Seoul searching: culture and identity in contemporary Korean cinema
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Albany
State Univ. of New York Press
2007
|
| Schriftenreihe: | Horizons of cinema
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xiii, 314 p. ill. |
| ISBN: | 9780791472255 9780791472262 |
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| adam_text | Seoul Searching
Culture and Identity in
Contemporary Korean Cinema
Frances Gateward, editor
STATE UNIVERSITY OF NEW YORK PRESS
Contents
List of Illustrations ix
Acknowledgments xiii
Introduction 1
Frances Gateward
Part 1: Industry Trends and Popular Genres 13
1 Korean Cinema after Liberation: Production, Industry, and
Regulatory Trends 15
Seung Hyun Park
2 Christmas in August and Korean Melodrama 37
Darcy Paquet
3 Storming the Big Screen: The Shiri Syndrome 55
Chi-Yun Shin and Julian Stringer
4 Timeless, Bottomless Bad Movies: Or, Consuming Youth
in the New Korean Cinema 73
David Desser
Part 2: Directing New Korean Cinema 97
5 Scream and Scream Again: Korean Modernity as a House of
Horrors in the Films of Kim Ki-young 99
Chris Berry
viii Contents
6 Forgetting to Remember, Remembering to Forget:
The Politics of Memory and Modernity in the Fractured
Films of Lee Chang-dong and Hong Sang-soo 115
Hye Seung Chung and David Scott Diffrient
7 Reflexivity and Identity Crisis in Park Chul-soo s
Farewell, My Darling 141
Hyangsoon Yi
8 Nowhere to Hide: The Tumultuous Materialism of
Lee Myung-se 157
Anne Rutherford
9 Closing the Circle: Why Has Bodhidharma Left for the East? 175
Linda C Ehrlich
Part 3: Narratives of the National 189
10 Waiting to Exhale: The Colonial Experience and the
Trouble with My Own Breathing 191
Frances Gateward
11 Crossing the Border to the Other Side: Dynamics of
Interaction between North and South Koreans in
Spy Li Cheol-jin and Joint Security Area 219
Suk-Young Kim
12 Race, Gender, and Postcolonial Identity in Kim Ki-duk s
Address Unknown 243
Myungja Kim
13 Transgressing Boundaries: From Sexual Abuse to Eating
Disorders in 301/302 265
Diane Carson
14 Taking the Plunge: Representing Queer Desire in
Contemporary South Korean Cinema 283
Robert L Cagle
List of Contributors 299
Index 303
Illustrations
Figure 1 1 White Badge Qeong Ji-yeong 1992) 23
Figure 1 2 The Ginko Bed (Kang Je-kyu 1995) Courtesy
Pusan Film Festival 27
Figure 2 1 Christmas in August (Hur Jin-ho 1998)
Courtesy Pusan Film Festival 38
Figure 2 2 Christmas in August (Hur Jin-ho 1998) 41
Figure 2 3 Christmas in August (Hur Jin-ho 1998) 41
Figure 2 4 Christmas in August (Hur Jin-ho 1998) 41
Figure 3 1 Shiri (Kang Je-kyu 1999) Courtesy Samsung
Entertainment 56
Figure 3 2 Shiri (Kang Je-kyu 1999) Courtesy Samsung
Entertainment 57
Figure 3 3 Shiri (Kang Je-kyu 1999) Courtesy Samsung
Entertainment 60
Figure 4 1 Lies Gang Sun-woo 1999) Courtesy Pusan Film
Festival 74
Figure 4 2 Beat (Kim Sung-su 1997) 76
IX
Illustrations
Figure 4 3 Taking Care of My Cat (Jeong Jae-eun 2001) 77
Figure 4 4 Attack the Gas Station (Kim Sang-jin 1999) 84
Figure 5 1 Insect Woman (Kim Ki-young 1972) Courtesy
Pusan Film Festival 100
Figure 5 2 The Housemaid (Kim Ki-young 1960) Courtesy
Pusan Film Festival 105
Figure 5 3 Insect Woman (Kim Ki-young 1972) Courtesy
Pusan Film Festival 108
Figure 6 1 Peppermint Candy (2000) Courtesy Pusan Film
Festival 117
Figure 6 2 Peppermint Candy (2000) 128
Figure 7 1 Farewell, My Darling (Park Chul-soo 1996) 142
Figure 7 2 Farewell, My Darling (Park Chul-soo 1996) 147
Figure 7 3 Farewell, My Darling (Park Chul-soo 1996) 148
Figure 8 1 Nowhere to Hide (Lee Myung-se 1999)
Courtesy Pusan Film Festival 158
Figure 8 2 Nowhere to Hide (Lee Myung-se 1999) 161
Figure 9 1 Why Has Bodhidharma Left for the East?
(Bae Yong-kyun 1989) 176
Figure 9 2 Why Has Bodhidharma Left for the East?
(Bae Yong-kyun 1989) 177
Figure 9 3 Why Has Bodhidharma Left for the East?
(Bae Yong-kyun 1989) 181
Figure 9 4 Why Has Bodhidharma Left for the East?
(Bae Yong-kyun 1989) 182
Figure 10 1 No Blood No Tears (Ryo Seung-won 2002)
Courtesy Pusan Film Festival 195
Illustrations xi
Figure 10 2 My Own Breathing (Byun Young-joo 2000)
Courtesy Pusan Film Festival 208
Figure 10 3 My Own Breathing (Byun Young-joo 2000)
Courtesy Pusan Film Festival 211
Figure 10 4 Habitual Sadness (Byun Young-joo 1997)
Figure 11 1 Joint Security Area (Park Chan-wook 2000) 220
Figure 11 2 Joint Security Area (Park Chan-wook 2000) 234
Figure 12 1 Address Unknown (Kim Ki-duk 2001) 244
Figure 12 2 Address Unknown (Kim Ki-duk 2001) 256
Figure 12 3 Address Unknown (Kim Ki-duk 2001) 257
Figure 13 1 301/302 (Park Chul-soo 1995) 268
Figure 13 2 301/302 (Park Chul-soo 1995) 271
Figure 13 3 301/302 (Park Chul-soo 1995) 272
Figure 14 1 Bungee Jumping of Their Own (Kim Dae-sung 2001) 286
Figure 14 2 Bungee Jumping of Their Own (Kim Dae-sung 2001) 292
Figure 14 3 Bungee Jumping of Their Own (Kim Dae-sung 2001) 295
|
| adam_txt |
Seoul Searching
Culture and Identity in
Contemporary Korean Cinema
Frances Gateward, editor
STATE UNIVERSITY OF NEW YORK PRESS
Contents
List of Illustrations ix
Acknowledgments xiii
Introduction 1
Frances Gateward
Part 1: Industry Trends and Popular Genres 13
1 Korean Cinema after Liberation: Production, Industry, and
Regulatory Trends 15
Seung Hyun Park
2 Christmas in August and Korean Melodrama 37
Darcy Paquet
3 Storming the Big Screen: The Shiri Syndrome 55
Chi-Yun Shin and Julian Stringer
4 Timeless, Bottomless Bad Movies: Or, Consuming Youth
in the New Korean Cinema 73
David Desser
Part 2: Directing New Korean Cinema 97
5 Scream and Scream Again: Korean Modernity as a House of
Horrors in the Films of Kim Ki-young 99
Chris Berry
viii Contents
6 Forgetting to Remember, Remembering to Forget:
The Politics of Memory and Modernity in the Fractured
Films of Lee Chang-dong and Hong Sang-soo 115
Hye Seung Chung and David Scott Diffrient
7 Reflexivity and Identity Crisis in Park Chul-soo's
Farewell, My Darling 141
Hyangsoon Yi
8 Nowhere to Hide: The Tumultuous Materialism of
Lee Myung-se 157
Anne Rutherford
9 Closing the Circle: Why Has Bodhidharma Left for the East? 175
Linda C Ehrlich
Part 3: Narratives of the National 189
10 Waiting to Exhale: The Colonial Experience and the
Trouble with My Own Breathing 191
Frances Gateward
11 Crossing the Border to the Other Side: Dynamics of
Interaction between North and South Koreans in
Spy Li Cheol-jin and Joint Security Area 219
Suk-Young Kim
12 Race, Gender, and Postcolonial Identity in Kim Ki-duk's
Address Unknown 243
Myungja Kim
13 Transgressing Boundaries: From Sexual Abuse to Eating
Disorders in 301/302 265
Diane Carson
14 Taking the Plunge: Representing Queer Desire in
Contemporary South Korean Cinema 283
Robert L Cagle
List of Contributors 299
Index 303
Illustrations
Figure 1 1 White Badge Qeong Ji-yeong 1992) 23
Figure 1 2 The Ginko Bed (Kang Je-kyu 1995) Courtesy
Pusan Film Festival 27
Figure 2 1 Christmas in August (Hur Jin-ho 1998)
Courtesy Pusan Film Festival 38
Figure 2 2 Christmas in August (Hur Jin-ho 1998) 41
Figure 2 3 Christmas in August (Hur Jin-ho 1998) 41
Figure 2 4 Christmas in August (Hur Jin-ho 1998) 41
Figure 3 1 Shiri (Kang Je-kyu 1999) Courtesy Samsung
Entertainment 56
Figure 3 2 Shiri (Kang Je-kyu 1999) Courtesy Samsung
Entertainment 57
Figure 3 3 Shiri (Kang Je-kyu 1999) Courtesy Samsung
Entertainment 60
Figure 4 1 Lies Gang Sun-woo 1999) Courtesy Pusan Film
Festival 74
Figure 4 2 Beat (Kim Sung-su 1997) 76
IX
Illustrations
Figure 4 3 Taking Care of My Cat (Jeong Jae-eun 2001) 77
Figure 4 4 Attack the Gas Station (Kim Sang-jin 1999) 84
Figure 5 1 Insect Woman (Kim Ki-young 1972) Courtesy
Pusan Film Festival 100
Figure 5 2 The Housemaid (Kim Ki-young 1960) Courtesy
Pusan Film Festival 105
Figure 5 3 Insect Woman (Kim Ki-young 1972) Courtesy
Pusan Film Festival 108
Figure 6 1 Peppermint Candy (2000) Courtesy Pusan Film
Festival 117
Figure 6 2 Peppermint Candy (2000) 128
Figure 7 1 Farewell, My Darling (Park Chul-soo 1996) 142
Figure 7 2 Farewell, My Darling (Park Chul-soo 1996) 147
Figure 7 3 Farewell, My Darling (Park Chul-soo 1996) 148
Figure 8 1 Nowhere to Hide (Lee Myung-se 1999)
Courtesy Pusan Film Festival 158
Figure 8 2 Nowhere to Hide (Lee Myung-se 1999) 161
Figure 9 1 Why Has Bodhidharma Left for the East?
(Bae Yong-kyun 1989) 176
Figure 9 2 Why Has Bodhidharma Left for the East?
(Bae Yong-kyun 1989) 177
Figure 9 3 Why Has Bodhidharma Left for the East?
(Bae Yong-kyun 1989) 181
Figure 9 4 Why Has Bodhidharma Left for the East?
(Bae Yong-kyun 1989) 182
Figure 10 1 No Blood No Tears (Ryo Seung-won 2002)
Courtesy Pusan Film Festival 195
Illustrations xi
Figure 10 2 My Own Breathing (Byun Young-joo 2000)
Courtesy Pusan Film Festival 208
Figure 10 3 My Own Breathing (Byun Young-joo 2000)
Courtesy Pusan Film Festival 211
Figure 10 4 Habitual Sadness (Byun Young-joo 1997)
Figure 11 1 Joint Security Area (Park Chan-wook 2000) 220
Figure 11 2 Joint Security Area (Park Chan-wook 2000) 234
Figure 12 1 Address Unknown (Kim Ki-duk 2001) 244
Figure 12 2 Address Unknown (Kim Ki-duk 2001) 256
Figure 12 3 Address Unknown (Kim Ki-duk 2001) 257
Figure 13 1 301/302 (Park Chul-soo 1995) 268
Figure 13 2 301/302 (Park Chul-soo 1995) 271
Figure 13 3 301/302 (Park Chul-soo 1995) 272
Figure 14 1 Bungee Jumping of Their Own (Kim Dae-sung 2001) 286
Figure 14 2 Bungee Jumping of Their Own (Kim Dae-sung 2001) 292
Figure 14 3 Bungee Jumping of Their Own (Kim Dae-sung 2001) 295 |
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| spelling | Seoul searching culture and identity in contemporary Korean cinema Frances Gateward, ed. Albany State Univ. of New York Press 2007 xiii, 314 p. ill. txt rdacontent n rdamedia nc rdacarrier Horizons of cinema Includes bibliographical references and index Cinéma - Corée du Sud Culture au cinéma Nationalisme au cinéma Film Motion pictures Korea (South) Culture in motion pictures Film (DE-588)4017102-4 gnd rswk-swf Südkorea (DE-588)4078029-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Südkorea (DE-588)4078029-6 g Film (DE-588)4017102-4 s DE-604 Gateward, Frances Sonstige oth http://www.loc.gov/catdir/toc/ecip076/2006100306.html Table of contents only HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016297483&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Seoul searching culture and identity in contemporary Korean cinema |
| title_auth | Seoul searching culture and identity in contemporary Korean cinema |
| title_exact_search | Seoul searching culture and identity in contemporary Korean cinema |
| title_exact_search_txtP | Seoul searching culture and identity in contemporary Korean cinema |
| title_full | Seoul searching culture and identity in contemporary Korean cinema Frances Gateward, ed. |
| title_fullStr | Seoul searching culture and identity in contemporary Korean cinema Frances Gateward, ed. |
| title_full_unstemmed | Seoul searching culture and identity in contemporary Korean cinema Frances Gateward, ed. |
| title_short | Seoul searching |
| title_sort | seoul searching culture and identity in contemporary korean cinema |
| title_sub | culture and identity in contemporary Korean cinema |
| topic | Cinéma - Corée du Sud Culture au cinéma Nationalisme au cinéma Film Motion pictures Korea (South) Culture in motion pictures Film (DE-588)4017102-4 gnd |
| topic_facet | Cinéma - Corée du Sud Culture au cinéma Nationalisme au cinéma Film Motion pictures Korea (South) Culture in motion pictures Südkorea Aufsatzsammlung |
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