
Images of Women in Early Cinema
208
Early Female Filmmakers
213
Images of Women in
1930s
Classical Hollywood
217
World War II and After
221
Case Study: All that Heaven Allows
(1955) 225
Questions for Discussion
228
Further Reading
228
Further Screening
228
11
Exploring the Visual Parameters of Women in Film
229
Ways of Seeing
230
"Visual Pleasure and Narrative Cinema"
233
Case Study:
Gilda (1946) 242
Conclusion: Complicating Mulvey's Arguments
244
Questions for Discussion
247
Further Reading
247
Further Screening
248
12
Masculinity in Classical Hollywood Filmmaking
Masculinity and Early Cinema
Masculinity and the Male Movie Star
World War II and Film
Noir
Case Study: Dead Reckoning
(1947)
Conclusion: Masculinity in
1950s
American Film
Questions for Discussion
Further Reading
Further Screening
13
Gender in American Film Since the
1960s
Second Wave Feminism and Hollywood
Into the
1980s:
A Backlash against Women?
A New Generation of Female Filmmakers
Case Study: The Ballad of Little Jo
(1993)
Conclusion: Gender at the Turn of the Millennium
Questions for Discussion
Further Reading
Further Screening
Sexuality and American Film
291
Introduction to Part V: What is Sexuality?
293
14
Heterosexuality, Homosexuality,
and Classical Hollywood
297
(Hetero)
Sexuality on Screen
298
(Homo)Sexuality in Early Film
300
Censoring Sexuality during the Classical Hollywood Era
302
Postwar Sexualities and the Weakening of the Production Code
307
Camp and the Underground Cinema
313
Case Study: The Celluloid Closet
(1995) 315
Questions for Discussion
317
Further Reading
317
Further Screening
317
15
Sexualities on Film Since the Sexual Revolution
зі8
Hollywood and the Sexual Revolution
319
Film and Gay Culture from Stonewall to AIDS
320
The AIDS Crisis
325
Queer Theory and New Queer Cinema
328
Case Study: Go Fish
(1995) 335
Conclusion: Hollywood Today
335
Questions for Discussion
337
Further Reading
337
Further Screening
338
339
356 |
| adam_txt |
Contents
Acknowledgments
How to Use This Book
Part
Culture and American Film
ι
Introduction to the Study of Film Form
and Representation
Film Form
American Ideologies: Discrimination and Resistance
Culture and Cultural Studies
Case Study: The lion King
(1994)
Questions for Discussion
Further Reading
2
The Structure and History of Hollywood Filmmaking
Hollywood vs. Independent Film
The Style of Hollywood Cinema
The Business of Hollywood
The History of Hollywood: The Movies Begin
The Classical Hollywood Cinema
World War II and Postwar Film
"New" Hollywood and the Blockbuster Mentality
Questions for Discussion
Further Reading
Further Screening
Race and Ethnicity and American Film
47
Introduction to Part II: What is Race?
49
3
The Concept of Whiteness and American Film
53
Seeing White
54
Bleaching the Green: The Irish in American Cinema
58
Looking for Respect: Italians in American Cinema
63
A Special Case: Jews and Hollywood
67
Case Study: The Jazz Singer
(1927) 72
Questions for Discussion
73
Further Reading
74
Further Screening
74
4
African Americans and American Film
75
African Americans in Early Film
76
Blacks in Classical Hollywood Cinema
80
World War II and the Postwar Social Problem Film
82
The Rise and Fall of Blaxploitation Filmmaking
85
Box: Blacks on TV
87
Hollywood in the
1980s
and the Arrival of Spike Lee
88
Black Independent Film vs. "Neo-Blaxploitation" Today
91
Case Study: Bamboozled
(2000) 93
Questions for Discussion
95
Further Reading
95
Further Screening
95
5
Native Americans and American Film
96
The American "Indian" Before Film
97
Ethnographic Films and the Rise of the Hollywood Western
100
The Evolving Western
104
A Kinder, Gentler America?
109
Case Study: Smoke Signals
(1998) 113
Questions for Discussion
114
Further Reading
114
Further Screening
115
6
Asian Americans and American Film
ш
Silent Film and Asian Images
117
Asians in Classical Hollywood Cinema
119
World War II and After: War Films, Miscegenation
Melodramas, and
Kung
Fu
124
Asian American Actors and Filmmakers Today
128
Case Study: Eat a Bowl of Tea
(1989) 131
Questions for Discussion
133
Further Reading
134
Further Screening
134
7
Latinos and American Film
135
The Greaser and the Latin Lover: Alternating Stereotypes
137
World War II and After: The Good Neighbor Policy
140
The
1950s
to the
1970s:
Back to Business as Usual?
146
Expanding Opportunities in Recent Decades
148
Case Study: My Family/Mi
Familia
(1995) 152
Questions for Discussion
153
Further Reading
154
Further Screening
154
Class and American Film
155
Introduction to Part III: What is Class?
157
8
Classical Hollywood Cinema and Class 161
Setting the Stage: The Industrial Revolution
162
Early Cinema: The Rise of the Horatio
Alger
Myth
163
Hollywood and Unionization
168
Class in the Classical Hollywood Cinema
171
Case Study: The Grapes of Wrath
(1940) 174
Conclusion: Recloaking Class Consciousness
176
Questions for Discussion
177
Further Reading
177
Further Screening
177
9
Cinematic Class Struggle After the Depression
m
From World War II to the Red Scare
179
From Opulence to Counterculture
182
Box: Class on Television
185
New Hollywood and the Resurrection of the Horatio
Alger
Myth
189
Case Study: Bulworth
(1998) 195
Conclusion: Corporate Hollywood and Labor Today
197
Questions for Discussion
198
Further Reading
199
Further Screening
199
Gender and American Film
201
Introduction to Part IV: What is Gender?
203
10
Women in Classical Hollywood Filmmaking
207
Images of Women in Early Cinema
208
Early Female Filmmakers
213
Images of Women in
1930s
Classical Hollywood
217
World War II and After
221
Case Study: All that Heaven Allows
(1955) 225
Questions for Discussion
228
Further Reading
228
Further Screening
228
11
Exploring the Visual Parameters of Women in Film
229
Ways of Seeing
230
"Visual Pleasure and Narrative Cinema"
233
Case Study:
Gilda (1946) 242
Conclusion: Complicating Mulvey's Arguments
244
Questions for Discussion
247
Further Reading
247
Further Screening
248
12
Masculinity in Classical Hollywood Filmmaking
Masculinity and Early Cinema
Masculinity and the Male Movie Star
World War II and Film
Noir
Case Study: Dead Reckoning
(1947)
Conclusion: Masculinity in
1950s
American Film
Questions for Discussion
Further Reading
Further Screening
13
Gender in American Film Since the
1960s
Second Wave Feminism and Hollywood
Into the
1980s:
A Backlash against Women?
A New Generation of Female Filmmakers
Case Study: The Ballad of Little Jo
(1993)
Conclusion: Gender at the Turn of the Millennium
Questions for Discussion
Further Reading
Further Screening
Sexuality and American Film
291
Introduction to Part V: What is Sexuality?
293
14
Heterosexuality, Homosexuality,
and Classical Hollywood
297
(Hetero)
Sexuality on Screen
298
(Homo)Sexuality in Early Film
300
Censoring Sexuality during the Classical Hollywood Era
302
Postwar Sexualities and the Weakening of the Production Code
307
Camp and the Underground Cinema
313
Case Study: The Celluloid Closet
(1995) 315
Questions for Discussion
317
Further Reading
317
Further Screening
317
15
Sexualities on Film Since the Sexual Revolution
зі8
Hollywood and the Sexual Revolution
319
Film and Gay Culture from Stonewall to AIDS
320
The AIDS Crisis
325
Queer Theory and New Queer Cinema
328
Case Study: Go Fish
(1995) 335
Conclusion: Hollywood Today
335
Questions for Discussion
337
Further Reading
337
Further Screening
338
339
356 |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.436520693 |
| dewey-sort | 3791.436520693 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| discipline_str_mv | Allgemeines Anglistik / Amerikanistik |
| edition | 1. publ., repr. |
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| geographic | USA - Film - Geschlechterbeziehung - Klassenbewusstsein - Rassenbeziehung USA (DE-588)4078704-7 gnd |
| geographic_facet | USA - Film - Geschlechterbeziehung - Klassenbewusstsein - Rassenbeziehung USA |
| id | DE-604.BV023095317 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:42:44Z |
| indexdate | 2024-10-23T14:04:36Z |
| institution | BVB |
| isbn | 0631225838 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016298126 |
| oclc_num | 254442016 |
| open_access_boolean | |
| owner | DE-739 |
| owner_facet | DE-739 |
| physical | XVI, 371 S. zahlr. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Blackwell |
| record_format | marc |
| spelling | Benshoff, Harry M. 1963- Verfasser (DE-588)108935391X aut America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin 1. publ., repr. Malden, MA Blackwell 2006 XVI, 371 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Soziale Klasse Motiv (DE-588)4315466-9 gnd rswk-swf Geschlechterverhältnis (DE-588)4020548-4 gnd rswk-swf Ethnische Beziehungen (DE-588)4176973-9 gnd rswk-swf Klassenbewusstsein (DE-588)4164015-9 gnd rswk-swf Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd rswk-swf Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA - Film - Geschlechterbeziehung - Klassenbewusstsein - Rassenbeziehung USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Ethnische Beziehungen (DE-588)4176973-9 s Geschlechterverhältnis (DE-588)4020548-4 s Klassenbewusstsein (DE-588)4164015-9 s DE-604 Soziale Klasse Motiv (DE-588)4315466-9 s 1\p DE-604 Ethnische Beziehungen Motiv (DE-588)4176974-0 s 2\p DE-604 Geschlechterverhältnis Motiv (DE-588)4213077-3 s 3\p DE-604 Griffin, Sean 1964- Verfasser (DE-588)1154609758 aut Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016298126&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Benshoff, Harry M. 1963- Griffin, Sean 1964- America on film representing race, class, gender, and sexuality at the movies Soziale Klasse Motiv (DE-588)4315466-9 gnd Geschlechterverhältnis (DE-588)4020548-4 gnd Ethnische Beziehungen (DE-588)4176973-9 gnd Klassenbewusstsein (DE-588)4164015-9 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4315466-9 (DE-588)4020548-4 (DE-588)4176973-9 (DE-588)4164015-9 (DE-588)4213077-3 (DE-588)4176974-0 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | America on film representing race, class, gender, and sexuality at the movies |
| title_auth | America on film representing race, class, gender, and sexuality at the movies |
| title_exact_search | America on film representing race, class, gender, and sexuality at the movies |
| title_exact_search_txtP | America on film representing race, class, gender, and sexuality at the movies |
| title_full | America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin |
| title_fullStr | America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin |
| title_full_unstemmed | America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin |
| title_short | America on film |
| title_sort | america on film representing race class gender and sexuality at the movies |
| title_sub | representing race, class, gender, and sexuality at the movies |
| topic | Soziale Klasse Motiv (DE-588)4315466-9 gnd Geschlechterverhältnis (DE-588)4020548-4 gnd Ethnische Beziehungen (DE-588)4176973-9 gnd Klassenbewusstsein (DE-588)4164015-9 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Soziale Klasse Motiv Geschlechterverhältnis Ethnische Beziehungen Klassenbewusstsein Geschlechterverhältnis Motiv Ethnische Beziehungen Motiv Film USA - Film - Geschlechterbeziehung - Klassenbewusstsein - Rassenbeziehung USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016298126&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT benshoffharrym americaonfilmrepresentingraceclassgenderandsexualityatthemovies AT griffinsean americaonfilmrepresentingraceclassgenderandsexualityatthemovies |